MOVIE: The Iron Giant (1999)

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The Iron GiantYear: 1999Rating: PGLength: 86 minutes / 1.43 hours There's something magical about a coming of age story where a young boy befriends an alien entity. The Iron Giant (1999) is among the ranks of E.T. - The Extra-Terrestrial (1982) and How to Train Your Dragon (2010) for these similar stories with equally magical results. I'm not sure if the moral of these films is that adults are more likely to want to kill what they don't understand or if there's an inherent peaceful nature to every creature—at least until it's threatened with violence. What works well for The Iron Giant is the Red Scare of the 1950s providing a backdrop for the fear of unknown technology. Having just demonstrated the power of nuclear weapons in World War II, the titular giant can be seen as both a helpful and extremely dangerous entity. The ability of children to assume the innocence of things they don't understand sits in stark contrast to...
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MOVIE: Megalopolis (2024)

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MegalopolisYear: 2024Rating: RLength: 138 minutes / 2.30 hours As a lover of cinema, I immediately recognize Francis Ford Coppola's name. He put out such great and timeless films as The Godfather (1972) and Apocalypse Now! (1979)—iconic to this very day. Since I was too young to see any of his films in theaters, I jumped at the opportunity to go in blind to see Megalopolis (2024). Once I got out of the theater, I had to double-check. Turns out, he has made dozens of movies, but there are only a handful worth mentioning that are any good. Megalopolis suffers from some of the same problems that I feel plagued movies like Once Upon a Time...in Hollywood (2019) and Babylon (2022). These directors, like Quentin Tarantino and Damien Chazelle, have made such a name for themselves that they received a blank check to do the movie they wanted to do. These movies then end up being too long and meandering, as if the...
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MOVIE: The Wild Robot (2024)

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The Wild RobotYear: 2024Rating: PGLength: 102 minutes / 1.70 hours Having grown up with both Pixar and DreamWorks movies, the level of quality has usually been on the side of Pixar. Whether in their visuals or their storytelling, Pixar had a special magic that seemed to outdo whatever DreamWorks was putting out. In recent years, this has flipped. There's been less heart in Pixar films, but DreamWorks has knocked it out of the park with original and heartfelt ideas. That DreamWorks has also leaned into their more "stylized" animation styles has made it stand above and apart. The Wild Robot (2024) is probably the best recent example of how DreamWorks has created a timeless story that resonates on several levels. The juxtaposition of natural and mechanical is front and center, but deeper down the themes delve into parenthood and the ability for machines to feel human emotions. As a parent, this movie hit hard with its ability to show how nurturing also...
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MOVIE: The Pirates! Band of Misfits (2012)

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The Pirates! Band of MisfitsYear: 2012Rating: PGLength: 88 minutes / 1.47 hours I've always been a fan of Aardman Animation and I usually make it a point to watch the films they put out. And while not everything can be from my favorite Wallace & Gromit franchise, their movies can be a little hit or miss, depending on a variety of factors. I appreciate that they've been trying to improve their already impressive stop-motion visuals, and The Pirates! Band of Misfits (2012) shows off a lot of visual style. However, the plot itself felt just average. The most impressive visuals here are all the little details in absolutely everything. Characters. Settings. Backgrounds. All the little jokes sprinkled throughout that you'd likely have to pause to catch are a nice touch, but almost feel too hidden to be truly appreciated. The voice work is also quite good, as it relies on a ton of famous actors like Hugh Grant, David Tennant, and Martin...
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MOVIE: Transformers One (2024)

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Transformers OneYear: 2024Rating: PGLength: 104 minutes / 1.73 hours For a series that originally appealed to children, it felt like the Transformers movie franchise took a long time to focus on its original demographic again. Sure, the nostalgia bait of the early Michael Bay films led to its continued popularity. But focusing on smaller, origin-based stories like Bumblebee (2018) has brought some life back into the flashy, CGI-heavy explosion fests that these movies had become. That's why I was pleased to find Transformers One (2024) reaching back to the roots of its original audience and focusing on the medium that kicked everything off: animation. Compared to the busy, almost incomprehensible action sequences of the previous live-action movies in the franchise, Transformers One has focused and well-designed set pieces that lean into the fact that animation can often do more than any live-action/CGI hybrid could. There was almost a beauty to the simplicity of the character designs instead of the eye-watering detail that...
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MOVIE: Ratatouille (2007)

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RatatouilleYear: 2007Rating: GLength: 111 minutes / 1.85 hours There are few films that hit home quite like Ratatouille (2007) does. Not only is it a gorgeously animated representation of French cooking (and cooking in general), but its message about pursuing your creative dreams despite the obvious challenges is an important one. I think this film and La La Land (2016) both speak volumes about what it means to work in creative spaces. True talent will rise to the top, but only if they have the grit to keep with it. I have a soft spot for Brad Bird's films, and Ratatouille is no exception. The theme of exceptional outsiders strings through from The Iron Giant (1999) to The Incredibles (2004) and really lands here in Ratatouille. While there are so many movies out there that tell you to "follow your dreams," Ratatouille does so with such a juxtaposition that you figure it would never happen. Rats are dirty, so how could one...
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MOVIE: A Matter of Loaf and Death (2008)

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A Matter of Loaf and DeathYear: 2008Rating: PGLength: 29 minutes / 0.48 hours One of the weird things about claymation is that there's this fine line between rough early works and super-refined later films. For Wallace & Gromit, the quality of shorts like A Grand Day Out (1989) shows potential, and the next two shorts of The Wrong Trousers (1993) and A Close Shave (1995) refined the feel of the universe while still having that organic, handmade aesthetic. After having released the full-length Curse of the Were-Rabbit (2005), the next short of A Matter of Loaf and Death (2008) actually felt too polished. Stylistically, A Matter of Loaf and Death is perhaps the most consistent of the shorts. Whether CGI helped or if the processes to make stop-motion films have improved over time, it's difficult to tell. Whatever the reason, so much of this short feels too clean—there aren't the errant fingerprints or other artifacts that reveal the handmade nature of the...
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MOVIE: Bolt (2008)

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BoltYear: 2008Rating: PGLength: 96 minutes / 1.60 hours Mid-2000s Disney was an interesting time for their CGI movies. Pixar had been dominating for at least a decade and created gorgeous films with heartwarming plots. Struggling to keep up with this new medium, Disney still hadn't fully committed to CGI, and it has not aged well. Just as an example, think about how incredible WALL-E (2008) looked and realize it came out the same year as Bolt (2008). Not to say that Bolt is a terrible movie, it just feels bland in comparison—both on looks and plot. Part of the problem of this era of CGI movies is how dated they can feel. Sure, Disney was using some CGI in their animated films even as far back as The Little Mermaid (1989). It's just that Pixar seemed to understand that humans needed to be more like caricatures to escape the uncanny valley. The people in Bolt look so weird and wrong that it's...
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MOVIE: A Close Shave (1995)

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A Close ShaveYear: 1995Rating: PGLength: 31 minutes / 0.52 hours I think it's difficult for the third film in a series to live up to the success of its predecessors. When the first film feels a bit rough and the second is polished to perfection, the third has a lot to live up to. A Close Shave (1995) is definitely better than A Grand Day Out (1989) but I think its scarier elements hold it back from the perfection that is The Wrong Trousers (1993). After all, the levity of Wallace & Gromit is what makes it fun to watch. As is always the case in these early Wallace & Gromit shorts, the technical achievement here is incredible. Aardman makes it look so easy that you don't even realize how they pulled off stop motion flying sequences or have so many moving parts working all in tandem to make a sweater. And the reason why this is falls squarely on how engaging...
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MOVIE: Madagascar 3 – Europe’s Most Wanted (2012)

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Madagascar 3: Europe's Most WantedYear: 2012Rating: PGLength: 93 minutes / 1.55 hours After the first two movies in the Madagascar franchise explored what it was like for zoo animals to survive in the wild, the natural conclusion to this arc was to bring them into an adjacent space for performing animals: the circus. While this didn't allow for nearly as much individual character development as was in Madagascar: Return 2 Africa (2008), Madagascar 3: Europe's Most Wanted (2012) was still a fun ride that looked the best the franchise as ever looked. If anything, Europe's Most Wanted shares more with the first Madagascar (2005) than the second one. The focus on animals performing (including that somewhat annoying "Entrance of the Gladiators" bit that Marty (Chris Rock) does) and the return to Central Park is a good bookend to bring closure to the saga started in the first movie. At least this journey was more purposeful than a mere accident that put the...
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MOVIE: Madagascar – Escape 2 Africa (2008)

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Madagascar: Escape 2 AfricaYear: 2008Rating: PGLength: 89 minutes / 1.48 hours It's interesting how sometimes the first sequel in a franchise can deliver the plot the first movie promised. While Madagascar (2005) was more a "fish out of water" adventure with jerky animation and humor way over the kids' heads, Madagascar: Escape 2 Africa (2008) really showed the contrast between these zoo animals with their contemporaries in Africa. This comparison felt like a much better plot device than the cringe-worthy way the first movie handled the idea of zoo animals living in the wild. The jokes in Madagascar: Escape 2 Africa felt less unhinged from its predecessor. That they played into each of the sub-plots better helped more than just being a string of pop culture references that didn't quite fit the setting. The best gag of course was none of the group being able to pick out Marty from the herd of zebra (in the, "you all look the same" vibe)...
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MOVIE: Madagascar (2005)

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Madagascar Year: 2005 Rating: PG Length: 86 minutes / 1.43 hours DreamWorks movies have always had a harsh comparison to their competition at Pixar. The visuals were never as stunning, the jokes as high-brow, or the plots as thought-provoking. And while Shrek (2001) was an early outlier, enough time has passed that they've developed some great movies like How To Train Your Dragon (2010) and The Bad Guys (2022). Still, movies like Madagascar (2005) highlighted everything that made DreamWorks movies distinctly of that studio—and also ultimately "less than" the comparable fare being put out by Pixar at the same time. Ironically, Pixar explored the whole "predators can't deny their instincts" plot to a much greater effect in Zootopia (2016). In Madagascar, these four Central Park Zoo animals find themselves separated from the support system that made their life comfortable. Their reactions to being in the titular country are played for laughs through the "fish out of water" trope. And while the frenetic, jerky motions of...
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MOVIE: Trolls (2016)

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TrollsYear: 2016Rating: PGLength: 92 minutes / 1.53 hours When it came out, Trolls (2016) was one of those movies that didn't align with my particular Millennial nostalgia—troll dolls always felt a little weird to me. As such, I didn't watch this for the first time until I had kids of my own. Amusingly enough, this is a movie meant for Millennials who have kids. The bright, colorful aesthetic is meant to keep kids entertained. However, the soundtrack for this movie is exclusively filled with music most Millennials will recognize and will probably have some nostalgia for. It's encouraging that there's something more to the plot of Trolls than just a bunch of naked, long-hair dolls. Creating this identity of creatures that have songs, hugs, and happiness as the core of their identity is a bit silly, but it works to offset their gigantic enemies who have none of those qualities. And since songs play so heavily into the troll culture here, it...
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MOVIE: Epic (2013)

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EpicYear: 2013Rating: PGLength: 102 minutes / 1.70 hours One reason I loved the film Honey, I Shrunk the Kids (1989) growing up was the different perspective it brought. When characters are tiny, a yard can be a vast forest. Steps are enormous cliffs. Danger is multiplied. This is not an original idea by any means, but shrinking down characters to experience a much smaller world seems to always have some merit. Even books like Micro have touched on this subject. Epic (2013) is merely another entry in the "miniaturization" trope, but with some good action and world-building to back it up. As with many films like this, Epic wraps its main character, M.K. (Amanda Seyfried) in the troubled trappings of a teenager who is somewhere she does not want to be. It takes an adventure in the nearby woods to appreciate her nerdy father (Jason Sudeikis) and his attempts to connect with her. This revelation is only loosely connected to the battle...
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MOVIE: Monsters, Inc. (2001)

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Monsters, Inc.Year: 2001Rating: GLength: 92 minutes / 1.53 hours Early Pixar films always had a way of being grounded in our reality. The toys in Toy Story (1995) had to make sense as toys. The insects in A Bug's Life (1998) were all known insects. It wasn't until Monsters, Inc. (2001) when an entire world had to be created to explain the "monster in the closet" fear most children grow up with. And while this film is definitely another tech demo to show how good Pixar had gotten at simulating cloth and fur, the plot itself is one of the most original pieces Pixar has ever created. Coming up with dozens of different monster designs was only the first step. That Pixar created a world designed for these monsters to live and work in was the basic follow-up, but creating a whole system of door portals that could access any room in the human world was genius. And having screams power the...
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MOVIE: The LEGO Movie (2014)

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The LEGO MovieYear: 2014Rating: PGLength: 100 minutes / 1.67 hours As a child, LEGO was my toy of choice. I collected it. I built with it. The endless possibilities it provided gave me endless hours of entertainment. In translating this toy to the big screen, the primary concept of imaginative play is front and center. The LEGO Movie (2014) benefited from an alignment of two forces that made it into an instant classic. First, the animation accurately depicted the feel of these plastic bricks. Second, Phil Lord and Christopher Miller have created another comedic masterpiece for kids and adults. The debt that The LEGO Movie owes to all the kids (and adults) who used the bricks to make their own stop-motion films is unavoidably huge. The LEGO video games were a bit more flexible in their character animations...sometimes to their detriment. By keeping the models stiff and abiding by the blocky limitations of the medium, The LEGO Movie made each scene feel...
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MOVIE: Trap (2024)

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TrapYear: 2024Rating: PG-13Length: 105 minutes / 1.75 hours In recent years, I feel like M. Night Shyamalan has regained some of his talent as a director. This may be because I go into a Shyamalan movie expecting there will be some logical plot hole that would collapse the entire concept in an instant, but that there are enough logical "yeah, that makes sense" twists that it's an entertaining ride. Much like Old (2021), Trap (2024) is the latest of these kinds of films that feel like classic Shyamalan. As a father of a young daughter, I can only imagine which pop star my child will become obsessed with and want to see in concert. I probably relate to this movie because I know such an event is in my future. Simply put, though, Josh Hartnett does an excellent job of showing how a smile and a bit of confidence can get you anywhere. Well, that and being a straight white male...but that's...
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MOVIE: Fantastic Mr. Fox (2009)

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Fantastic Mr. FoxYear: 2009Rating: PGLength: 87 minutes / 1.45 hours There's a point in a famous director's filmography that may make you scratch your head and wonder why they pivoted into something so different. Hindsight is always an interesting way to see how the change in genre or form eventually brought on the full realization of the director's style. For Wes Anderson, his previous films had begun to develop into his distinctive style, but Fantastic Mr. Fox (2009) seemed to cement its aesthetic for all future Anderson movies. Hearkening back to the original stop-motion effects from the early years of cinema, Fantastic Mr. Fox is full of frenetic energy—partly from the fur covered creatures voiced by plenty of famous actors. These aren't clay molded stop-motion models like something from Aardman or Laika. Instead, there's a sort of jointed stiffness that is played to great effect by Anderson's love of straight lines and centering on the frame. That Anderson would eventually return to...
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MOVIE: Big Hero 6 (2014)

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Big Hero 6Year: 2014Rating: PGLength: 102 minutes / 1.70 hours Even though Disney has a reputation for being good at the "Princess" movies, I have found that the films geared toward the guys are often overlooked gems. This was probably most obvious during the early 2000s with movies like Atlantis: The Lost Empire (2001) and Treasure Planet (2002), both of which were sci-fi movies that flopped. Fortunately, Disney adapts and aligns with popular trends to create some better received films geared toward the boys. Fusing the sci-fi genre with an anime-like setting and superhero theming, Big Hero 6 (2014) has stood up well over time. I think the only weakness of Big Hero 6 is how closely it plays to the standard tropes. Superhero origin stories are seen as necessary for starting a franchise, but there are only so many ways that plot can be explored before it feels too similar to other movies (with Iron Man (2008) parallels being made here)....
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MOVIE: The Wrong Trousers (1993)

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The Wrong TrousersYear: 1993Rating: PGLength: 29 minutes / 0.48 hours There are plenty of movies where the second installment in a franchise takes all the lessons learned from the first film and uses them to make the absolute best movie possible. Terminator 2 (1991) and Spider-Man 2 (2004) are my go-to examples of this. This can also extend to short films, as seen by the second Wallace & Gromit short film, The Wrong Trousers (1993). There were a lot of improvements from A Grand Day Out, and I still think that this is the pinnacle of the Wallace & Gromit shorts. This time around, the Plasticine duo is up against Feathers McGraw—a dastardly villain who takes advantage of Wallace's kindness and gullible naivete. The pacing, music, and tension would fit right in with a Hitchcock film, which is what makes it that much sillier when the antagonist is a penguin with a rubber glove on its head. Having such a solid (and...
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MOVIE: Deadpool & Wolverine (2024)

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Deadpool & WolverineYear: 2024Rating: RLength: 128 minutes / 2.13 hours Ever since the early success of the Marvel Cinematic Universe (MCU) proved how Marvel could successfully adapt their comics to the big screen, there was always this itch that couldn't be scratched. This was because certain properties like X-Men and Spider-Man were "trapped" at other studios like 20th Century Fox and Sony, respectively. Through mergers and other agreements, some of these franchises came back under the Marvel umbrella (via Disney), allowing Deadpool & Wolverine (2024) to scratch that crossover itch—finally. While this isn't the first time that 20th Century characters have appeared in a mainline MCU entry (with WandaVision and Doctor Strange in the Multiverse of Madness (2022) having those distinctions), Deadpool & Wolverine felt like the proper send-off for these 20th Century characters. After all, it's likely we wouldn't even have an MCU if it weren't for the superhero films like X-Men (2000) that came before Iron Man (2008). In a...
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MOVIE: Cloudy with a Chance of Meatballs (2009)

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Cloudy with a Chance of Meatballs Year: 2009 Rating: PG Length: 90 minutes / 1.50 hours One of the most memorable books of my childhood was Cloudy with a Chance of Meatballs. I was skeptical a short book with no plot could become a feature-length movie. But, just like trying new foods, I gave Cloudy with a Chance of Meatballs (2009) a chance. The result was something hilarious that both kids and adults could enjoy on different levels. Somehow, Phil Lord and Christopher Miller transformed this beloved book into a fun movie with lots of valid points about life. For their first film, Lord and Miller knocked it out of the park with their style of humor. It was goofy. It was smart. There's no doubt that this movie helped catapult them into other projects like The LEGO Movie (2014). Sure, there were the occasional bathroom humor bits, but there were so few of them as to not ruin the vibe. The voice acting fit...
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MOVIE: Fly Me to the Moon (2024)

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Fly Me to the MoonYear: 2024Rating: PG-13Length: 132 minutes / 2.20 hours NASA's Gemini and Apollo programs remain the pinnacle of human achievement. Plenty of movies have told these stories of success and tragedy. The Right Stuff (1983), Apollo 13 (1995), Hidden Figures (2016), and First Man (2018) all tried to get somewhat close to what really happened while still being entertaining. Fly Me to the Moon (2024), however, may have leaned too much into the entertainment while being light on the facts. What's worse, in an era of misinformation, this movie could be seen as enforcing conspiracy theories surrounding the event. Considering this movie is a comedy, it shouldn't be taken seriously. If you watch it and have a few laughs while considering a "what if" scenario, then it's harmless fun. In thinking through the "why," though, Fly Me to the Moon provides some chilling Cold War guesses as to the motive behind a conspiracy like this—some of which may be...
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MOVIE: Astro Boy (2009)

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Astro BoyYear: 2009Rating: PGLength: 94 minutes / 1.57 hours There's no doubt that Astro Boy was one of the foundational anime series that helped establish the genre we have today. Like other well-known anime like Speed Racer, this anime finally received a movie adaptation in the late 2000s. Having only a cursory knowledge of the source material, I can't say how faithful Astro Boy (2009) is to its origins. In my opinion, there's always room for anime adaptations, since it's honestly a fairly untapped market. As for this adaptation, it's a fun movie that has quite a bit of heart despite being shockingly dark at a few key moments. As is the case for a lot of animated films, the celebrity voice acting is fine here. It's probably even a bit above average. However, voices like Nicholas Cage, Donald Sutherland, and Nathan Lane are so recognizable as to almost make it distracting when their characters are speaking. Similarly, the animation is fine—nothing...
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MOVIE: Kung Fu Panda 4 (2024)

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Kung Fu Panda 4Year: 2024Rating: PGLength: 94 minutes / 1.57 hours Where movies like Kingdom of the Planet of the Apes (2024) are the exception to the "fourth movie after a contained trilogy" rule, Kung Fu Panda 4 (2024) is the unnecessary sequel that's still just trying to cash in on a franchise. While I think the first Kung Fu Panda (2008) was the best of the first three movies, their story of Po's (Jack Black) journey to becoming a kung fu master felt complete by the end of the third film. That this movie barely had any of the characters from the previous movies should give you an idea of how the actors saw it. The problem Kung Fu Panda 4 falls into is the same one that I think plagued Cars 3 (2017). When the main character of the franchise is now set to be the mentor of the next generation, it usually means the writers are out of ideas....
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MOVIE: Lisa Frankenstein (2024)

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Lisa FrankensteinYear: 2024Rating: PG-13Length: 101 minutes / 1.68 hours I can appreciate when movies try to do something a little different. Like how Warm Bodies (2013) made Romeo & Juliet into a zombie movie. Often, there's some element of the public domain involved, but a good remix doesn't negate the source material. Lisa Frankenstein (2024) takes its obvious inspiration from Mary Shelley, but with a 1980s John Hughes teen comedy slant similar to Sixteen Candles (1984) or Pretty in Pink (1986). The combo somehow works, even if its plot seems to paint itself into a corner. Kathryn Newton kills it (har har) as the titular Lisa, giving those loner vibes that all girl protagonists from the 1980s seemed to exude before "finding themselves" and having a big glow-up. The entire premise that she's trying to build a boyfriend with pieces of other people is grotesque, but played for laughs due to the PG-13 rating. I don't say this often, but I think...
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MOVIE: Ghostbusters – Frozen Empire (2024)

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Ghostbusters: Frozen EmpireYear: 2024Rating: PG-13Length: 115 minutes / 1.92 hours After the delightful reboot that was Ghostbusters: Afterlife (2021), I was excited to see that they would make a sequel with Ghosbusters: Frozen Empire (2024). Since Afterlife had taken the content more seriously than previous iterations of the franchise, I wanted to see if they'd continue that path in a meaningful way. Not that relying on comedy was a bad thing, but it felt like there was more to explore with these new characters. Unfortunately, there seemed to be a compromise of the old and the new in Frozen Empire. 80s nostalgia is huge in Hollywood right now, but I'd rather it stay as cameo appearances like in Afterlife than in bigger sub-plots like it was in this movie. There were almost too many character arcs in this film, most of which moved at a glacial pace for its almost 2-hour runtime. The ones that were interesting (and focused on the newer...
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MOVIE: A Grand Day Out (1989)

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A Grand Day OutYear: 1989Rating: Not RatedLength: 23 minutes / 0.38 hours I grew up watching the Wallace & Gromit shorts on VHS. There's a certain nostalgia I have for these stop motion films that I wanted to share with my daughter. So I pulled out the DVDs I had of these shorts and watched them again. Not only do they hold up, but just thinking of the technical achievement to create a thing like this is mind-boggling. The first of these, A Grand Day Out, isn't the best of the original three, but it's a grand movie, nonetheless. Like watching a silent comedy of the early era of Hollywood, A Grand Day out has a simple (if not completely absurd) premise of going to the moon because Wallace (Peter Sallis) is out of cheese and he figures it's the best place to get some. The beauty of A Grand Day Out isn't entirely in its ability to appeal to children and...
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MOVIE: How to Train Your Dragon (2010)

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How to Train Your Dragon Year: 2010 Rating: PG Length: 98 minutes / 1.63 hours There are a few movies I would consider pinnacle achievements in story, animation, and heart. When I saw How to Train Your Dragon (2010) in theaters, I knew I had just witnessed something special. It felt like DreamWorks had finally grown up from the bodily humor of the Shrek (2001) era and into something that could be taken seriously. It's no wonder that I still consider How to Train Your Dragon to be one of my favorite films of all time. I have always appreciated the stories that successfully convey the "brains over brawn" mentality without being too critical of either side. This film not only emphasizes a creator/tinkerer mindset, but the importance of empathizing with nature. That it made sense to kill dragons without the full context of why the dragons behaved the way they did didn't make the "brawn" side of the equation the enemy in the way...
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MOVIE: The Little Mermaid (1989)

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The Little MermaidYear: 1989Rating: GLength: 83 minutes / 1.38 hours There's no doubt that The Little Mermaid (1989) was a turning point for Disney. It helped revive the studio into its Renaissance after struggling for decades. Some of their best films came in this era sparked by The Little Mermaid, in part due to its success. Its songs and animation were its strong points, both of which are remembered today. However, its lesson (if there even is one) seems to be either too lost in the details or perhaps a bit too old for the young girls who love watching this movie. Several of the songs in The Little Mermaid are Disney classics that most people can probably hum a few bars. Alan Menken established himself as the de facto songwriter for Disney movies with these hits. Watching this movie as an adult, I'm still blown away with Disney's animation techniques here. There were several moments that had me scratching my head,...
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MOVIE: Inside Out 2 (2024)

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Inside Out 2Year: 2024Rating: PGLength: 96 minutes / 1.60 hours Inside Out 2 (2024) is one of those rare sequels that build upon the first movie in new ways that expand the narrative of the world. There were already hints of a puberty subplot at the end of the first Inside Out (2015), but adding new emotions to the mix really helped round out that teenager experience. As a parent, I loved how the first film made it easy to talk to my kids about emotions, but now there's a whole extra level of parenting I can unlock by using this movie as well. Most of my gripes about Inside Out 2 are minor—partly because the first movie had these issues as well. For a head full of emotions, there really is only room for a story about one or two of them. That there were four new characters added in this movie felt a bit much, especially when most of the...
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MOVIE: Wallace & Gromit – The Curse of the Were-Rabbit (2005)

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Wallace & Gromit: The Curse of the Were-RabbitYear: 2005Rating: GLength: 85 minutes / 1.42 hours Having grown up with the Wallace & Gromit short films, I've always held the belief that this duo is the core to Aardman Animations' success. For their first outing in a feature-length context, there was bound to be some growing pains with the transition from short films. Granted, this wasn't Aardman's first foray into feature-length stop motion films, but there were a lot of expectations riding on this film based on how well the previous Wallace & Gromit shorts had done. With the leap into a feature-length movie, Wallace & Gromit: The Curse of the Were-Rabbit (2005) pulled out all the stops for its visuals. The whole thing looks great, even if it's clear in spots that there were computers being used instead of just the raw physical medium of Plasticine. As always, Gromit is the most expressive silent character of this century (and I'd even say...
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MOVIE: A Quiet Place – Day One (2024)

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A Quiet Place: Day OneYear: 2024Rating: PG-13Length: 99 minutes / 1.65 hours It's wild to think that it's been six years since A Quiet Place (2018) released. The concept was unique and fresh and lent itself to plenty of suspenseful moments. And while I thought both it and its 2021 sequel could have been trimmed down to a single, albeit somewhat long movie, I still loved the idea of a modern "silent film" that relies on its imagery as much as its lack of verbal dialogue. But did this really need a prequel? One of the great parts of the original Quiet Place was that it didn't explain how things came to be this way, it just dealt with surviving in this new reality. In A Quiet Place: Day One (2024), humanity first faces the threat of these aliens who attack any noise that might catch their attention. It's still unknown why these aliens came to Earth or what their goal is,...
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MOVIE: Lilo & Stitch (2002)

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Lilo & StitchYear: 2002Rating: PGLength: 85 minutes / 1.42 hours The early 2000s were a weird time for Disney. After a solid run of their 1990s renaissance—full of classics beloved by all—they started exploring ideas outside their wheelhouse. With most of their best work in the fantasy genre, Disney hadn't quite figured out how to do science fiction. Despite all this, they created a few cult classics during this period. One of these was none other than Lilo & Stitch (2002). A common theme in children's movies seems to be outsider kids befriending creatures they probably shouldn't. This list includes (but is not limited to) E.T. - The Extra-Terrestrial (1982), The Iron Giant (1999), How to Train Your Dragon (2010), and even Bumblebee (2018). Where Lilo & Stitch takes this a step further is how it embraces the idea of the "found family." With so many orphans in Disney movies, it surprised me it took this long to hone in on this...
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MOVIE: Inside Out (2015)

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Inside OutYear: 2015Rating: PGLength: 95 minutes / 1.58 hours It's amusing that a movie studio like Pixar—which has been making us feel all our emotions for decades— made a film solely about those emotions. They already succeeded in making me cry in almost every other film of theirs, and this is no exception. And while they've always had some significant lesson in them, Inside Out (2015) feels like the best kind of therapy you can buy to make discussions with your kids much more approachable. After all, emotions are part of the human experience and everyone can relate to these feelings in some small way, at a minimum. Visually, Inside Out is great because it combines some well-done realism with the spectacular imaginative world inside a pre-teen girl's head. There are a ton of great jokes based on wordplay that are both funny and somewhat educational. The voice acting is superb, and the plot is a solid exploration of how to navigate...
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MOVIE: Thelma (2024)

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ThelmaYear: 2024Rating: PG-13Length: 98 minutes / 1.63 hours Thelma (2024) is one of those rare movies that I knew little about, but saw the trailer a few times and saw it on a whim. I was glad I did, because it's definitely my favorite film of this year. With so many action movies, it's nice to see one like this that makes fun of the tropes in the best way possible. And to top it all off, the message it gives is as heartwarming as it is important. The premise of Thelma is that the titular character (played by June Squibb) got scammed out of $10,000. After taking the normal steps one would after realizing the mistake, she realizes she can take matters into her own hands and retrieve her stolen money with some help from her elderly friends. It's part heist, part chase, and way funnier than it has any right to be. This is partly due to how the common...
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MOVIE: Kingdom of the Planet of the Apes (2024)

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Kingdom of the Planet of the ApesYear: 2024Rating: PG-13Length: 145 minutes / 2.42 hours With how difficult it is to pull of a trilogy that doesn't have any significantly bad entries, it's almost impossible to make a successful movie that sits as the fourth entry outside that trilogy. Plenty of "fourth" films never hit the mark their predecessor trilogy did. This was why I had to roll my eyes when Hollywood added another movie on top of the already well-done Planet of the Apes prequel trilogy. Well, Kingdom of the Planet of the Apes (2024) proved me wrong. By giving itself enough distance from the Caesar story arc, Kingdom threads that needle that connects the lead-up events to the very first film in the franchise. Even if most of the fundamental concepts have already been covered in this franchise, there are still enough surprising moments here to make it an excellent entry—which is also what made the original 1968 movie so memorable....
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MOVIE: Palm Springs (2020)

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Palm Springs Year: 2020 Rating: R Length: 90 minutes / 1.50 hours There's something special about the time loop plot format. It's been done several times in plenty of different genres. That there are even a few beloved movies like Groundhog Day (1993) and Edge of Tomorrow (2014) shows how meaningful the time loop can be when done properly. Palm Springs (2020) is the latest in this genre that follows in both footsteps of Groundhog Day and Edge of Tomorrow by being a romantic comedy with a sci-fi explanation for the repeating timeline. As a modern romantic comedy (perhaps one of the last modern romantic comedies), much of the humor in Palm Springs is crass and sexualized. This means that occasionally there's a good joke or two in here, but it mostly just feels like the frustrated rambling of a horny teenager. Considering that Andy Samberg features prominently in this film, it's no wonder why this is the case. Now, there are parts that are...
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MOVIE: The Fall Guy (2024)

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The Fall GuyYear: 2024Rating: PG-13Length: 126 minutes / 2.10 hours I have a bit of a soft spot for movies that focus on the creative act of making movies. Most of the time, these "behind the scenes" films focus on the more managerial aspects of movies. In The Fall Guy (2024), there's a fun meta that ties together stunts for the movie being made and stunts in the "real world" that may bring down the entire production. As a pseudo-heist movie, The Fall Guy is a fun action romp that I found entertaining and educational. Anyone who has seen Ryan Gosling in Barbie (2023) knows that he has the comedic chops to hold up his side of a film. Honestly, he was the main reason I wanted to see this film, as I was expecting "Ken" levels of machismo, but with maybe a little more intelligence. Gosling definitely delivers, and this is a great film to watch for fans of his work....
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MOVIE: Furiosa – A Mad Max Saga (2024)

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Fuirosa: A Mad Max SagaYear: 2024Rating: RLength: 148 minutes / 2.46 hours Having seen most of the original Mad Max films, Mad Max: Fury Road (2015) was such a shocking visual smorgasbord that it only made sense to capitalize on its success. Furiosa: A Mad Max Saga (2024) attempts to give us more of the setting, characters, and aesthetic from Fury Road, but with less of the tight octane-fueled pacing of its predecessor. It's not bad by itself, but its premise certainly rides on Fury Road's coattails for much of its runtime. While it's crazy that it's almost been a decade since Fury Road came out, I can accept that Anya Taylor-Joy was a passable version of a younger Charlize Theron. The real surprise was how much Chris Hemsworth stole the show, leaning heavily into his Australian roots to give some amazingly authentic craziness to Dementus. That there were so many common elements to Fury Road here meant that it was entertaining...
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MOVIE: The Ministry of Ungentlemanly Warfare (2024)

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The Ministry of Ungentlemanly WarfareYear: 2024Rating: RLength: 122 minutes / 2.03 hours It feels like I've been waiting for a Guy Ritchie film that is a return to form. I loved his earlier works, but have found his latest projects mostly disappointing. The Ministry of Ungentlemanly Warfare (2024) Feels like one of those early Ritchie films, which I truly appreciated. However, despite being based on actual events, it felt a bit like a watered down Inglorious Basterds (2009). The cast and action were great, but the stakes somehow felt shallow and forgettable. I truly enjoyed the parts of the film that held onto Ritchie's original style. The ridiculous action sequences and the machismo of the main cast (Henry Cavill, especially) are the kinds of things that I enjoyed in Ritchie's earlier works. That any of this was even close to what really happened makes it an impressive event that should inspire people to learn more about the history. Including the brief reference...
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MOVIE: Civil War (2024)

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Civil WarYear: 2024Rating: RLength: 109 minutes / 1.82 hours With Alex Garland's latest film, Civil War (2024), I still maintain my belief that his films use the medium of movies to ask, "What makes us human?" In his previous sci-fi works like Ex Machina (2014) and Annihilation (2018), the genre did most of the heavy lifting with that question. For Civil War, the current heated political climate is the backdrop that shines a harsh mirror on humanity during armed conflict. The framing, however, is truly what makes this film stand out—and it's not about politics at all. As a photographer, I understand what it takes to capture a moment without being part of the moment. You need to be present, but neutral. Civil War pushes this concept to its limits within the context of war photography. How does the press capture these atrocious moments while standing by to let them happen? Is documenting the war more important than stopping it? On top...
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MOVIE: Boy Kills World (2024)

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Boy Kills WorldYear: 2024Rating: RLength: 111 minutes / 1.85 hours Video game movies are gaining some respect after the disastrous jump to the silver screen in the 1990s. It's interesting, then, that Boy Kills World (2024) takes all the cliches of the beat-'em-up and hack-and-slash video games from the arcades and makes a movie out of a game that doesn't exist. The problem is this movie also adheres to a lot of the tropes that made the video game movies of the 1990s sub-par to the ones that exist today. Don't get me wrong here. Boy Kills World is fun if you just turn off your brain and enjoy the ridiculous ride. Bill Skarsgard is great as the "silent protagonist"—made even better by H. Jon Benjamin's narration of the character's internal thoughts. The action is intense and there are a few set pieces that play to the strengths of the more interesting characters. And as a video game movie, its structure of...
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MOVIE: Sleeping Beauty (1959)

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Sleeping BeautyYear: 1959Rating: GLength: 75 minutes / 1.25 hours Even though the whole Disney Princess franchise has a target demographic (that's more aligned with my daughter), I do have a favorite Princess movie. It's Sleeping Beauty (1959), but not for the reasons you might think. Sure, Sleeping Beauty is one of the few Princess films where the Prince plays a major role—even going so far as to have to fight a dragon to save the kingdom. However, the technical prowess on display here is perhaps forgotten by modern standards. And the fact they use Tchaikovsky for the soundtrack is a huge plus. As a Princess film, Sleeping Beauty has a few tropes it shares with its sister films. There's the bumbling father figures, the fantasy creatures added for comic relief, and the (by now) standard house style for all characters. It certainly spends a lot of time in its middle with almost meaningless filler, which doesn't even pad it out past 75...
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MOVIE: Godzilla x Kong: The New Empire (2024)

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Godzilla x Kong: The New Empire Year: 2024 Rating: PG-13 Length: 115 minutes / 1.92 hours Having never seen the original Japanese series of Godzilla movies, I only have a loose sense of their progression from serious to silly. I've seen random clips that I couldn't take seriously, but I also know some of the first films in the franchise were a grim analogy of nuclear war. While Godzilla Minus One (2023) nailed the serious side of Godzilla, the Monsterverse movies have steadily been drifting toward unhinged territory. Godzilla x Kong: The New Empire (2024) is merely the latest proof. There were so many things going on in this movie, it felt like a shotgun approach to see if anything would stick. It was a bit frustrating that the headliner, Godzilla, barely appeared until the third act. The humans were even more caricature-like than previous entries, and I hardly cared about their stories or struggles. When the universe can support any random thing happening, the...
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MOVIE: Free Solo (2018)

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Free SoloYear: 2018Rating: PG-13Length: 100 minutes / 1.67 hours For those who view climbing as a serious hobby, most climbing documentaries are a way to live vicariously through those climbers who dare to do something impossible. And while the plot structure of these climbing documentaries all feel nearly identical, there was something special in Free Solo (2018) that made it better than the rest. Perhaps it was the recognizability of El Capitan. Maybe it was the danger involved. Either way, Free Solo was well deserving of its Best Documentary Feature Oscar. Part of why I didn't connect with Meru (2015)—the previous film by these directors—was that I had never heard of that mountain before I sat down to watch it. Having never climbed El Capitan, I was at least aware of its significance. Knowing how hard this climb is, the premise of climbing it with no kind of safety gear is intriguing, to say the least. Of course, most climbing movies seem...
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MOVIE: Dune – Part Two (2024)

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Dune: Part TwoYear: 2024Rating: PG-13Length: 166 minutes / 2.77 hours Years ago, when I first read Dune, I struggled to get through the first half of the book. There was so much exposition and world building I had to get through that when the action finally began, I devoured the rest of the story. While I understand the need to split this epic novel into two movies, it meant I was eagerly anticipating Dune: Part Two (2024) after the excellent job Denis Villeneueve did adapting the first half in 2021. I appreciate that movies have multiple chances to become the iconic versions that their source material deserves. The original Dune (1984) has its own cult status among its fans (many of which are merely David Lynch fans). But the wide audience appeal of an epic story that stands the test of time is the high standard most filmmakers strive for. Few have been able to pull it off, but I think time...
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MOVIE: Anatomy of a Fall (2023)

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Anatomy of a Fall Year: 2023 Rating: R Length: 151 minutes / 2.52 hours It's interesting how I've seen a lot of crime dramas before, but rarely (if ever) have I witnessed one from a foreign perspective. Movies like A Few Good Men (1992) or 12 Angry Men (1957) focus on the American justice system. Watching a murder trial in a foreign language and in a different country's judiciary style was new and exciting for me. Anatomy of a Fall (2023) does a great job of bringing ambiguity to the proceedings enough times as to make one wonder what truth to believe. The ability of this film to throw a series of twists into the narrative that makes the whole story flip back and forth between guilty and not guilty is an amazing achievement. That being said, despite the marketing for this film making it seem like there was still a question whether the death was an accident or a purposeful moment of murder, I...
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MOVIE: Kung Fu Panda (2008)

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Kung Fu PandaYear: 2008Rating: PGLength: 92 minutes / 1.53 hours Many people give animated films flack for being directed at children. DreamWorks movies have historically leaned toward the younger demographic with plenty of fart jokes while still having the occasional adult jokes sprinkled throughout. The problem with discounting the medium on the whole is that there are some things it can do very well. Kung Fu Panda (2008) not only has a great message about playing to our strengths, but it also uses the fact that it's animated to present some extremely well-done kung fu fights. Jack Black brings Kung Fu Panda to life with Po, the kung fu obsessed panda who doesn't fit the physical model needed to practice the martial art. Despite being chosen as the next Dragon Warrior, Po must learn kung fu so he can protect the land from one of the most dangerous practitioners of the fighting style. It's important for kids to see that he struggles...
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MOVIE: Killers of the Flower Moon (2023)

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Killers of the Flower MoonYear: 2023Rating: RLength: 206 minutes / 3.43 hours As far as movie topics go, Killers of the Flower Moon (2023) felt like something that hadn't been addressed on film yet. I did not know about the Osage Nation's good (and bad) fortune until I saw this movie. So, on top of being educational about a historical subject that isn't talked about a lot, it also has the huge name of Martin Scorsese behind it as its director. And while it was an interesting film overall, I think Scorsese gets a bit too much leeway in this part of his career. Much like how I thought The Irishman (2019) was probably an hour too long, Killers of the Flower Moon could have easily had an hour trimmed from its almost 3.5-hour runtime. Of course, this seems to be an issue with well-known directors. Sure, their later works (like Tarantino's Once Upon a Time in Hollywood (2019)) have critical acclaim...
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MOVIE: Being John Malkovich (1999)

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Being John Malkovich Year: 1999 Rating: R Length: 113 minutes / 1.88 hours I have to blame Being John Malkovich (1999) for making me try more films written by Charlie Kaufman than I probably wanted to. While it is a quite peculiar film, it was strange in all the right ways. This movie was saying more than I could comprehend when it hooked me the first time I watched it, but now I can see its deeper meanings having been given the time to see it again with fresh eyes. And perhaps Being John Malkovich was more my introduction to Spike Jonze films, which has been a much better journey. Kaufman's writing is bizarre in ways that annoyed me in Synecdoche, New York (2008) and I'm Thinking of Ending Things (2020) but worked for movies like Eternal Sunshine of the Spotless Mind (2004) and Being John Malkovich (1999). Perhaps it's because the latter two in this list have actual plots. I can appreciate the meta...
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MOVIE: Toy Story 2 (1999)

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Toy Story 2Year: 1999Rating: PGLength: 92 minutes / 1.53 hours For all the flack that sequels get, there are the occasional few that surpass the original. Whether it's flipping the script by making the first movie's villain the hero (as in Terminator 2: Judgment Day (1991)) or merely having room to grow the characters past their introductory stories (like in Spider-Man 2 (2004)), a well-done sequel should advance the story of the franchise and not just repeating the success of the first film. Toy Story 2 (1999) is one of those rare movies that does an excellent job of advancing the groundwork laid in Toy Story (1995). Not only does Toy Story 2 now have its original semi-villain, Buzz Lightyear (Tim Allen), as the hero saving Woody (Tom Hanks), but there's also room to explore what in means to be a toy in the context of collectors items instead of just as a child's plaything. Considering how revolutionary the original Toy Story...
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MOVIE: Rosencrantz & Guildenstern Are Dead (1990)

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Rosencrantz & Guildenstern Are DeadYear: 1990Rating: PGLength: 117 minutes / 1.95 hours While there are plenty of perfectly fine adaptations of William Shakespeare plays, I can appreciate the ones that take a different approach than just recreating the source material. Whether it’s making it into a musical like West Side Story (1961) did to Romeo and Juliet or shifting the setting to feudal Japan like Throne of Blood (1957) did to Macbeth, these plays are deep enough to allow for creative interpretations. Case in point is Rosencrantz & Guildenstern Are Dead (1990), an adjacent adaptation of Hamlet. Most people know the events of Hamlet but few consider what these characters are doing when not in the presence of the main character. This movie tries to remedy this by following Rosencrantz (Gary Oldman) and Guildenstern (Tim Roth) as they discuss a variety of intellectual concepts—most of which might just come off as absurdist humor. Covering such ideas as probability, gravity, and logic, these...
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MOVIE: The Zone of Interest (2023)

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The Zone of InterestYear: 2023Rating: PG-13Length: 105 minutes / 1.75 hours There are few films I have ever seen that use subtlety to such an enormous effect like The Zone of Interest (2023). The raw understanding of what was happening just out of view of the commandant’s house set outside the walls of Auschwitz brought a horror that is hard to describe. And while this film leans a bit heavily on some of its more artistic segments, the actual point it tries to make comes across loud and clear. This point should give us all pause. The genuine horror that The Zone of Interest provides is how casual it is about the genocide perpetrated by these Germans. This family lives its life as if nothing abnormal is happening mere yards from the home where they cook, clean, and play. Normalizing the thinking of everyone involved—even if it’s as tangential as a wife or child—makes you consider how complicit everyone was in the...
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MOVIE: The Holdovers (2023)

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The HoldoversYear: 2023Rating: RLength: 133 minutes / 2.22 hours Ever since The Descendants (2011), I’ve appreciated the family dramas that Alexander Payne has brought to the big screen. After loving Nebraska (2013) and ignoring the mistake that was Downsizing (2017), I was ready to give another chance on The Holdovers (2023). I’m pleased to report that I think this film is his finest to date. Not only does it have a heartfelt story, but the way it was filmed made it truly feel like a movie from the 1970s was unearthed and brought to life through modern actors. The story itself isn’t particularly original. A disliked teacher at a boarding school has to stay with the kids whose parents did not pick them up for Christmas break (the titular “holdovers”). However, the acting of the leads made it a joy to watch. It felt like The Dead Poets Society (1989) with the smart dialogue of a Tarantino film. Paul Giamatti stands out...
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MOVIE: Past Lives (2023)

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Past LivesYear: 2023Rating: PG-13Length: 105 minutes / 1.75 hours With the varied and expansive amount of films that have been made, it’s a little bizarre that one as simple as Past Lives (2023) hasn’t been made before. Sure, there are plenty of star-crossed lover stories out there, but none as realistic as the one presented here. Usually, there’s some amount of “destiny brings them together” that provides hope to the audience. Much like the endings of Broadcast News (1987) or La La Land (2016), the fairy tale expectation doesn’t align with the reality that many people experience. For all its simplicity, Past Lives does a good job of showing the stages of a long-term and long-distance friendship. Each section gave the genuine impression of being filmed at the time it was meant to occur (without relying on the same level of dedication as Boyhood (2014)). The filmmakers expertly brought the characters' authentic feelings to the screen. And maybe the emotions were slightly...
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MOVIE: Poor Things (2023)

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Poor ThingsYear: 2023Rating: RLength: 141 minutes / 2.35 hours To the people who complain that Hollywood doesn't have any original ideas, I'd argue that the bizarre films of Yorgos Lanthimos more than make up for this lack of unoriginality. Look no further than his latest Oscar-nominated piece, Poor Things (2023). A fever dream-like take on both the Frankenstein mythos and feminism, this movie succeeds at providing deeply thoughtful critiques of society while also being strange enough to have me wonder "what the heck did I just watch?" Considering the similar sentiments I had for The Favourite (2018), this tracks. The real crux of this film was Emma Stone's performance as Bella Baxter. Her evolution from infant to enlightened woman—all while in the same body—was spectacular. It was as if her character experienced all the benefits of her rapidly developing mind, but without the regression seen in stories like Flowers for Algernon. If you're uncomfortable with sex (either depictions of or discussions of),...
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MOVIE: Maestro (2023)

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MaestroYear: 2023Rating: RLength: 129 minutes / 2.15 hours There is nothing worse to me than a movie that tries too hard to be a good movie. Maestro (2023) was a film I looked forward to, but its execution left me sorely disappointed. Maybe it's my current distaste for biopics featuring famous men who cheat on their supporting wives—either with other women or, in this case, men. But this wasn't the whole problem. Like a reverse "Springtime for Hitler" from The Producers (1967), Maestro was trying so hard to be a good movie that just ended up being mediocre. I get the sense that Bradley Cooper is desperate to win an Oscar. He has directed a few films now that felt so needy for critical affirmation that they fail to miss the key tenet of actually being good. The question is whether he more desires the Best Director statue or the Best Actor one, and I think it's the latter. Ironically enough, if...
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MOVIE: American Fiction (2023)

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American FictionYear: 2023Rating: RLength: 117 minutes / 1.95 hours As an author and a creative, American Fiction (2023) spoke to me in ways that I have yet been able to put into words. Similar to how La La Land (2016) highlighted the sacrifices and compromises we must make to achieve our artistic dreams, American Fiction revealed the difference between high art and lowbrow entertainment. I feel the struggles and concerns of Thelonious "Monk" Ellison (Jeffrey Wright) are ultimately the same for any creative person who doesn't want to lower their standard just to be successful. While the plot about Monk being frustrated that the manuscript he wrote as a joke ended up being wildly successful is the focus of this movie, I can understand the need for other character development outside this main thread. It doesn't paint Monk as a likable character, which humanizes him and brings him down from the ivory tower of academic literature. Showing these interactions with those he...
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MOVIE: Wonka (2023)

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WonkaYear: 2023Rating: PGLength: 116 minutes / 1.93 hours Wonka (2023) was one of those movies that I had low expectations for. A prequel to a well-known IP, there's only so much that can be done that's not just straight call-outs to the source material—and this includes knowing how things will end to set up films like Willy Wonka and the Chocolate Factory (1971). Still, with these low expectations, I had quite a bit of fun watching Wonka. It's not extraordinary, but it delivers on most of its nostalgia factors in ways that are modern and entertaining. With the real world crumbling all around us, it was encouraging to see a movie like Wonka that embraced the grit needed to survive and thrive. The hope gained through forming a community and the endless optimism of Wonka (Timothee Chalamet) were contagious and uplifting. The creativity of the different candies and the funny running gags (like the bribed Chief of Police (Keegan-Michael Key)) helped with...
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MOVIE: Ferrari (2023)

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FerrariYear: 2023Rating: RLength: 130 minutes / 2.17 hours Almost ten years after his previous film released, Michael Mann is back with a biopic about the private and public struggles of one of the greatest carmakers. The irony of Ferrari (2023) is that the women surrounding him seem much more interesting than the man himself. Even the fittingly named Adam Driver doesn’t seem to transform into Enzo Ferrari as much as just be Adam Driver with some extra makeup on and an Italian accent. To say that I was disappointed that there wasn’t more racing in a movie about Ferrari would be an understatement. Ferrari is yet another biopic that tries to show the struggles of a famous man whose extramarital affairs complicate things that otherwise wouldn’t be nearly as complicated. Perhaps this is why Penelope Cruz’s performance as Laura Ferrari was the standout role in this film, as she was the only one holding his empire together despite him having birthed an...
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MOVIE: Saltburn (2023)

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SaltburnYear: 2023Rating: RLength: 131 minutes / 2.18 hours Saltburn (2023) flew under my radar almost undetected until I learned it was by the same director who did Promising Young Woman (2020). Since the blunt themes Emerald Fennell used in her previous film stuck with me, I gave Saltburn a try. Unfortunately, the magic that had me riveted in Promising Young Woman mostly had me cringing in Saltburn. Sure, there were still those shocking twists, but everything else on top of that was just…ugh. And maybe those shocking moments were the whole point. The acting in this movie was superb, especially Barry Keoghan as Oliver. I’m going to try to not give anything away, but his whole character arc felt like what The Count of Monte Cristo would have been if Edmund was the villain. That he throws himself into these uncomfortable moments so easily really sells the commitment to the part that Keoghan had here. There were other standout performances like Jacob...
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MOVIE: Migration (2023)

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MigrationYear: 2023Rating: PGLength: 83 minutes / 1.38 hours If there’s one thing I took away from Migration (2023), it’s that Illumination has finally matured as an animation studio. Sure, just like there’s a Disney/Pixar/DreamWorks “style,” Illumination has a look to the characters in their movies (especially the humans) that makes them immediately distinguishable. In Migration, there was less of that distinctive style, but the freedom to match what the movie needed to tell its original story about a family adventure. If this is what taking risks looks like, then I think it was a successful foray into more original fare. The voice acting was superb, mostly because there were only a few characters whose voices were immediately obvious who they were. I do wonder if director Benjamin Renner’s previous work, Ernest & Celestine (2012), helped shape some of the voice acting decisions, because they certainly fit the characters well. The animation also feeling closer to a 2D traditionally animated film while still...
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MOVIE: The Ballad of Songbirds & Snakes (2023)

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The Hunger Games: The Ballad of Songbirds & SnakesYear: 2023Rating: PG-13Length: 157 minutes / 2.61 hours I think it's hard to appreciate how The Hunger Games movies did a decent job of adapting the source material for the big screen while not evolving into a behemoth of a franchise. That Suzanne Collins made it clear that there was only the three books, and she didn't want to do anything else until she was ready was a welcome change from an entertainment industry that likes to squeeze as much money out of popular things as fast as possible. With this in mind, I can applaud The Ballad of Songbirds & Snakes (2023) for being respectful of the original trilogy while also trying to expand the narrative in prequel form. While not a completely necessary prequel, it was still interesting to see how early versions of the Hunger Games were run. Of course, our knowledge of how they eventually evolve into something worse is...
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MOVIE: The Marvels (2023)

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The MarvelsYear: 2023Rating: PG-13Length: 105 minutes / 1.75 hours The problem with extremely critical and vocal reviews of a movie like The Marvels (2023) is that often the problem is the fans themselves. There's an amount of misogyny that's present in fans of comic books that is difficult to ignore here. And with so many people saying this movie is bad just because it's led by three women, it comes as a bit of a surprise when it's actually pretty passable. Granted, it still relies heavily on having seen almost everything else in the MCU, but we'll get to that in a second. While I'll admit that I'm still watching these movies because it's basically a sunk cost fallacy, I found The Marvels to be entertaining. It's maybe not as goofy as any of the Guardians of the Galaxy movies, but it has heart based on the characters' connections. It also has perhaps one of the most underappreciated twists that had me...
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MOVIE: The Boy and the Heron (2023)

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The Boy and the HeronYear: 2023Rating: PG-13Length: 124 minutes / 2.07 hours Studio Ghibli films—specifically the ones directed by Hayao Miyazaki—are immensely beautiful and imaginative. The distinct visual style in movies like Castle in the Sky (1986), Princess Mononoke (1997), and Spirited Away (2001) is nothing but consistent. In the latest (and perhaps last) film by Miyazaki, The Boy and the Heron (2023) still maintains the beautiful 2D animation that everyone loves from this studio. The one trick with these films is that sometimes I feel the plot is a little lost in translation from Japanese to American audiences. This isn’t anyone’s fault, but it left me feeling a little lost. While I understood the major coming-of-age themes present in The Boy and the Heron, there were so many fantastical elements in it that I felt I may have missed something from one scene to the next. Perhaps I was too tired to give this movie the adequate attention it deserved, but...
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MOVIE: Indiana Jones and the Dial of Destiny (2023)

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Indiana Jones and the Dial of Destiny Year: 2023 Rating: PG-13 Length: 154 minutes / 2.57 hours If you want proof that Hollywood won’t let a good franchise die, look no further than Indiana Jones and the Dial of Destiny (2023). The original 1980s trilogy stands pretty well by itself, but the first reboot, Indiana Jones and the Kingdom of the Crystal Skull (2008) was so odd that it took almost another 20 years for the franchise to try anything else. Dial of Destiny merely exacerbates the problem of trying to resurrect this franchise by not transitioning off Harrison Ford (like it tried to do in Crystal Skull) but instead doubling down on de-aging technology and nostalgia. There’s a huge section in the first part of this movie that was so CGI heavy, I could have sworn I was watching a video game cut scene for 30 minutes. De-aging Harrison Ford still has the same issues that all other de-aging techniques seem to have (mainly,...
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MOVIE: Godzilla Minus One (2023)

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Godzilla Minus One Year: 2023 Rating: PG-13 Length: 124 minutes / 2.07 hours While the original Godzilla franchise has been around for 70 years, I must admit that I’ve only ever seen the American versions of this Japanese monster. This includes the travesty that was Godzilla (1998), as well as the much better Monsterverse iterations like Godzilla (2012). Having never seen a Godzilla film in its original Japanese context, I was curious to try Godzilla Minus One (2023) for my first foray into the “official” Godzilla franchise. What I found here was better than I could have ever imagined—and for multiple reasons. Coming from decades-old movies that used people in rubber suits fighting among miniatures, Godzilla Minus One uses just enough special effects to make the scale of the monster believable. However, this version of Godzilla still looks a bit like the version that had a guy inside a rubber suit. Plot-wise, there are a few great sequences that make this an incredibly solid movie....
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MOVIE: Seven Brides for Seven Brothers (1954)

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Seven Brides for Seven Brothers Year: 1954 Rating: Approved Length: 102 minutes / 1.70 hours Seven Brides for Seven Brothers (1954) is one of those musicals during the golden age of musicals that I was aware of but had only seen bits and pieces of. I found a DVD of it a while back and finally got around to watching it. As far as musicals go, it's colorful and has a few good songs that are sung well by the cast. Unfortunately, the content is dated and is almost cringeworthy by today's standards. I will give some leniency that this film represents an era that was not entirely enlightened when it came to women. The Wild West was about survival as much as it was about the loneliness that came with it. While I'm sure there were more men than women out in these regions, it doesn't excuse how these seven brothers went about obtaining their wives. That they'd even consider the plight of the...
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MOVIE: Creed III (2023)

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Creed III Year: 2023 Rating: PG-13 Length: 114 minutes / 1.90 hours It's a little weird to me that each time the Rocky franchise gets further into its sequels, it ceases to understand what made the original work so well. People don't want to see someone living in opulence (or owning a robot butler) confronting the ghosts from their past. Instead, they want to see the underdog go the distance to show what they're made of. And while Creed III (2023) mostly falls into this trap, it has a few moments about fatherhood that shine through. After Creed (2015) and Creed II (2018) pulled out the biggest connections to the Rocky franchise with Rocky Balboa and Ivan Drago, respectively, I wasn't sure where this franchise would go from there. It didn't feel narratively strong to look backward at Adonis' (Michael B. Jordan) past with Damian (Jonathan Majors) since any generic boxing film could have used those story beats. Sure, it makes it more personal and...
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MOVIE: Renfield (2023)

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RenfieldYear: 2023Rating: RLength: 93 minutes / 1.55 hours Sometimes, a movie comes along that has a fun concept and delivers on it. Renfield (2023) asks, “What if Dracula’s servant realizes his boss is toxic?” With all the modern progress that’s been made in worker’s rights, this ridiculous combination is just hilarious enough to work. There’s a lot of lore surrounding Dracula, so a story that’s set in the present time plays the contrasts for laughs. That this movie is even canonically connected to Dracula (1931) makes it feel like a heartfelt sequel to its almost 100-year-old predecessor. The two actors who make this movie work are none other than Nicholas Cage (Dracula) and Nicholas Hoult (Renfield). Cage basically (and almost literally) gnaws on the scenery as he’s allowed to ham it up as the iconic monster. Hoult has shown he has great acting talent in recent movies like The Favourite (2018) and The Menu (2022). Renfield shows he knows how to play...
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MOVIE: Napoleon (2023)

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Napoleon Year: 2023 Rating: R Length: 158 minutes / 2.63 hours On paper, this movie had a lot going for it. Ridley Scott, partnering with Joaquin Phoenix again after the wildly successful Gladiator (2000) felt like this was a surefire entertaining film. Instead, the few scenes of military action were the only things that made this movie worth watching. Usually, when I watch a biopic about a famous individual like Napoleon Bonaparte, I’d expect something eyebrow raising that I didn’t know before. Napoleon is not that kind of film, as it is filled with history that I already knew, and I don’t consider myself a scholar of Napoleon. A lot of biopics tend to either show the genius of their titular character or cast light on their odd behavior (despite their angelic public persona). Napoleon has moments of both, each of which undercuts the effectiveness of the other. I can’t take his military success seriously when he has such peculiar bedroom habits, and I find...
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MOVIE: Leap! (2016)

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Leap!Year: 2016Rating: PGLength: 89 minutes / 1.48 hours In searching for movies to watch with my daughter, I figured Leap! (2016) was a good fit since she is actively interested in dance/ballet. She seemed to enjoy it, but I wasn’t entirely impressed. I’m willing to give animated films a try when they aren’t from big studios with lots of gravitas, but this one felt just generic enough as to be almost indistinguishable from the swath of cheap direct-to-streaming fare that clogs these services. I will grant that the animation looks pretty good for 2016, but visuals aren’t the only thing that makes these kinds of movies tick. The story in Leap! is mostly your generic “follow your dreams” fare that most movies directed at kids have done before. Common tropes of persevering and working hard are here, as usual, but with the slightly more troubling trope of lying to catch a break. Sure, gatekeeping isn’t a great way to discover new talent,...
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MOVIE: Elemental (2023)

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Elemental Year: 2023 Rating: PG Length: 101 minutes / 1.68 hours I initially wasn’t too sold on the concept of Elemental (2023). The idea that elements live together in a city felt a bit too close to Zootopia (2016) to be truly original. However, Pixar (generally) has a good handle on stories, and I eventually gave this one a shot. I was surprised to find not only an approachable love story—which is rare for Pixar—but a touching look at expectations from immigrant parents and what it’s like to integrate into a society that isn’t made for you. As always, the visuals were striking, and the emotions were heartfelt. While the movie poked fun at certain human-based design decisions for the city (like when both main characters easily pass through a chain-link fence), the overall concept felt thought out enough to truly invoke the ethnic boroughs that many cities have for immigrants of similar ethnic backgrounds. Choosing the fire people to be the “odd element out”...
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MOVIE: The Shining (1980)

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The Shining Year: 1980 Rating: R Length: 146 minutes / 2.43 hours Stanley Kubrick is one of those directors who can make a great movie in any genre. From science fiction like 2001: A Space Odyssey (1968) to political satire in Dr. Strangelove (1964) to historic epics in Spartacus (1960), it's no wonder that he could excel in horror with The Shining (1980). The descent into madness in an isolated mountain hotel was done with such expert craft that this film stands as a pinnacle of the genre even today. It might not be an exact representation of the Stephen King novel, but it works well for the big screen. Kubrick succeeds in the emotions of unease here through clever application of cinematography and sound design. The audience gets the full experience. We're along for the ride down at Danny's (Danny Lloyd) level. We feel small and insignificant in the vast open spaces of the hotel and its nearby hedge maze. The building insanity in...
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MOVIE: Tangled (2010)

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TangledYear: 2010Rating: PGLength: 100 minutes / 1.67 hours Tangled (2010) is one of those movies that hit me at a vulnerable time in my life. Shortly after I bought it on Blu-Ray, I ended up watching it at least once for ten days straight. I had the soundtrack memorized and I still cry at the pivotal scenes. I danced to the lantern song at my wedding as the first dance with my wife. Clearly, I'm going to give this movie full marks here, but even over a decade later, I think it holds up. After college, I moved out of my home state and was finally living on my own. Even with a good job and a handful of new friends, I related to Rapunzel's (Mandy Moore) first song of the movie: When Does My Life Begin? There were societal expectations that I didn't feel like I met, so seeing Flynn Rider (Zachary Levi) grow to accept non-toxic masculine traits—thanks in part...
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MOVIE: Teenage Mutant Ninja Turtles – Mutant Mayhem (2023)

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Teenage Mutant Ninja Turtles: Mutant Mayhem Year: 2023 Rating: PG Length: 99 minutes / 1.65 hours I don't have a lot of nostalgia for Teenage Mutant Ninja Turtles. Sure, I played the arcade game quite a few times and saw some episodes of the original TV show—it just wasn't one of those franchises that stuck with me through the years. With this in mind, what made me watch Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)? Honestly, I'm intrigued by the new wave of stylized animated films, and this movie fits the bill. I'm glad I gave it a chance. Of the four words that make up this franchise, the one I felt was never accurately represented was the first one: Teenage. Most of the iterations of these four mutated reptiles I've seen focus on the "Ninja" part of their background. Here, these characters truly feel like teenagers, and the choice to make them closer to 13 than 19 was a refreshing take on the franchise....
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MOVIE: Ocean’s Eleven (2001)

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Ocean's ElevenYear: 2001Rating: PG-13Length: 116 minutes / 1.93 hours While I usually agree with people who say that remakes are worse than the originals, Ocean's Eleven (2001) is an exception. Not only did it bring the same amount of star power that made the original stand out, but it had a heist that was much more entertaining and compelling than its predecessor. Having re-watched it recently, I found it still stands up over 20 years later, even if it's starting to show its early-2000 edges. I still think it's a classic that works because of its complexity and scale. It's impressive how there are so many big names in this movie, yet they all have their room to shine. There's a reason many of them are still making great movies today, and their talent is on full display here. And perhaps the collective charisma of this all-star cast makes the heist they pull off so thrilling. Sure, I already knew how they...
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MOVIE: Us (2019)

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Us Year: 2019 Rating: R Length: 116 minutes / 1.93 hours I’ve been reluctant to jump on the Jordan Peele bandwagon. This has mostly been because I rarely watch horror films. What initially won me over was the social commentary Get Out (2017) provided. NOPE (2022) was an interesting take on alien films that spoke to the inherently violent nature of animals. With these two movies in mind, I finally filled in the gap and watched Us (2019). Unfortunately, my lack of desire to watch this film when it came out seems to have been justified as I ask, “What was the point?” I don’t want to spoil too much, but the twist was pretty easy to spot quite early on. Once the premise became clear, the movie seemed to be an excuse to just have the characters fight each other to the death—sometimes in the bloodiest way possible. Even the ending didn’t seem to be anything profound unless I’m missing something deeper that was...
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MOVIE: The Creator (2023)

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The Creator Year: 2023 Rating: PG-13 Length: 133 minutes / 2.22 hours Knowing how rare new science fiction movies are, I was interested to see what The Creator (2023) would say about artificial intelligence. Even if we’re currently seeing a rise in generative AI tools, the AI in The Creator are more like the replicants in Blade Runner (1982). And while Gareth Edwards hasn’t had a lot of movies under his belt, he’s proven that he can handle big franchises like Godzilla (2014) and Star Wars (with Rogue One (2016)). Unfortunately, this “original” film feels highly derivative of these previous movies in his filmography. Plot-wise, much of The Creator cribs from Rogue One. The big orbiting doomsday device that looms as a threat over key battle sequences gives off big Death Star vibes. That there’s a MacGuffin that’s supposed to save the world/universe which causes the main character to undergo great sacrifice is yet another parallel that’s hard to ignore. Granted, many consider Rogue One...
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MOVIE: Annihilation (2018)

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Annihilation Year: 2018 Rating: R Length: 115 minutes / 1.92 hours While I’ve never quite been fully on board with the works of Alex Garland, I recognize there’s something about his movies that makes me want to see them, eventually. I appreciated his approach to Artificial Intelligence in Ex Machina (2014), but it took a while for me to get around to his next work, Annihilation (2018). His style of science fiction borders on horror, but more importantly, it emphasizes one philosophical question in particular. What makes us human? Instead of exploring the Turing Test as he did in Ex Machina, Annihilation focuses on the larger scale of the universe to answer this question. Even if it takes a while to establish all the exposition, Annihilation does its best work in unraveling the mystery surrounding the return of Kane (Oscar Isaac). Most of this is done once the main character, Lena (Natalie Portman) arrives in the anomaly and can explore the bizarre alien effects on...
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MOVIE: Castle in the Sky (1986)

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Castle in the Sky Year: 1986 Rating: PG Length: 125 minutes / 2.08 hours Having only seen a handful of Hayao Miyazaki films, I finally got around to some of his earlier works. Castle in the Sky (1986) might not seem special by today’s standards, but in the era when it was released, I’m sure it was quite a bold statement. As a steampunk-styled adventure, there’s a lot in this movie that has since been copied and adapted into other works (case in point, my younger brother noticed that it’s almost an identical plot to Mega Man Legends which came out a decade later). As Miyazaki’s third film, Castle in the Sky sees many of his established visual styles and themes (like flying girls) that he has used in many of his following projects. Even with a relatively simple plot, the gorgeous animated visuals are always a major draw for Miyazaki movies like this. There’s a charm that’s hard to describe, but it’s there in...
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MOVIE: The Patriot (2000)

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The Patriot Year: 2000 Rating: R Length: 165 minutes / 2.75 hours Over the years, I’ve seen most of The Patriot (2000). Having now purposely sat through the entire thing (and the Extended Cut, no less), I can see parts of its appeal. Now, I’m not going to watch a Roland Emmerich movie for any kind of historical accuracy. That Emmerich set The Patriot during the Revolutionary War is merely a backdrop for over-the-top action sequences. Some of its political statements are cringeworthy now, but there’s an amount of entertainment here that is hard to ignore. And that’s what this movie is: entertainment. The star power in The Patriot is hard to ignore. Mel Gibson, Heath Ledger, Jason Isaacs, Chris Cooper, and Tom Wilkinson all deliver outstanding performances. In particular, the “win at all costs” Colonel William Tavington (Jason Isaacs) was a great motivator and foil for Benjamin Martin (Mel Gibson) to avenge the losses he endured during the film. This subplot comes off as...
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MOVIE: White Noise (2022)

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White Noise Year: 2022 Rating: R Length: 136 minutes / 2.27 hours It's funny how I've always heard Noah Baumbach's name in discussions revolving around directors I appreciate. Usually, when the conversation of scripts comes up with directors like Wes Anderson or Greta Gerwig, Baumbach gets a mention. While I couldn't name a film of his that I had seen, his name was recognizable enough that I felt I had to give White Noise (2022) a try. After wishing I had those 2+ hours back, I realized I had seen one of his movies, Marriage Story (2019), which I also didn't particularly care for. Now I know. Granted, White Noise has some interesting bits. However, it never sticks with them long enough to fully conclude them. Instead, it flits from idea to idea, mostly making no sense at all (hence the title of the film, I suppose). There's a lot of talking in this movie, but most of it feels so random that I wonder...
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MOVIE: Disenchanted (2022)

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Disenchanted Year: 2022 Rating: PG Length: 119 minutes / 1.98 hours It’s interesting how the “direct-to-video” sequel has changed now that streaming is the ubiquitous delivery method. Movies that studios still want to capitalize on but don’t want to spend money on putting in theaters. Disney has taken this route with many of its animated films in the 1990s, releasing multiple sequels to beloved classics. Even The Disney Channel used to be a place for them to put cheap movies. Now, with Disney+, we see movies like Disenchanted (2022) filling the space that used to be occupied by VHS releases. It’s unfortunate because these sequels could be much better than they are. I loved the self-aware nature of Enchanted (2007). That Disenchanted held most of the same cast was encouraging, but clearly not the magic needed to recreate the energy of the original. The parody (and adherence to) traditional Disney princess stories in Enchanted made it a fun tongue-in-cheek film to watch. This sequel felt...
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MOVIE: The Whale (2022)

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The Whale Year: 2022 Rating: R Length: 117 minutes / 1.95 hours Darren Aronofsky is the kind of director who makes movies that have moments that are hard to watch but you must see at least once. With his style established in such films as Pi (1998) and Requiem for a Dream (2000), he has continued with this over the decades with varying levels of intensity. The Whale (2022) is the latest film to conform to Aronofsky’s early directorial oeuvre. It’s a simple film—which happens when adapting a stage play—but with heart-wrenching depth. That it works so well in an on-screen format is a testament to Aronofsky’s talents. Brendan Fraser’s performance of Charlie carries this film. There’s not a lot of representation of morbidly obese people, but Fraser makes it seem realistic. Granted, Aronofsky also makes it gross quite a few times, but that’s to be expected. That Charlie seems to always be in the frame, as if Aronofsky gravitationally locked the camera to him...
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MOVIE: Barbie (2023)

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Barbie Year: 2023 Rating: PG-13 Length: 114 minutes / 1.90 hours I’ll admit that the only reason I watched Barbie (2023) was because Greta Gerwig directed it. I loved her style in Lady Bird (2017) and Little Women (2019). Going into Barbie, I was prepared for a full commentary on feminism, especially through the lens of the “perfect woman” that so many girls grew up with. And while the casting was flawless, there still felt like moments where Barbie could have gone deeper with the subject matter but declined due to pressure from Mattel. Its writing was smart and snappy, but it’s also a movie about a beloved childhood toy. Of course, a lot of Barbie wouldn’t work if the cast was different. Margot Robbie is the epitome of the classic Barbie look. Ryan Gosling gnaws on the scenery and almost steals the show (thus enforcing the patriarchy, ironically enough). Other standout performances go to Kate McKinnon, Michael Cera, and America Ferrera. That there are...
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MOVIE: Air (2023)

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AirYear: 2023Rating: RLength: 111 minutes / 1.85 hours As a child of the 90s, I never gave much thought to Nike shoes. They were always this popular brand that—in my child-like brain—would make me run faster and jump higher. I had no idea that the singular reason they were so ubiquitous in my childhood came down to one incredibly risky decision to bet the entire company's future on a single athlete. That this athlete was Michael Jordan is what made this deal as historic as it was. Air (2023) does a great job of giving the audience a look behind that fateful curtain. It's fascinating to me how a third-tier company like Nike used to be below shoe producers like Adidas and Converse. I also had no idea these other companies had the foreign commitment to excellence (Adidas) or star power (Converse) to place them above a company mostly known for jogging activewear. Despite these obvious choices, Air really tells the story...
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MOVIE: Mission: Impossible—Dead Reckoning (Part 1) (2023)

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Mission: Impossible—Dead Reckoning (Part 1) Year: 2023 Rating: PG-13 Length: 163 minutes / 2.72 hours When it comes to the Mission: Impossible movies, you know what you’re going to get. Tense countdowns. Action set-pieces. Tom Cruise running. Even though the Impossible Mission Force (IMF) has overcome many obstacles in the past, there’s always a question of whether this latest mission will be too much for them. With Mission: Impossible—Dead Reckoning (Part 1) (2023), the threat is so large that this movie only covers half of it. As long as you’re OK with not having a conclusion to the full plot, this movie is fun and full of action. With Artificial Intelligence (AI) being a current hot topic, using it as the antagonist of this film felt like it fit right into the cultural zeitgeist. Not that AI has been a new villain by any means (as 2001: A Space Odyssey (1968) has shown). Considering the (fictional) power of this AI, the Maguffin of the two-piece...
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MOVIE: RRR (2022)

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RRR Year: 2022 Rating: Not Rated Length: 182 minutes / 3.03 hours While I have watched some of the “classics” of Indian cinema, I haven’t kept up to date on this brand of foreign cinema. Nothing stood out enough for me to seek it out and watch it. That was until a friend of mine suggested I watch RRR (2022). He described it as the most “anime-style live-action movie” he’d ever seen. This intrigued me, so I watched it. He wasn’t wrong. It oozes machismo while also telling a compelling story about fighting against British occupation. And just to make sure that you know it’s an Indian film, there’s a great song and dance sequence that won an Oscar for Best Original Song. RRR reads a bit more like an American action film, especially in how ridiculous it is. Of course, that’s part of the reason I really love this movie. Sure, there’s a lot of violence, but the creative ways that it’s used made...
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MOVIE: The Sea Beast (2022)

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The Sea BeastYear: 2022Rating: PGLength: 115 minutes / 1.92 hours It’s weird how there’s been such a shift in CG animated films that something like The Sea Beast (2022) feels like they made it years ago. The realism in CGI has reached a point where movies from studios that aren’t Disney, Pixar, or DreamWorks look gorgeous. Since there’s been a leveling of what animated films can look like, the plot has become more important to these kinds of films. Unfortunately, while The Sea Beast looks great, its plot feels derivative of How to Train Your Dragon (2010), just with pirate-like characters instead of Vikings. That there aren’t a ton of sea-faring stories out there, let alone animated ones, makes The Sea Beast a unique setting. With so many fantasy worlds set in medieval Europe, basing one off the slightly more modern sailing age feels fresh. I’m a little surprised that there weren’t more inventive uses of the technology of that era, since...
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MOVIE: Puss in Boots – The Last Wish (2022)

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Puss in Boots: The Last Wish Year: 2022 Rating: PG Length: 104 minutes / 1.73 hours It's honestly been so long since there have been any movies from the Shrek franchise. I had almost forgotten Puss in Boots: The Last Wish (2022) was a sequel to a spinoff that came out 11 years ago. Animation has changed a lot in that time, and this movie shows that traditional CGI animated fare is now following a much different look. Even with the change in animation style, The Last Wish excels at the thing that made the Shrek movies great: unique takes on well-known fairy tales. It surprised me how dark parts of this film were, considering its target audience. When the titular character has to come to terms with his own mortality in the form of death as a deadly sickle-wielding wolf, it gets perhaps a bit too scary for younger children. Sure, there are comic relief characters like Perrito (Harvey Guillén) to lighten the mood....
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MOVIE: Nimona (2023)

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Nimona Year: 2023 Rating: PG Length: 101 minutes / 1.68 hours It's funny how I initially read about Nimona (2023) as an upcoming animated film on Netflix, which inspired me to read the graphic novel, which itself made me watch the animated film when it came out. And while the movie was good, it was missing some of what made the graphic novel great. But that's always going to be the challenge of adapting a book into a movie. Using the source material as inspiration helped make this film a tight story that works for the medium. Sure, I would have liked to have seen an animated film in the distinctive style of the graphic novel. The emotions and climax didn't have enough time to get deep enough—like they did on the printed page. Still, I can accept that movies like The Shining (1980), Ready Player One (2018), and Nimona are distinct and different, but just as good as the books they're based on. An...
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MOVIE: Zero Dark Thirty (2012)

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Zero Dark Thirty Year: 2012 Rating: R Length: 157 minutes / 2.62 hours There are a few key moments from cinema that stick with me, even years after watching them for the first time. Zero Dark Thirty (2012) is a little frustrating to watch, but I suppose that's the whole point. Maya Harris (Jessica Chastain) had to deal with excessive government bureaucracy to avenge the United States after September 11th. That the last 30 minutes of this movie is the most gripping sequence I've ever seen is a testament to the payoff for two hours of buildup. What strikes me with this film is how raw it feels. It's unflinching in its depiction of torture. It doesn't hesitate to show that the U.S. would do anything to get back at those who killed so many on American soil. The problem is that it seems to insinuate that continuing in this extreme manner would have brought the eventual result a lot sooner. These red tape holdups...
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MOVIE: Oppenheimer (2023)

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OppenheimerYear: 2023Rating: RLength: 180 minutes / 3.00 hours Christopher Nolan's filmography has been building to this movie. Over decades, Nolan has had gimmicks in his films that make them stand out. Oppenheimer (2023) uses many of them to create a compelling story that's half scientific discovery and half political drama. That a movie like this—about unleashing the Pandora's box of nuclear weapons—hadn't been made like this before is perhaps the more impressive feat. The way Nolan weaves the two halves of the story together is masterful. However, the actors definitely do a lot of heavy lifting here. It took me a second viewing to piece together that the black-and-white segments followed Lewis Strauss (Robert Downey Jr.) while the color segments focused on J. Robert Oppenheimer (Cillian Murphy). This visual stylization hearkened back to the way Nolan made Memento (2000) unique. The shifted timelines between the black-and-white/color segments evoked Dunkirk (2017)., I'm just glad that I could actually understand what everyone was saying,...
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MOVIE: Asteroid City (2023)

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Asteroid City Year: 2023 Rating: PG-13 Length: 105 minutes / 1.75 hours At this point, when I see a Wes Anderson film, I know what I'm getting. Not just the visual aesthetic or the almost monotone line delivery from every actor. Instead, there's a framing that either brings the disparate narrative together (like in The French Dispatch (2021)) or acts as a lens (like in The Grand Budapest Hotel (2014)). Now that we're almost 10 years into this phase of narrative framing (with a few exceptions like Isle of Dogs (2018)), it's finally gotten to the point of being distracting. Don't get me wrong, I absolutely love the base story that's being told in Asteroid City (2023). It hearkens back to some of Anderson's earlier works that dealt with the death of a loved one (a la The Darjeeling Limited (2007)). The science fair subplot was fun, and the whole military lockdown of the second half was entertaining. Just by itself, the core plot of...
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MOVIE: Borat (2006)

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Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan Year: 2006 Rating: R Length: 84 minutes / 1.40 hours As far as mockumentary films go, Borat (2006) is at least in the top five. It may have not been as groundbreaking as This Is Spinal Tap (1984), but its use of real people's reactions to a parody of Eastern European stereotypes still shocks today. Perhaps having experienced some of the American sub-cultures that were mocked is what makes those parts of this film funny to me. It certainly has its gross-out moments, but Sacha Baron Cohen's performance is iconic. I think what makes Borat one of the best mockumentary films is its unscripted nature. Sure, they wrote Borat's dialogue in such a way as to provoke people (or get them to open up about their own racism/sexism/homophobia). However, the responses from these people feel completely genuine. The ones who accept Sacha Baron Cohen's bit and try to play their part straight are...
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MOVIE: Spider-Man – Across the Spider-Verse (2023)

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Spider-Man: Across the Spider-Verse Year: 2023 Rating: PG Length: 140 minutes / 2.33 hours Without fail, I have watched wildly successful movies gain sequels that were too big for just one movie. The latest entry in this Trilogy Conundrum is none other than the animated Spider-Verse series. Spider-Man: Into the Spider-Verse (2018) was a stylish and refreshing animated film that won the Best Animated Feature Oscar. Its sequel, Spider-Man: Across the Spider-Verse (2023), is equally good in both storytelling and animation. However, the size of such a story being stretched over two films affected some of this movie's pacing. I am increasingly becoming a fan of the "stylized" animated movies like Into the Spider-Verse and Across the Spider-Verse. Pixar can show how realistic CGI animation can be, but I found truly creative CGI animation in other studios like this one. This "cartoony" style lends itself to the humor of the fight between Miles (Shameik Moore) and Spot (Jason Schwartzman). It's also versatile enough to be...
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MOVIE: Guardians of the Galaxy, Vol. 3 (2023)

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Guardians of the Galaxy, Vol. 3 Year: 2023 Rating: PG-13 Length: 150 minutes / 2.50 hours Ever since the original Guardians of the Galaxy (2014), it felt like this corner of the Marvel Cinematic Universe (MCU) was left to do its own thing. These movies didn't have many cameos or connections to the larger MCU except for introducing characters who fought in the Avengers films. Perhaps because of this level of separation from the core MCU, the Guardians of the Galaxy movies have felt more stable tonally than the rest of the MCU films. You can probably thank James Gunn for that. While I consider the first Guardians movie to be one of the best superhero (or even sci-fi) films ever made, Guardians of the Galaxy, Vol. 2 (2017) diving into Peter Quill's (Chris Pratt) origins wasn't quite up to snuff. And while Guardians of the Galaxy, Vol. 3 (2023) is another origin story, it felt more impactful than its predecessor. After all, the one...
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MOVIE: Cocaine Bear (2023)

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Cocaine BearYear: 2023Rating: RLength: 95 minutes / 1.58 hours Back when I was in college, the most ridiculous concept for a movie was none other than Snakes on a Plane (2006). Now, almost 20 years later, the only movie that comes close to that level of ridiculous plot is Cocaine Bear (2023). Of course, being a ridiculous premise doesn't make it a good movie by any means. Not even the fact that it's loosely based on true events can help its lack of plot. But how much plot can you really fit into "bear snorts a ton of cocaine"? Part of the problem with Cocaine Bear is that it doesn't quite lean into the ridiculousness. There are too many moments that try to play the situation as seriously as possible. Despite all the stupid death scenes, there weren't nearly as many knowing winks toward the camera to make it into a violent dark comedy. Instead, Cocaine Bear sits in this weird limbo...
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MOVIE: The Super Mario Bros. Movie (2023)

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The Super Mario Bros. Movie Year: 2023 Rating: PG Length: 92 minutes / 1.53 hours I’ll admit that I was skeptical about this movie going in. Some of the casting decisions were questionable, but I also knew Nintendo would have a much tighter hold on their intellectual property after Super Mario Bros. (1993). An animated take on a simple video game concept was the better way to go, but I also know Illumination has a reputation for somewhat “cheap” CGI movies. All this being said—nostalgia is a heck of a drug. The Super Mario Bros. Movie (2023) is bright, colorful, and a lot of fun to watch. I felt like the character designs were definitely on-point—which wasn’t hard to do when Nintendo already has 3D models of almost every character that appeared in this movie (something the previous attempt at this movie did not have). While the plot was simple, it’s not like a game from 1985 really had that much plot to go off,...
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MOVIE: Léon – The Professional (1994)

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Léon: The ProfessionalYear: 1994Rating: RLength: 110 minutes / 1.83 hours There’s something oddly satisfying about watching a professional do their job. The ease with which these people do the thing they’ve trained extensively to do is almost mesmerizing. While this usually applies to creative types, with Luc Besson’s Léon: The Professional (1994), a skilled assassin is equally fun to observe. What makes this movie endearing is the simple life that the titular Léon (Jean Reno) lives. Additionally, the performances by Natalie Portman and Gary Oldman shine through here in some uncomfortable ways that make this movie both timeless and of its time. While the action sequences in Léon: The Professional are top-notch, the characters make the movie so much better. Since most people never encounter a professional assassin, there’s just this assumption that they’re always out killing people. Instead, there’s understandable caution and an almost savant level of adherence to rules that keep these professional killers alive to cash in on the...
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MOVIE: Tetris (2023)

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TetrisYear: 2023Rating: RLength: 118 minutes / 1.97 hours Every time I hear a movie is being made based on a video game that doesn’t have any story, I always wonder what those movies are going to be about. With Tetris (2023), the plot centers on the distribution rights for the titular puzzle game. While it’s interesting to see what happened to bring Tetris to its status as a worldwide cultural icon in gaming, the film really just boils down to the legal and international gymnastics that needed to occur. The Cold War setting did much of the heavy lifting for the suspense, but we already know how things turned out. I’m still confused about who this film was for. It seemed like they were trying to appeal to gamers by showing the history of one of the founding games of the industry. However, providing little pixel art cuts to explain how distribution rights for a video game were different between the arcade...
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MOVIE: Dungeons & Dragons – Honor Among Thieves (2023)

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Dungeons & Dragons: Honor Among ThievesYear: 2023Rating: PG-13Length: 134 minutes / 2.23 hours I have a lot of hobbies and interests that are considered “nerdy.” Partly because of this, I have avoided Dungeons & Dragons (D&D) so that I am not fully subsumed by the culture. Despite this evasion, I have still picked up enough lingo and understanding of D&D to not be completely lost when watching Dungeons & Dragons: Honor Among Thieves (2023). I think, even without this loose knowledge of the tabletop role-playing game, this movie is a great heist film with a fantasy setting that should appeal to most people who have never encountered D&D before. What helps make this movie approachable is how it doesn’t seem to take itself seriously. You can almost imagine the individuals around the table making their decisions and dice rolls as the dungeon master throws ridiculous situations at them. Chris Pine’s performance anchors the humor. His bard character was easily riffed on by...
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MOVIE: The Northman (2022)

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The NorthmanYear: 2022Rating: RLength: 137 minutes / 2.28 hours Robert Eggers doesn’t have many films under his belt, but he already has a bit of a cult following for his bizarre movies. Films like The Witch (2015) and The Lighthouse (2019) are distinct by themselves. However, these movies certainly have a psychological aspect that might leave certain viewers scratching their heads. Taking a more traditional storytelling approach, The Northman (2022) still has elements that make it distinctly a Robert Eggers film. It leans heavily on a plot that’s familiar to most high school English students, however. While it’s certainly less thought-provoking than his previous works, it’s perhaps what makes The Northman the most approachable of his filmography. Disguised behind the Norse setting, The Northman is basically Hamlet. Most of the story beats are similar to the Shakespearean play. That is, except that the duel between a man and his usurping and murdering uncle was much more epic in this movie. Considering the...
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MOVIE: John Wick – Chapter 4 (2023)

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John Wick: Chapter 4Year: 2023Rating: RLength: 169 minutes / 2.17 hours One thing I can appreciate with a franchise like John Wick is how it knew when and how to end. Some franchises seem to think that they have something significant to add even if the ninth entry in their long-running universe was the same plot as the previous eight. And while I had lost some of my faith in the John Wick franchise as it became more ridiculous with each iteration, perhaps my low standards made this last entry in the franchise that much better. John Wick: Chapter 4 (2023) was a fitting and classy end to a set of movies that re-defined the action genre. I loved the simplicity and steady, fast-paced choreography of John Wick (2014), but the world-building in John Wick: Chapter 2 (2017) and John Wick: Chapter 3 - Parabellum (2019) started adding too many things that complicated the base elements of what made the first movie...
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MOVIE: Glass Onion (2022)

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Glass Onion: A Knives Out MysteryYear: 2022Rating: PG-13Length: 139 minutes / 2.31 hours Hollywood has woefully underutilized the mystery genre for some time. It probably doesn’t help that there aren’t a lot of mysteries being written that have been adapted to the big screen. The two modern examples that come to mind are Gone Girl (2014) and The Girl on the Train (2016) but they’re darker than the classic mysteries by Agatha Christie. That Hollywood is still releasing movies based on Christie’s works (like Murder on the Orient Express (2017)) or Christie-adjacent works (like See How They Run (2022)) shows there’s a desire for ensemble-based mysteries. Glass Onion (2022) is the breath of fresh air in this somewhat stagnant genre. I’m glad that Knives Out (2019) did well enough to warrant a sequel with Daniel Craig’s fantastic character, Benoit Blanc. Glass Onion takes that same humor and applies it in a biting satire against the hyper-wealthy and “influencer” types that all need...
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MOVIE: Triangle of Sadness (2022)

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Triangle of Sadness Year: 2022 Rating: R Length: 147 minutes / 2.45 hours It speaks to the state of current society when 2022 churned out not one, but three films that focus on the absurdity of the rich. While The Menu (2022) focused on the "foodie" culture that surrounds so many wealthy individuals, Glass Onion (2022) highlighted those "influencers" who try to disrupt industries. The one film I feel best captured the satire of the ultra-wealthy was definitely Triangle of Sadness (2022). The humor was the darkest of all three, but it went further than the other two in exposing the uselessness of the rich. The first act sets up all the ridiculous things that rich people do. From absurd reasons to dump a romantic interest to how little money they actually have on hand, the audience gets a glimpse into their absurd world of opulence. Once the yacht enters the picture in the second act, we see all the different varieties of rich and...
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MOVIE: Women Talking (2022)

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Women Talking Year: 2022 Rating: PG-13 Length: 104 minutes / 1.73 hours Some conversations are difficult. Things that people in power want to be covered up are often the conversations that need to happen the most. And while revealing these topics to the public is a great way to raise awareness, sometimes the most impactful way to effect change is to band together. A unified front against an egregious sin does more than merely asking those in power to stop. Women Talking (2022) takes on the heavy topic of sexual assault and makes it a not-so-simple conversation about what to do in a helpless situation. While I feel She Said (2022) received more visibility, the heaviness of the circumstances of these Mennonite women hit significantly harder. Granted, neither film really captured the tension the way Spotlight (2015) did. It's great that movies like this are coming out, despite being heavy topics that require introspection into the systems that enable them. Heck, even Promising Young Woman...
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MOVIE: Tár (2022)

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Tár Year: 2022 Rating: R Length: 158 minutes / 2.63 hours I hate to say that Tár (2022) is what's wrong with Oscar nominees, but it's really what's wrong with Oscar nominees. I had only seen a trailer for this movie once and it was a vague two minutes of Cate Blanchett blowing smoke, followed by her briefly conducting an orchestra. There was nothing to indicate to me what this movie was about. Then it was released on the coasts, never making it to the Colorado Springs cinemas until it was nominated for Best Picture and I was given the chance to watch it. Tár is weird. It's psychological and unapologetic about never explaining itself. I get that it's intended as an almost "out of body" experience following the titular character around. The "artsy" aspects of Tár's clearly untreated mental illness left me scratching my head more often than not. Still, I enjoy classical music and attending the Philharmonic, so it was interesting to see...
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MOVIE: Ant-Man and the Wasp – Quantumania (2023)

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Ant-Man and the Wasp: Quantumania Year: 2023 Rating: PG-13 Length: 124 minutes / 2.06 hours I'm not sure how much more of the Marvel Cinematic Universe (MCU) I can take. After a lackluster Phase 4, Ant-Man and the Wasp: Quantumania (2023) is what they chose to kick off Phase 5? Don't get me wrong, I truly enjoyed the first Ant-Man (2015). However, this was because I saw it more as a comedy heist film than as an action-packed superhero film. Ant-Man and the Wasp (2018) initially indicated this shift for me, but now Quantumania has cemented the averageness of Marvel movies in my mind. The part that hurts most is that they could have leaned more into the comedy. They tried with M.O.D.O.K. (who had a fantastic comedy spin-off TV show before being in the MCU) but most of those jokes were childish at best. I have to give them props for making this bizarre character make sense in the greater scheme of MCU continuity....
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MOVIE: All Quiet on the Western Front (2022)

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All Quiet on the Western FrontYear: 2022Rating: RLength: 148 minutes / 2.46 hours There has been a trend in recent years of remaking films that had previously been nominated for the Oscar for Best Picture. Movies like A Star is Born (2018) didn't win the highest prize in previous years like West Side Story (2021) did in 1961. The latest in these remakes is All Quiet on the Western Front (2022), a German-language film based on the 1929 book of the same name that had a Best Picture-winning adaptation in 1930. And while visually beautiful, I think this new version misses parts of what made the 1930 version stand out. I'll admit that I haven't read the book these movies were adapting. However, there was a powerful message that the 1930 version conveyed that was missing in this newer version. Both successfully showed that war is hell and completely pointless for those fighting on the front lines. And while the 2022 adaptation...
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MOVIE: M3GAN (2023)

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M3GAN Year: 2023 Rating: PG-13 Length: 102 minutes / 1.70 hours I'm not usually one to watch "horror" films, so I was going to pass on M3GAN (2023) until a friend requested to see it together. By genre standards, this PG-13 cross between Child's Play (1988) and The Terminator (1984) was light on blood and gore that could have bumped it up to an R rating if they showed more of it. Perhaps this was intentional to emphasize the horrors of Artificial Intelligence (AI) overall. Because we all know unchecked machine learning algorithms will always lean toward some kind of murder. I think if you go into this movie understanding that it'll be goofy, then you can munch on your popcorn as it hits all the standard tropes. It's not quite funny enough to be part comedy, but there are some chuckle-worthy scenes sprinkled throughout. From a sci-fi perspective, though, any robotics or AI rules that you'd usually see in these scenarios were mysteriously absent....
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MOVIE: NOPE (2022)

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NOPE Year: 2022 Rating: R Length: 130 minutes / 2.17 hours I don't know why I'm so skeptical of watching Jordan Peele's horror films. Once I got around to seeing Get Out (2017), it blew me away with how strong its premise challenged normal horror tropes. And while I haven't seen Us (2019) yet, I didn't need nearly as much convincing to give NOPE (2022) a try. I feel alien-themed horror is a bit of a niche genre with sci-fi entries like Alien (1979) being more prevalent than Earth-centric invasion movies like Signs (2002). NOPE (which can be interpreted as an acronym for "Not Of Planet Earth") definitely falls into the latter category. Overall, I appreciated the slow build-up to the alien reveal. Leaving hints about the cause of various strange events was a great way to add suspense until we finally got to see the alien in question. The alien itself was also a fantastic deviation from the standard "little green men" that usually...
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MOVIE: Cars 2 (2011)

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Cars 2Year: 2011Rating: GLength: 106 minutes / 1.35 hours If anyone asks me for my unpopular movie opinion, they're likely going to hear that I think Cars 2 (2011) is the best entry in the Cars trilogy. While it still doesn't hold a candle to the superior works that Pixar released before it, Cars 2 took a risk by adapting the spy genre to its kid-friendly films. I was never much of a fan of NASCAR-style racing, so pushing these characters into worldwide Grand Prix races felt much more exciting to me. Still, I can see why some didn't like this pivot. As with most of the Cars movies, I never cared much for Mater (Larry the Cable Guy). The forced comedic relief always felt like it was based on how cringe-worthy they could make the character. Unfortunately, Mater had a much larger role in this movie, which only marginally worked because of how it felt like The Man Who Knew Too...
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MOVIE: Avatar – The Way of Water (2022)

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Avatar: The Way of Water Year: 2022 Rating: PG-13 Length: 192 minutes / 3.20 hours It's weird to me to see so many "science fiction" fans bash the Avatar franchise and then in the next breath complain that there aren't any new intellectual properties in the genre. Considering how recently these movies came out when compared to franchises like Star Wars, the Avatar films are the new intellectual properties in the genre. That there seems to be an overarching plan for the franchise gives me hope that James Cameron knows what he's doing. If Avatar: The Way of Water (2022) is any indication, he's done his homework with its world-building. I know people complain about the weak plot of these movies; but maybe with the state of the world, we need to reiterate stories about the harmful effects of colonialism and capitalism. As always, the visual spectacle of The Way of Water is on par with—if not significantly better than—Avatar (2009). A lot of what...
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MOVIE: Spectre (2015)

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Spectre Year: 2015 Rating: PG-13 Length: 148 minutes / 2.47 hours After the practically perfect Skyfall (2012), my expectations for what a Bond film should be were considerably heightened. And while Spectre (2015) still contained some elements that made me enjoy Skyfall, it missed that small little “aha!” moment that brought everything together for me. Sure, Spectre was directed by Sam Mendes, brought back franchise-famous villain Blofeld (Christoph Waltz), and had characters with emotional connections to Bond (Daniel Craig) that spanned across movies in Craig’s tenure, but it lacked the spark to make it fully work. Perhaps it was just abiding by the idiom that lightning can’t strike twice. That’s not to say that Spectre is a bad Bond movie, it just has a lot to compare against. The modern style and action that Craig’s Bond has are still better than some of the sillier entries in the long-running franchise. There’s a drag in the second act that probably could have been tightened up with...
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MOVIE: Guillermo del Toro’s Pinocchio (2022)

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Guillermo del Toro’s Pinocchio Year: 2022 Rating: PG Length: 117 minutes / 1.95 hours Disney has dominated the fairy tale adaptation for so long that it’s refreshing to see something like Guillermo del Toro’s Pinocchio (2022) take a different approach to the story of Pinocchio instead of merely copying the 1940 version. Fittingly enough, using stop-motion for this movie was a great way to be creative as well as align with the whole “talking wooden puppet” motif. And while the time jump into World War II Italy obviously doesn’t make this a faithful adaptation of the original work, it’s at least grittier than the more colorful animated versions have come to represent. I appreciate all the work that goes into stop-motion animated movies. I enjoyed Aardman’s Wallace & Gromit: The Curse of the Were-Rabbit (2005) and Laika’s Kubo and the Two Strings (2016), so it’s nice to see other animation companies like ShadowMachine enter the feature-length movie realm with their work. That being said, the...
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MOVIE: Babylon (2022)

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Babylon Year: 2022 Rating: R Length: 189 minutes / 3.15 hours If there’s one thing in common with Damien Chazelle’s films, it’s how they center on the sacrifices people endure to pursue their dreams. Whiplash (2014) focused on the physical limits someone might endure to become a successful drummer. La La Land (2016) highlighted how relationships and careers might need to take a second seat to pursuing a dream. First Man (2018) showed how a family might suffer to pursue something greater. Following this trend, Babylon (2022) gives light to the inability of some who have attained their dream—sometimes at great personal cost—to keep it in an ever-changing world. I can succinctly state the problem with Babylon as “I didn’t need to see that.” Clocking in at over three hours long, there were plenty of storylines that could have been cut. For instance, we’ve already seen Brad Pitt’s story of a famed silent film star struggling to find relevance in the talkies through the Best...
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MOVIE: The Menu (2022)

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The Menu Year: 2022 Rating: R Length: 107 minutes / 1.78 hours I want to chastise the advertisers of The Menu (2022) for making me almost miss this gem of a movie. I usually pass on horror films, so the ads for this one made me think that the “twist” would be something more like Soylent Green (1973). Instead, I was given the treat of a wildly dark comedy that plays off all the prestige and pompousness of foodies and high-concept restaurants. Sure, some moments are horrific during their brief appearances, but I would hardly put this movie in the horror category. The Menu has something to say and is actually quite funny about how it does it. What makes The Menu work is definitely because of the performances of its top-billed actors. Ralph Fiennes, Anya Taylor-Joy, and Nicholas Hoult all act their hearts out, likely adding to how funny this satirical take on foodie culture ended up being. Almost as a bonus, this film...
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MOVIE: Toy Story (1995)

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Toy StoryYear: 1995Rating: GLength: 81 minutes / 1.35 hours One benefit of having children is revisiting movies from my youth. I saw Toy Story (1995) in theaters and was immediately struck by how amazing it was that they made the entire film with computers. While this is no longer something that causes awe, there is something about the first movie to make this leap. Almost 30 years later, Toy Story shows its age in some of its visual aspects. However, the cinematography and storytelling here are top-notch and often made me ignore the CGI which is comparatively less polished than today’s effects. To Pixar’s credit, they did the best they could by focusing on slightly easier-to-animate characters than humans or animals. The people and pets in Toy Story look horrific (sometimes on purpose) but there has to be grace for the limitations of the time. Still, with the immense flexibility of the digital camera, some shots in Toy Story that would have...
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MOVIE: Skyfall (2012)

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SkyfallYear: 2012Rating: PG-13Length: 143 minutes / 2.38 hours To me, one weakness of the James Bond franchise has always been the detached nature of the timeless character of James Bond (Daniel Craig) to anything from his past. He'd go off on some globetrotting mission to save the world while never having the stakes come anywhere close to where he lived—whether currently or when he was growing up. As such, the character of James Bond always felt like a caricature. An invincible man who always packed his plot armor before jetting off to a tropical paradise to deal with some megalomaniacal genius. I feel Skyfall (2012) is the absolute pinnacle of Bond films because it makes the main character human. The brilliant way Sam Mendes used Javier Bardem as the antithesis to Craig's Bond to highlight how loyalty is a two-way street is such a chef's kiss that I can't even begin to explain how it broke the mold for Bond villains. Visually,...
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MOVIE: The Expendables 3 (2014)

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The Expendables 3 Year: 2014 Rating: PG-13 Length: 126 minutes / 2.10 hours When the first Expendables movie came out, the premise of a ton of washed-out action stars coming together in a single film amused me. It wasn't that great, mostly because I thought to myself, "These are the only guys they could get?" Partly because of this, my standards had been lowered for the second film in the franchise and I found it was an absolute blast with a lot of big names that the first movie was missing. Then they made a third one and ran out of names. What set the first two Expendables movies apart was the 80s action film machismo that made the concept of bringing these actors together so amusing. Now? It seems like they're reaching the bottom of the bucket for these types of actors—mostly because I don't consider them as the over-the-top action stars that the rest of the crew is. I mean, Kelsey Grammer? Really?...
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MOVIE: The Fabelmans (2022)

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The Fabelmans Year: 2022 Rating: PG-13 Length: 151 minutes / 2.52 hours Steven Spielberg has been directing films for so many decades that it’s actually a little surprising that the semi-autobiographical The Fabelmans (2022) took this long to materialize. Because of his years of success as a filmmaker, I already knew some details of Spielberg’s rise to the successful director that he is today. Granted, I’m not sure how much of the family drama in The Fabelmans is a direct influence on Spielberg’s life or if he manufactured it for the movie itself. Still, it is interesting to see the early budding talent presented in this movie and be able to extrapolate to movies like Jaws (1975), Saving Private Ryan (1998), and Schindler’s List (1993). Perhaps my one qualm with this movie is that it’s a bit too long. I understand the desire to show the entire life of Sammy Fabelman (Gabriel LaBelle) to understand the context of the origins of his filmmaking passion, but...
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MOVIE: Little Boy (2015)

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Little Boy Year: 2015 Rating: PG-13 Length: 106 minutes / 1.77 hours When it comes to movies with strong Christian messages, often the resulting movie is weak for a variety of other reasons. This might be because of poorly written characters, plot holes, or an overall lack of cinematic quality in the movie itself. This is why I absolutely adore Little Boy (2015). There are many great Christian values presented here, including faith and accepting others. However, the little twists put in the plot of this World War II story make it just that much better than a generic Christian film. If only more Christian movies were made like this, then maybe the (valid) stigma against Christian media might be reduced. Perhaps the one aspect of Little Boy that strikes me as the most unique is the xenophobia against Hashimoto (Cary-Hiroyuki Tagawa). There have been plenty of movies about World War II, but you don’t see many of them addressing the racism against the Japanese...
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MOVIE: Quantum of Solace (2008)

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Quantum of Solace Year: 2008 Rating: PG-13 Length: 106 minutes / 1.76 hours Ever since the turn of the millennium, many film franchises have taken to starting over; reinventing themselves for this modern era. From superheroes like Batman and Superman to age-old classics such as Rocky and Rambo, these franchises have been going back to the drawing board in order to pull in ticket sales. The James Bond franchise is no different. In 2006, the ranks of Sean Connery, Roger Moore, and Pierce Brosnan gained Daniel Craig as the new James Bond. Quantum of Solace is a rather rare Bond film as it actually has a connection to its predecessor, Casino Royale (2006). It also has all the elements of the franchise. There are the spectacular opening credits, Bond girls, fancy car chases, and gunfights. Somewhat missing from the mix is the legendary set of gadgets, which was also missing from Casino Royale. Instead, an impressive graphical user interface on all the computers and cell...
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MOVIE: Casino Royale (2006)

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Casino Royale Year: 2006 Rating: PG-13 Length: 144 minutes / 2.40 hours For almost 40 years, the adaptation of the first book in Ian Flemming's James Bond franchise was a parody of the action movie the Bond films had become. Even with only four movies in the Bond franchise released at the time, Casino Royale (1967) made fun of all the goofy gadgets, girls, and guns that were staples of Flemming's works. Fortunately, when it was time to reboot the character with Daniel Craig, Casino Royale (2006) received the remake it truly deserved. Cut down to its base elements and filmed in a more modern style, Casino Royale is a much grittier take on the Bond franchise that lets the action set-pieces and skillful spy-craft take center stage. Sure, there are still Bond girls here, but this time there's a deeper connection with characters like Eva Green's Vesper Lynd (which you can take much more seriously than characters named "Pussy Galore"). It then comes as...
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MOVIE: She Said (2022)

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She Said Year: 2022 Rating: R Length: 129 minutes / 2.15 hours After the gripping Best Picture winner Spotlight (2015) brought to light the struggles of journalists to expose systemic sexual abuse in our society, it's a little sad that the somewhat similar She Said (2022) hasn't gotten the same amount of attention. And perhaps that's just highlighting the continuation of the issue at hand: sexual assault rampant throughout the Hollywood film industry. One wonders if this introspective piece would have done better without Spotlight's shadow looming over it or the movie industry wanting to continue to silence the voice of these women. She Said has plenty of gripping moments where women put their entire careers on the line to become named sources to out the deplorable practices of producers like Harvey Weinstein. The trouble is, the whole movie plays out quite similarly to how Spotlight did seven years ago. If you want to see more thrilling investigative journalism that brings to light the abuse...
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MOVIE: Weird – The Al Yankovic Story (2022)

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Weird: The Al Yankovic Story Year: 2022 Rating: PG-13 Length: 108 minutes / 1.80 hours When it comes to biopics, there seems to be a natural attraction to musicians. The rise from obscurity into the descent of the artist via "sex, drugs, and rock & roll" is so ubiquitous, the script practically writes itself. We've seen it time and time again with such movies as Bohemian Rhapsody (2018), Rocketman (2019), and Elvis (2022). Because of this (or possibly in spite of it), the parody biopic of "Weird" Al Yankovic, Weird: The Al Yankovic Story (2022) hits all the notes you'd expect of these kinds of films, but in a way that's so tongue-in-cheek, it's basically poking out the other side. Having been a fan of Weird Al for some time now (and recalling his first movie, UHF (1989)), it is amusing to see how some elements of truth shine through in this mock-u-drama. Some of the casting choices were quite hilarious, including the cameos played...
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MOVIE: Black Panther – Wakanda Forever (2022)

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Black Panther: Wakanda Forever Year: 2022 Rating: PG-13 Length: 161 minutes / 2.68 hours As the last film in the fourth phase of the Marvel Cinematic Universe (MCU), Black Panther: Wakanda Forever (2022) proves that there was no plan for this phase other than to clean up the remains of the Infinity War saga. To its credit, though, Wakanda Forever was burdened with finding an in-universe replacement for the titular Black Panther after the untimely passing of Chadwick Boseman. However, considering how most of Phase 4 was passing the mantle from one hero to the next generation, it fits well within this theming. There's a line in Avengers: Endgame (2019) where Naka (Lupita Nyong'o) states that Wakanda is aware of an anomaly on the ocean floor near their country and that they were handling it. This throwaway line was likely played for laughs, but it's peculiar how Wakanda was woefully unprepared for the invasion of their land by underwater enemies, even though they clearly knew...
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MOVIE: One Piece Film – Red (2022)

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One Piece Film: RedYear: 2022Rating: PG-13Length: 115 minutes / 1.92 hours One challenge of making movies for such a long-running anime series like One Piece is that there are so many characters and aspects of the canon that it's hard to make a film that includes fan-favorite characters in a way that makes sense with the overall story. With Eiichiro Oda on board for One Piece Film: Red (2022), we finally have a movie that could easily be part of the canon for the series while also having stakes high enough to warrant the characters who appear to save the world. While I definitely enjoy One Piece movies that string together powerful moves from the best characters, like Stampede (2019) did, most of the time the villains for these movies are so separated from the series as to be completely inconsequential. For Red, including Shanks' family was a smart way to make the story relevant to the wider One Piece world without...
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MOVIE: Black Adam (2022)

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Black Adam Year: 2022 Rating: PG-13 Length: 125 minutes / 2.08 hours I find it somewhat bizarre that DC released a successful movie with Shazam! (2019) only to follow it up with this spinoff that didn't seem to add anything to the DC Extended Universe other than to do a quick introduction of other characters. Other characters, mind you, who were much more interesting than the titular Black Adam (Dwayne Johnson). Instead of letting individual characters have room to build their own lore, this just felt rushed—a common trait of most DCEU movies, to be honest. As far as the action goes, there are a few really well-done set pieces that are visually entertaining. It's always fun to watch an overpowered superhero use the full extent of their powers. The real trick, though, is that you'd likely get a similar Marvel movie with The Falcon, Ant-Man, and Doctor Strange as the hero team sent to stop Captain Marvel. This is why DC really needs to...
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MOVIE: Amsterdam (2022)

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Amsterdam Year: 2022 Rating: R Length: 134 minutes / 2.23 hours Ever since I saw Silver Linings Playbook (2012), it convinced me that David O. Russell's films were good. When American Hustle (2013) and Joy (2015) didn't quite live up to my expectations, I figured it was a fluke. They were OK movies, just not to the caliber I had expected. I was cautiously optimistic about Amsterdam (2022) since it advertised such an all-star cast. Then again, the other movies also had all-star casts as well. Let's just say that this movie was probably my third strike against seeing any more David O. Russell films. Now, don't get me wrong—the acting in Amsterdam was great. These interesting characters were fun to watch, and it's clear that Christian Bale, Margot Robbie, and John David Washington are all talented actors (along with the many other actors involved, which would take too much space to list them all). The angle of injured military veterans was another element that...
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MOVIE: Minions – The Rise of Gru (2022)

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Minions: The Rise of Gru Year: 2022 Rating: PG Length: 87 minutes / 1.45 hours It always felt weird to me that the prequel spinoff series to Despicable Me started with Minions (2015), set well before these yellow tic-tac creatures even met their eventual boss. As a true prequel to the main series, Minions: The Rise of Gru (2022) was the movie the previous Minions movie should have been. And while it definitely lives up to the somewhat immature nature of these films from Illumination, I am constantly in awe of how visually impressive these movies look despite not coming from Disney, Pixar, or Dreamworks. While definitely still geared toward children, Minions: The Rise of Gru definitely has its moments that parents forced to watch along with their kids will chuckle at. In particular, the names of the villains are puns well above little ones' heads but are quite amusing for the adults who know (Nun-Chuck (Lucy Lawless) being my favorite). I mean, they even...
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MOVIE: See How They Run (2022)

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See How They Run Year: 2022 Rating: PG-13 Length: 98 minutes / 1.63 hours When it comes to certain actors, I've enjoyed their previous work enough that I'll watch them in anything now. Since Iron Man 2 (2010), I've liked what Sam Rockwell has done, whereas Lady Bird (2017) felt like Saoirse Ronan's breakout role for me. Having both these actors together in the same movie was a guarantee that I'd want to see it. Considering how the trailers made See How They Run (2022) look like a fun little whodunnit comedy, I was looking forward to how these actors would play off each other. Ronan's earnest police detective paired with Rockwell's hardened investigator was a fun match-up for this movie. It's not necessarily laugh-out-loud funny, but it's cute when it's amusing. That the "lessons" Rockwell's character inadvertently gives to Ronan's up-and-comer end up being the key to solving the case just makes it that much more fun. The other actors that surround this investigative...
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MOVIE: Interceptor (2022)

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InterceptorYear: 2022Rating: RLength: 99 minutes / 1.65 hours I heard about this movie from some co-workers and I decided to turn my mind off for a night and watch it. I'm glad that it was on Netflix because I would not have paid money to see this generic action thriller. It felt to me like someone was perusing the internet, trying to find interesting military resources to integrate into an action film. Then they found SBX. While this floating military asset is an interesting place to set an action film, there's nothing special in the plot to really demand it. A few things I couldn't get past in this movie were the motivations of the villains and the accent of the main character, Captain Joanna Collins (Elsa Pataky). I had trouble believing a Captain with such a strong eastern-European accent would be as successful in the United States military as she was. Then there are these random scenes with Chris Hemsworth working...
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MOVIE: The Bob’s Burgers Movie (2022)

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The Bob's Burgers Movie Year: 2022 Rating: PG-13 Length: 102 minutes / 1.70 hours Let a television show get popular enough, and eventually, you'll see a movie get made of it. This is true for older shows like Get Smart (2008) as well as modern shows like Bob's Burgers. It seems that animated shows have finally "made it" when they get their first animated movie. South Park, The Simpsons, and SpongeBob SquarePants are among the ranks of well-known animated sitcoms that made the leap to the big screen. Now Bob's Burgers joins their ranks with The Bob's Burgers Movie (2022). The challenge for a 30-minute animated show expanding to a feature-length movie has always been the strength of its intertwining plotlines. For this movie, introducing an enormous sinkhole that's blocking the entrance to the restaurant ups the scale of normal shenanigans, especially on the first day of summer when people are ready to go out to eat. Add to this a murder mystery that the...
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MOVIE: Three Thousand Years of Longing (2022)

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Three Thousand Years of Longing Year: 2022 Rating: R Length: 108 minutes / 1.80 hours When I saw the posters for Three Thousand Years of Longing (2022) at my local movie theater, I couldn't easily figure out what it was about. A while later, I saw an article headline that told me that George Miller directed it, so I figured I'd give it a chance. I had seen no trailers or ads for it, but I figured the director of Mad Max: Fury Road (2015) and Happy Feet (2006) would have something interesting for me to see. I found it a little ironic that this movie about storytelling was meandering with its own storytelling. Granted, it had three millennia to cover in less than two hours, but the framing of it felt a little odd. There are so many in-between moments in the hotel room that could have been used to intersperse modern life with ancient tales. I will give credit here to the somewhat...
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MOVIE: Full Metal Jacket (1987)

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Full Metal Jacket Year: 1987 Rating: R Length: 159 minutes / 2.65 hours As a self-proclaimed film buff, I have to admit that it's almost criminal that I've gone this long without fully watching Full Metal Jacket (1987). After all, I have seen most of Stanley Kubrick's filmography and I understand the importance of his oeuvre. I think my hesitation is that I've already seen most of this film just through the memes that it eventually spawned. That, and doing more of a "straight" take on a war movie after the perfect satire that is Dr. Strangelove (1964) felt like a disservice. Even though this movie is almost three hours long, it really feels like two completely separate films smashed together. I don't believe any other film before or since has quite captured that "boot camp" feel that the first half of this movie does. It's spawned so many quotable lines that it stands on its own without a need to follow up. Then we...
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MOVIE: Stan & Ollie (2018)

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Stan & Ollie Year: 2018 Rating: PG Length: 98 minutes / 1.63 hours The duo of Laurel & Hardy is one of those classic acts that seems to come up when people talk about comedy. I'd certainly heard of them before, but I would be hard-pressed to tell you what one of their famous bits was. On the flip side, most people know the "who's on first" bit from Abbott & Costello. Sure, Laurel & Hardy's comedy was mostly physical, so there's not a lot of clever wordplay to remember or easily recreate. Until I watched Stan & Ollie (2018), I never knew how hard they really had it. Focusing on the two comedians trying to gain traction after determining that they were being screwed by the big production companies, Stan & Ollie is funny when these two men (aptly performed by Steve Coogan and John C. Reilly) are in their element. The problem is, it's heartbreaking to see them try so hard and struggle...
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MOVIE: Bullet Train (2022)

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Bullet Train Year: 2022 Rating: R Length: 127 minutes / 2.11 hours There's something inherently exciting about being trapped on a train with a murderer. It's why Agatha Christie's Murder on the Orient Express has done so well for almost 100 years. In this more modern take, Bullet Train (2022) fills this titular high-speed form of transportation with a half-dozen unique killers with ties to a mob boss known as "The White Death." Ridiculous at times, Bullet Train is fun and full of action while also being the repeated poster child for the literary concept of Chekhov's Gun. With Brad Pitt in the leading role as the "unlucky" assassin with the codename "Ladybug," a lot of the comedy comes from the coincidental alignment of particular circumstances that pull Ladybug further into the conflict. There are almost Mr. Bean levels of close calls for Pitt's character as he finds himself tangled up in the parallel plans of his fellow assassins. Of course, the number of mistaken identity...
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MOVIE: Marcel the Shell with Shoes On (2021)

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Marcel the Shell with Shoes On Year: 2021 Rating: PG Length: 90 minutes / 1.50 hours The documentary format is so ingrained as a genre of film that it can be quite easy to take the same visual style and plot structure and apply it to something that doesn't actually exist. In the case of Marcel the Shell with Shoes On (2021), the audience gets a glimpse into this peculiar little creature named Marcel (Jenny Slate) who lives in an Airbnb with his grandmother—both of which are shells that have shoes and can talk. Equally charming and meta, this film is a cute piece of fluff. While I never saw the short films this movie was based on, they must have been significant enough at the time (roughly a decade ago) for me to feel like this was a familiar piece of media that I had somehow missed from my childhood. The stop-motion style of these small creatures helps to show the challenges they face...
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MOVIE: Thor – Love and Thunder (2022)

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Thor: Love and Thunder Year: 2022 Rating: PG-13 Length: 118 minutes / 1.97 hours As someone who has not read the comics these superhero movies are based on, it's interesting how I picked up plot points from some of the recent comic arcs prior to their cinematic debut. Case in point, I knew for a while that Jane Foster (Natalie Portman) became Thor for a while for medical reasons. In Thor: Love and Thunder (2022), this somewhat recent plot line from the comics combines with the modus operandi of Phase 4 of the MCU: wrapping up the loose ends from Phase 3 of the MCU. Doing a victory lap after his well-received Thor: Ragnarok (2017), Taika Waititi still brought his trademark comedic sensibilities to this movie but seemed to falter a bit with the much heavier themes of the God Killer (Christian Bale). In fact, I was expecting a bit more out of Bale, considering how dedicated he is to his roles. Don't get me...
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MOVIE: Elvis (2022)

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Elvis Year: 2022 Rating: PG-13 Length: 159 minutes / 2.65 hours Elvis Presley is one of those notable public figures that I couldn't quite wrap my head around. How could this singer not only cause teenage girls to lose their minds when he shook his hips but also have a military career while making Holywood movies, only to end up performing in Las Vegas until he died? It almost seemed like these were three separate individuals when, in reality, Elvis really did it all. I wasn't aware of the unfortunate relationship he had with his manager, Colonel Tom Parker (Tom Hanks), but Elvis (2022) helped piece all the parts of Elvis' life together in an entertaining package. I don't think there is any director who was better suited to bring this story to the big screen than Baz Luhrmann. His tendency to create musical mashups blended so well with Elvis' background in both Gospel and Blues. Seeing this popular white man using his clout to...
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MOVIE: Enemy (2013)

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Enemy Year: 2013 Rating: R Length: 91 minutes / 1.52 hours My first introduction to Denis Villeneuve was Prisoners (2013). This was an intense film, but even after seeing Sicario (2015), I didn't get hooked on his directing until Arrival (2016). What's interesting is that another Villeneuve film from 2013 evaded my radar until now. My film-loving friends made me aware of Enemy (2013), but I didn't get around to watching it until now. I'm glad I did. Seeing Villeneuve in the early stages of defining his style is fascinating, and Enemy certainly is more stylistic than Prisoners ever was, even if it felt like a student film at times. Of course, being one of Villeneuve's earlier films, Enemy has some rough edges. It's difficult to tell whether the source material influenced some of this film's weird choices, but it's the one thing that really prevents me from giving it a perfect score. Maybe cutting out the spider bits would have made Enemy more cohesive,...
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MOVIE: Under the Skin (2013)

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Under the Skin Year: 2013 Rating: R Length: 108 minutes / 1.80 hours When someone describes an "artistic" film, what comes to mind? For me, minimalism is often an easy way to identify a movie with the "artistic" descriptor. Under the Skin (2013) is perhaps the most minimalist movie I have ever seen. Minimal dialogue. Minimal plot. Minimal clothes. It's a bit of a rough watch, but I still consider Under the Skin one of those movies you have to see at least once. You know, for its minimalist artistic qualities. I always appreciate it when a movie can tell a story with minimal dialogue. While not nearly as impressive as the 3.5-hour long Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975), there's an unsettling amount of plot that was communicated in this movie without speaking a word. Chalk it up to Scarlett Johansson's stoic performance, but these moments of no dialogue really highlighted what makes us human. Choosing not to talk or not...
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MOVIE: Jurassic World – Dominion (2022)

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Jurassic World: Dominion Year: 2022 Rating: PG-13 Length: 147 minutes / 2.45 hours It's amusing to me that Director Colin Trevorrow thinks that there should have only been one Jurassic Park (1993), even after directing two of the sequels in the Jurassic World franchise. I mean, he's not wrong. Spielberg's film is a perfect blend of practical effects that helped bring the horror of rampaging dinosaurs to life. I'd forgive any of the sequels if they actually did anything interesting with the concept past what the original did. As it stands, even bringing back three members of the original cast for Jurassic World: Dominion (2022) just highlighted how repetitive this franchise has become. At the end of Fallen Kingdom (2018), there was a whole wide world of dinosaurs to explore, but the Park and World crews instead team up to go to yet another island filled with resurrected dinosaurs. Sure, some of them have feathers this time around, and we get a few "new" dinosaurs...
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MOVIE: Lightyear (2022)

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Lightyear Year: 2022 Rating: PG Length: 100 minutes / 1.67 hours One of my favorite bits from the Toy Story saga was the opening sequence from Toy Story 2 (1999). Seeing Buzz Lightyear (Tim Allen) in his element, fighting to save the galaxy, was an exciting start to one of the best Pixar films to hit the big screen. I have some strong nostalgia for the characters from Toy Story, which is why I had high hopes for the Lightyear (2022) spinoff. After all, Pixar rarely does science fiction—with WALL-E (2008) being the most notable example of what they can do with the genre—so I can appreciate them adding more sci-fi to their filmography. As a sci-fi movie, Lightyear is fine. It hits a lot of good tropes that are common to the genre. Visually, the efforts of Pixar look stunning as always. The problem I have here is with the characters and the plotline surrounding Buzz Lightyear's (Chris Evans) stubbornness. It's exhausting to watch...
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MOVIE: Cars (2006)

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Cars Year: 2006 Rating: G Length: 117 minutes / 1.95 hours In terms of early Pixar films, I always felt Cars (2006) was a bit of a step backward for the animation company. I've never been much of a "car guy" and I find NASCAR racing a bit silly. Still, Pixar's focus on the story helped make this a solid sports movie. After all, the timeless "mentor teaching a cocky up-and-comer" narrative works for a reason. And while I'd love to see other Pixar franchises get as much love as this one, I can see why it's done so well for its target demographic. Cars is an excellent movie for freeze-frame analysis for the number of puns and visual gags alone. Granted, there are also a lot of disturbing extrapolations if you spend a significant amount of time thinking about this universe of sentient vehicles. Still, the growth of these characters helps make this movie into something more than just a vehicle (har har) for...
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VIDEO GAME: Lego Marvel Super Heroes (2013)

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Lego Marvel Super HeroesYear: 2013Rating: E10+Time Played: ~23 hours In 2013, you would have been stupid to not cash in on the phenomenon that was the up-and-coming Marvel Cinematic Universe. A year after The Avengers (2012) showed what could be done with a handful of movies, and suddenly everyone is into Marvel superheroes. It then makes sense that Lego would release the Lego Marvel Super Heroes video game in 2013. What's even better is that the muddled movie rights for Marvel IP don't apply to video games, thus making this game a smorgasbord of superheroes to play with. I can appreciate how this game incorporated some of the popularity of the MCU (I mean, look at the characters front and center on the cover), but didn't completely need to adapt to the movie versions of these heroes. The voice-acting work for these characters was top-notch and really brought the quality of this game above the various grunts and cheers of the playable...
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MOVIE: Top Gun – Maverick (2022)

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Top Gun: Maverick Year: 2022 Rating: PG-13 Length: 130 minutes / 2.17 hours The COVID pandemic delayed the release of Top Gun: Maverick (2022) for a few years. Having only watched the original a few days prior to seeing this in the theaters, it was definitely worth the wait to see something like this on the big screen. The trailers only hinted at the spectacle that could be achieved over 35 years after the original wowed audiences with great fighter jet footage. That's not to say that this film doesn't lean heavily on its nostalgia—or plots that come strikingly close to other famous franchises. Part of the appeal of Top Gun (1986) was all the footage of fighter jet acrobatics. Most civilians never get to see these things outside an occasional air show, so there's an amount of awe involved when seeing what these marvels of modern engineering can do. Over three decades of advancements in cinematography allowed this sequel to surpass the original. Cockpit...
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MOVIE: Top Gun (1986)

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Top GunYear: 1986Rating: PGLength: 110 minutes / 1.83 hours Top Gun (1986) was one of those movies I actively avoided watching for years. I've never been too keen on the military, and this movie just screamed military propaganda to me. Sure, there were enough memes spawned from this movie (before memes were really a thing) that I felt I understood the movie well enough without having seen it. When the sequel came out this year, I figured it was probably time I give the original a chance before I went to the theater to see the summer blockbuster of 2022. For its time, Top Gun certainly used the best special effects it could to make it seem like Tom Cruise, Val Kilmer, and Anthony Edwards were actually flying these fighter jets. These effects stand up pretty well to time, but mostly because the cuts where we see the actors are so close in that you can't even tell what's going on around...
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MOVIE: Chip ‘n Dale – Rescue Rangers (2022)

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Chip 'n Dale: Rescue Rangers Year: 2022 Rating: PG Length: 97 minutes / 1.61 hours Nostalgia can be tricky to balance. There's nostalgia that feels pandering, even to the demographic it's aimed at. Then there's nostalgia that's so meta that only those deep scholars of the source material would get the inside jokes. As a Millennial, I found Chip 'n Dale: Rescue Rangers (2022) scratched an itch for balanced nostalgia I didn't even know I had. It's a shame that Disney tossed it onto Disney+ instead of getting a wider theatrical release because the comedy in this movie was top-notch. This movie was so smartly written that I laughed out loud more often than not. All the brief references it hid in plain view, but without drawing a cringey, eye-winking nod to it, was a welcome change to how most movies handle nostalgia reboots. Even modern references like Ugly Sonic were hilarious, mostly because they "went there." Of course, the movie still brought attention to...
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MOVIE: The Nutcracker and the Four Realms (2018)

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The Nutcracker and the Four RealmsYear: 2018Rating: PGLength: 99 minutes / 1.65 hours A staple of the Christmas season, The Nutcracker is recognizable in many formats. Whether it's the ballet, the music, or just the story itself, most people have probably encountered a portion of The Nutcracker at some point in their lives. While most of these recognizable bits are classic representations of this work, these are the bare minimum used in crafting the Disney adaptation, The Nutcracker and the Four Realms (2018). And I use "adaptation" fairly loosely here. Some things remain untouched, like a girl named Clara (Mackenzie Foy) being transported to a magical realm filled with toy soldiers, rats, and fairies. The trouble is that someone at Disney churned this familiar story through a "YA filter" that makes the whole thing feel like a generic adventure. Sure, there's some great visual storytelling in these four magical realms, but the narrative mostly follows the same "fight villain to learn about...
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MOVIE: Doctor Strange in the Multiverse of Madness (2022)

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Doctor Strange in the Multiverse of MadnessYear: 2022Rating: PG-13Length: 126 minutes / 2.10 hours It's a sobering thought that Spider-Man (2002) came out 20 years ago, cementing the age of the superhero movie in a time before the Marvel Cinematic Universe even existed. Sam Raimi's distinctive visual style worked for that movie and its two sequels (Spider-Man 2 (2004) of course being one of the best ever made). This is what makes Raimi's return to the superhero genre exciting in Doctor Strange in the Multiverse of Madness (2022). Nostalgia is a heck of a drug, after all. What was interesting with this Doctor Strange (2016) sequel was how Marvel allowed Raimi to connect to more of his roots in the horror genre. The scariest scene in the original Spider-Man trilogy was in the operating room with Doctor Octopus (Alfred Molina). In contrast, the amount of horrific things shown in this movie creeps closer to his Evil Dead trilogy. Nothing so bad as...
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MOVIE: The Bad Guys (2022)

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The Bad Guys Year: 2022 Rating: PG Length: 100 minutes / 1.67 hours I honestly love that computer technology has improved so much that animated movies like The Bad Guys (2022) don't have to use super-realistic visuals and can instead have a stylized animation that gives it a lot of personality. What's a little astonishing to me is how this film is the first animated movie I can think of that takes the "heist" genre and runs with it. I love a good heist, after all. And while the twists are a bit obvious and the moral is a bit hokey, The Bad Guys is still a lot of fun. There's no reason to blame The Bad Guys for making a movie that children can figure out. It's loosely based on a series of children's books, so I get that some twists are going to be obvious to the adults in the audience. The thing that strikes me weird is that all the characters that...
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MOVIE: Sonic the Hedgehog 2 (2022)

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Sonic the Hedgehog 2 Year: 2022 Rating: PG Length: 122 minutes / 2.03 hours It's amazing to me that the original Sonic the Hedgehog (2020) movie pulled out a passable film despite decades of sub-par video game movie adaptations. While it didn't dive into much of the lore other than the conflict between Sonic (Ben Schwartz) and Doctor Robotnik (Jim Carrey), it set the stage for something better in its sequel, Sonic the Hedgehog 2 (2022). With nostalgia being a huge factor in this franchise, it pleasantly surprised me that this film knew which moments would achieve that intended effect. At first, I was worried that Sonic the Hedgehog 2 was lumping too much new material together with the introduction of both Tails (Colleen O'Shaughnessey) and Knuckles (Idris Elba). Still, the combo—along with Robotnik's traditional video game look—really gave the impression that this movie cared about its source material. The huge action set pieces were the highlights of this film and I was grinning from...
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MOVIE: The Unbearable Weight of Massive Talent (2022)

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The Unbearable Weight of Massive Talent Year: 2022 Rating: R Length: 107 minutes / 1.78 hours One of the best bits in the television show Community was Abed's exploration of Nicolas Cage's career. Is he a genius? Is he a hack? There is an almost equal amount of evidence to suggest either side. When I first saw the trailers for The Unbearable Weight of Massive Talent (2022), I thought the meta take on Nicolas Cage's career would be a fun trip. However, which version of the actor would we get? Genius or hack? The fundamental problem with The Unbearable Weight of Massive Talent is that it doesn't go far enough into the meta. It felt like someone just opened up IMDb and chose the top ten Nicolas Cage blockbusters to name-drop throughout the movie. We don't get Moonstruck (1987). We don't get Leaving Las Vegas (1995). We don't get Adaptation. (2001). As a result, this film mostly focuses on his action-oriented movies, which typically aren't...
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MOVIE: Everything Everywhere All at Once (2022)

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Everything Everywhere All at OnceYear: 2022Rating: RLength: 139 minutes / 2.32 hours Multiverse stories are all the rage right now. While most of them seem to be relegated to comic book adaptations (like Loki, Spider-man: No Way Home (2021), and Dr. Strange and the Multiverse of Madness (2022)), by far the best one to emerge from this pile of parallel universes is Everything Everywhere All at Once (2022). It is the most bizarrely funny movie I've seen in some time, which just goes to show how films released by A24 are of a higher caliber than anything else. Most multiverse movies play it pretty safe when exploring branching paths of the known universe. Everything Everywhere All at Once throws literally everything at the audience, and the result is hilarious. Office equipment mechas, Human Ratatouilles, Rocks, Bagels. I honestly can't come close to describing the rapid-fire series of absurdist realities. Some moments were straight laugh-out-loud funny to me, and others were...a bit more adult...
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MOVIE: Turning Red (2022)

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Turning Red Year: 2022 Rating: PG Length: 100 minutes / 1.67 hours I'll give Pixar credit for taking on a challenging subject like puberty. Of course, they also played it safe by making it modern enough that there are computers and cell phones, but not so modern that social media is a big issue. Oh, to long for that early 2000s nostalgia. While I couldn't relate to the gender issues presented in this movie, I definitely experienced late puberty around the film's timeframe. And perhaps that's why I found Turning Red (2021) so funny: they nailed a lot of the popular cultural elements. Also, as a guy, I actually found a lot of the "period humor" to be hilarious as well. Perhaps because it's somewhat embarrassing, but also a totally natural part of growing up, these jokes had me laughing out loud. Or, maybe my humor is just a bizarre combination of memes and puns. Probably the latter (gotta love all the multiple meanings of...
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MOVIE: Redline (2009)

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Redline Year: 2009 Rating: Not Rated Length: 102 minutes / 1.70 hours Redline (2009) is one of those films that I saw a few clips of and decided it looked interesting enough to sit down and actually watch the whole thing. After all, I enjoy a good anime, and if I don't have to get invested in a multi-season show, all the better. Of course, anime can also be quite weird. As long as it looks cool, though, it doesn't really matter. Sometimes, the more stylized an anime movie is, the more entertaining it is to watch. And Redline is certainly a stylized anime. Produced by Madhouse, Redline has a distinct visual style that aligns with their other works. I'd probably say it's closest to Trigun in terms of overall feel, but that's likely because Trigun was one of the first anime I watched while growing up. There's an almost manga-like quality to the visuals here. Plenty of hard black outlines and shadows, but with...
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MOVIE: The Batman (2022)

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The Batman Year: 2022 Rating: PG-13 Length: 176 minutes / 2.93 hours I am glad that society has reached the point where every new reboot of a comic book franchise does not require repeatedly rehashing the same origin story. Spider-man: Homecoming (2017) did this, and now The Batman (2022) can join its ranks. It's a good thing, too. At almost three hours long, The Batman takes its time exploring a side of Batman we rarely see: the detective. Perhaps now that he's solved this case, he can figure out where all the lights in Gotham City went? Either way, the aesthetic and style of this Matt Reeves reboot had me skeptical at first, but won me over by the end. After rolling my eyes at yet another reboot of a comic franchise that has seen five reboots since I've been born, I have to admit that this film felt the closest to being realistically feasible. The characters (brilliantly acted by Robert Pattinson, Jeffrey Wright, Colin...
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MOVIE: Ghostbusters – Afterlife (2021)

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Ghostbusters: Afterlife Year: 2021 Rating: PG-13 Length: 124 minutes / 2.07 hours Hollywood nostalgia is a huge moneymaker for my generation. Movies we grew up loving like Star Wars (1977), Jurassic Park (1993), and Ghostbusters (1984) have all received "requels" in The Force Awakens (2015), Jurassic World (2015), and Ghostbusters: Afterlife (2021). These movies act as sequels, reboots, and remakes that take advantage of years of movie-making technology that weren't available when the originals came out (even if the originals created amazing spectacles without excessive CGI). The question is: are these requels still entertaining? For Ghostbusters: Afterlife, I think it certainly did a better job than Ghostbusters (2016) did. While these types of films rely heavily on call-backs and recycled plots from the movies that came before them, that's part of what makes them fun nostalgia-fueled flicks. New characters can give a spark of something different, even if the story beats are still the same as before. Case in point: I absolutely loved Paul Rudd's...
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MOVIE: Drive My Car (2021)

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Drive My CarYear: 2021Rating: UnratedLength: 179 minutes / 2.98 hours There are movies made to be entertaining, then there are movies that gaze into the soul of human existence and dare us to blink. Drive My Car (2021) is the latter. Grief is such a complex topic that few have successfully tackled it meaningfully or with the depth that this film does. It's slow, steady, and meandering through various subplots, but it eventually gets its point across in the most stoic ways possible. After all, it's challenging to grieve for someone who you know has wronged you. I am no stranger to three-hour-long foreign films, but even this one pushed my limits. The problem is, I'm not entirely sure what I would have cut from it to make it any shorter (although, they probably could have ended this film a little earlier since the last scene made little sense to me). All the subplots combine to make a meaningful statement of the...
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MOVIE: Eternals (2021)

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Eternals Year: 2021 Rating: PG-13 Length: 156 minutes / 2.60 hours With two competing comic book companies making movies, it's interesting to see how a movie like The Avengers (2012) works, but Justice League (2017) doesn't. You would think that Marvel would have the wisdom to learn from DC's mistakes, but instead, we see many of these same errors cropping up in Eternals (2021). Perhaps this is a side-effect of an extremely intertwined cinematic universe that requires each player in a larger multi-movie arc to receive an "origin story" movie before being brought into a larger cast of characters (much like Shang-chi and the Legend of the Ten Rings (2021)). Part of what made Justice League fail was how it introduced too many characters at once. In Eternals, there's a group of superheroes whose numbers rival later Avengers casts, but with no time to get to know any of them significantly well in an already long runtime. That the Snyder cut of Justice League spent...
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MOVIE: King Richard (2021)

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King Richard Year: 2021 Rating: PG-13 Length: 144 minutes / 2.40 hours It's a little surprising to see two critically acclaimed movies about talented children released in the same year. While CODA (2021) shows us what it's like to have a family who doesn't initially support a child's talents, King Richard (2021) highlights the amount of effort and sacrifice that dedicated parents give to their children when they recognize their talent early on. Granted, not every talented child with parental backing grows up to be extremely successful, let alone having this happen twice. And yet, Venus and Serena Williams are proof that it can happen. I found it odd how a movie that follows the early success of the Williams sisters focused so much on their father, Richard Williams (Will Smith), who made it happen by sheer determination and will. It makes sense considering how young these two prodigies were, but there's still a little sour taste to it, considering how their success was always...
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MOVIE: Ron’s Gone Wrong (2021)

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Ron's Gone Wrong Year: 2021 Rating: PG Length: 107 minutes / 1.78 hours Let's face it: social media is a challenge for parents trying to raise kids in an increasingly tech-savvy world. Adults all know the dangers of it because we were the test subjects. Now it's exposing our children to the addicting and potentially dangerous concept of trying to "go viral" by any means possible. While documentaries like The Social Dilemma (2020) reveal how these dark systems work, there aren't many movies directed toward kids that show these dangers in a way they can understand. Ron's Gone Wrong (2021) attempts to fill this gap. The problem with how this movie goes about teaching its lesson is that the premise requires a large amount of suspension of disbelief. In this universe, parents are completely oblivious to the dangers of giving their children AI robots who act as their gateway into social media via pranking videos or TicTok beauty clips that get tons of likes. Sure, there...
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MOVIE: Belfast (2021)

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Belfast Year: 2021 Rating: PG-13 Length: 98 minutes / 1.63 hours It seems a little odd to me that there are so many films that focus on historic events, but this is the first one I've seen about "The Troubles" in Ireland. I was loosely aware of the conflict between Catholics and Protestants in late-1960s Ireland, but Belfast (2021) felt like the first time anyone brought this topic to the big screen. It's clearly a personal story for director Kenneth Branagh, which is likely how it gained its notoriety in the lead-up to awards season. The problem with Belfast, though, lies in some of its inconsistencies. I understand that Schindler's List (1993) can get away with incorporating moments of color in an otherwise black-and-white film. However, when it happened in Belfast, it completely pulled me out of the story. It would have been much better to just keep the monochromatic aesthetic throughout instead of trying to be artistically edgy. I don't consider 1969 as a...
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MOVIE: Licorice Pizza (2021)

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Licorice Pizza Year: 2021 Rating: R Length: 133 minutes / 2.22 hours Paul Thomas Anderson is an acquired taste. Unfortunately, I don't think I've completely acquired it yet. I absolutely loved There Will Be Blood (2007), which was my first exposure to this director. I saw The Master (2012) after that and was so confused that I stayed away from Inherent Vice (2014). Maybe the magic came with Daniel Day-Lewis, which is why I gave Phantom Thread (2017) a shot. Still weird. With Paul Thomas Anderson's latest, Licorice Pizza (2021), the odd name prepared me for more weird, which it delivered. By "weird" I don't mean something filled with bizarre drug-induced visuals. It's more like the setting and plot ground it to reality, but the characters act strangely throughout. They're almost illogical. Luckily, most of these "weird" characters (like the ones portrayed by Sean Penn and Bradley Cooper) are minor distractions from the primary plot of the film. Still, having a child star who is...
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MOVIE: CODA (2021)

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CODAYear: 2021Rating: PG-13Length: 111 minutes / 1.85 hours Every once in a while, a movie comes along that's surprisingly unique. Like, you would have thought such a plot would have existed a dozen times already, but Hollywood has only remade it once from a version that was initially in French. CODA (2021) is such a film. Sure, it has elements that are common to other dramatic films—like fishers, singers, and family dynamics. The combination of these things makes CODA stand out as unique to me. Not only does its double-meaning title elevate it above other movies, but its heartfelt content is something we need more of in this depressing world. CODA's take on the "my family doesn't understand my talent and is holding me back" cliche hits differently in this scenario. It's not that Ruby (Emilia Jones) has a family that ignores her obvious talent for singing, it's that they literally cannot understand how much better she is at singing than the...
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MOVIE: West Side Story (2021)

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West Side Story Year: 2021 Rating: PG-13 Length: 156 minutes / 2.60 hours I absolutely adore West Side Story (1961). When I heard it was being remade 60 years after it dominated the Academy Awards, I was skeptical. Why mess with perfection? Even with Steven Spielberg directing, I had my doubts. Then I watched the first trailer and had chills of nostalgia. Maybe it wouldn't be as bad as I thought. After finally watching West Side Story (2021), I had to admit that this remake mostly recaptured most of the magic of the original. It even had some improvements, which I appreciated. The qualms I had with this version of the hit Broadway musical were relatively minor. First, Spielberg has a visual style that sometimes went a little overboard on the lens flare. We aren't talking J. J. Abrams-levels of lens flare, but it was enough to be distracting. Second, the choice to have more of the Puerto Rican characters speak Spanish really helped sell...
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MOVIE: Last Night in Soho (2021)

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Last Night in Soho Year: 2021 Rating: R Length: 116 minutes / 1.93 hours In the last five years, it's been interesting to see director Edgar Wright move further from the comedies that helped put his name on the cinematic map. Most know him for his British comedies like Shaun of the Dead (2004) and Hot Fuzz (2007), but stylistically I don't think you can go wrong with Scott Pilgrim vs. the World (2010). This kind of cinematography drew me to his more serious film, Baby Driver (2017), and the even more serious Last Night in Soho (2021). It is a little odd to see Wright step out from his comfort zone just because he's so good at comedic writing (having also written Ant-Man (2015)). While I liked the music-themed mayhem in Baby Driver, there wasn't much in Last Night in Soho that was artistically interesting. Sure, the whole mirror-image special effects were neat and occasionally a little mind-blowing, but the biggest problem with Last...
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MOVIE: The Power of the Dog (2021)

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The Power of the Dog Year: 2021 Rating: R Length: 126 minutes / 2.10 hours Every once in a while, a movie comes along and gets a lot of award buzz. Often, these movies exhibit some traits of highly lauded films that came before them. Critics often think these latter films can "make up" for snubs of previous movies that they think should have won awards but did not. The Power of the Dog (2021) seems to fit this bill as the spiritual successor to Brokeback Mountain (2005) with its heavy tones of homosexuality in the lonely and harsh setting of the west. The problem I have with The Power of the Dog is how the main character, Phil Burbank (Benedict Cumberbatch) is a prime example of toxic masculinity—to the point where it's almost parody. Sure, the audience wants to see him get what's coming to him, but we also have to sit through two hours of him being an incredibly manipulative and abusive person...
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MOVIE: Shutter Island (2010)

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Shutter Island Year: 2010 Rating: R Length: 138 minutes / 2.30 hours Over time, it becomes difficult to avoid spoilers for twist endings in movies. While it took me over a decade to watch Martin Scorsese's Shutter Island (2010), I had already heard about the twist a few times and had prepared myself for it. Of course, only the best films like Shutter Island can have this twist spoiled and still provide enough subterfuge to hide this revelation for most of its runtime. I knew it was coming, and it still blindsided me. Of course, knowing the twist of Shutter Island made me watch it with a modicum of awareness as I tried to spot the cracks in the narrative that would hint at this revelation. Part of how this film expertly hides this twist is by following Edward "Teddy" Daniels (Leonardo DiCaprio) and showing the audience what he thinks is happening. It's not until near the end of the film that we get a...
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MOVIE: Tick, Tick…Boom! (2021)

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Tick, Tick...Boom!Year: 2021Rating: PG-13Length: 115 minutes / 1.92 hours I have never seen Rent. I'm loosely aware of what it's about, and I know it's one of the most highly regarded musicals to have ever been created, but I've never seen it. In fact, I don't think I could tell you the title of any song from Rent. Before I watched Tick, Tick...Boom! (2021), which seems to align with Rent's 25th anniversary, I was loosely aware that this movie was about the creation of this iconic musical. Except, that's the thing: it's not. Perhaps I was expecting a musical-style Shakespeare in Love (1998) that puts Jonathan Larson (Andrew Garfield) through the story beats to create Rent. Instead, there are only hints of Rent in this movie that focuses on Larson's desire to create something important before he's 30 (as a 36-year-old, may I say..."ouch"). Sure, there are musical bits in this movie, but another thing I was unaware of with Rent is...
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MOVIE: The French Dispatch (2021)

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The French Dispatch Year: 2021 Rating: R Length: 107 minutes / 1.78 hours Wes Anderson's films are immediately recognizable for their aesthetic, pacing, and ensemble casts. The dark subject matter of these movies is often glossed over through the application of bright colors, symmetry, and ho-hum characters. The French Dispatch (2021) is basically a "greatest hits" of Wes Anderson's oeuvre, both in its stylistic visual choices and its vast cast of common collaborators. There's not enough content for a full movie here, so instead, we get a glimpse into four shorter films tied together via the eponymous "French Dispatch of the Liberty, Kansas Evening Sun." Over the last few decades, Wes Anderson has explored a variety of different film techniques through his movies. From stop-motion (like in Fantastic Mr. Fox (2009) and Isle of Dogs (2018)) to small-scale models (like in The Grand Budapest Hotel (2014)), Anderson builds upon his distinctive style with each successive project in his filmography. Perhaps this is what is a...
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MOVIE: Don’t Look Up (2021)

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Don't Look Up Year: 2021 Rating: R Length: 138 minutes / 2.30 hours I've only recently come to appreciate Adam McKay's films. Granted, this is a statement about the movies he's made after 2014—mainly, The Big Short (2015) and Vice (2018). His cynical and satirical take on complex topics like the 2008 mortgage crisis or former vice-president Dick Cheney positioned him for the "fictional" dark comedy of Don't Look Up (2021). This pointed examination of an apocalypse scenario is strangely possible despite all the bizarre turns the plot ultimately takes. While I can understand how this movie is polarizing, I am in the camp who thought it was one of the best expressions of our current global situation. As a Millennial, Don't Look Up speaks to the frustration many of us have with the current political and societal system. We can't change anything in United States politics because politicians surround themselves with nepotism and sniveling "yes men" who made significant donations to the politicians' campaigns....
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MOVIE: The King’s Man (2021)

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The King's ManYear: 2021Rating: RLength: 131 minutes / 2.18 hours One benefit of the rise of superhero movies over the years is the adaptation of other comic books to the big screen. Some are serious examinations of society, like V for Vendetta (2005), but others often keep the silly action-packed novelty of their comic origins, like The Losers (2010). Considering Matthew Vaughn's previous works like Kick-Ass (2010), the Kingsman franchise easily falls into the second category of comic book adaptations. The latest in this series, The King's Man (2021) has some fun with history while still keeping the flashy action sequences that made its predecessors successful. I love a good alternate history. They might be campy, but films like Inglorious Basterds (2009), Watchmen (2009), or Abraham Lincoln: Vampire Hunter (2012) are more fun to watch because they take a basic knowledge of common historical figures and events and spins them into an entertaining alternate explanation of what really happened. In The King's...
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MOVIE: Encanto (2021)

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Encanto Year: 2021 Rating: PG Length: 102 minutes / 1.70 hours As Disney hits all the cultural checkboxes across the globe, Encanto (2021) follows in the footsteps of Moana (2016) and Coco (2017) to expose audiences to the culture of Columbia. With catchy songs by Lin Manuel-Miranda, Encanto is full of fun and color in a way that doesn't seem disrespectful to the culture it's representing. And while I know little about Columbian culture, I know enough about Latin America to realize that the foundational lesson in Encanto is important for everyone, regardless of their culture of origin. On its surface, Encanto is about a family with magic powers that live in a magic house. Everyone in the family except Mirabel (Stephanie Beatriz). Normally, the story about Mirabel trying to figure out why she didn't receive magic powers would be enough for this kind of movie. Encanto, however, digs deeper and addresses the significant pressure that can come from an individual's family to live up...
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MOVIE: Spider-Man – No Way Home (2021)

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Spider-Man: No Way Home Year: 2021 Rating: PG-13 Length: 148 minutes / 2.47 hours First off, if you haven't seen this movie yet, I want to warn you that there are spoilers in this review. There's no way I can talk about this movie freely without divulging key plot points. With this out of the way, I want to recognize that nostalgia played a big part in the hype for this third entry in the Tom Holland Spider-Man series. No Way Home is the kind of film that I figured could never be made due to all the different rights needed (much like Ready Player One (2018) and all its nerdy references). That Marvel and Sony pulled this off is testament to their ability to make the impossible happen. I was glad that this latest reboot of the Spider-Man franchise forewent the "origin story" in Homecoming (2017). Little did I know, they'd pull the same trick that Skyfall (2012) did with the James Bond franchise...
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MOVIE: The Summit of the Gods (2021)

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The Summit of the GodsYear: 2021Rating: PGLength: 95 minutes / 1.58 hours As the tallest mountain in the world, there are more movies about Everest than any other mountain in existence. A good chunk of these movies are documentaries, and even the "Hollywood" movies are about actual events (like Everest (2015)). From my own experiences climbing mountains, there comes a point where movies about mountain climbers end up all looking the same...especially when the mountain they're climbing is the same. Fortunately, The Summit of the Gods (2021) takes a novel approach to this repetitive type of story: by using animation. Based on the manga of the same name, The Summit of the Gods has a story to tell that's much more interesting than the adrenaline junkies who feature in other mountain climbing movies like Meru (2015). Sure, there's still the link to actual people and events, but The Summit of the Gods uses animation to its advantage to tell a story that...
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MOVIE: Dune – Part One (2021)

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Dune: Part One Year: 2021 Rating: PG-13 Length: 155 minutes / 2.58 hours Adaptations of beloved books can be a challenging endeavor. It's not impossible, as we've seen with The Lord of the Rings (2001-2003), Harry Potter (2001-2011), or The Hunger Games (2011-2015) but there are certain traps that can doom a film version of a story to be hated by the community that loves the book. While Dune (1984) attempted to give this story life on the big screen, the special effects at the time and your opinion of David Lynch's filmmaking may have tainted an otherwise "impossible" adaptation. When a new adaptation of Dune came along with Denis Villeneuve as its director, I had hope that he would honor the source material. Villeneuve has proven himself to be a fantastic sci-fi director. From Arrival (2016) to Blade Runner: 2049 (2017), he has shown that he understands stories as much as aesthetics. The best way to honor Frank Herbert's legacy in this adaptation of...
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MOVIE: Finch (2021)

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Finch Year: 2021 Rating: PG-13 Length: 115 minutes / 1.92 hours As time goes on, one starts to wonder if all the best post-apocalyptic stories have already been told. With the current state of the world looking more depressing with each passing year, many visions of dystopia from years past are coming true, while stories of our near future are looking a lot more post-apocalyptic. Finch (2021) fits into this latter category but only has a few newer twists to this common problem: how do humans survive on a planet that is no longer hospitable toward life? Visually, I was most impressed by "Jeff" (Caleb Landry Jones), the humanoid robot Finch (Tom Hanks) builds to ensure his dog Goodyear has a caretaker. Of course, movies like Chappie (2015) have shown that CG artists figured out how to do this well over five years ago. Regardless, it's still a visual feat and treat to see realistic-looking CG robots in movies like this. I can also appreciate...
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MOVIE: Shang-Chi and the Legend of the Ten Rings (2021)

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Shang-Chi and the Legend of the Ten Rings Year: 2021 Rating: PG-13 Length: 132 minutes / 2.20 hours With the end of the Infinity Saga in the Marvel Cinematic Universe, there is a lot of room for new franchises to fill in the gaps left by the likes of Iron Man and Captain America. However, this means lesser-known properties like Shang-Chi and the Legend of the Ten Rings (2021) get their chance to shine. And while lesser-known franchises like Guardians of the Galaxy are now household names, I think it remains to be seen if Shang-Chi can truly develop its own integrated identity within the MCU. Having somewhat botched the introduction of the Mandarin (Ben Kingsley) in Iron Man 3 (2013), Shang-Chi attempts to ret-con this by insisting that the Ten Rings organization is a genuine threat to world peace. However, Marvel wants to have its cake and eat it too by including the "Mandarin" in this film. There are a few other loose connections...
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MOVIE: Mulan (2020)

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Mulan Year: 2020 Rating: PG-13 Length: 115 minutes / 1.92 hours In Disney's ever-ouroboros-like handling of its back catalog, the continuation of live-action adaptations of its animated classics claims another victim. This time, Mulan (2020) seems to miss the point of what made the original so beloved. Of course, you can probably say that about other live-action adaptations as well (especially The Lion King (2019)). If anything, Mulan is a parody of its source material and Chinese culture overall. Everything about this adaptation felt flat and uninspired—like Disney is just running all their previous animated classics through the live-action machine to see if anything good comes out the other side. Don't get me wrong; I think Disney has had a few live-action successes. I think The Jungle Book (2016) improves on its source material. It's just when you adjust the way you tell a certain story too much, it no longer contains the elements that made the original fun and exciting. By making Mulan (Yifei Liu)...
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MOVIE: Venom – Let There Be Carnage (2021)

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Venom: Let There Be Carnage Year: 2021 Rating: PG-13 Length: 97 minutes / 1.61 hours A lot of critics of the superhero genre say these movies contain no substance. They claim that there's nothing in them other than quippy one-liners and hard-to-follow action. Most days, I might defend the superhero genre for its flashy set pieces or subtle character development. After seeing Venom: Let There Be Carnage (2021), I cannot hold the same defense against the critics here. It is unfortunate that such a good villain from the Spider-man franchise would be in such an awful movie. The first Venom (2018) movie was tolerable, if for the only reason that Spider-man 3 (2007) botched the casting of Eddie Brock so badly. Tom Hardy certainly has a better physique for the role, and the original Venom film had some fairly decent "buddy dialogue" between Brock and Venom that made it entertaining. Flash forward to the sequel, and these two characters need couples' therapy like nothing else....
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MOVIE: Old (2021)

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OldYear: 2021Rating: PG-13Length: 108 minutes / 1.80 hours Say what you will about M. Night Shyamalan's films, but I think he's truly returned to form since 2016's Split. And while Glass (2019)—the conclusion of the Unbreakable trilogy—was a little unsatisfactory, his latest film, Old (2021), is another win in my book. I appreciate when filmmakers fully explore an idea in their movies, and Old is precisely that. Shyamalan imagines all the different permutations of the concept of rapid aging and fits them into a scenario and his trademark plot twist that works incredibly well. Part of the fun of Old is how the characters slowly discover that they are trapped on a beach where time moves much more rapidly than they are used to. The problem-solving and conflicts that arise from this unsuspecting group of victims are fun to watch as they realize that their lifespans are a ticking clock that limits how long they can stay there. I appreciate that most...
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MOVIE: Evangelion – 3.0+1.01 Thrice Upon a Time (2021)

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Evangelion: 3.0+1.01 Thrice Upon a Time Year: 2021 Rating: R Length: 154 minutes / 2.57 hours One of the classic series of anime, Neon Genesis Evangelion, is both exceptional spectacle and moments of "WTF?" It balances the line between post-apocalyptic survival and psychological horror. While it's always exciting to see large "robots" fighting alien creatures, a lot of Evangelion's appeal comes from the struggles of its characters. Sure, there's plenty of fan service (which is a staple of the series), but there is also an equal amount of philosophy that makes you question what it means to be human. Evangelion: 3.0+1.01 Thrice Upon a Time (2021) is the last movie in the Rebuild of Evangelion series. This series has attempted to bring the flashy 1990s action anime into stunning HD while also attempting to fix some of the original's more confusing aspects. It's difficult to pin down Evangelion's "true" version. Still, I think the Rebuild series does a fine job of maintaining some of the...
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MOVIE: Die Hard with a Vengeance (1995)

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Die Hard with a Vengeance Year: 1995 Rating: R Length: 128 minutes / 2.13 hours It's interesting to go back and see certain points in a movie franchise where you could tell that they were already running out of ideas. I still think Die Hard (1988) is a fantastic action movie, and it's almost its own genre of action films. Movies falling into the "Die Hard on a/in a [BLANK]" category have since cemented its cultural significance. As of right now, the only Die Hard I haven't seen is Die Hard 2 (1990), but Die Hard with a Vengeance (1995) marks where the franchise departs from its roots. I will say that the casting for this movie was quite delightful, with excellent performances by Bruce Willis, Samuel L. Jackson, and Jeremy Irons. I can also appreciate how this film tried to tie back to the original by using the original director and the fantastic work of Irons' antagonist. Action-wise, it's what you'd expect from a...
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MOVIE: John Wick – Chapter 3: Parabellum (2019)

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John Wick: Chapter 3 - Parabellum Year: 2019 Rating: R Length: 130 minutes / 2.17 hours When the first John Wick (2014) came out, I thought it was just another action movie and paid it no attention. After a friend finally convinced me to see it, I was in awe of the "gun-fu" action sequences. Having a steady camera with amazing choreography made this series stand out enough that I saw the sequel in theaters. Unfortunately, I wasn't as impressed with Chapter 2 (2017), as it leaned heavily on developing the lore of The Continental. To add insult to injury, it also fell into the Trilogy Conundrum: a fantastic standalone movie with a sequel that requires the third installment to wrap up the plot (e.g., The Matrix (1999)). While I praise the simplicity of the first movie in this series, things have gotten ridiculous by Chapter 3 (2021). Yes, there are still some action sequences that maintain some of that excellent choreography. However, there were...
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MOVIE: No Time to Die (2021)

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No Time to DieYear: 2021Rating: PG-13Length: 163 minutes / 2.72 hours Daniel Craig is my James Bond. I was too young for the Pierce Brosnan version of the secret agent, so when a re-do of Casino Royale (2006) came out, I was impressed that this decades-old franchise could take some cues from recent successful action films like The Bourne Identity (2002). Having seen a smattering of other Bond films over the years, the five-movie quintet that ended with No Time to Die (2021) felt bittersweet. Even if there were constant rumors that Daniel Craig was done with the role after Spectre (2015), I'm glad he stuck the landing with this movie. Now, I'm fairly biased when it comes to Bond films. I think Skyfall (2012) is the peak of the franchise. Not only did it cover Bond's backstory, but it also pulled a huge twist right at the end to connect it to every previous Bond film, which had me exclaiming in...
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MOVIE: Cruella (2021)

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Cruella Year: 2021 Rating: PG-13 Length: 134 minutes / 2.23 hours It seems the latest trend in the last few years is to take well-known villains and make them relatable through tragic backstories. While Maleficent (2014) seems to have started this string of villain-centric movies, Cruella (2021) does an adequate job of showing this villain's transformation while also making you want to root for her. However, the problem with idolizing someone like Cruella De Vil (Emma Stone) is that her eventual crime against the 101 Dalmatians (1961) is the desire to kill every single one of them in the name of fashion. While the plot pulls elements from Oliver Twist and All About Eve (1950), there are enough twists at the end of this film that make it worth the watch. Even if one of these moments had me laughing at how ridiculous it was, it all paid off because of Emma Stone's excellent acting throughout. Of course, it also helped that the flamboyant fashion...
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MOVIE: Uncut Gems (2019)

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Uncut Gems Year: 2019 Rating: R Length: 135 minutes / 2.25 hours Much like The Lighthouse (2019), Uncut Gems (2019) was one of those films that gained a lot of buzz around the award season for the performances of their lead actors. However, neither of these films was nominated for Best Picture, and now I understand why. It's nice to see Sandler branch out from his standard comedy niche, but ultimately it didn't feel like he was "acting" that much by being a Jewish jeweler with a gambling problem since being Jewish is often a part of his schtick. I wanted to like this film more, but many things just annoyed me about it. I can understand the desire to create "realism" in the dialogue by having twenty people yell over each other. Still, it mostly just made it hard to understand anything that any individual said. It's the same reason I don't care for the films of John Cassavetes. On top of this, Howard...
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MOVIE: Army of the Dead (2021)

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Army of the Dead Year: 2021 Rating: R Length: 148 minutes / 2.46 hours Some of the most original movies I've seen have mixed genres to create something new. Movies like Cowboys & Aliens (2011) combine the western and sci-fi genres, while movies like Army of the Dead (2021) work by fusing zombie movies with heist films. The tropes of these genres can often accentuate each other and can fuel character development or drive the plot. The premise of Army of the Dead might be a weak reason to motivate the characters to risk their lives in the first place, but as long as the result is a Las Vegas-themed zombie apocalypse, it works. While I'm not generally a fan of "serious" zombie films, I can appreciate the level of depth put into the undead in this movie. Generally, "smart" zombies are much more interesting than those that mindlessly wander around and wait for someone to make a noise. I also loved the tongue-in-cheek use...
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MOVIE: Free Guy (2021)

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Free Guy Year: 2021 Rating: PG-13 Length: 115 minutes / 1.92 hours This pandemic has messed with my sense of time. I could have sworn that Free Guy (2021) had already come out, but it had just been endlessly delayed until this year. As someone who enjoys video games, I was hesitant to watch this movie because it could be filled with too many references that would immediately date it. Fortunately, I was surprised by the few glimpses of a deeper plot hidden behind Free Guy's goofy exterior. Of course, Ryan Reynolds makes this movie work with his best PG-13 Deadpool impression. Within the first three minutes of this film, I thought to myself, "Oh, this is just The LEGO Movie (2014)." A non-player character (NPC) named Guy (Ryan Reynolds) breaks out of the mundanity of his existence to go on a great video game adventure. It wasn't until much later in the film that I realized the major plot points of The Truman Show...
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MOVIE: Over the Moon (2020)

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Over the Moon Year: 2020 Rating: PG Length: 95 minutes / 1.58 hours Over the Moon (2020) snuck under my radar until it was nominated for Best Animated Feature. At that point, I figured I had to check it out. I appreciate that there is enough room in the entertainment industry for CGI animated films not made by Disney/Pixar, Dreamworks, or *shudder* Illumination. Over the Moon is certainly unique, even if it's geared toward Asian cultures that I know little about. And perhaps that's my issue with this film: I'm not its target audience. While Disney wrote the book on adapting Euro-centric fairy tales into animated films, there are plenty of other cultures in this world that have their own rich lore from which we can extract interesting stories. However, because I haven't grown up hearing these stories, their adaptations seem strange to me when they're in a modern context like Over the Moon. What's worse is that some elements I know about Chinese culture...
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MOVIE: The Suicide Squad (2021)

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The Suicide Squad Year: 2021 Rating: R Length: 132 minutes / 2.20 hours I don't mind superhero films. I think they're fun and flashy, and I can turn my mind off for an hour or two. What I do mind is endless reboots of franchises. The fact that I saw three separate Spider-Man reboots in 15 years accentuates my point. Now, I understand that The Suicide Squad (2021) is allegedly a sequel to Suicide Squad (2016). Still, it felt more like a reboot since Amanda Waller (Viola Davis), Rick Flag (Joel Kinnaman), and Harley Quinn (Margot Robbie) were the only recurring characters. And, let's be honest, they can't cast Harley Quinn with anyone other than Margot Robbie now. For those who thought that having a great director like James Gunn on board would make this film better than its predecessor, you're partly right. Sure, there's a bit of his style of humor that is on display. Still, it's essentially the same plot as the previous...
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MOVIE: The Social Dilemma (2020)

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The Social Dilemma Year: 2020 Rating: PG-13 Length: 94 minutes / 1.57 hours I joined Facebook in 2005. Before that, I was on MySpace. As someone who started heavily using the internet when the concept of social media started taking off, I honestly feel that I managed to avoid a lot of its pitfalls. My introverted self loved getting updates on people's lives without having to cultivate all those relationships intentionally. Of course, the system only works if people post updates of their lives. What The Social Dilemma (2020) brings to light is that programs meant to keep us connected have since been tainted by dangerous technology that keeps us coming back for more and getting little in return. While The Social Dilemma is inherently about how damaging social media can be, the greater lesson here is how artificial intelligence was created to handle these enormous datasets. Unfortunately, because these AIs were created to maximize ad revenue, they break us down to our psychological building...
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MOVIE: Mr. Right (2015)

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Mr. Right Year: 2015 Rating: R Length: 95 minutes / 1.58 hours When Mr. Right (2015) came out, it looked like a fun little action rom-com film. I was interested in seeing it because I had found Sam Rockwell's performances in Iron Man 2 (2010) and Seven Psychopaths (2012) to be quite engaging. Plus, Anna Kendrick is cute in a "doesn't really smile" kind of way. For whatever reason, I never got around to seeing Mr. Right when it was released six years ago. After finally sitting down and watching it on Netflix, I'm kind of glad I saved the money. It was clear to me almost from the start that Rockwell was phoning it in on this movie. Sure, he was charismatic as an assassin who kills the people who hire him to kill other people. The fact that he doesn't lie about his lifestyle to Martha (Anna Kendrick) made him amusing if only for the fact that after the third or fourth time,...
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MOVIE: Wrath of Man (2021)

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Wrath of Man Year: 2021 Rating: R Length: 119 minutes / 1.98 hours Back in the early 2010s, I found myself drawn to Guy Ritchie's films. Lately, though, I've been disappointed in what I've gotten. I can probably pinpoint the downturn with King Arthur: Legend of the Sword (2017). While Aladdin (2019) mostly worked due to its source material, films like The Gentlemen (2020) felt off. There's a visual charm to a Guy Ritchie film that has been missing as of late. Of course, visuals are only half of what made his early films great. It's that "can't take yourself too seriously" attitude that seems to have been lost since then. While it's great to see Ritchie working with long-time collaborator Jason Statham again, I had the distinct feeling that I had seen Wrath of Man (2021) before when I rented it from Redbox. When the first 30 minutes of the film can be succinctly captured by a 2-minute trailer, then we have a problem....
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MOVIE: Luca (2021)

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LucaYear: 2021Rating: PGLength: 95 minutes / 1.58 hours It's interesting how computers continue to become more powerful, just so they can make 3D CGI look more like traditional 2-D animation. Granted, this usually applies to the characters, as textures and settings are becoming so realistic as to be nearly indistinguishable from the real thing. While I'm sure we could probably jump the uncanny valley by now, Pixar chooses to play to its more "cartoony" roots in perhaps the most charming way possible. Their latest film, Luca (2021), oozes charm in a way that a small story like this can only achieve. Set in what appears to be early to mid-1960s (at least by the movie posters hung on the town's walls), Luca is another coming-of-age tale like Onward (2020) but with less emphasis on family bonds and more emphasis on personal independence. And while I appreciated the "big brother" narrative of Onward, I think Luca's format worked a little better since not...
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MOVIE: The Big Lebowski (1998)

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The Big Lebowski Year: 1998 Rating: R Length: 117 minutes / 1.95 hours In the last year or so, I've tried to watch a few cult classics that had escaped my purview. I'm familiar with their cultural significance, and I can understand why they are beloved by many, but they aren't necessarily perfect films by any means. Movies like The Goonies (1985) and Mean Girls (2004) are mostly known via their memeable moments. This was why I already understood the gist of these movies before actually sitting down and watching them. The Big Lebowski (1998) was yet another cult classic that had these same strengths and weaknesses. First off, Jeff Bridges is "The Dude." If he didn't provide such a solid performance, I doubt this movie would have become nearly as memorable. However, what people might forget about this film is how weird it is. Many sequences left me scratching my head and wondering what the heck was going on. And perhaps it's this kind...
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MOVIE: Black Widow (2021)

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Black Widow Year: 2021 Rating: PG-13 Length: 134 minutes / 2.23 hours After the events of Avengers: Endgame (2019), it was difficult to perceive where a Black Widow movie would fit in the overall Marvel Cinematic Universe. Fortunately, even though there are over 20 films in this cinematic juggernaut, there is still room to fill gaps in the overall story. Taking place after the events of Captain America: Civil War (2016), Black Widow (2021) follows Natasha Romanoff (Scarlett Johannson) as she takes some "personal time" to put to bed the demons from her past. It's a little weird to have such a standalone film in the MCU, but it's the only way something like this could work. Almost a decade after the "Budapest" incident was first mentioned in an offhand remark in The Avengers (2012), Black Widow finally shows us the details of this significant event—even if it was played as a joke in previous films. Natasha's past was brought up in other parts of...
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MOVIE: El Camino (2019)

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El Camino: A Breaking Bad Movie Year: 2019 Rating: R Length: 122 minutes / 2.03 hours While the television show Community always joked about getting "six seasons and a movie, Breaking Bad actually accomplished the feat with only five seasons of the best heart-pounding drama ever to be seen on the small screen. As an epilogue to this fantastic series, El Camino (2019) wraps up the one remaining loose end that remained from the series finale: what happened to Jesse Pinkman (Aaron Paul)? While El Camino is basically two episodes of Breaking Bad used to tie everything up into a nice little bow, it was nice to finally have that final bit of closure. As is the case with a lot of Breaking Bad's best episodes, there are moments in El Camino that are hard to watch. Jesse's slavery really hits home in this film as the viewer grapples with the intense psychological punishment that can break down a man and steal his motivation to...
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MOVIE: The Lighthouse (2019)

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The Lighthouse Year: 2019 Rating: R Length: 109 minutes / 1.82 hours When Oscar season rolled around a few years ago, I heard a lot of buzz about an artsy film known as The Lighthouse (2019). Years later, I finally found the time to sit down and watch it on Amazon Prime. Now I understand why the Academy didn't nominate this film for Best Picture. It's weird. I legitimately tried to figure out what was going on but gave up when things just spiraled into chaos. I have a suspicion that a key moment in the film resulted in a character's death and that the remainder all takes place in some sort of purgatory, but that's the best explanation I can give at the moment. For a film that features two actors for almost the entire runtime, I have to say that Willem Dafoe and Robert Pattinson make this movie something to see at least once. In fact, I'm still half-certain that Willem Dafoe wasn't...
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MOVIE: Song of Love (1947)

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Song of Love Year: 1947 Rating: Approved Length: 119 minutes / 1.98 hours Anyone who has spent a significant amount of time with me will know that I absolutely love the story of Clara and Robert Schumann. She was such an inspiring woman and well ahead of her time in terms of her independence. In researching her life for a future historical fiction novel I plan to write, I found that Katharine Hepburn had portrayed Clara Schumann in Song of Love (1947). I already knew the story beats of the life of Robert and Clara (with some of the drama Johannes Brahms (Robert Walker) introduced), but Song of Love misses the point almost entirely. While there were some scenes in this movie that spoke to the situation of Robert and Clara's tragic love story, they were completely lost in what I can only describe as "1940s sitcom schtick." These scenes added nothing to the narrative of the implied love triangle between Clara, Robert, and Johannes....
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MOVIE: A Quiet Place Part II (2021)

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A Quiet Place Part IIYear: 2021Rating: PG-13Length: 97 minutes / 1.61 hours I'm not usually a fan of horror films, so when A Quiet Place (2018) came out, it was a unique enough concept to pique my interest. While I appreciated the original concept, which played off the audio-visual nature of movies, the cliffhanger ending left me wanting more. Fast forward three years, and I finally got to see the sequel. It was...disappointing. I think I had gotten my hopes up after the first movie wowed me with its suspense and PG-13-level horror but A Quiet Place Part II (2021) was basically just more of the same. What's perhaps the most frustrating thing about both these movies is that they could have easily been combined both films and still kept the run-time below three hours. With each movie being around 90 minutes long, there could have been a tighter story between the two entities if some repetitive scenes were cut out of...
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MOVIE: Raya and the Last Dragon (2021)

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Raya and the Last Dragon Year: 2021 Rating: PG Length: 107 minutes / 1.78 hours For a studio that built itself on Euro-centric fairy tales and stories, I can appreciate how Disney is (finally) trying to make movies that explore other cultures of the world. While not necessarily based in any lore from Asian countries, Raya and the Last Dragon (2021) pulls enough aesthetic influence from these cultures to be a nice homage. As always, I’m stunned at the visuals Disney can produce with CGI, and Raya and the Last Dragon is no exception to this rule. Add to this the incredibly well-choreographed fight sequences, and this film certainly had its moments. However, what’s weird about Raya and the Last Dragon is how parts of it felt done before. Kung Fu Panda (2008) might not have had realistic humans using martial arts techniques. Still, the choreography for this kind of animated movie was already there more than a decade before Raya came along. Similarly, the “collect...
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MOVIE: Mortal Kombat (2021)

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Mortal Kombat Year: 2021 Rating: R Length: 110 minutes / 1.83 hours In the last few years, it feels like Hollywood has finally come to grips with adapting video games into movies. There has been such a sour taste from the initial wave of video game-inspired movies from the mid-90s that it’s taken 25 years to finally delve into this genre again. As these movie franchises are being rebooted, it’s nice to see that the writers and directors (mostly) understand the appeal of the source material and can translate it to the big screen. It also helps that CGI technology has advanced to the point where the special effects in these films aren’t nearly as campy. While the original movie version of Mortal Kombat (1995) was OK, there were definitely a few odd choices in its production (inducing casting and some script issues). For the reboot, I felt Mortal Kombat (2021) nailed the aesthetic and the characters with just enough plot to make the reason...
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MOVIE: Godzilla vs. Kong (2021)

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Godzilla vs. Kong Year: 2021 Rating: PG-13 Length: 103 minutes / 1.72 hours When the theaters were opening again, I knew this was one of the movies I wanted to see on the big screen. I had missed Godzilla: King of the Monsters (2019)—having watched it at home well after it had come out—and wanted to be sure that I experienced all this movie had to offer. And while I waited a little too long and was spoiled a little before going to finally see it, Godzilla vs. Kong (2021) delivered on its promise to show me two large animals fighting. The trouble with the MonsterVerse franchise is that ultimately, the humans surrounding these titans are insignificant. Sure, they may drive some plot here and there, but mostly they're present for exposition as to why these giants are even fighting in the first place. In previous entries, I usually let it slide. However, I found the addition of conspiracy theorist Bernie Hayes (Brian Tyree Henry)...
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MOVIE: Wonder Woman 1984 (2020)

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Wonder Woman 1984 Year: 2020 Rating: PG-13 Length: 151 minutes / 2.52 hours 1980s nostalgia is hot right now, which is likely why this movie exists. After all, most Millennials are now earning enough to be the target demographic for Hollywood. The success of Stranger Things and other '80s throwbacks makes this decade overdone at this point. And while Wonder Woman 1984 (2020) doesn't really lean in too much to the '80s—other than some jokes and fashion choices—the fact that this movie could have taken place in any decade is testament to its generic feel. When I saw the first trailers, I had no idea how they could bring back Chris Pine's character, after his fate in Wonder Woman (2017) was pretty final. I didn't particularly like how they brought him back in this film, other than to have him play off Gal Gadot's titular superhero. In fact, I felt the whole "Diana is lonely" plotline was a bit overdramatic considering she had 40+ years...
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MOVIE: Escape Room (2019)

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Escape Room Year: 2019 Rating: PG-13 Length: 99 minutes / 1.65 hours For all the Young Adult clones that The Hunger Games (2012) spawned in Hollywood, it's interesting to see something that takes the elaborate death traps present in that series and applies them to the horror genre. While I'm sure the Saw series likely did this kind of thing already, I haven't seen any of those films to know (too bloody for my tastes). This is where Escape Room (2019) takes an interesting premise and makes it feel like a generic Hunger Games knock-off while remaining a PG-13 horror film. At first glance, Escape Room is a smart thriller that forces its "players" to solve these rooms and eventually escape alive. Some of these set pieces are quite well done, including an oven and an upside-down bar. The reason these people were trapped in a series of escape rooms was also somewhat interesting, even if it wasn't explained very well. However, as is the...
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MOVIE: Wolfwalkers (2020)

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WolfwalkersYear: 2020Rating: PGLength: 103 minutes / 1.72 hours I wasn't sure what to expect when I sat down to watch the third installment in Tomm Moore's "Irish Folklore Trilogy." The Secret of Kells (2009) was a unique animation style that also carried over to Song of the Sea (2014). Wolfwalkers (2020) continues this "rough" visual style but perhaps has the strongest story of all three films. That's not to say its predecessors don't have interesting stories, it's more that Wolfwalkers builds upon the foundations established by these previous entries of this loose trilogy. As is the case with these films, Wolfwalkers follows a young girl (Robyn Goodfellowe (Honor Kneafsey)) who encounters the fantasy of the world adjacent to her own. Shapeshifting wolves and disappearing forests are more complex than she first realizes. Many stories based on ancient lore are meant to teach lessons to children, and this movie is no different. Granted, there are quite a few cliches in how the plot progresses,...
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MOVIE: The Mitchells vs. the Machines (2021)

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The Mitchells vs. the MachinesYear: 2021Rating: PGLength: 113 minutes / 1.88 hours After Sony Pictures Animation released the visually stunning, Oscar-winning Spider-Man: Into the Spider-Verse (2018), I awaited their next project with great interest. Eventually, they put out a trailer for a movie titled Connected, which seemed to be exactly what I was looking for. Then the pandemic hit. Netflix grabbed the rights, renamed the film, and released The Mitchells vs. the Machines (2021). Ultimately, it was a fun movie, even if it followed many tropes of the family road trip. Visually, I'm finding the new style of 3-D animated movies that look closer to the traditional 2-D animated films to be an intriguing middle ground. There are benefits from both styles, and this movie takes advantage of them. Ultimately, though, I think this kind of movie knows its demographic is millennials and does its best to pander to some of our absurd humor (like a fantastic scene with Furbies) as we...
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MOVIE: Hamilton (2020)

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Hamilton Year: 2020 Rating: PG-13 Length: 160 minutes / 2.67 hours I'll admit I'm late to the game on this musical. Luckily, Disney+ helped give me the option of seeing this modern masterpiece. Granted, I know it's not the same experience as seeing it in the theatre (aside from the modifications to allow it on Disney+), but I'm glad I had the opportunity to see it nonetheless. While Hamilton (2020) is not the first musical about the early United States I've heard, it certainly taught me way more about this time period than I had previously thought possible. A word to the wise: be prepared for almost three hours of fast-talking politicians. Subtitles might help, but it's awe-inspiring to hear these rhymes fly through the air at a frenetic pace. I was a little exhausted after I finished watching this since I felt it crammed a six-hour history lecture into less than half the time. It helped that the artistic license Lin-Manuel Miranda had with...
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MOVIE: My Octopus Teacher (2020)

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My Octopus TeacherYear: 2020Rating: RLength: 113 minutes / 1.88 hours Nature documentaries are perhaps some of the most educational movies ever made. Sure, there are documentaries about extreme sports (like Senna (2010)), historical events (like The Look of Silence (2014)) or people (like Won’t You Be My Neighbor? (2018)) but nature documentaries usually leave me with a sense of awe. This feeling comes from learning something about Earth that has been that way for millennia and will continue to be that way for millennia to come. There are so many amazing things to learn from nature that I can’t help but be amazed by it. My Octopus Teacher (2020) is just the latest in a long line of nature documentaries that have wowed me with the new knowledge I gained. Being from a landlocked state, I don’t have a lot of experience with aquatic life. I’ve occasionally seen something about octopuses being a little peculiar but never fully understood the full extent...
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MOVIE: Icarus (2017)

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Icarus Year: 2017 Rating: R Length: 120 minutes / 2.00 hours Some things in this world don't really need an explanation. If you've been around long enough, you can be fairly certain some things are true without requiring evidence. After all, we can usually extrapolate a reason for something if we know how the systems around it work. Even if there are barriers to keep these things from happening, we always have a hunch they're happening. For example, Icarus (2017) exposes the doping of Russian athletes for basically the entire time that Russian athletes have existed. This, of course, is not a surprise to anyone. While we can certainly blame the Cold War for Russia's obsession with winning at sports (and especially the Olympic Games), it is a little unsettling how far and how thoroughly the Russian government went to make sure their athletes were the best. The exposé Icarus provides is enthralling as it is revealed just how far up the oligarchy this conspiracy...
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MOVIE: Flora & Ulysses (2021)

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Flora & UlyssesYear: 2021Rating: PGLength: 95 minutes / 1.58 hours After months of holding out, I finally managed to gain a Disney+ subscription. While this has allowed me to watch plenty of excellent original content like The Mandalorian, I also have options like Flora & Ulysses (2021). I never paid for cable before, so I missed out on a lot of Disney Channel original movies, which now inhabit a section of Disney+ that I don't think I'll be revisiting any time soon. Of course, I realize this movie wasn't made for me, but that doesn't excuse many of its flaws. It's a little weird to me that after decades of the same type of after-school specials, the plots haven't changed that much. Sure, Flora & Ulysses was originally a book, which doesn't excuse its treatment here as just another story about a child coping with their parents' separation through some fantastical element (in this case, a "superpowered" squirrel). The fact that the squirrel...
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MOVIE: Happy Feet (2006)

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Happy Feet Year: 2006 Rating: PG Length: 108 minutes / 1.80 hours Very few movies have pivoted so hard on me like Happy Feet (2006). I vaguely remembered the trailers for this film back in the day but wasn't too interested in it because it wasn't from Disney or Pixar (I might have also confused it with Surf's Up (2007)). However, the fact that it won Best Animated Picture for that year should have told me there was something special here. However, my expectations for Happy Feet were much different than the plot twist that I hadn't seen coming. Since I was coming in cold to this film (har har), I had expected it to be the standard "individual is unique, but doesn't fit in with the status quo" type plot. After all, the main character (voiced by Elijah Wood) is the odd-one-out in a community of penguins by being unable to sing. However, this inability to sing is overshadowed by Mumble's extraordinary ability to...
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MOVIE: Capone (2020)

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Capone Year: 2020 Rating: R Length: 103 minutes / 1.72 hours To give you a sense of the quality of this movie, I received a copy to own Capone (2020) for free from Redbox. The fact that Redbox was the distributor for this movie should have been the first indication of how bad it was going to be. At first, I figured, "Oh, a movie about Al Capone. That should be interesting, right? And Tom Hardy is in it? He's done some great stuff." How wrong I was. Now it's my job to warn you about it. Perhaps the director, Josh Trank, was to blame for this mess of a movie. Sure, his first film, Chronicle (2012), was pretty good, but Fantastic Four (2015) showed this to be a fluke, and Capone put the last nail in the coffin for his career. I mean, how can you take such an interesting historical figure like Al Capone (Tom Hardy) and focus on all the wrong parts...
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MOVIE: Oldboy (2003)

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OldboyYear: 2003Rating: RLength: 120 minutes / 2.00 hours Some storylines are so timeless; they can't help to be made into something modern—thus becoming timeless in the process. Oldboy (2003) can easily draw comparisons to The Count of Monte Cristo in its structure but adds depth and layers to a wild ride that unfortunately could not be even closely matched in its American remake in 2013. As it stands, Oldboy is one of the pillars that shows how culturally significant South Korean cinema has been and how its predecessors like Parasite (2019) and Minari (2020) stood on its shoulders to achieve greatness. Oldboy is a lot like Memento (2000) in that it demands a second viewing, often right after reaching the end credits. Many of the plot's twists and turns readjust the viewer's understanding of previous events—to the point where you'll have to watch it again with this new knowledge fresh in your mind, thus opening up a whole new experience to the...
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MOVIE: Judas and the Black Messiah (2021)

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Judas and the Black MessiahYear: 2021Rating: RLength: 126 minutes / 2.10 hours Isn't it funny how I only had a passing understanding of the Black Panther party until this last year, when it featured in two Oscar-nominated movies? Granted, it was more of a secondary plot point in The Trial of the Chicago 7 (2020), so the movie where it was the star of the show was none other than Judas and the Black Messiah (2021). But, regardless of the coincidence, I did learn a lot about the Black Panther party through this movie and continue to hate the past that straight white males have created for others. Judas and the Black Messiah's title is quite fitting considering the unification that Fred Hampton (Daniel Kaluuya) managed to create in Chicago in the late '60s. I was shocked to see some of the groups of people he managed to bring together, even if it made sense for them to rise up against the...
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MOVIE: Minari (2020)

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Minari Year: 2020 Rating: PG-13 Length: 115 minutes / 1.92 hours One has to wonder if last year's Best Picture, Parasite (2019), helped pave the way for Minari (2020). While both are quite different films, the acceptance of South Korean cinema has been a long time coming. However, one thing both films share is their sense of foreshadowing. The subtle phrasings and actions of the characters seem inconsequential at first but evolve into hard-hitting plot points as the movie progresses. These story beats hit hard even with a relatively simple plot and left me emotionally devastated with each twist and turn. Set in 1980s America, Minari speaks into the evolution (or, some would say, death) of the American Dream. The belief that anyone from anywhere can come to this land of opportunity and make a living doing what they want to do is the strongest in the immigrants who came here hoping to capitalize on the United States' freedom. But, unfortunately, it's not as easy...
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MOVIE: Promising Young Woman (2020)

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Promising Young Woman Year: 2020 Rating: R Length: 113 minutes / 1.88 hours There was a time when a movie like Promising Young Woman (2020) couldn't be made because it deals with a difficult subject. However, in the wake of the #metoo movement, the narrative has shifted and allowed space for this eye-opening masterpiece to exist. Rape is never an easy topic to cover, but Promising Young Woman handles it with such blunt-force precision as to make itself required viewing, despite being difficult to watch. If it makes you mad, you should check to make sure it's making you mad for the right reasons. Of course, this film wouldn't work were it not for the excellent performance of Carey Mulligan. Mulligan has come a long way as an actress since An Education (2009). Her worn-out and tired portrayal of Cassie Thomas captures the essence of a woman who has made it her personal mission to teach men everywhere about consent. Equally strong performances from Bo...
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MOVIE: Sound of Metal (2020)

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Sound of MetalYear: 2020Rating: RLength: 120 minutes / 2.00 hours Movies have the power to give a perspective we might have no ability to understand. Much like the fantastic The Diving Bell and the Butterfly (2007) gave viewers a chance to experience life through the eye of a paralyzed man, Sound of Metal (2020) was a revelation into the life of a musician who suddenly goes deaf. There are so many aspects to sudden deafness that Sound of Metal provided insight to that opened my eyes to the struggles of this particular disability. Of course, while this is the obvious takeaway from this film, the meaning is much deeper than that. Ultimately, the twist Sound of Metal gives to the deafness narrative is the power of addiction. It's encouraging to see positive handling of previous addiction through accountability, but it's even more striking to see how addictions can take many different forms. Whatever gives us dopamine, we can become addicted to. While...
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MOVIE: Nomadland (2020)

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Nomadland Year: 2020 Rating: R Length: 107 minutes / 1.78 hours Maslow's hierarchy of needs is a psychological structure that explains how people will obtain their basic needs before attempting to fill psychological and self-fulfillment needs. In the current American culture, these basic needs of food, water, warmth, rest, and safety are usually met by living in a house. Of course, there are plenty of strings attached to household living—such as a steady income through employment. While this is the most common way to reach self-fulfillment, people out there manage to achieve it without living as part of the standard American structure. Nomadland (2020) is an intimate look into the society of people who—for lack of a better term—are houseless. Part of me was jealous of the amount of freedom these people have to live the lives they want, experiencing much of the natural beauty of the middle of the United States. Much in the same way that Nebraska (2013) captured the realities of the...
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MOVIE: The Father (2020)

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The Father Year: 2020 Rating: PG-13 Length: 97 minutes / 1.62 hours The failing mental health of an elderly parent is a perennial topic for critically-acclaimed movies. Most of the time, the focus is on how their supportive family watches them steadily deteriorate until they can do nothing else. The Father (2020) is one such film, but with a unique twist that makes it hit a lot harder than the standard Alzheimers fare. While attempting to present this disease from the aging parent's perspective is a bold choice, The Father leans into some radically artistic choices that might leave some viewers more confused than enlightened. I'm trying to avoid discussing the avant-garde method The Father uses to induce the kind of confusion that comes with Alzheimer's, mostly because I don't want to spoil the effect for anyone who hasn't seen this film yet. Needless to say, things make sense...eventually. The point isn't to understand it; it's to empathize with the main character. Of course, with...
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MOVIE: The Prom (2020)

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The Prom Year: 2020 Rating: PG-13 Length: 130 minutes / 2.17 hours I enjoy a good musical like the rare heterosexual man I am (played in the movie by Keegan-Michael Key), and The Prom (2020) scratched that itch for me this year. I enjoyed its self-aware first act, even if the overall plot seemed like it was about 10 years too late to be relevant. And while many of the story beats were either predictable or cliche, there were a few moments of rare depth that felt genuine, even if they broke the facade of the whimsical characters that had filled the first two acts. There's something about narcissistic Broadway types having to interact with the midwest that was entertaining to me. Much of this film's humor revolves around how out-of-step with the rest of the country these east coast elites are—even if it's far from realistic (I hope). Of note, a few of the songs are quite exceptional, including "It's Not About Me" and...
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MOVIE: The Trial of the Chicago 7 (2020)

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The Trial of the Chicago 7 Year: 2020 Rating: R Length: 129 minutes / 2.15 hours For decades, Aaron Sorkin has written some of the best films ever created. Classics like A Few Good Men (1992) still stand up, and modern masterpieces like The Social Network (2010) and Moneyball (2011) are starting to become timeless as well. And while he's mostly been the writer of these films, The Trial of the Chicago 7 (2020) is his sophomore effort as a director. Somehow, the ability to accurately translate his words into the actors' performances created—in my opinion—the best film of 2020. It's clear Sorkin cut his teeth long ago with courtroom dramas, but this movie is by far the most intricately-crafted exposé of the corruption of the American justice system I've ever seen. The fact that the parallels to 50-years later are shockingly similar actually makes me sick, but that's perhaps why this film works so well right now. It doesn't give me hope that these...
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MOVIE: Mank (2020)

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Mank Year: 2020 Rating: R Length: 131 minutes / 2.18 hours When I first saw the trailers for Mank (2020), the premise intrigued me. As a "behind the scenes" look at the screenwriter for Citizen Kane (1941), I was interested to see his process in penning one of the most famous screenplays of all time. On top of that, I've generally enjoyed David Fincher's work and wanted to see this movie based on this fact alone. However, despite all it had going for it, I was ultimately disappointed in what Mank had to offer. Perhaps the most jarring part of this movie was how it tried to emulate the style of the films from the 1940s while also using more modern cinematography techniques to tell its story. At times, this juxtaposition made me wonder if this was filmed in the '40s or if it was merely a black-and-white modern film. Additionally, there's a particular visual style for Fincher's films distinctly lacking here—which may have been...
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MOVIE: Godzilla – King of the Monsters (2019)

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Godzilla: King of the Monsters Year: 2019 Rating: PG-13 Length: 132 minutes / 2.20 hours Despite the cult following of the original Godzilla films, the special effects were definitely limited at the time. While the American version of Godzilla (1999) had too many flaws to be noteworthy, the recent reboot of Godzilla (2014) into its own cinematic universe with King Kong is something I look forward to, if for no other reason than huge monsters dueling it out on the big screen. I’d be over the moon if it ever combined with the Pacific Rim (2013) franchise, but that’s probably asking for too much. As it stands, though, Godzilla: King of the Monsters (2019) is a great sequel that amps up the action. When I go to see a Godzilla movie, one thing I want to see is large monsters. King of the Monsters has these in spades. Even if you have a passing knowledge of Godzilla monsters, you’ll likely recognize names like Rodan, Ghidorah, and Mothra. While the plot is a little lacking in why these monsters are fighting, the result...
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MOVIE: Hunt for the Wilderpeople (2016)

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Hunt for the Wilderpeople Year: 2016 Rating: PG-13 Length: 101 minutes / 1.68 hours After enjoying films like Thor: Ragnarok (2017) and Jojo Rabbit (2019), I decided to watch some of director Taika Waititi’s previous films. First up is Hunt for the Wilderpeople (2016), a humorous outdoor adventure that doesn’t hide many of its influences, which ends up being a good thing. The plot and style are somewhat reminiscent of Moonrise Kingdom (2012) but takes advantage of New Zealand's wilderness to tell its own story. There is plenty of character development, and the two leads—played by Sam Neill and Julian Dennison—work well together to create a meaningful connection. Anyone who has seen other New Zealand comedies are likely to enjoy the specific cultural brand of humor here that feels like an evolved version of the classic British humor of the 1960s. Hunt for the Wilderpeople uses its minor characters to deliver its humor, with Rhys Darby carrying an exceptionally funny sequence. It’s this irreverent humor that hints at what Waititi’s future...
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MOVIE: Hello, Dolly! (1969)

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Hello, Dolly! Year: 1969 Rating: G Length: 146 minutes / 2.43 hours In WALL-E (2008), the one surviving movie in this post-apocalyptic future was a VHS version of Hello, Dolly! (1969). Does this mean Hello, Dolly! is any good? Hardly. It’s merely the only movie to survive. If anything, Hello, Dolly! is your standard 1960s musical. There are many superior musicals from this decade, and it’s clear that this one is on the tailing end of the fad. Sure, it has its moments, but it’s so cookie-cutter in its plot that the only thing special about it is Barbra Streisand’s performance. It’s no surprise that the few musical numbers that made it into WALL-E were some of the better ones in this movie. “Put on Your Sunday Clothes” is endlessly catchy, even if “Love is Only Love” is your standard love song. Of course, the title song, “Hello, Dolly!” works and is a bit of a bookend to the musical's start with “Call on Dolly.” As I mentioned before, Streisand’s performance in...
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MOVIE: Fantastic Four (2015)

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Fantastic Four Year: 2015 Rating: PG-13 Length: 100 minutes / 1.67 hours For a movie with "fantastic" in its title, it's anything but. It's difficult to make a movie that's worse than the original that was released a decade earlier, but here we are. I understand the need to reboot a franchise so the owners of the rights can continue to hold onto those rights, but this is just a sad excuse for a movie. I only hope—now that Disney owns this franchise—that the next reboot of the Fantastic Four doesn't spend any time on its origin story (which we've seen twice now). While the casting for the main characters was technically proficient, if not a little young, I was stunned to see such wooden and emotionless acting from absolutely every actor on the screen. If I didn't know any better, they replaced these actors with CGI robots who state their lines instead of, you know, acting. Additionally, there didn't seem to be any stakes...
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MOVIE: Cars 3 (2017)

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CarsYear: 2017Rating: GLength: 102 minutes / 1.70 hours I'm usually a huge fan of Pixar films. However, I'm not wild about the Cars franchise. Something about these anthropomorphized vehicles is a little too cartoonish for me. Granted, the first movie in the series was the only film to make me care about the outcome of a NASCAR-type race. While the visuals are definitely improved in the 11 years since the original film came out, this end cap of the trilogy feels like a rehash of what worked before. Distancing itself from the trilogy's black sheep, Cars 2 (2011), this third part of the trilogy felt all too similar to the plot of Cars (2006). Sure, some of the roles were swapped around to show the "full circle" narrative from student to mentor. Still, ultimately it was about a car finding its racing mojo and utilizing well-known driving techniques to defeat its opponents. Ultimately, though, I don't care for the main character. Lightning...
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MOVIE: Meru (2015)

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Meru Year: 2015 Rating: R Length: 90 minutes / 1.50 hours Having done my fair share of hiking in the Colorado mountains, I know how deadly these rocky monuments can be. Meru (2015) highlights this in spades as it documents the conquering of one of the last untouched routes in professional mountain climbing. It's no wonder such a daunting spire of rock remained un-summited from this approach, and this film highlights all the challenges that combine to make Meru as difficult as it is. Of course, because it's a mountain climbing documentary, it follows most of the tropes and cliches common in the genre. One of my biggest qualms with the mountain climbing genre of documentaries is how they all tend to be about the same progression of events. There's always some storm that prevents the team from summiting. Somebody always gets injured. Success is always just out of reach. It also doesn't help that there's no way for the uneducated viewer to tell this...
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MOVIE: Artemis Fowl (2020)

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Artemis Fowl Year: 2020 Rating: PG Length: 95 minutes / 1.58 hours When I first saw the trailers for Artemis Fowl (2020), I was intrigued enough to pick up the book and read it. With its continual delays, I was able to also read through the first five books in the series. This may have helped me understand what Disney was trying to do with this, but it doesn't excuse their butchering of the source material. I can only imagine how confused people who hadn't read a single word of the books would be, and I was right on the verge with them. What gets me is that, as a fairly short book, Disney could have made a perfect adaptation in a scant two hours. Instead, they decided to cram so much "sequel potential" into 95 minutes to lose focus on any of the stories they were trying to adapt simultaneously. I also understand how the movie version is inclusive of all races and genders,...
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MOVIE: Soul (2020)

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Soul Year: 2020 Rating: PG Length: 100 minutes / 1.67 hours I'll give Pixar credit: they know how to make trailers that give away almost nothing about what the plot is. Sure, I could roughly gauge what Soul (2020) was about, but I could never have guessed it would be this deep. Of course, when dealing with concepts as heady as the afterlife, Pixar had to really balance the line between adhering to any particular religious belief. Be prepared to tear up at least a few times because Soul can hit hard when it comes to life itself. As is the case with any Pixar film, I usually watch for CGI modeling/technology advancements. In Soul, they took the time to perfect the look of some of the most difficult hair to animate, and it shows. This isn't to say that we're getting closer to jumping the uncanny valley (of which they can probably do by now) because this would also ignore the mind-bending "architects" who...
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MOVIE: I’m Thinking of Ending Things (2020)

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I'm Thinking of Ending Things Year: 2020 Rating: R Length: 134 minutes / 2.23 hours Perhaps I should have learned my lesson from when I watched Synecdoche, New York (2008). I have appreciated plenty of Charlie Kaufman's films, but only when he's the writer. Not the director. Or maybe this is a more recent change, as some of my favorite Kaufman films were released before 2005. Eternal Sunshine of the Spotless Mind (2004) and Being John Malkovich (1999) are some of my favorite films, with Adaptation. (2002) being at least something that I understood (despite its extremely meta nature). I'll admit that I thought I'm Thinking of Ending Things (2020) was initially about suicide by its title. As I started to watch, I thought I would be getting a thoughtful look at the midwest's mundane nature (a la Nebraska (2013)). Then a bandage switched sides on a character's forehead. From that point, everything became much more bizarre—to the point where I stopped even trying to...
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MOVIE: Barry Lyndon (1975)

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Barry Lyndon Year: 1975 Rating: PG Length: 185 minutes / 3.08 hours As someone who appreciates classic films, perhaps I had my hopes set a little too high for Barry Lyndon (1975). Going in, I already knew the technical challenges director Stanley Kubrick had to overcome to film indoors and by candlelight with no extra lighting. Of course, if that was the main thing I knew about this film before I actually sat down and watched it, that should have told me something about how boring the plot would be. Then again, even a master of cinema like Kubrick can only do so much with mediocre material. I will give some credit where it's due, though. Most of this movie did contribute to the tension of the climax. If certain events hadn't transpired in the way they did, Barry's (Ryan O'Neal) life would have been much different. Then again, the whole "rags to riches" storyline seemed overdone, even for the mid-1970s. And sure, duels can...
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MOVIE: Song of the Sea (2014)

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Song of the Sea Year: 2014 Rating: PG Length: 93 minutes / 1.55 hours In perusing Netflix a while ago, I came across Song of the Sea (2014), a nominee for the Best Animated Feature Oscar that had completely gone under my radar. At first glance, this film seemed to be by the same people who had done The Secret of Kells (2009). I appreciated the 2D style of the animation from Kells and looked forward to additional stories that could be told in that style. I was not disappointed in the visuals, but I was confused, perhaps more than I should have been with the plot. Don't get me wrong: the plot is pretty simple. I certainly was able to understand the story of a brother and his mystical mother and sister. Some of the plot points seemed pretty cliche, all things considered. What I had trouble with was some of the Irish folklore that ran throughout this movie. Perhaps it was all part...
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MOVIE: Borat Subsequent Moviefilm (2020)

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Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan Year: 2020 Rating: R Length: 95 minutes / 1.58 hours Over the years, I've found two types of people: those offended by the original Borat (2006) film and those who find it funny. I'm probably in the latter camp, mostly because I can appreciate how politically incorrect comedy can be "safely" created by introducing a cultural/language barrier. 14 years later, and I'm certain that the people who didn't find the original Borat funny won't find the humor in Borat Subsequent Moviefilm (2020). As an American, it's amusing to see our foibles pulled out as the butt of the joke in this film, especially after we've made fools of ourselves through the last decade of partisan politics and recent refusal of science and common sense. And while Borat Subsequent Moviefilm still relies on physical and sexual humor that is awkward to watch, there are moments of pure genius...
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MOVIE: Guns Akimbo (2019)

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Guns Akimbo Year: 2019 Rating: R Length: 98 minutes / 1.63 hours Perhaps you've seen the meme? Daniel Radcliffe is out in public in his boxers and a robe and gesticulating wildly with two pistols in his hands. That meme comes from this movie. Guns Akimbo (2019) is the kind of movie you think it is: ridiculous and gratuitous. Going in, I knew I couldn't take this film seriously, and it certainly didn't disappoint. I was expecting something along the lines of Shoot 'em Up (2006) and got what I wanted out of it. Sure, the premise is flimsy, and the characters are one-dimensional, but I came to have fun, and I certainly laughed quite a few times during this movie's short runtime. I think if this film took itself more seriously, it wouldn't have been the fun popcorn flick it turned out to be. That being said, I can appreciate how it is self-aware enough to recognize some of the challenges of having two...
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MOVIE: Klaus (2019)

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KlausYear: 2019Rating: PGLength: 96 minutes / 1.60 hours It’s weird to me how many Christmas movies there are out there, and how few of them are any good. Fortunately, we now have a little gem with Klaus (2019). Animated in a beautiful 2D-esque style that uses 3D CGI as its base, Klaus works backward from what we understand as the current lore surrounding Santa Claus and develops a heartwarming story to explain all the little impossibilities that tie to the Yule tradition. And while it hits mostly predictable story beats, certain moments had me tearing up. What makes Klaus different from the rest of the Christmas-themed animated fare is that there seems to have been plenty of care devoted to the artistry of the visuals. It seems like most modern animated Christmas movies skimp on quality just to get something out to cash in on the holiday. The characters and character designs are unique and fitting to the story this movie is...
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MOVIE: Bill & Ted Face the Music (2020)

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Bill & Ted Face the Music Year: 2020 Rating: PG-13 Length: 91 minutes / 1.52 hours One thing I hate about trilogies is that sometimes movies don't need to be trilogies. If everything has been covered in the previous two movies (or even the first movie), the only reason for any additional films in the franchise seems to be for the sole purpose of making money. What's worse is franchises that release their third movie long enough after the first two that it's more of a nostalgia trip/reboot than anything that adds significantly to the lore. What's perhaps most disappointing about Bill & Ted Face the Music (2020) is how I had high hopes for it. Granted, my nostalgia for Excellent Adventure (1989) and Bogus Journey (1991) mean that I hoped there would be a significant shift in Face the Music that would explore something new that might have developed in the last 30 years. Instead, Face the Music treads all the same territory from...
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MOVIE: Mewtwo Strikes Back—Evolution (2019)

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Mewtwo Strikes Back: EvolutionYear: 2019Rating: PGLength: 98 minutes / 1.63 hours Growing up with the Pokémon franchise during the peak of its fervor, I definitely remember going to see the first movie when it came out in theaters. Consequently, there is an amount of nostalgia that I associate with this first forray of the franchise onto the big screen. When I saw that Netflix had recreated the 2D anime of my childhood with their style of CGI animation, I was intrigued enough to check it out. Much like in the recent CGI version of The Lion King (2019), just because a movie was faithfully recreated using newer animation technology does not make it a better movie. Additionally, I believe the fact that I had aged since I first watched this movie made it so I could see it through a more objective lens. What I found was that the story was incredibly light, and the only thing that made it worth watching...
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MOVIE: The Lion King (2019)

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The Lion KingYear: 2019Rating: PGLength: 118 minutes / 1.97 hours Many years ago, I learned that The Lion King (1994) was basically the plot of Hamlet reenacted with animals. And while many people consider the original 2D animated version of this story to be one of the greatest Disney movies ever created, I never really cared that much for it. Fast forward to 2019, and the new "live-action" version of The Lion King is released. Again, I wasn't really wowed by anything in it because I was ambivalent to the whole story anyway. I did find it odd that they marketed it as "live-action" when it was completely CGI. It was an animated remake of an animated movie. Perhaps my biggest issue with this new version of The Lion King was that they didn't really change anything. It felt like the 1998 version of Psycho (1960) that recreated the whole movie shot-for-shot in color. While it was technically as close to the...
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MOVIE: Enola Holmes (2020)

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Enola Holmes Year: 2020 Rating: PG-13 Length: 123 minutes / 2.05 hours When a character like Sherlock Holmes is already written, you do the next best thing: write fanfiction. Enola Holmes (2020) feels like an author-insert fanfiction of the famous detective stories written by Sir Arthur Conan Doyle. While this would be a mark against any other story, it works here and creates an amusing plot that was fun to watch. Sure, the mystery wasn't at the level Sherlock Holmes would normally solve, but Enola isn't necessarily Sherlock. Of course, I don't know if this story would have worked as well if there wasn't the tie-in to Sherlock Holmes. As for the actors, no doubt on retainer from their other Netflix projects, Henry Cavill (The Witcher) is a passable Sherlock but wasn't given quite enough screen time to really show his talents. The star of the show is definitely Millie Bobby Brown (Stranger Things), who has certainly shown that she's not only good at playing...
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MOVIE: Sonic the Hedgehog (2020)

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Sonic the Hedgehog Year: 2020 Rating: PG Length: 99 minutes / 1.65 hours As someone who grew up with the original Sonic video games, I was highly skeptical of this film adaptation. There's not much plot behind a game that's basically: move right as fast as possible and defeat a robot-making madman. Granted, Sonic has developed a little more depth to its lore over the years...but not much. The appeal of the character in the '90s was his attitude, and I have to admit that his movie does capture that attitude quite well. For a video game adaptation, Sonic the Hedgehog (2020) isn't terrible, which is saying something. I can only imagine the nightmare-inducing original design for Sonic, though. However, it's still not the greatest movie ever for the genre of video game adaptations. I did appreciate the little "slow-motion" moments, as well as the practical use of the rings as teleportation devices. Jim Carrey's Dr. Robotnik was passable, if not a little too goofy/sinister...
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MOVIE: Birds of Prey (2020)

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Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Year: 2020 Rating: R Length: 109 minutes / 1.82 hours I will admit: Margot Robbie is perfectly cast as Harley Quinn. The fact that she even got her own movie after her debut in Suicide Squad (2016) is a testament to this. That being said, she's a bit of a shallow character past being "Joker's girlfriend." Look no further than Birds of Prey (2020) to see what I mean. If it were truly a Harley Quinn standalone film, it wouldn't have needed the sub-plots of a handful of other characters to make the running time long enough. As it stands, Birds of Prey is meant as a sort of "origin story" for this titular team of female heroes. The fact that it needed Harley Quinn to make it marketable is a bit of a disappointment in the ability of the writers to create a story that would give these women agency without resorting to...
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MOVIE: V for Vendetta (2005)

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V for Vendetta Year: 2005 Rating: R Length: 132 minutes / 2.20 hours It's a little weird watching a dystopian movie like V for Vendetta (2005) in 2020. I watched this film each year around the 5th of November, but life eventually got in the way and made it difficult to continue the tradition. At the time, I enjoyed the "underdog" of V (Hugo Weaving) protecting art and freedom of thought from the tyranny of an oppressive government. Having gone back and re-watched it in the current global climate, I'm honestly shocked at how prescient it was in predicting a lot of our future. Hopefully, things don't become worse to the point of completely fulfilling this prophecy. I think part of the reason this film remains timeless—other than the flawless performances of Natalie Portman and Hugo Weaving—is how it shows the amount of freedom people in society give up in the name of "safety." Fear-mongering is a common political tactic to get individuals to vote...
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MOVIE: Poltergeist (1982)

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PoltergeistYear: 1982Rating: PGLength: 114 minutes / 1.90 hours Some movies have spoilers, and then some movies have so deeply-ingrained themselves in the popular culture zeitgeist that it’s nearly impossible to not have some knowledge of them before actually sitting down and watching the film itself. Poltergeist (1982) is just such a film for me. I’ve seen it referenced on many different lists and other places that claim it to be a great horror film. I’ve also seen it referenced and parodied in several places (like The Simpsons). The combination of its notoriety and its parody meant that I had pretty much already seen this film before actually watching it. Since I already knew the “big reveal” that caused the main characters’ house to become haunted, I had to watch this movie with a slightly different focus. Mainly: how and why has this film stood the test of time? Sure, it dates itself sometimes with its early-1980s style; however, the special effects for...
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MOVIE: 50 First Dates (2004)

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50 First Dates Year: 2004 Rating: PG-13 Length: 99 minutes / 1.65 hours I don't particularly care for Adam Sandler's comedies. Most of them are crass and pull their jokes from bodily humor or the uncouth main character (usually played by Sandler). There are two exceptions to this: The Wedding Singer (1998) and 50 First Dates (2004). Since this is a review of the latter, I won't go into the details of why I like The Wedding Singer. Instead, let's talk about what works in 50 First Dates for me to recommend it. Yes, I'm not necessarily giving this a perfect "5-star" score, but I do think its story has enough merit that you should watch it. As mentioned above, I don't give this film a perfect score, mostly due to Adam Sandler's comedy style. This is mostly exhibited in the first act of the plot, where we meet a reprehensible man, Henry (Adam Sandler), who basically only has sex with tourists so that he...
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MOVIE: To Be or Not To Be (1942)

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To Be or Not To Be Year: 1942 Rating: Passed Length: 99 minutes / 1.65 hours I don't know about you, but I've found that World War II movies were released closer to the end of the war have a certain amount of emphasis that has seemed to fade with time. In fact, I'd almost wager that the comedies produced during the war are some of the most poignant films I've ever seen on the subject. Sure, making fun of Nazis is easy when you're not affected by them—but when the threat is still real, there's an amount of satire that can both entertain and thrill. Much like Charlie Chaplin's The Great Dictator (1940) that came before it, To Be or Not To Be (1942) works off a bit of mistaken identity and farse to make the jokes that much funnier. The comedy in this film is expertly carried by a young Jack Benny—who manages to gnaw on every piece of scenery in every shot...
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MOVIE: Tenet (2020)

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TenetYear: 2020Rating: PG-13Length: 150 minutes / 2.50 hours I'll admit: I probably have to watch this movie again. I'm usually pretty good at unraveling a Christopher Nolan movie when I watch it for the first time. Not since Memento (2000), have I had such a difficult time piecing together the intertwining timelines. At least with Memento, I was aided by the black-and-white sections. In Tenet (2020), time moves in both directions in the same scene. Sure, this is a visually-stunning feat, but it's often a slap in the face of the Grandfather Paradox, which Tenet simply waves away with a shrug and a "don't worry about it." What's interesting is how moments of foreshadowing in this film triggered my "lightbulb reflex" each time the corresponding portion of the plot came into focus and gave me the "aha moment." I'm sure I'll pick up more of these when I watch it a second time. As it stands after a single viewing, my mind...
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MOVIE: The Goonies (1985)

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The Goonies Year: 1985 Rating: PG Length: 114 minutes / 1.90 hours Cult classics are intriguing films. I feel there is a lot of nostalgia tied to a movie that hits a generation of individuals at just the right time for them to be memorable to these people. Sometimes, these cult classics are movies that I didn't get around to seeing—especially when they were relevant to my friends. For whatever reason, The Goonies (1985) has eluded me for 35 years. I can certainly see its appeal, but I mostly just watched it and wondered why people thought it was so great. I will say that this film is a trip down memory lane in the sense that I don't think I've ever seen a movie with either Sean Astin or Josh Brolin as young as they were in this one. The fact that many meme-able moments from this film have lasted in the popular culture zeitgeist for so long is a testament to its powerful...
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MOVIE: Mean Girls (2004)

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Mean Girls Year: 2004 Rating: PG-13 Length: 97 minutes / 1.61 hours With the theaters opening back up again, I took advantage of a few “comeback classics” showings to see a movie that I had missed the first time it came around: Mean Girls (2004). I’m familiar with the numerous memes that this movie spawned, so it was a little weird seeing these little references in their original context. Of course, I’m also not necessarily the target demographic for this movie, as I am not (and have not been) a high school girl. Sure, it gave me an appreciation of the cutthroat and somewhat petty social hierarchy involved with female relationships in high school—in the sense that I didn’t have to put up with it. I can appreciate the ability of Mean Girls to create a situation where the audience learns about this “wild” world of high school by introducing a homeschooled student into the jungle that is the teenage learning environment. The fact that...
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MOVIE: The Lives of Others (2006)

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The Lives of Others Year: 2006 Rating: R Length: 137 minutes / 2.28 hours Quantum Physics holds to a belief that you can never truly observe something without affecting it. The mere act of observation alters the state of the thing being observed to the point where we can never be sure of the accuracy of the observation. I say all this to set the stage for the wildly tense and enthralling Best Foreign Film Oscar-winner, The Lives of Others (2006). There’s this weird dichotomy between voyeurism and being able to play God that makes this film so entertaining to watch, especially in the modern, surveillance-heavy society in which we live today (of which Person of Interest does an excellent job of exposing). Set in one of those rare historical moments right before the fall of the Berlin Wall, The Lives of Others hinges on the superb performance of Ulrich Mühe as the audience is never quite sure what he’s going to do with the...
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MOVIE: The Look of Silence (2014)

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The Look of Silence Year: 2014 Rating: PG-13 Length: 103 minutes / 1.72 hours It’s weird how a documentary can make something as deplorable as killing another human being a chilling experience. If the killings that happened in Indonesia were shown on the screen in all their gory detail, there’s a certain point where a viewer’s mind just shuts off from all the violence. It’s almost too much to watch, which is why interviews with those who did the killings is a different and almost more horrifying way to go about exposing this barbaric event. The Look of Silence (2014) is a tough movie to watch, but it is crucial for understanding how anyone could do something so vile. Put in the framing of an optometrist trying to confront his brother’s killers, The Look of Silence has this quiet, stoic energy about the horrific killings in Indonesia. I was in shock when these men talked so candidly, openly, and unabashedly about the atrocities they did...
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MOVIE: A Separation (2011)

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A Separation Year: 2011 Rating: PG-13 Length: 123 minutes / 2.05 hours Regardless of where you live on this planet, plenty of scenarios are just as likely to happen in Tehran as they are in Toledo. This is where A Separation (2011) pulls its strength. Set in a mostly modern Iran, A Separation is a series of dramatic twists that could probably happen to anyone. After all, tons of people have to deal with elderly parents with Alzheimer’s. There are plenty of divorces for trivial and non-trivial reasons. Good help is hard to find and even harder to afford. The combination of these things results in a gripping narrative that’s only given a distinctive Iranian flavor by its cultural limitations. If anything, A Separation shows how difficult it is to be a woman in a Muslim country. It’s not impossible, but certain limitations become evident when the strict religious rules of the Quoran come into play. It was nice to see a more liberal version...
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MOVIE: Blue Jasmine (2013)

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Blue Jasmine Year: 2013 Rating: PG-13 Length: 98 minutes / 1.63 hours After the critical success of Midnight in Paris (2011), it seems that Cate Blanchett followed in Owen Wilson’s footsteps by providing her best Woody Allen impression in Blue Jasmine (2013). Of course, this is no coincidence, considering that pretty much all of Allen’s films are distinctly in his neurotic New Yorker style. After all, he writes and directs his films, which allows him to be on the screen, even if it’s not him directly acting on it. Still, Blue Jasmine falls into that happy medium of being a commentary on society as well as an examination of the mental illness it creates. There’s plenty of dark humor present when Jasmine (Cate Blanchett) comes to stay with her poorer sister, Ginger (Sally Hawkins). The culture clash of the New York elite and struggling-to-get-by is exemplified in Jasmine’s inability to adapt to a life of poverty after having lived in a life of luxury for...
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MOVIE: Doubt (2008)

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Doubt Year: 2008 Rating: PG-13 Length: 104 minutes / 1.73 hours Years before Spotlight (2015) won the Oscar for Best Picture, Doubt (2008) took a hard look at the scandals that have been in the Catholic Church for some time and presented a gripping parable of gossip versus evidence. Aside from this central point, I found Doubt to be a fantastic movie filled with contrasts. The differences between male and female leaders in the Church only heightened the fundamental conflict between Meryl Streep and Philip Seymour Hoffman’s characters. Add to this the hardline stance of Streep’s Sister Aloysius, who has no flexibility for rules that aren’t actually in the Bible, and the result is an incredible look into changing times. Aside from Streep and Hoffman, Amy Adams and Viola Davis also gave superb performances full of raw and heartfelt emotion. In fact, I’d recommend everyone watch this film just for the career-defining roles of these individuals. Even among these, the intense ambiguity involved with Doubt’s...
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MOVIE: The Player (1992)

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The Player Year: 1992 Rating: R Length: 124 minutes / 2.07 hours Those who are aware of Robert Altman’s other films are sure to recognize the themes that permeated his oeuvre. He always seemed to find a way to satirize something in a way that underscored how broken the system is. From the military in M*A*S*H (1970) to the music industry in Nashville (1975), Altman had a keen eye to bring the ridiculous nature of these anthropological machines into the spotlight. Clearly, his time in the movie industry helped him adapt Michael Tolkin’s novel into The Player (1992). In a weird and meta way, nothing has changed since its early-90’s release. If you’re playing the “6 Degrees of Kevin Bacon” game at home, this film is literally a “who’s who” of actors and movie personalities (many of whom appear “as themselves”). Unfortunately, this film does suffer from its early-90’s aesthetic, often highlighting how far we’ve come in terms of fashion and technology in nearly three...
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MOVIE: Once Upon a Time in America (1984)

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Once Upon a Time in AmericaYear: 1984Rating: RLength: 229 minutes / 3.82 hours Nobody doubts Sergio Leone’s talent as a director. While he’s best known for his Spaghetti Westerns, he did make a few films like Once Upon a Time in America (1984). One does wonder if Leone was given free rein with this film, as it was probably an hour longer than it needed to be and included a lot of situations that could have been cut out, or at least trimmed down. If anything, it’s clear directors like Quentin Tarantino were influenced by movies like this, considering some of the similarities between it and Once Upon a Time…in Hollywood (2019). I will admit that most of the scenes in this fractured timeline of a story were necessary. Something that was shown early in the film would inevitably come into play near the end. However, I don’t think this excuses the numerous (and gratuitous) sex scenes included in this film. With a run time of...
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MOVIE: Layer Cake (2004)

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Layer CakeYear: 2004Rating: RLength: 107 minutes / 1.78 hours I always find it interesting to go back and watch breakout films by directors who would come into their own years later. In the case of Matthew Vaughn, I have enjoyed his work, which includes Stardust (2007), Kick-Ass (2010), X-Men: First Class (2011), and the Kingsman franchise. With Layer Cake (2004), I could see the kind of filmmaker he would become—with plenty of neat visual tricks—but there’s so much that’s lacking polish that I’m not even sure what happened in this movie. I kind of got the general sense of the plot, but I found myself lost by what was happening by the end of it all. Perhaps part of my problem is that the action is quite loud, but the dialogue is all quiet. I kept having to adjust the volume on my surround sound as a result. Maybe I should have put subtitles on because I had trouble understanding what most...
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MOVIE: Winter’s Bone (2010)

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Winter’s Bone Year: 2010 Rating: R Length: 100 minutes / 1.67 hours It feels like so few films deal with the actual consequences of poverty. It’s probably why Winter’s Bone (2010) seems like a raw and unflinching examination of what happens when a family is on the edge of homelessness. In fact, while I’m sure there are some inaccuracies, I almost saw this film as a documentary of life in rural Missouri. The handheld camera style was intimate and present as it followed Jennifer Lawrence in one of her breakout roles, investigating where her father disappeared to in order to save her struggling family. I didn’t understand why so much of the community around Lawrence’s character didn’t come to help and support her in a time of need. Sure, her father did some pretty terrible things, but why punish his family because of it? Perhaps this is just an aspect of the dog-eat-dog world of rural poverty that seems so illogical to me. In the...
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MOVIE: Logan’s Run (1976)

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Logan’s Run Year: 1976 Rating: PG Length: 119 minutes / 1.98 hours In today’s landscape of CGI and superb practical effects, it’s a little difficult to watch movies like Logan’s Run (1976). Sure, there are a few good bits (like dissolving bodies), but there are a lot of effects that look low-budget by today’s standards. Wires clearly hold up flying people, a robot is obviously a man in a boxy costume, and a futuristic society seems to be housed in a mid-1980s shopping mall. About the only reason I don’t necessarily deem Logan’s Run a B-movie fit for a Mystery Science Theatre 3000 ribbing is because it was the best technology they had at the time. Of course, I say this was the best special effects of the day, knowing full well that Star Wars (1977) would come out a year later. If anything, this movie shows the enormous leap in special effects that Star Wars provided the film industry in comparison. And while the...
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MOVIE: About a Boy (2002)

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About a Boy Year: 2002 Rating: PG-13 Length: 101 minutes / 1.68 hours It’s challenging to define the aesthetic of the early 2000s, but I think About a Boy (2002) is about as close as it comes. From the music and style to themes and plot, About a Boy is a solid little romantic comedy that probably hasn’t aged as well in the time since its creation. Although it is a rare sight to see Nicholas Hoult in one of his earlier film roles, knowing the kind of actor he has become (for such movies like X-Men: First Class (2011), Warm Bodies (2013), and The Favourite (2018)). I’ll admit that Will (Hugh Grant) is a bit of a creeper for going after single mothers as a way to hook up and get dumped without the guilt being on his side of the equation. However, the independently-wealthy status he has based on royalties from a single one-hit-wonder seems a little implausible. Still, maybe it was possible...
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MOVIE: Cat on a Hot Tin Roof (1958)

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Cat on a Hot Tin RoofYear: 1958Rating: Not RatedLength: 108 minutes / 1.80 hours While I understand the ease of adapting stage plays into movies, the result still feels a lot like watching a stage play on the big screen. Cat on a Hot Tin Roof (1958) is no exception. Adapted from the Tennessee Williams play of the same name, this movie boasts a few big names like Elizabeth Taylor and Paul Newman. I think this movie probably wouldn’t have been as notable unless it had these names tied to it in some way. After all, there’s a reason why we still remember these writers and actors today. Even if Cat on a Hot Tin Roof starts slow, the increasing amount of twists and reveals makes for an entertaining movie. I think part of my issue with the slow start might be with Elizabeth Taylor’s acting. It felt to me like she was reading memorized lines and didn’t put much emotion or effort into her performance....
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MOVIE: Synecdoche, New York (2008)

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Synecdoche, New YorkYear: 2008Rating: RLength: 124 minutes / 2.07 hours I knew going into Synecdoche, New York (2008), that it was a Charlie Kaufman film. I knew his material could get weird (like Being John Malkovich (1999) and Adaptation. (2002)) but movies like Eternal Sunshine of the Spotless Mind (2004) had enough heart that I wasn’t entirely sure what to expect. Except nothing could have prepared me for the madness of Synecdoche, New York (2008). I mean, there are meta films like Adaptation. then there are meta films of a whole different level like Synecdoche, New York. In the end, I think the story suffers due to its insistence on the artistic. I’m all for “smart” films that make the audience think. However, I am not a fan of movies that are so intellectually up their own behind to obscure every piece of meaningful plot and character development behind metaphor and “art.” There is a point where the plot gets so convoluted...
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MOVIE: Strangers on a Train (1951)

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Strangers on a TrainYear: 1951Rating: PGLength: 101 minutes / 1.68 hours It’s a wonder after all these years that a Hitchcock film like Strangers on a Train (1951) escaped me until now. Sure, Hitchcock used trains in many of his films, but the premise here is so diabolically intriguing that it demands a viewing. After all, there’s an amount of logic involved with two strangers swapping the murders that they would like to happen to those tormenting them. And yet, Bruno Antony (Robert Walker) is so unsettling in his ability to follow through that the suspense of the rest of the movie practically films itself. Several camera tricks that Hitchcock uses adds his signature flair to this movie. From a punch to the face to a tension-filled series of shots at the bottom of a storm drain, the cinematography in Strangers on a Train is yet another reason why people need to watch this film. This being said, the ending (despite being...
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MOVIE: Bathtubs Over Broadway (2018)

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Bathtubs Over BroadwayYear: 2018Rating: PG-13Length: 87 minutes / 1.45 hours To some, the idea that there were whole musical productions that were practically enormous advertisements for companies seems absurd. Since I grew up listening to Stan Freberg, I already knew that musicals could sell products (take his “Omaha” musical, for instance, since it was basically a 15-minute radio ad for Butternut coffee). At any rate, Bathtubs Over Broadway (2018) explores these oddities that most people never realize existed up until only a decade or two ago. It’s a little sad to see these ridiculous odes to corporate marketing go by the wayside…but it also makes sense as well. If there’s anything that Bathtubs Over Broadway gets across, it’s that these musicals were serious business, even if the companies they were selling weren’t. There were songs about bathrooms—repeated throughout its runtime—if that gives you an idea of the content. It is a little awe-inspiring to see famous names tied to these theatrical productions....
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MOVIE: The Founder (2016)

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The FounderYear: 2016Rating: PG-13Length: 115 minutes / 1.92 hours I hate to admit it, but many of these biopics about successful individuals all come off as the same story. Some down-on-his-luck guy stumbles across an idea that he steals (or has stolen from him) and makes his own to enormous success, betraying his friends and family along the way. We saw it in The Social Network (2010), Jobs (2013), Joy (2015), and The Greatest Showman (2017). The Founder (2016) is just another in this almost cookie-cutter genre that covers the origins of the McDonald corporation we know today. That’s not to say that The Founder isn’t entertaining. As an engineer, I was fascinated at how the McDonald brothers were able to be successful by creating efficiencies and eliminating waste in the process of selling hamburgers and other fast food. The trick is that the titular character, Ray Kroc (Michael Keaton), is half protagonist (the one you want to root for) and half...
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MOVIE: The Magnificent Ambersons (1942)

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The Magnificent AmbersonsYear: 1942Rating: Not RatedLength: 88 minutes / 1.47 hours Some films are timeless classics, like Citizen Kane (1941), then some are doomed to live in their shadows like The Magnificent Ambersons (1942). It’s easy to see how a success like Citizen Kane would incentivize studios to let Orson Welles direct another film in the hopes that he’d surpass himself. Unfortunately, I don’t feel The Magnificent Ambersons ever achieves that level of cinematic notoriety, merely acting as a footnote to much more famous films. Consequently, this movie hasn’t necessarily aged as well as its 1941 counterpart. I’ll still give credit where credit is due and say that The Magnificent Ambersons contains the visual charm and bold style that defined Orson Welles’ films. If only the story and characters were memorable enough to care about, then we might have a good movie on our hands here. As it stands, I didn’t care for any of the characters, nor did I even feel...
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MOVIE: Milk (2008)

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Milk Year: 2008 Rating: R Length: 128 minutes / 2.13 hours It seems like there are biopics for almost every notable person who has done anything significant in the last 50 years. In the case of Milk (2008), we get a peek into the personal, professional, and political life of gay rights activist Harvey Milk (Sean Penn). Unfortunately, as is the case with most biopics, I have found that the titular character is good at enacting societal change but at the cost of their relationship with a significant other. To me, I generally throw my hands up in the air and yell, “Come on!” when this happens since it seems to be ubiquitous with the genre. While I don’t mind watching a film about the activism behind gay rights, I do mind having to watch Sean Penn and James Franco make out. What struck me as odd was a portion of the film where people were encouraged to come out as being homosexual, which a...
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MOVIE: The Little Prince (2015)

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The Little Prince Year: 2015 Rating: PG Length: 108 minutes / 1.80 hours I understand there are limitations when it comes to adapting picture books into feature-length movies. The amount of content present in these books isn’t even enough to cover a few minutes just reading it aloud, so extending it out over 100 minutes requires a bit of framing and exposition. While movies like Cloudy with a Chance of Meatballs (2009) took the approach of explaining why there was giant food falling from the sky, The Little Prince (2015) framed its iconic story with your standard “overbearing parent wants their child to succeed at the detriment of said child’s childhood” sub-plot. When I was growing up, I never encountered The Little Prince in all the picture books I read. Even without this prior knowledge, I could get a sense that the entirety of the book’s content was contained in the stop-motion sections of this movie. I felt there was a missed opportunity to do...
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MOVIE: Mary Poppins Returns (2018)

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Mary Poppins Returns Year: 2018 Rating: PG Length: 130 minutes / 2.17 hours While it’s a somewhat rare occurrence, it usually doesn’t take Disney over five decades to release a sequel to a critically-acclaimed movie (like how Fantasia 2000 (1999) came out sixty years after Fantasia (1940)). The original Mary Poppins (1964) was a triumph in live-action for a studio known for its animation—which also makes an appearance. It raked in the Oscar Nominations, even gaining a nod for Best Picture. As far as sequels go, Mary Poppins Returns (2018) is a sharp and polished upgrade compared to the original but hits most of the same beats for the sake of nostalgia. Emily Blunt was more than passable as the title character, even if her representation seemed a bit more on the sarcastic and irritated eye-rolling side of the spectrum from Julie Andrews’ measured patience in the original. The songs in Mary Poppins Returns were certainly catchy—a trait undoubtedly inherited from Lin Manuel-Miranda—but didn’t seem...
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MOVIE: A Beautiful Day in the Neighborhood (2019)

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A Beautiful Day in the Neighborhood Year: 2019 Rating: PG Length: 109 minutes / 1.82 hours There’s one quote in A Beautiful Day in the Neighborhood (2019) that sums up the entire movie. “This isn’t really about Fred Rogers.” Considering this film was based on the magazine article that is central to the plot, it’s no wonder that Fred Rogers (Tom Hanks) is merely an ancillary character to the events that happen in Lloyd Vogel’s (Matthew Rhys) life. While Mr. Rogers’ gentle influence is undeniable, I can’t help but think that the recent documentary, Won’t You Be My Neighbor? (2018), is a better examination of his life’s work overall. I do have to give kudos to Tom Hanks for taking on a challenging role that has many fond memories for tons of people. Hanks captured Fred Rogers’ soft-spoken demeanor and gentle mannerisms as best as only he could. Part of the trouble, though, is that Tom Hanks is so recognizable, that half the time I...
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MOVIE: Rocketman (2019)

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Rocketman Year: 2019 Rating: R Length: 121 minutes / 2.02 hours After the critical success of Bohemian Rhapsody (2018), it felt like the market was ripe for another movie about a homosexual piano-playing musician. Enter Rocketman (2019), a biopic about Elton John (Taron Egerton) that didn’t quite know what to do with itself. Was it supposed to be the greatest hits of Elton John songs, like Mamma Mia! (2008) was for ABBA? If it was intended as a straight biography of Elton’s life, it falls into all the tropes that seem to be requirements for the genre. There didn’t seem to be anything original here other than sex, drugs, and rock and roll. One aspect of Elton John’s rise to stardom that I found interesting was his ability to pick up and play any song after hearing it once. This skill is quite a rare trait, and I almost wished this film played up that aspect a little more. I also was intrigued to learn...
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MOVIE: Terminator – Dark Fate (2019)

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Terminator: Dark Fate Year: 2019 Rating: R Length: 128 minutes / 2.13 hours I’ll admit that Terminator 2: Judgment Day (1991) was a difficult movie to follow. Basically the perfect sequel, this film is generally what we associate with the Terminator franchise. From its plethora of meme-able moments to its fantastic action and visual effects, Terminator 2 set a high bar for any film in the franchise to follow it. While Terminator: Rise of the Machines (2003) tried to tie up the first three movies into a neat little trilogy, most felt unsatisfied with its ending. This is why, almost 20 years after Terminator 2 released, we’re still trying to find that satisfying bit of closure. Compared to its predecessors, Terminator: Dark Fate (2019) certainly came the closest to achieving this closure. After all, we’ve seen the effects of time travel in the future with Terminator: Salvation (2009) and an alternate reality with Terminator: Genisys (2015). As a direct sequel to Terminator 2, Dark Fate...
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MOVIE: The Gentlemen (2020)

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The Gentlemen Year: 2020 Rating: R Length: 113 minutes / 1.88 hours I’ve enjoyed a good portion of Guy Ritchie’s filmmaking. While many of his more recent movies rely on franchise appeal (Sherlock Holmes (2009), The Man from U.N.C.L.E. (2015) and Aladdin (2019) are of note), I usually associate his style of filmmaking with the British heist film (like Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000)). Consequently, I was looking forward to seeing his recent film, The Gentlemen (2020), as it seemed to be a return to the kind of filmmaking that attracted me to Guy Ritchie films in the first place. Unfortunately, it seems Ritchie has been away from his core movies for so long that he’s almost forgotten how to make them. The meta framing with Hugh Grant and Charlie Hunnam was clunky enough that even Hunnam’s character was getting bored with the “telling” in the exposition provided by Grant’s character. Sure, there were a few neat twists here and...
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MOVIE: I Lost My Body (2019)

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I Lost My Body Year: 2019 Rating: R Length: 81 minutes / 1.35 hours Some movies can only be done with animation. Whether it’s the fantastical or alien nature of the content or the visual aesthetic trying to be achieved, animation is pretty flexible with what it can do. Enter I Lost My Body (2019), which is a prime case study in the power of animation. Sure, this could have been done up in realistic CGI, but then it would probably be more in line with the horror genre than the “slice of life” (har har) we have on display here. Either way, I have never seen an entire movie centered on a severed hand trying to get back to the body that lost it…until now. With hints of Homeward Bound (1993) and The Addams Family (1991), I Lost My Body plays out in parallel with the strangely-relatable severed hand and the flashbacks of the whole body, Naoufel (Dev Patel). At times heartfelt (even in...
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MOVIE: Onward (2020)

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Onward Year: 2020 Rating: PG Length: 102 minutes / 1.70 hours I always look forward to Pixar films, mostly to see how visually stunning a movie created entirely in a computer can look with each passing year of technological and programming advancements. The other reason I will always go to see a Pixar movie is their dedication to a good story. Sure, there have been some missed steps over the years (The Good Dinosaur (2015) being the latest example), but their track record has been good enough to warrant me seeing their films in the theater. While I was looking forward to this year’s offering of Onward (2020), the result felt a little lackluster overall. Choosing to explore a storyline with a deceased parent was odd in that it felt like something that had rarely been addressed in movies geared toward children while also having a strong “after school special” vibe to it. Either way, putting it in a pseudo-Monsters, Inc. (2001) fantasy world was a fun way to...
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MOVIE: Marriage Story (2019)

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Marriage StoryYear: 2019Rating: RLength: 137 minutes / 2.28 hours Marriage Story (2019) isn’t a movie about divorce so much as it is a movie about the east coast vs. the west coast. While I’ll admit that there were some pretty good performances in this film (notably, Laura Dern was spectacular), there wasn’t anything new here that other movies like Kramer vs. Kramer (1979) hadn’t covered. Additionally, it was a bit difficult to separate the two leads (Scarlett Johannsson and Adam Driver) from their other famous movie roles, which made it difficult to commit to the premise fully. Plus, movies like Marriage Story are just uncomfortable looks into lives in shambles that probably hit too close to home for some people. It’s weird how so many successful elements didn’t come together cohesively for me. Randy Newman’s score sounded great, but it made the film sound more like Toy Story (1995) than Marriage Story. Likewise, with the famous acting talent present: they had exemplary...
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MOVIE: Ford v Ferrari (2019)

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Ford v Ferrari Year: 2019 Rating: PG-13 Length: 152 minutes / 2.53 hours Full disclosure: I’m not a “car guy.” Sure, my education was in Mechanical Engineering, and I can appreciate well-crafted machines, but I see cars as mere tools to get from point A to point B. Consequently, I don’t have much interest in car racing and didn’t initially want to see Ford v Ferrari (2019). Luckily for me, this film was chosen as one of this year’s nominees for Best Picture. After watching it, I can clearly see why. For someone who isn’t into cars or racing, I was completely enthralled and entertained by Ford v Ferrari. This movie is a tour de force when it comes to several filmmaking aspects. It expertly used its sound design, music, and cinematography to give the raw tension of racing highly-engineered machines meant for one thing only: to go fast. In fact, I only had two qualms with this movie on the whole. First, the “marketing...
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MOVIE: Parasite (2019)

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Parasite Year: 2019 Rating: R Length: 132 minutes / 2.20 hours If you haven’t discovered South Korean cinema yet, Parasite (2019) is a fantastic introduction for the uninitiated. Director Bong Joon-ho has been hard at work over the last 20 years, helping craft films that are thoughtful and horrifying. Movies like The Host (2006) and Snowpiercer (2013) give a sense of his artistic style. Parasite merely takes his ability to shed light on class conflict and molds it into a masterpiece that’s half heist-comedy, half horror-drama, and all suspense. If it weren’t for the somewhat lackluster ending, I’d give this film the full five stars it deserves. At the base of Parasite is a conflict between the impoverished and the rich. This theme could be easily applied to any country with a wide income disparity, which is probably why it works so well in the United States as well as in South Korea. To survive in these environments, the poor must do their best to...
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MOVIE: Jojo Rabbit (2019)

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Jojo RabbitYear: 2019Rating: PG-13Length: 108 minutes / 1.80 hours When I first saw the trailers for Jojo Rabbit (2019), I thought this movie looked like a fun and satirical romp through Nazi Germany. With the director (Taika Waititi) portraying an imaginary Adolf Hitler, the comedy was in full display during the trailers. After all, Waititi directed Thor: Ragnarok (2017), which is arguably one of the funniest films in the Marvel Cinematic Universe. Plus, Jojo Rabbit seemed to focus on a 10-year-old boy (Roman Griffin Davis) in the Hitler Youth, which gave some strong Boy Scout vibes that I could potentially relate to. Unfortunately, I was somewhat disappointed to find that the trailers contained all the comedy in Jojo Rabbit. This wasn’t necessarily a bad thing, as the remainder of the film gave some amount of cynicism and reality to the fanatical enthusiasm of Jojo and the other members of the Hitler Youth. In fact, there’s a significant scene that really hits home...
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MOVIE: Frozen II (2019)

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Frozen IIYear: 2019Rating: PGLength: 103 minutes / 1.72 hours After the cultural phenomenon that was Frozen (2013) had cooled off a little, a sequel was an inevitable conclusion. The trouble with such sequels is multi-faceted: how do you recapture the magic of the first movie while also creating something new that advances the story? Unfortunately, Frozen II (2019) falls into the trap of focusing on what made the first so successful that it almost feels like it’s mimicking its origins. To top it off, the new elements introduced in this film are either predictable plot points or over-done tropes. But hey, it’s Disney, and it looks absolutely gorgeous, even if some of the main characters seemed slightly more exaggerated in their presentation (perhaps starting to edge closer to the uncanny valley). While the songs all hit similar beats to their predecessors, most of them seem to fall short or were emphasized in the wrong places. Case in point, I found “Show Yourself”...
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MOVIE: Little Women (2019)

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Little WomenYear: 2019Rating: PGLength: 135 minutes / 2.25 hours After the success of Greta Gerwig’s debut film, Lady Bird (2017), I was pleased to find her directing again with a tried and true classic, Little Women (2019). This movie isn’t new or its content original by any means (this is the seventh film adaptation after all). However, Gerwig has managed to give it a poignancy and relevance to today’s issues while still maintaining an apparent loyalty to the period. It probably helped that Gerwig had tons of acting talent along for this film, including collaborators from her last film: Saoirse Ronan and Timothée Chalamet. In the end, I found this to be perhaps my most favorite adaptation of this classic piece of literature. Where Gerwig shines in this film is her ability to use flashbacks and dueling timelines to show the contrast and growth of the characters in stark moments of brilliance. My one qualm is that this technique was perhaps used...
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MOVIE: 1917 (2019)

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1917Year: 2019Rating: RLength: 119 minutes / 1.98 hours While there have been movies filmed to look like they’re one long take (the Best Picture winner, Birdman (2015) comes to mind) and movies that revolve around key moments of retreat during war (Dunkirk (2017) comes to mind), never before have the two been so masterfully combined. 1917 (2019) is a rare piece of cinema that tackles the less-popular World War I as its subject matter, but doing so in a way that’s personal, gruesome, and tense. Those viewers who might be put off by the gore of this film might come to realize that cinema has been censoring the ugly side of war for far too long. None of the violence seems out of place in 1917. Its moments of horror highlight the ugliness of war that results in constant and ever-present death. Fortunately, there are enough moments of peace and rebuttal between these intense sequences to let the audience catch their breath....
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MOVIE: The Irishman (2019)

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The IrishmanYear: 2019Rating: RLength: 209 minutes / 3.48 hours At almost three-and-a-half hours long, The Irishman (2019) might seem like a daunting movie to sit through. However, much like Once Upon a Time…in Hollywood (2019) gave Quentin Tarantino the space to make the movie he wanted to, Netflix seems to have allowed Martin Scorsese to create the film he wanted with little-to-no interference. Consequently, the 3.5 hours of this movie could have probably stood a bit of a trim, but the pacing is so well done as to make the time fly by (similar to another movie of epic proportions, Lawrence of Arabia (1962)). One of the most significant strengths of this movie appears to be its de-aging technology. While it’s still a bit on the edge of the uncanny valley, the main actors did look significantly younger than their current ages during the flashback sequences. Instead of relying on look-alikes and teaching them the mannerisms of these incredibly talented actors, Scorsese...
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MOVIE: Knives Out (2019)

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Knives OutYear: 2019Rating: PG-13Length: 130 minutes / 2.17 hours One of the most under-utilized genres to date, a good mystery movie is hard to find these days. This is partly why Knives Out (2019) is such a joy to watch. With plenty of twists and turns—and a murderer that subverts all the numerous tropes of the genre—this film is almost on the edge of self-aware satire of mysteries on the whole. This is partly why I found Knives Out to be delightfully amusing: the absurd nature of some of the genre’s most tightly-held motifs were playfully subverted for a couple of genuine laughs. Of course, part of the problem of Knives Out being so self-aware is that it is inevitably predictable at several key moments. Depending on how far ahead a viewer can deduce the solution to a critical piece of evidence might determine how predictable it is for them. I did appreciate that there was always one piece of the puzzle...
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MOVIE: X-Men – Dark Phoenix (2019)

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X-Men: Dark Phoenix Year: 2019 Rating: PG-13 Length: 113 minutes / 1.88 hours I’m all for more faithful adaptations of stories into film. However, in long-running series like the X-Men franchise, I can’t help but wonder if efforts could have been spent on different storylines instead of trying to fix past mistakes. I know the “Dark Phoenix” saga is one of the best in the X-Men series, but after X-Men: Dark Phoenix (2019) tried to fill the gap of X-Men: The Last Stand (2006) created by the ret-con in X-Men: Days of Future Past (2014), I can honestly say I preferred the version in The Last Stand. Up until now, I’ve been okay with the “First Class” set of prequels. They have taken an alternate history approach to lay out the lore of the X-Men, which I like. The problem with Dark Phoenix is that—after covering three decades in the last three films—the timeline finally caught up with the original trilogy. It was fun to...
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MOVIE: Star Wars – Episode IX – The Rise of Skywalker (2019)

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Star Wars: Episode IX – The Rise of Skywalker Year: 2019 Rating: PG-13 Length: 142 minutes / 2.37 hours Full disclosure: I’m not a die-hard Star Wars fan by any means. Sure, I like the original trilogy, but Return of the Jedi (1983) is my favorite of that set (take that how you will). In the end, I don’t look at this franchise through the lens of the expanded universe or all the lore tied to it. I just see them as movies. Are they entertaining? Sure, they have their moments. Are they groundbreaking? Not since A New Hope (1977), in my opinion. So, while The Force Awakens (2015) felt like a rehash/reboot, I did appreciate how The Last Jedi (2017) took some risks in terms of character development. So, how does The Rise of Skywalker (2019) fare? First of all, the plot moves at a hyperspace-clipped pace. There seemed to be so many loose ends to tie up and nostalgia to fit in that...
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MOVIE: An Education (2009)

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An Education Year: 2009 Rating: PG-13 Length: 100 minutes / 1.67 hours I’m not sure how I missed this film when it first came out. I suspect it was because I hadn’t started making a point to see all the Oscar-nominated films of that year—and 2009 bumped that number up significantly from five to ten. At any rate, I’m glad I eventually came around to it as it was a delightful—if not mostly generic—coming-of-age story. The only modern and recent example I can think of that equates to An Education (2009) is Lady Bird (2017), and I loved that film for similar reasons. As someone who generally grew up feeling “older” than his peers, I could relate to Jenny (Carey Mulligan, in her best Audrey Hepburn impersonation). There’s a point when some teenagers like Jenny think they’ve figured out the “rules” of life and are therefore ready to jump into adulthood with both feet. This is definitely where the titular “education” comes in. It's both...
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MOVIE: Hugo (2011)

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Hugo Year: 2011 Rating: PG Length: 126 minutes / 2.10 hours Enchanting. Charming. Magical. After re-watching this film again, I can still confirm Hugo (2011) legitimately earned all its technical Oscars, even if it didn’t end up winning Best Picture. Ironically enough, this American movie about the origins of French film lost out to a French movie about the origins of American talking pictures (i.e., The Artist (2011)). Of course, the more surprising aspect of this film was how Martin Scorsese was able to make such an entertaining (and family-friendly) film that didn’t involve the mafia at all. Personally, as an avid lover of classic films, I enjoyed the romanticism related to the earliest of film magicians. Scorsese’s love letter to the origins of cinema—and the masters of their craft like Georges Méliès (Ben Kingsley)—is a stark reminder of how much we've lost of cinema’s heritage due to external events that forced the artistic community to abandon their art. The amount of experimentation and inventive...
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MOVIE: East of Eden (1955)

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East of Eden Year: 1955 Rating: PG Length: 118 minutes / 1.97 hours East of Eden (1955) is one of those films that are famous only for who is in it and who originally wrote it. If this wasn’t one of the few roles James Dean had before his unfortunate death, I’m not sure I’d have watched it. Even if it’s based on a Steinbeck book, I think I’d prefer The Grapes of Wrath (1940) or Of Mice and Men (1939) to this. Still, there is some artistic merit to this film, even if it didn’t cover the entirety of the source material. It just goes to show how a movie can have staying power just from the people tied to it. Notably, I did enjoy pieces of the cinematography in East of Eden. In particular, when James Dean’s character is on the porch swing, that scene was shot in such a way that I haven’t seen done before or since. And while Dean’s performance...
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MOVIE: One Piece – Stampede (2019)

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One Piece: Stampede Year: 2019 Rating: PG-13 Length: 101 minutes / 1.68 hours It’s interesting how different Japanese franchises handle their 20th-anniversary movies. In the case of Pokémon the Movie: I Choose You (2017), a nostalgia tactic was used to bring in those viewers who might not have seen a Pokémon movie since the anime started airing back in 1997. Two years later, and another well-known anime (or at least it should be well known) has a movie that celebrates the 20th year of its animated series. One Piece: Stampede (2019) takes a somewhat different tactic here and embraces everything that turned it into what it is today. While anime movies rarely interact with the canon of the series they’re based on, it is essential to note that the author of the original manga did help create the story for Stampede. The reason why this is important is that this movie was able to bring together 20 years’ worth of extraordinarily overpowered and unique characters in a way...
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MOVIE: Hero (2002)

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Hero Year: 2002 Rating: PG-13 Length: 107 minutes / 1.78 hours After the success of Crouching Tiger, Hidden Dragon (2000) in most of the worldwide markets, it’s no wonder that a film like Hero (2002) would make an appearance. Capitalizing on the choreography and visuals that brought Crouching Tiger, Hidden Dragon success, Hero takes these acrobatic battles to the next level, even to the point of them becoming ridiculous and semi-cartoonish. Add to this the deliberate color theming for each of the film’s different sections, and Hero almost becomes a piece of art in its own right. It’s almost a shame that there haven’t been more movies like this in the years since. While some of the CGI hasn’t aged well since 2002, and the acting can sometimes be too flat or too over the top, the story is still entertaining. The language barrier did make it slightly confusing at times, but the twists were top-notch. It did help to have the “framing” of the throne room to not only show the...
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MOVIE: Senna (2010)

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Senna Year: 2010 Rating: PG-13 Length: 106 minutes / 1.77 hours I’ve never been much of a fan of NASCAR racing, mostly because I knew that Formula-1 existed. While I haven’t paid much attention to Formula-1, it was interesting to watch the documentary on Ayrton Senna, especially with how it was put together. Most documentaries will intersperse interviews and other pieces of ancillary information to support the main narrative. Not Senna (2010). Consisting almost entirely of video clips recorded at the time he was racing, Senna is a fascinating look into this racer’s life that benefits from hindsight to piece the video clips together and the full story. The sheer amount of skill and mechanical prowess it takes to race Formula-1 cars at top speeds is what gives this film its initial entertainment value. Added to that, we have the charismatic personality of Ayrton Senna, whose whole goal in life was to be the fastest driver around. He didn’t care about the politics of the...
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MOVIE: The Current War – Director’s Cut (2017)

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The Current War: Director’s Cut Year: 2017 Rating: PG-13 Length: 102 minutes / 1.70 hours I’ve known for some time about the “war” between alternating and direct current. It was such an interesting battle of egos between some famous names that are still known today. Heck, I even included elements of it as a sub-plot in my second book. Of course, I always thought the conflict was between Nikola Tesla (Nicholas Hoult) and Thomas Edison (Benedict Cumberbatch) and not being mainly between Edison and George Westinghouse (Michael Shannon). At any rate, I found The Current War (2017) to be an entertaining examination of the events that led the world to finally accept one of these currents as the de-facto way to distribute electric power. Stepping back for a moment to the presentation of this movie, I appreciated the cinematography and the driving music that helped ratchet up the tension between these famous engineers and entrepreneurs. Additionally, the actors chosen to play their respective roles fit quite well....
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MOVIE: Blood Diamond (2006)

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Blood Diamond Year: 2006 Rating: R Length: 143 minutes / 2.38 hours For years, I had heard about Blood Diamond (2006) from a variety of different viewpoints. Many friends would mention it about either Leonardo DiCaprio’s accent, the tense action, or the diamond industry as a whole. After a while, I made it a point to eventually see this film, even if I wasn’t sure when that would be. It took a while, but I did eventually have this chance, and I’m glad that I took it. Sure, Blood Diamond is a little difficult to watch in the sense that there are aspects of the African diamond industry that are straight-up human rights violations. However, it is important to know these things are going on to become informed about our world. The fact that there have been (and likely still are) child soldiers being brainwashed by ruthless rebels to overthrow the governments in Africa is a sobering thing to watch and a heartbreaking realization when you see how it...
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MOVIE: City of God (2002)

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City of God Year: 2002 Rating: R Length: 130 minutes / 2.17 hours About a decade ago, I saw a clip from City of God (2002) in my Film Studies course at college. One of my classmates brought it to show everyone how realistic the acting appeared during a scene where young children were initiated into a gang. I had to admit that the acting seemed authentic. However, I didn’t consider it as part of the whole movie until recently, when I had a chance to sit down and watch the entire thing. While I’ll agree that this short clip was a good example of what the film had to offer, I was more in awe of plenty of other aspects it brought to the table. First off, the beginning of this movie wowed me with its cinematography. The whole “chicken chase” sequence is perhaps one of the best I’ve ever seen. City of God still manages to maintain some exquisite subtlety in showing the audience what it wants...
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MOVIE: Zombieland – Double Tap (2019)

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Zombieland: Double Tap Year: 2019 Rating: R Length: 99 minutes / 1.65 hours It's a little weird to me that it's been a full decade since Zombieland (2009) came out. While I thought the original film was goofy and fun, it has since gained a bit of a cult following. What's weirder to me is how—in the years since the original—many of the cast of this franchise have gone on to be nominated for (and in some cases won) Oscars for their acting talent. It's no wonder the advertisements for Zombieland: Double Tap (2019) have picked up on this fact and used it to promote another ridiculous foray into the self-aware satire of zombie films. While I do admit that Zombieland: Double Tap does require having seen the first film to pick up on its numerous references, I also knew that its comedy would be as smart as its predecessor. I appreciated this wit, especially with a few literary references thrown in (like to Of...
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MOVIE: Yesterday (2019)

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Yesterday Year: 2019 Rating: PG-13 Length: 116 minutes / 1.93 hours When I saw the first trailers for Yesterday (2019), I had some high hopes for this movie. The premise of only one person remembering The Beatles in a world where this famous band didn’t exist was intriguing enough by itself to warrant a watch. Plus, with Danny Boyle directing, I had perhaps anticipated more than what I actually got. It’s hard to hate a movie with such a great soundtrack full of Beatles songs, but the execution of the entire idea left me wanting a bit more and breaking my suspension of disbelief on more than one occasion. Back in high school, I had a history assignment to perform a thought experiment similar to Yesterday: what happens if The Beatles didn’t exist? Instead of just being a weird gap in the cultural zeitgeist, I think this movie would have done better to see the amount of influence the band had throughout the music industry. Sure, some moments...
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MOVIE: Joker (2019)

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Joker Year: 2019 Rating: R Length: 122 minutes / 2.03 hours With the saturation of superhero movies between Marvel and DC at all-time highs, it was only a matter of time before a movie like Joker (2019) would come along. If anything, the current socio-political environment in the real world is ripe for this kind of story. While superhero films are appealing to show how individuals with exotic abilities can do battle in CGI-heavy fight sequences, there is a certain amount of horror involved with Joker in the sense that it could realistically happen. There aren’t any radioactive spiders. There isn’t any high-tech gadgetry. There’s only mental illness. I applaud the team behind Joker for not resorting to hackneyed comic book origin stories like chemical spills or “tit for tat” vendettas (even if we had to watch one of the same origin stories again near the end). The casting of Joaquin Phoenix was initially an odd choice, but he nails the role. His type of methodical acting almost humanizes one of...
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MOVIE: Ad Astra (2019)

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Ad Astra Year: 2019 Rating: PG-13 Length: 123 minutes / 2.05 hours I wasn’t entirely sure what to expect with Ad Astra (2019). The trailers I had seen made it seem like it was an action-filled space adventure akin to Interstellar (2014) or Gravity (2013). While it did handle all the outer space issues in a somewhat scientifically accurate way, Ad Astra was a much slower movie than I thought it would be. In fact, I’d probably compare it more to films like 2001: A Space Odyssey (1968) for its almost plodding pacing. The real trick is that the plot of Ad Astra is basically an outer space version of Joseph Conrad’s Heart of Darkness, of which Apocalypse Now! (1979) is perhaps the most notable movie adaptation. Ad Astra does get credit for the beauty of its outer space environment. The settings felt massive in scale and intimate in their proximity. Each portion and waypoint of the journey seemed precisely how I would picture them eventually occurring in our not-to-distant future. Even if some aspects of the film...
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MOVIE: Cave of Forgotten Dreams (2010)

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Cave of Forgotten Dreams Year: 2010 Rating: G Length: 90 minutes / 1.50 hours Every once in a while, ideal conditions align to preserve a piece of ancient human history. Time and the march of civilization have destroyed plenty of important artifacts of our past, but occasionally something happens that protects this history for future generations to find. In Cave of Forgotten Dreams (2010), the audience gets a breathtaking look into an amazing discovery that has a cultural impact stretching back eons to the origins of our species. It’s a shame that most will never be able to visit this cave, but this documentary is practically the next best thing. Interspersing first footage and high-quality video of the cave, the music and narration in this film create a mesmerizing quality as we are introduced to cave drawings and other artifacts that haven’t been seen by human eyes in a very long time. The expansive nature of the art and the level of preservation are quite awe-inspiring. I...
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MOVIE: Secondhand Lions (2003)

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Secondhand Lions Year: 2003 Rating: PG Length: 109 minutes / 1.82 hours Making a family-friendly film is perhaps one of the most difficult tasks in cinema. Not only does it have to appeal to children, but it also has to avoid plenty of material that might not be appropriate for younger audiences. If families can get a powerful life lesson out of it as well, all the better. While modern fare tends to resort to the crass and focuses on bathroom humor for laughs, there are those rare few films that manage to tell a tight story. With legitimate laughs and a heartfelt conclusion, Secondhand Lions (2003) is just such a movie. The two strengths that make this one of my favorite family-friendly films are its characters and its plot. All three of the main characters show some amount of significant character growth by the time the end credits roll. Besides, with acting talents like Robert Duvall, Michael Caine, and Haley Joel Osment, you really can’t miss...
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MOVIE: Chocolat (2000)

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Chocolat Year: 2000 Rating: PG-13 Length: 121 minutes / 2.02 hours Chocolat (2000) is one of those movies that I was aware of but hadn’t watched until recently. While it received a Best Picture nomination, I don’t think it was up to the level of the winner for that year, Gladiator (2000). Nevertheless, Chocolat is a charming story that lies somewhere between Footloose (1984), Willy Wonka and the Chocolate Factory (1971), and Babette’s Feast (1987). What’s maybe a little odd to me about this movie is how I thought Johnny Depp would have a more prominent role in it, since he covers almost half the movie poster. Instead, it’s more a bit part that comes in about half-way through the film. While the conclusion of Chocolat is practically telegraphed from the start, it was still entertaining to watch the townspeople warm to the newly arrived chocolatier. Despite most of the characters might feeling a little one-dimensional, they are so fully fleshed out in the one or two qualities that make them distinguishable that you can’t help but enjoy...
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MOVIE: Anvil! The Story of Anvil (2008)

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Anvil! The Story of Anvil Year: 2008 Rating: Not Rated Length: 80 minutes / 1.33 hours Anvil! The Story of Anvil (2008) is one of those movies I sat down to watch because it’s on the 1,001 Movies You Must See Before You Die list. Before watching this film, I honestly had never heard of this Canadian heavy metal band, and it soon became apparent why. What immediately struck me was how similar the premise was to the 1984 mockumentary, This is Spinal Tap. It was difficult to separate this real-life story of the rise and fall of a heavy metal band with the Rob Reiner comedy since so many of the beats of the plot seemed to match up. Still, it was somewhat engrossing to see how Anvil! followed the progression I’d already seen in Spinal Tap. At first, I thought, “Is this for real?” This was before I realized that perhaps the reason why Spinal Tap worked so well was because that’s just how the music industry functions and has functioned...
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MOVIE: Heat (1995)

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Heat Year: 1995 Rating: R Length: 170 minutes / 2.83 hours It’s interesting to go back and watch something by Michael Mann after seeing his later work. I enjoyed Collateral (2004) and considered it to be a well-directed film. Of course, there’s deliberate pacing and acceleration of Collateral that drew me in. Unfortunately, this biased me somewhat when I sat down to watch Heat (1995). Stylistically, both are fairly similar and use similar locales. However, at almost three hours long, some of the pacing in Heat made me think that it could have used a bit of a trim in the first half. I understand the deliberate nature of the buildup of the first half, with each event introducing some core tenet of the main characters that come to fruition by the end of the film. It helps that there’s a good bit of action early on, but until the twist that happens about half-way through occurs, the comparison to the pacing of the second half makes the early part of this movie...
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MOVIE: As Good as it Gets (1997)

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As Good as it Gets Year: 1997 Rating: PG-13 Length: 139 minutes / 2.32 hours I’m not sure how it’s taken me this long to sit down and finally watch this movie. I’ve enjoyed other films by James L. Brooks, like Terms of Endearment (1983) and Broadcast News (1987). If anything, As Good as it Gets (1997) is almost like the end of the trifecta of Brooks films, considering how well-received by critics they are. When it comes right down to it, the appeal of these movies is the characters. There’s a heart and realism rarely seen in comedies (most of which resort to stereotypes and fart jokes to get a laugh). As a more intellectual comedy, As Good as it Gets manages to bring together three unlikely people and push their boundaries to grow as characters. Of course, it’s somewhat easy to do this with abrasive characters like Melvin Udall (Jack Nicholson). After all, actively trying not to be a jerk is great growth potential. Additionally, other characters grow through their...
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MOVIE: Once Upon a Time…in Hollywood (2019)

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Once Upon a Time…in Hollywood Year: 2019 Rating: R Length: 161 minutes / 2.68 hours Quentin Tarantino has changed. While I loved Inglorious Basterds (2009) for its alternate history, and Django Unchained (2012) was another strong showing, it seems like he’s just getting out of his western phase. For his latest film, Once Upon a Time…in Hollywood (2019), Tarantino seems to have continued his trend of making very long movies but chose to condense his trademark graphic violence down into an intense sequence that only lasts a few minutes at most  (like The Hateful Eight (2015)). Perhaps he has matured as a director, but that’s what makes this film so jarring compared to his previous work. Anyone familiar with the Tarantino aesthetic knows that he’s particularly fond of the pop culture of the ‘60s and ‘70s. Consequently, it’s interesting to see how real he’s made this era feel on the big screen. That being said, some of the “fake” movies appearing in this film are...
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MOVIE: L.A. Confidential (1997)

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L.A. Confidential Year: 1997 Rating: R Length: 138 minutes / 2.30 hours There are police dramas, and then there are police dramas set in Los Angeles. Something about this town makes the crimes that much more interesting. Maybe it’s the intersection of fame and criminal activity. Perhaps it’s that the crimes are so much more grandiose due to the wealth of the area. Whatever the reason, L.A. Confidential (1997) is a fantastic film that manages to show different perspectives of the seedy underbelly of the glamor and glitz that makes the town so successful. If it weren’t up against Titanic (1997), it probably would have won a lot more awards than it did. It’s almost surprising how many famous actors are in this film. Sure, some of them were unknowns at the time. Even within three years, we’d see Guy Pearce in Memento (2000) and Russell Crowe in Gladiator (2000), both rising into their stardom. This is not to mention the fantastic performances by Kevin Spacey, James Cromwell, Danny DeVito, and Ron Rifkin....
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MOVIE: Spider-man: Far from Home (2019)

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Spider-man: Far from Home Year: 2019 Rating: PG-13 Length: 129 minutes / 2.15 hours After the events of Avengers: Endgame (2019), there were still plenty of questions that remained. While still part of Phase 3 of the Marvel Cinematic Universe (MCU), Spider-man: Far from Home (2019) attempts to grapple with the outcome of such a pivotal film in the superhero franchise. As was the case with its predecessor, Spider-man: Homecoming (2017), Far from Home shows the audience the impacts of the other films in the MCU in a way that’s personable and relatable. After all, it’s easier to connect with a “friendly neighborhood Spider-man” than with a multi-billion dollar playboy. I did appreciate the emotional depth of this movie, especially considering how Tom Holland handles the role of Peter Parker. From grieving over the losses of Endgame while also trying to move forward with his life, Peter has plenty of growth opportunities throughout this film. That being said, Far from Home seems to hit almost...
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MOVIE: Toy Story 4 (2019)

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Toy Story 4 Year: 2019 Rating: G Length: 100 minutes / 1.67 hours After the Toy Story “trilogy” ended in 2010, I was honestly a little confused and irritated that Disney/Pixar would open up this franchise again for a fourth entry. That being said, I now see the entire “story” was not complete at that point. There was still some amount of finality that the franchise had not reached. Of course, now I’ll be mad if they decide to make a Toy Story 5 since Toy Story 4 (2019) wrapped everything up so nicely and conclusively. Then again, maybe the next entry in the series will finally explain the odd rules about toy sentience. By far, the most striking thing about Toy Story 4 is its visuals. I was ten years old when Toy Story (1995) came out. Even in the four years between it and Toy Story 2 (1999), I could see massive improvements in what computers could create in terms of CGI imagery. With Toy Story 3 (2010) having just over a decade to improve its visuals,...
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MOVIE: Aladdin (2019)

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Aladdin Year: 2019 Rating: PG Length: 128 minutes / 2.13 hours When the animated version of Aladdin came out in 1992, I was seven years old. As a young boy, I could finally relate to the titular character since the focus of this Disney film wasn’t as much on the “princess” as it was on “Prince Ali.” Consequently, this film has remained one of my favorite Disney films over the years and is one I have mostly memorized after repeated viewings in my childhood. As such, I was partly looking forward to this live-action adaptation due to my love of the original. The other part of my anticipation was because Guy Ritchie was directing it (and I’ve loved plenty of his earlier works). Having now seen this version of the rags-to-riches tale, I’m in this weird “uncanny valley” of storytelling. Because I have the original memorized, this version of the story was close enough to be predictable but not a word-for-word re-enactment, which is what I found...
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MOVIE: Captain Marvel (2019)

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Captain Marvel Year: 2019 Rating: PG-13 Length: 123 minutes / 2.05 hours Captain Marvel (2019) fills this weird space that essentially exists between the “Part 1” of Avengers: Infinity War (2018) and Avengers: Endgame (2019). While Ant-Man and the Wasp (2018) also explained some of the events and plot points that would need to happen before Endgame, Captain Marvel took a slightly different approach by essentially acting as an origin story and prequel for a lot of loose bits of the Marvel Cinematic Universe. Needless to say, I didn’t miss much by passing on this film and seeing Endgame first. I knew I was taking a risk with watching these movies out of order—especially considering how pivotal Black Panther (2018) was in setting the stage for Infinity War. However, there were key moments in this movie that made me go, “Huh. That explains that little bit from Guardians of the Galaxy (2014) or Captain America: The Winter Soldier (2014).” The fact that Captain Marvel was...
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MOVIE: Shazam! (2019)

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Shazam! Year: 2019 Rating: PG-13 Length: 132 minutes / 2.20 hours As far as self-aware movies go, I think Shazam! (2019) is the best example from the genre of comic book heroes. Deadpool (2016) might have been more “meta,” but Shazam! hits all the bits that make comic books popular to kids, especially young boys. As a fan of self-aware films, I would have seen this movie anyway. However, with Zachary Levi in the lead role, I absolutely had to see it. I’ve generally been a fan of his work from Chuck and Tangled (2010), so seeing that he still has his comedic timing in shows like The Marvelous Mrs. Maisel and movies like Shazam! is encouraging. In terms of plot, the premise is somewhat weak, but the pitch is something akin to “Big (1988), but as a superhero film like Spider-Man: Homecoming (2017).” In fact, there’s at least one scene in a mall that winks so hard at this reference, I was afraid it...
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MOVIE: Detective Pikachu (2019)

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Detective Pikachu Year: 2019 Rating: PG Length: 104 minutes / 1.73 hours The transition of nostalgia into live action can be a tricky business. Plenty of franchises have faltered in this aspect, so it was interesting to see Pokémon approach it from a side angle. Instead of adapting the core series of games or anime to a live-action adaptation, they instead used a spinoff game as the framework to create this movie. Despite my initial skepticism, I can honestly say that Detective Pikachu (2019) works much better than any video game franchise adaptation before it. It’s not entirely perfect, but it came a lot closer than any of its predecessors. On the plus side, the “realistic” Pokémon were enthralling—if not wholly terrifying (I’m looking at you, Ludicolo)—to see in a real space interacting with humans. I already had a bit of a visceral reaction to seeing realistic fur, skin, and feathers on Pokémon when I played Pokken Tournament DX. At least they certainly seemed to be at...
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MOVIE: Missing Link (2019)

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Missing Link Year: 2019 Rating: PG Length: 94 minutes / 1.57 hours It’s been about a decade since I started loosely paying attention to the works of Laika Entertainment. With so few studios committing to stop-motion animation, I’m always intrigued by a movie that isn’t just straight up CGI animation. For the most part, Laika’s films have been entertaining, but not incredibly extraordinary. Movies like Coraline (2009) and ParaNorman (2012) were certainly high points, but my personal favorite was definitely Kubo and the Two Strings (2016). Initially, when I saw advertising for Missing Link (2019), I didn’t realize it was a Laika film. Once I learned that it was, I made sure to see it. Unfortunately, while I would have liked another film along the lines of Kubo, Missing Link was more like The Boxtrolls (2014) in terms of its humor and presentation. I understand these films mostly target children, but the amount of crude humor mostly turned me off. That’s not to say that the technical achievements of Laika’s stop motion aren’t on full display here. With...
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MOVIE: How to Train Your Dragon – The Hidden World (2019)

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How to Train Your Dragon: The Hidden World Year: 2019 Rating: PG Length: 104 minutes / 1.73 hours I haven’t always been a fan of DreamWorks movies, but the How to Train Your Dragon series is, in my opinion, perhaps the best they’ve ever created. Of course, I’m probably a little biased because each entry in the series came at a time in my life where I was reaching a milestone. How to Train Your Dragon (2010) came out as I was settling into my life as an independent adult. How to Train Your Dragon 2 (2014) followed me from dating into marriage. Now, the final chapter in the series, How to Train Your Dragon: The Hidden World (2019) is on the cusp of my transition into parenthood. Consequently, I had high expectations for the end of this trilogy. I wanted it to go out with a grand finale like Toy Story 3 (2010) did (before they even decided to make Toy Story 4 (2019), that is). Unfortunately, I did not find this to be the case....
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MOVIE: Avengers – Endgame (2019)

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Avengers: Endgame Year: 2019 Rating: PG-13 Length: 181 minutes / 3.02 hours With last year’s semi-cliffhanger, Avengers: Infinity War (2018), Avengers: Endgame (2019) had a lot of ground to cover to reach a satisfying conclusion of over ten years of filmmaking. It’s no wonder that it’s just a smidge over three hours since there’s a lot of ground to cover here. I’ll admit that the only instantiations of these superheroes that I’m familiar with is via the Marvel Cinematic Universe. Still, it was probably better to go into the finale this way, having no preconceived notions of how the characters should act or the lore they’re connected to in the comic books. For a three-hour movie, Endgame moves at a steady pace that accelerates toward the inevitable conclusion. Following a standard three-act structure, Endgame benefited from bringing all the heroes together in Infinity War and establishing a baseline to work from and a goal to work toward. It was nice to see how each of these characters handled such a dramatic universal event. This is...
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BOOK: 1001 Movies You Must See Before You Die (2008)

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1001 Movies You Must See Before You Die: 5th Edition Year: 2008 Author: Steven Jay Schneider Length: 960 pages As a movie aficionado, it was only a matter of time before I picked up this book. At the time, the 5th edition covered most of the films that were out at the time, but I do realize there are more recent versions of this book that include some of the latest hits of the last decade. Not one to use this book as a simple desk reference, I took the time to sit down and read through the reviews of these 1,000+ movies. In the time since buying this book, I’ve managed to increase my percentage of films seen, but there’s still a long way to go. Even before I started reading this book, I had already seen a good portion of the movies mentioned, many of which won critical awards for their achievements. With a concerted effort, I’m now sitting at 42% of these 1001 movies...
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MOVIE: Isn’t it Romantic? (2019)

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Isn’t It Romantic? Year: 2019 Rating: PG-13 Length: 89 minutes / 1.48 hours I generally enjoy “self-aware” movies. Those films that know which genre they’re in and make fun of it the entire time. While it’s entertaining to see all the various tropes of a particular genre exposed in this method, these films still have to abide by these rules as well. This has been done to varying levels of success for action movies (Shoot ‘em Up (2007)), Disney movies (Enchanted (2007)), and superhero movies (Deadpool (2016)). Filling the hole of the self-aware romantic comedy is none other than Isn’t It Romantic? (2019). Despite not being terribly into romantic comedies, this self-aware film piqued my interest. Isn’t It Romantic? doesn’t necessarily fully commit to the self-aware theme. Instead, it encapsulates the ridiculous romantic comedy bit in the framing of a coma. The main problem I had with doing it this way was that Natalie—the main character played by Rebel Wilson—realizes she’s in a romantic comedy fairly quickly. However, she still seems...
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MOVIE: Vice (2018)

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Vice Year: 2018 Rating: R Length: 132 minutes / 2.20 hours It’s a little weird to me how a director like Adam McKay has gone from directing movies like Anchorman (2004) and Talladega Nights (2006) to entertaining exposés like The Big Short (2015) and Vice (2018). Sure, I can see how his comedy background could lead to the razor-sharp wit used to educate the movie-going public about the 2008 mortgage crisis and the former vice president, respectively. It’s evident the Academy likes his new style as well, as both The Big Short and Vice were nominated for Best Picture. While I liked The Big Short a lot, Vice certainly had its moments. I’ll give props to Christian Bale for his ability to mimic Dick Cheney’s mannerisms in this role. Sam Rockwell was also pretty great as George W. Bush, but I couldn’t get past Steve Carell as Donald Rumsfeld. I also appreciated the tongue-in-cheek “false ending” in Vice, as it was probably one of the funniest moments in the film. Just like how learning about the mortgage crisis was...
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MOVIE: The LEGO Movie 2 – The Second Part (2019)

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The LEGO Movie 2: The Second Part Year: 2019 Rating: PG Length: 107 minutes / 1.78 hours Back in 2014, children at heart everywhere were able to experience the world’s most successful building toy brand on the big screen via The LEGO Movie. With a catchy, Oscar-winning song, this Matrix-like movie was fun and self-aware. Fast forward five years, and the sequel, The LEGO Movie 2: The Second Part (2019) released with hardly the amount of fanfare and advertising that accompanied the original. I think this may have been in part due to how the formula the first movie used to great success has been done to death now. With spinoffs like The LEGO Batman Movie (2017) and The LEGO Ninjago Movie(2017) saturating the market, it's hard to capture the magic of the original. The real problem with The Second Part comes via the twist at the end of the first movie. Now that we know these toys merely exist in the imagination of a young boy, it’s hard to put that reveal back...
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MOVIE: Spider-Man – Into the Spider-Verse (2018)

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Spider-Man: Into the Spider-Verse Year: 2018 Rating: PG Length: 117 minutes / 1.95 hours There’s no hiding that Spider-Man is my favorite superhero. My reviews of Spider-Man: Homecoming (2017) and Venom (2018) say as much. I grew up watching the 1990s animated Spider-Man show, so when I saw early trailers for Spider-Man: Into the Spider-Verse (2018), I half-thought it would be some direct-to-video movie. After all, everything up until now had been live-action. I was encouraged to learn that it would receive a theatrical release, especially when I started to see more footage of its unique artistic style. Not only does Into the Spider-Verse embrace its comic book origins, but it also does so with a flair and panache that I’d almost like to see in other superhero franchises. Over the years, I’d only loosely been paying attention to what was happening in the Spider-Man comics. Sure, I knew about Spider-Gwen (Hailee Steinfeld) and Miles Morales (Shameik Moore) but more in the sense that they were departures from the white-male Peter Parker (Jake Johnson) that...
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MOVIE: Aquaman (2018)

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Aquaman Year: 2018 Rating: PG-13 Length: 143 minutes / 2.38 hours Now that Marvel’s 10-year behemoth of its cinematic universe is starting to pay off, it’s becoming more and more obvious that DC is trying desperately to catch up. There’s no doubt that DC has interesting characters, considering how often Superman has been rebooted and how successful Christopher Nolan’s Batman trilogy was. Even Wonder Woman (2017) had its great moments, despite also feeling derivative influences from movies like Thor (2011) and Captain America: The First Avenger (2011). Aquaman (2018) seems to continue this trend, despite again having a strong leading character (both physically and in backstory/lore). I will give DC credit for their casting decisions here. For decades, Aquaman has been the butt of the joke amongst many superhero aficionados. The fact that Jason Momoa is a badass, snarky, and overall entertaining actor to watch in the role speaks to their awareness of “image management.” Perhaps featuring him in previous films like Justice League (2017) also helped to get audiences interested in seeing this superhero in a standalone movie....
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MOVIE: Glass (2019)

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Glass Year: 2019 Rating: PG-13 Length: 129 minutes / 2.15 hours Much like Incredibles 2 (2018) felt like a movie that came out far too late, Glass (2019) caps a trilogy of films that technically started with Unbreakable (2000). Both the original Incredibles (2004) and Unbreakable were genre-defining movies for the practically non-existent superhero films that are all but ubiquitous today. The fact that they took more than a decade to capitalize on this phenomenon is part of the reason why both sequels feel somewhat dated. Sure, they recapture a bit of the charm of the originals, but that’s not enough to overcome what superhero films have evolved into since then. If anything, Glass owes a debt of gratitude to its predecessor, Split (2016). If it weren’t for James McAvoy’s expert transitions between a dozen different personalities, I wouldn’t have been particularly interested in this final chapter of the trilogy. While Split was a return to form for Shyamalan, Glass seems like a bit of a regression. Perhaps this is due to the heavy burden placed upon Glass to combine two tonally different movies...
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MOVIE: Roma (2018)

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Roma Year: 2018 Rating: R Length: 135 minutes / 2.25 hours Don't get me wrong. I like Alfonso Cuarón's films. I liked his films before I even really knew who he was as a director. If anything, he's shown that he's the master of cinematography, especially in long takes that seem to pan through almost the entire film. He first showed this talent in Children of Men (2006) and continued to impress with this technique in Gravity (2013). While he's shown he has mastered the long take, his signature style is still on display in Roma (2018) through its numerous pans. That being said, I found the content of Children of Men and Gravity to be much more interesting than that of Roma. Cuarón pulls us into his Mexican roots in this film, choosing the early 1970s to set this "slice of life" tale. The problem is, while the film looks quite artistic, with the black-and-white aesthetic fusing nicely with the expert camera work (along...
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MOVIE: Alita – Battle Angel (2019)

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Alita: Battle Angel Year: 2019 Rating: PG-13 Length: 122 minutes / 2.03 hours With the plethora of successes that the comic book movie has seen over the last decade, it’s a little disheartening to see the Japanese equivalent fail to make much headway. There are just as many interesting and action-packed stories from manga and anime that deserve the treatment given to comic book movies. Instead, busts like Dragonball: Evolution (2009) and Ghost in the Shell (2017) have shown that live-action adaptations are challenging, especially when there’s already an animated counterpart. This was why I was excited to see Alita: Battle Angel (2019). While many manga/anime film adaptations fail to grasp the feel of the source material, Alita appeared to be a passion project for James Cameron. The fact that Robert Rodriguez directed this movie helped as well, considering how well he brought the graphic novel Sin City to the screen in 2005. Of course, he also directed Spy Kids (2001), which was colorful and full of fun action. In the end, I found Alita to be somewhat...
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MOVIE: Bumblebee (2018)

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Bumblebee Year: 2018 Rating: PG-13 Length: 114 minutes / 1.90 hours While I’m nowhere close to being a fan of the Transformers series, I’d occasionally watch the latest installment when it came to the cheap theater in town. I stopped doing this after the third film and only saw the fourth one on Redbox. I never even bothered with the most recent one. Then comes along this spinoff to the main storyline, Bumblebee (2018). For once, I was legitimately interested. The trailers made it seem like a cute little prequel/backstory for the practically mute robot in disguise. In the end, I was not disappointed, as Bumblebee was a fun and charming romp that showed what this franchise could have been like if Michael Bay didn’t direct. I appreciated how this movie essentially went full-in with its nostalgia. After all, since the Transformers originated in the 1980s, why couldn’t a film take advantage of this timeline to also reference lots of other 80s pop culture? Fortunately,...
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MOVIE: The Fate of the Furious (2017)

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The Fate of the Furious Year: 2017 Rating: PG-13 Length: 136 minutes / 2.26 hours I’ll be honest and admit that this is the first movie in the Fast and the Furious franchise that I’ve ever seen. Sure, I’ve been aware of the franchise for years, but it never really appealed to me (I’m not much of a car guy after all). I got a free digital copy of this movie somewhere along the line and decided I might as well watch it since I own it. I had plenty of preconceived notions about this series based on little tidbits I’d picked up over the years, and pretty much every one of them was confirmed with this movie. I think this movie might be best summed up by one of the lines of dialogue. “What are you, 12?” A lot of the characters’ interactions and dialogue seemed like how a 12-year-old boy who was really into cars would write them. This was especially apparent during...
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MOVIE: Ralph Breaks the Internet (2018)

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Ralph Breaks the Internet Year: 2018 Rating: PG Length: 111 minutes / 1.85 hours Back in 2012, I was impressed that a movie like Wreck-It Ralph could exist. The amount of licensing agreements needed to bring together so many recognizable characters from famous franchises was a daunting task the likes of which I hadn’t seen since Who Framed Roger Rabbit? (1988). Similarly, the sequel to Wreck-It Ralph, Ralph Breaks the Internet (2018) had the challenge of integrating so many brand names and websites into something that could work as a story without becoming too dated as time marches on. In both cases, I think the balance between brand-name recognition and original content helped to make for an entertaining film. In the lead-up to the release of Ralph Breaks the Internet, I was concerned that it was going to rely heavily on internet memes for its laughs—taking a somewhat similar tack from The Emoji Movie (2017). I also had concerns that this movie would also focus...
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MOVIE: A Star is Born (2018)

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A Star is Born Year: 2018 Rating: R Length: 136 minutes / 2.26 hours If this movie feels like the same old song and dance, it’s because it is. This film is the fourth iteration of the same plot that was nominated for Best Picture back in 1937. While it’s been over 20 years since its last incarnation in 1976, A Star is Born (2018) is surprisingly still relevant. While they’re somewhat touchy subjects, alcoholism and depression are still as alive and well today as they were just over 80 years ago. After all, you can’t be an entertainer without sex, drugs, and rock and roll. That being said, I do appreciate this movie’s overarching theme of “words have power.” I did find it hard to suspend my disbelief with the casting in this film, though. I mean, even if Lady Gaga is playing some nobody, it’s not like I have to stretch my imagination to think that her character would suddenly become a music...
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MOVIE: The Favourite (2018)

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The Favourite Year: 2018 Rating: R Length: 119 minutes / 1.98 hours What. The. Favourite. For those of us watching all of this year’s Best Picture nominees, The Favourite (2018) is certainly the token “artsy” film of the set. It felt like it was following in the footsteps of last year’s Phantom Thread (2017) in that the set decoration and costume design were exquisite, despite the—let’s face it—weird characters. Regarding the plot, though, I did find The Favourite to parallel the events in the 1950 Best Picture winner, All About Eve. While its art is on full display for all to see, The Favourite is a bit more than how it looks. Aside from the aforementioned set decoration and costume design, I have to applaud this movie’s cinematography. I’d wager that it’ll win in these three categories, but the cinematography stands out because it’s so different from most films. Heavily utilizing wide-angle fisheye lenses, as well as copious amounts of natural light (perhaps as an aesthetic homage to Kubrick’s Barry Lyndon (1975), which also shares a somewhat...
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MOVIE: Creed II (2018)

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Creed II Year: 2018 Rating: PG-13 Length: 130 minutes / 2.17 hours While I have only ever seen the original Rocky (1976) and the spinoff/reboot Creed (2015), I’m still aware of some of the details of the Rocky franchise as a whole. I know who some of Rocky Balboa’s (Sylvester Stallone) opponents were over the years, including James “Clubber” Lang (Mr. T) and Ivan Drago (Dolph Lundgren). Consequently, even though Creed felt like it took the franchise in a new direction by focusing on Apollo Creed’s (Carl Weathers) son, its sequel, Creed II (2018) felt too steeped in the franchise’s history and nostalgia to be anything more than a rehash of Rocky IV (1985). If anything, having Apollo Creed’s son, Adonis (Michael B. Jordan), face off against Ivan Drago’s son, Viktor (Florian Munteanu), as a revenge match that followed the same plot points as its predecessor smacks of lazy and clichéd writing. I would have been much more interested in this film if, even despite all the training each son endured, the outcome would have been different...
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MOVIE: Green Book (2018)

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Green Book Year: 2018 Rating: PG-13 Length: 130 minutes / 2.17 hours Every once in a while, a movie comes along that has the right balance of themes and execution to make it into an instant classic. When I first saw trailers for Green Book (2018), I initially thought it was just going to be an inverse of Driving Miss Daisy (1989). Instead, what I got was so much more than that. Green Book tackles the difficult task of presenting a harsh mirror on our past, with a knowing wink that some of these challenges are still present today. It is more subtle than BlacKkKlansman (2018), but the message still gets across in a heartwarming and wholesome way. What makes Green Book so engaging is the simplicity that it approaches such a nuanced and complex approach to the topic of racism. The irony that rich white people in the south would hold Dr. Don Shirley (Mahershala Ali) in such high regard as a musician but treat him as less-than-human the second he is not performing...
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MOVIE: Mortal Engines (2018)

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Mortal Engines Year: 2018 Rating: PG-13 Length: 128 minutes / 2.13 hours If I were to look at Mortal Engines (2018) critically, I’d notice a number of flaws. From fairly flat characters to a string of movies and directors that it tries to imitate, this film should be terrible. And yet, given that I’d already suspended my disbelief by entertaining the idea that an apocalypse would result in cities mounting up on enormous machines and scavenging smaller towns for fuel, I found this movie incredibly entertaining. Perhaps the base plot isn’t too original, but the execution felt fresh and new. Somehow, I was able to turn off my critical brain and just enjoy this movie for what it is: pure, unadulterated fun. As someone who appreciates film as an art form, there is plenty of it on display here. The look, feel, and aesthetic of Mortal Engines is so bold and consistent that the core concept of the plot naturally follows. The visuals and soundtrack merely accentuate the action...
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MOVIE: BlacKkKlansman (2018)

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BlacKkKlansman Year: 2018 Rating: R Length: 135 minutes / 2.25 hours The idea that an African American could become a member of the Ku Klux Klan is silly enough that it became a joke on Dave Chapelle’s television show. Of course, this movie isn’t a comedy sketch, as it is based on true events. Obviously, there were plenty of elements in this film that were likely fictionalized to make the story more “Hollywood,” but it’s still an interesting story, nonetheless. Part of the trick of this movie, though, is that it treats itself almost like a half-modern documentary of the KKK as well, which makes it seem like there wasn’t enough source material to make an engaging plot. Another part of me was interested in this movie for its setting. Living in Colorado Springs, it was interesting to me that certain landmarks and places in town were referenced, which merely added realism to the story as it was presented. From NORAD and Fort Carson to...
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MOVIE: Bohemian Rhapsody (2018)

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Bohemian Rhapsody Year: 2018 Rating: PG-13 Length: 134 minutes / 2.23 hours It's difficult to hate a film that's filled with so many great songs. Fortunately for Bohemian Rhapsody (2018), almost all of Queen's greatest hits are pulled out and strung together to cover a rather large timeframe of 15 years. Of course, like most musical biopics, it does tend to hit the same notes as predecessors before it. Perhaps this is merely due to the "rock and roll" lifestyle, but I couldn't help but see similar situations in films like De-Lovely (2004), Ray (2004), and Walk the Line (2005). While the cultural landscape has changed a lot from the 1970s and 1980s until now, some of the film's "reveals" that would have been a little more shocking (i.e. Freddie's homosexuality) were perhaps lessened due to the fairly famous end of this talented singer. That being said, some of the lyrics of these well-known songs take on a strikingly more poignant context during the recreated Live Aid concert in...
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MOVIE: The Ballad of Buster Scruggs (2018)

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The Ballad of Buster Scruggs Year: 2018 Rating: R Length: 133 minutes / 2.21 hours The Coen Brothers have a curiously innate ability to be able to create stories that can one moment be comedic and laugh-out-loud funny before taking a dark turn into tragic territory. While their latest work, the Netflix film, The Ballad of Buster Scruggs (2018), looks like it would trend more toward comedy, it basically spends most of its time in the realm of violence and tragedy. Now don’t get me wrong: this doesn’t mean it’s a bad movie. In fact, once the first few “comedic” pieces conclude, the movie really gets into some fantastic stories. Arranged as a series of six vignettes, the main star of The Ballad of Buster Scruggs is the setting. Filmed on location in a variety of western locales, the beauty of the scenery is on full display in each of the six stories (even if in lesser amounts in the last piece). The cinematography is superb, only barely outperformed...
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MOVIE: Venom (2018)

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Venom Year: 2018 Rating: PG-13 Length: 112 minutes / 1.87 hours If I haven’t said it before in my review of Spider-man: Homecoming (2017), I’ll repeat it here: I grew up watching the 1990s animated Spider-man series, which makes the Spider-man franchise one of my favorite. Consequently, most of my knowledge of the franchise comes from the show. In my mind, the symbiote storyline that introduced Venom was one of the best in the series, and I was disappointed when Spider-man 3 (2007) woefully miscast Eddie Brock with Topher Grace. Flash forward a decade later, and the big screen is taking another crack at the Venom storyline in a standalone film…but without Spider-man. As a long-time fan, I appreciated the mostly faithful origin story in Venom (2018), with a few minor and vital details still retained to make it close to what actually happened. This time around, Tom Hardy was a much better choice for the titular role, even if his mumbling accent was a little distracting at times. While the physique was a match,...
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MOVIE: Won’t You Be My Neighbor? (2018)

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Won’t You Be My Neighbor? Year: 2018 Rating: PG-13 Length: 94 minutes / 1.57 hours Growing up in the late 1980s and early 1990s, I did spend a fair amount of time watching PBS. From Sesame Street to Bill Nye, one of the shows I would frequently watch was Mister Roger’s Neighborhood. Plenty of friends had raved about this documentary, so I finally decided to sit down and watch it. Let me state that most people will probably cry at one point during this movie. After all, there was so much heart present in Fred Roger’s life and profession that you can’t help but be touched by his ministry. This documentary was a little eye-opening in the sense that it took something from my nostalgia and made me realize how groundbreaking it was. I don’t recall the more “serious” episodes, but watching clips where subjects like assassination, racism, and war are all presented in a fashion that children can understand them is astounding. Fred never...
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MOVIE: First Man (2018)

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First Man Year: 2018 Rating: PG-13 Length: 141 minutes / 2.35 hours I’ll admit: I’m already a fan of Damien Chazelle. I’m not sure if it’s because he’s only a few months older than I am, or if it’s how I can personally relate to the subjects of his films. I understand the obsession he covered in Whiplash (2014). I can relate to the dreams of creative individuals he brought to light in La La Land (2016). Now, Chazelle has used his filmmaking talent to cover another topic I have a great interest in: space. First Man (2018) feels like a film that’s been waiting for the right director to come along, and Damien Chazelle hit it out of the park. Lying somewhere between The Right Stuff (1983) and Apollo 13 (1995), with a little bit of Interstellar (2014) thrown in as well for style, First Man does a fantastic job of showing how dangerous the missions that landed us on the moon really were. There seemed to be an adherence to realism in this film that helped to...
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MOVIE: The Accountant (2016)

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The Accountant Year: 2016 Rating: R Length: 128 minutes / 2.13 hours When this movie came out a few years ago, I missed watching it because it seemed like just another generic action-spy film. Sure, the main character might be smart, leading to his professional “skills” (in more than one realm), but the trailers never really hinted at the reason for this attention to detail. Having now seen it, The Accountant takes an interesting approach to the action-spy genre while also including a number of twists that were as satisfying to figure out ahead of time as they were to see revealed on the screen. I will say that the plot of The Accountant was sometimes confusing, but only because I felt like they glossed over some plot holes and leaps in logic. Even if I was asking myself, “Hey, what about . . . ?” I didn’t have much time to dwell on it. The somewhat frenetic pacing of the movie helped to push the plot forward to...
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MOVIE: Christopher Robin (2018)

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Christopher Robin Year: 2018 Rating: PG Length: 104 minutes / 1.73 hours Tell me if you’ve heard this one before: a child from a famous story grows up into a businessman who doesn’t have time for his family but eventually comes to face his lack of work/life balance by revisiting the fantastical world of his childhood. If you thought this was the plot of Hook (1991), you’d be right. Unfortunately, it is also the almost-identical plot to the Winnie the Pooh sequel, Christopher Robin (2018). I’d forgive its unoriginality only if I knew who the audience for it was. Is it a morality tale for overworked parents? Is it a lesson for kids to never take work seriously? I honestly don’t know. I will say that Disney did a good job bringing the stuffed animals of the original story to life in this live-action adaptation, except that I was pretty shocked to find out that Rabbit (Peter Capaldi) and Owl (Toby Jones) were actual animals, and not of the stuffed variety....
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MOVIE: Kingsman – The Golden Circle (2017)

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Kingsman: The Golden Circle Year: 2017 Rating: R Length: 141 minutes / 2.35 hours Back when I saw Kingsman: The Secret Service (2014), I wasn't quite sure what to expect. I was familiar with Matthew Vaughn's previous directorial work (like Kick-Ass (2010)), so I guess I shouldn't have been surprised at how much sex and graphic violence was involved. I was quite impressed by the church fight sequence, but everything felt so over-the-top and ridiculous that I couldn't take it seriously. Flash forward to its sequel, Kingsman: The Golden Circle (2017). This time, I came in with a slightly different understanding that made me enjoy this movie quite a bit more than its predecessor. I think the fact that The Secret Service was somewhat derivative of the "coming of age" stories in films like Men in Black (1997) and Ender's Game (2013) was why I wasn't necessarily wowed by it. However, with the origin story out of the way, The Golden Circle managed to hit the ground...
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MOVIE: Mission: Impossible – Fallout (2018)

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Mission: Impossible - Fallout Year: 2018 Rating: PG-13 Length: 147 minutes / 2.45 hours It's a little weird to think that we're already on the sixth Mission: Impossible movie, especially considering how far the franchise has come since (what I consider) its revival in Mission: Impossible III (2006). Since then, the action has been consistently impressive and the stunts mind-bogglingly intense. Fallout continues to provide on this franchise's promise of high-octane action and neat spy tech, even if the latter doesn't seem to be nearly as impressive as in its previous installments. Ironically enough, one of the problems I had with this movie was how it tried to interweave plot from previous films in the franchise. I'll be honest and say that I don't watch these movies for the plot. Sure, I'll follow along to see how the team has to accomplish the "impossible" in the form of setting up a ridiculous stunt. From scaling tall buildings in Dubai, accessing computer servers underwater, and hanging above...
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MOVIE: Incredibles 2 (2018)

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Incredibles 2 Year: 2018 Rating: PG Length: 118 minutes / 1.97 hours Before we start, I have to say that The Incredibles (2004) is perhaps my favorite Pixar film. Back when superhero films were starting to become successful (albeit, not nearly as lucratively successful as the Marvel Cinematic Universe), The Incredibles artfully blended a superhero film with a family/midlife crisis plot that worked on so many levels. It is then no surprise that I was truly looking forward to its sequel, Incredibles 2 (2018). In the back of my head, I knew that most of Pixar's talent had switched over to Disney about eight years ago, but I hoped enough of the original team would be around to make this sequel something special. Unfortunately, time seems to have worked against Incredibles 2. If this had come out ten years ago, it would have enjoyed some of the originality that comes with beating the Marvel behemoth out of the gate. As it is now, I'm not sure if Incredibles 2...
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MOVIE: Ant-Man and the Wasp (2018)

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Ant-Man and the Wasp Year: 2018 Rating: PG-13 Length: 118 minutes / 1.97 hours I'll be the first to defend Ant-Man (2015) from its detractors. Once I realized it was supposed to be a comedy (mostly due to Edgar Wright's early involvement), I knew the superhero aspect would take a back seat to the laughs. That being said, I cannot defend the honor of its sequel. Sure, a lot of the elements that made Ant-Man entertaining are still present in Ant-Man and the Wasp (2018), but it's really more of a standard superhero film that's meant to answer questions brought up in previous films. While this film picks up well after the events of this first film and Captain America: Civil War (2016), not a lot has changed. The main characters are all there, but now Hope Van Dyne (Evangeline Lilly) also has a shrinking suit. This is no surprise, considering the after-credits scene from the first movie, so it was nice to see her get into...
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MOVIE: Jurassic World – Fallen Kingdom (2018)

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Jurassic World: Fallen Kingdom Year: 2018 Rating: PG-13 Length: 128 minutes / 2.13 hours While I have loved the original Jurassic Park (1993) for its ingenious special effects, taut and thrilling plot, and entertaining characters, none of the sequels have been able to live up to its high standard. Sure, all the same elements of the first film are usually present in each subsequent movie, but the magic seems to have been all used up in the first go. Each version is only a slight variation to a story that never ends well. Now in the fifth installment of this franchise, I'm a little surprised that this storyline hadn't appeared yet. Sure, we had dinosaurs making their way to the mainland in The Lost World (1997), which was probably why Jeff Goldblum had an extremely minor (and entirely unnecessary) cameo in Jurassic World: Fallen Kingdom (2018) to act as a framing bookend to the film. Sadly, many of the mostly hidden weaknesses in Jurassic World (2015) came...
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MOVIE: Jurassic World (2015)

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Jurassic World Year: 2015 Rating: PG-13 Length: 124 minutes / 2.07 hours What happens when you genetically splice together a reboot and a sequel? This film. It's interesting to find a franchise that's willing to recognize the past material and build upon it, while also adding slightly new elements to it. The idea of training dinosaurs just like pets was undoubtedly the strongest element of this movie, even if the result was the same as it's ever been. Part of the problem with this reboot, however, is that the characters don't seem to click, even to the point of the relationships feeling forced. While there were plentiful nods to the first film that started off the franchise, the plot seemed almost identical to the 1993 classic, but with plenty of cliches and hokey lines to go around. I think sequels like this recognize the elements that made the original great, but almost spend too much time overanalyzing to try and recreate the magic. These films ultimately fall short,...
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MOVIE: Interstellar (2014)

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Interstellar Year: 2014 Rating: PG-13 Length: 169 minutes / 2.82 hours The first time I saw this film, I was speechless. I knew what to expect from Christopher Nolan, who had been steadily increasing his repertoire for almost two decades. Each of his films outdid the last and built on the already mind-blowing pieces that have gone before them. From The Following (1998) to Memento (2000) to The Prestige (2006) to Inception (2010), I wondered how he could outdo himself with his first foray into hard science fiction. Needless to say, I was impressed by Interstellar (2014) and Nolan’s ability to bring the theoretical and incredible ideas of interstellar travel into an entirely plausible setup. As was the case with his previous films, Nolan manages to bring together almost disjointed moments into a cyclical narrative. Much like Memento, I wanted to sit down and watch the whole thing again immediately after viewing it for the first time, so that I could catch all the little things that lead to the major reveal at the end. Even...
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MOVIE: Alpha (2018)

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Alpha Year: 2018 Rating: PG-13 Length: 96 minutes / 1.60 hours I’m not sure what surprises me more about this movie: that nobody had made a film about the domestication of the wolf or that anyone needed to make that film at all. Consequently, Alpha (2018) seems a little unnecessary and highly predictable as the “hero’s journey” plays out. The trailer doesn’t leave much for the imagination, as a lot of the events in this film don’t have any significant twists that the astute viewer wouldn’t see coming. And maybe I’m biased because I’d be more of a cat person than a dog person—despite being allergic to both. Visually, though, Alpha does provide some fantastic shots of wilderness that one can only find in places like Canada and Iceland. Plenty of the flat silhouette shots of characters traversing huge distances and the stylized slow-motion events made this movie feel a bit like 300 (2006), which isn’t necessarily a bad thing. The real trouble is that it takes these characters so long...
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MOVIE: Ocean’s Eight (2018)

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Ocean’s Eight Year: 2018 Rating: PG-13 Length: 110 minutes / 1.83 hours As the gender-swapped spin-off of a remake, Ocean’s Eight (2018) feels convoluted merely based on its heritage. While I love the Ocean’s Eleven (2001) remake, I was curious to see what would make Ocean’s Eight something that would distinctly empower women (which I’m assuming was the point). In the end, it seems like Ocean’s Eight merely highlights the 72% wage disparity when compared to Ocean’s Eleven since most of the tropes and clichés almost felt like they were pandering to the very audience they were trying to lift up. While I will praise Ocean’s Eight for its ability to be a passable heist film, both with main and “twist” heists, that’s mostly where my adoration ends. Sure, I get the need to move the setting to New York to better align with fashion and other women’s interests, and part of Sandra Bullock’s character introduction after being released from prison was fun, but there were so many problems with the plot and characters that I’m still...
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MOVIE: Solo – A Star Wars Story (2018)

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Solo: A Star Wars Story Year: 2018 Rating: PG-13 Length: 135 minutes / 2.25 hours Most superhero franchises start with an origin story. Sure, sometimes the franchise gets to this foundational plot after its first set of films (a la X-Men Origins: Wolverine (2009)), but these movies are usually pretty rare. Unfortunately, they’re also hampered by the source material that preceded them. While not necessarily “prequels,” these films need to fit within the canon of the franchise while also telling a story that expands the canon as well. Star Wars is not a superhero franchise, but it has its fair share of prequels and origin stories. Solo: A Star Wars Story (2018) is the first to focus on a specific character, though. With Han Solo being such an iconic and fan-favorite character, there was plenty to pull from to expand out his backstory. Unfortunately, most people will only recognize Harrison Ford as the “true” Han Solo, and this film gives them some ammunition for that. Sure, Alden Ehrenreich does a...
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MOVIE: Isle of Dogs (2018)

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Isle of Dogs Year: 2018 Rating: PG-13 Length: 101 minutes / 1.68 hours A few years ago, I got on a Wes Anderson kick. I practically watched his entire filmography to that point in one long binge-worthy day. After catching up, I felt I truly appreciated his quirky, orthogonal cinematography and deeply complex characters. I’ve essentially been a fan of his since Moonrise Kingdom (2012), so I was looking forward to his latest work, Isle of Dogs (2018). After all, he had proven his skill at stop-motion animation with The Fantastic Mr. Fox (2009) and had received nominations for Best Picture and Best Director for The Grand Budapest Hotel (2014) since then. Unfortunately, while Isle of Dogs carries Anderson’s distinct style and charm, it felt a little watered down. Sure, the shots were full of their beauty and symmetry, and the story had its cute moments, but it mostly felt like he was on autopilot. Maybe the PG-13 rating was holding him back? I don’t know. In most fiction, there is a suspension of...
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MOVIE: Deadpool 2 (2018)

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Deadpool 2 Year: 2018 Rating: R Length: 119 minutes / 1.98 hours At what point does the fourth wall stop? I only ask this because there’s a point where an audience member will have to know not only the plot of the film that started the franchise, but the subsequent reactions to the film, the complete history of comic books, and the entirety of the lyrics to Gilbert and Sullivan’s “The Major-General’s Song” to understand the references. While Deadpool (2016) maintained that sly balance between knowing winks to the superhero genre as a whole and being an actual superhero film, Deadpool 2 (2018) almost went toward both extreme ends in order to maintain its balance. There were plenty of references and little sight gags that will leave true fans of the franchise pausing their Blu-rays for years to come, and I certainly did appreciate some of the meta-humor, but only to a point. Strangely enough, Deadpool 2 felt more like a superhero film than its predecessor, which seems odd as it...
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MOVIE: Rampage (2018)

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Rampage Year: 2018 Rating: PG-13 Length: 107 minutes / 1.78 hours I didn’t go into this movie expecting much, and it still disappointed me. Seems like every time some Hollywood studio gets their hands on a video game franchise and decides to turn it into a movie, this is the kind of thing we get. I wouldn’t be so mad about it except that nothing in this film seems anywhere close to original at all. In fact, it seems to be cobbled together from summer movie blockbuster clichés and tropes, almost like a CGI-heavy Frankenstein. What’s probably worse is that it could have been somewhat passable if it held to the source material. There’s a weird kind of disconnect when a movie like Rampage (2018) has an actual arcade cabinet of the game it’s based on in the background of the corporate penthouse suite. Like, did they do this genetic-engineering research and name it “Rampage,” fully knowing that they’d create the exact creatures from the game? In any case,...
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MOVIE: The Disaster Artist (2017)

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The Disaster Artist Year: 2017 Rating: R Length: 104 minutes / 1.73 hours Having seen a few snippets of The Room (2003) via reactionary and review videos, I have become somewhat familiar with how bad the film is without having to sit through all of it. In The Disaster Artist (2017), we get to see what led to this “worst movie ever made.” There’s a lot of lore and memes that have come out of The Room over the years, but the simple fact of the matter is that most serious Hollywood types probably couldn’t create a movie this bad if they had tried (and many certainly do so unwittingly every year). While James Franco is almost eerily on-point of his portrayal of director/writer/actor Johnny Wiseau, the recreation of specific scenes and setups from The Room isn’t nearly as impressive as I think the makers of The Disaster Artist realize. The side-to-side comparison during the credits was startling in the amount of accuracy, but it’s also not too challenging to recreate a film that seemed...
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MOVIE: Jack Reacher – Never Go Back (2016)

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Jack Reacher: Never Go Back Year: 2016 Rating: PG-13 Length: 118 minutes / 1.97 hours The follow-up sequel to Jack Reacher (2012), Jack Reacher: Never Go Back (2016) is almost a warning to the audience in the title alone. I understand how a long-running book series like the Jack Reacher series by Lee Child is advantageous for the author by allowing the reader to pick up any book in the series and not need the background of the previous titles. However, with these self-encapsulated scenarios, Jack Reacher is probably better aligned with a television series than a series of movies. Not everyone can be the James Bond series, which has been able to get away with this for as long as it has. Don’t get me wrong, I liked the original Jack Reacher movie, as it seemed to channel the “man with no name” / high-plains drifter / Ronin style that was prevalent in Westerns and Samurai films. His skills and calm demeanor unquestionably imply military...
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MOVIE: Ghostbusters (2016)

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Ghostbusters Year: 2016 Rating: PG-13 Length: 116 minutes / 1.93 hours Look, I'm all for giving women a shot in traditionally male-focused franchises, but when all it boils down to is an application of "Rule 63," then I don't think we're doing these women justice. In this remake/reboot, the visuals and weapons get an upgrade, and that's about it. If they truly wanted to make a "Ghostbusters with women," then the characters shouldn't have been so interchangeable with the originals. I understand the need to maintain the parallels to the original, but these characters come off more like men in women's bodies than women who have their own, unique challenges and approaches to solving problems. If anything, Ghostbusters (2016) shows how extraordinary the comedy and special effects of the original Ghostbusters (1984) were. While the original usually earned its laughs with a wink, this remake had jokes that mostly relied upon awkward and uncomfortable situations or faux pas. I get that sometimes the improvisational nature of comedy can work for...
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MOVIE: A Quiet Place (2018)

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A Quiet Place Year: 2018 Rating: PG-13 Length: 90 minutes / 1.50 hours I’m not a fan of horror. In recent decades, the “gorenography” surrounding the genre seemed to appeal to the lowest common denominator. Jump scares and excessive on-screen violence were the norms. It seems that films like Get Out (2017) have changed that, judging by how expertly A Quiet Place (2018) still holds to some of the horror tropes but tells a story that’s much more thrilling than seeing a group of people gored to death one-by-one. In the end, A Quiet Place is expert storytelling at its finest, based partly on how adeptly it uses the medium of film to convey its horror. While there seemed to be a few minor plot holes and curious decisions on the part of the characters, I’m just going to chalk them up to “horror logic” and move on to why I think this film is required viewing, even for people who hate horror movies. What...
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MOVIE: Ready Player One (2018)

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Ready Player One Year: 2018 Rating: PG-13 Length: 140 minutes / 2.33 hours Ready Player One (2018) is a rare film for me, mostly because I had read the book well before the movie came out. In fact, I read the book shortly after it was released, and was impressed by the sheer volume of pop culture references. Consequently, I figured such a film could never be made. Just based on the incredible amount of coordination it would take to get rights approvals from so many different places, the legal side of such a film would be a nightmare. If it was made into a film, I imagined it would certainly be a fun and flashy romp through cyberspace. The film version, while not entirely faithful to its source material, certainly lives up to my imagination. While the book spends paragraphs describing all the pop culture references, the movie does it one better and gives quick, flashing glances of something that fans of pop culture will...
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MOVIE: A Wrinkle in Time (2018)

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A Wrinkle in Time Year: 2018 Rating: PG Length: 109 minutes / 1.82 hours While plenty of children's books are imaginative, no amount of CGI can cover up the fact that a faithful adaptation to the source material should be the highest priority. Unfortunately, due to the heavy Christian undertones in the original story, an anti-Christian Hollywood managed to churn out this loose adaptation of A Wrinkle in Time that doesn't do much more than waste a few hours of your time. Sure, there are hints to such important ideas as faith, but they're lost in lackluster character development that tries to "modernize" something that has been timeless for decades. Each of the sequences in this film merely seems like an excuse for gorgeous set design. If anything, the alien worlds and settings are neat to look at, but they don't do much to distract from the events that just happen without much explanation as to why, or what purpose they serve. For instance, the scene...
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MOVIE: (500) Days of Summer (2009)

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(500) Days of Summer Year: 2009 Rating: PG-13 Length: 95 minutes / 1.58 hours I’ll be the first to admit that I’m biased when it comes to this film. In 2009, I experienced my first ever relationship. I also experienced a breakup from said relationship in the same year. Consequently, I can relate to the main character, Tom (Joseph Gordon-Levitt), and his rise and fall brought about by Summer (Zooey Deschanel). Like Tom, I too held the romantic belief of “the one,” based mostly on the movies, books, TV shows, and music that touted this magical someone who would fill the hole in our souls. What (500) Days of Summer emphasizes is certainly closer to reality: not every story has a happy ending. As for the way the movie is presented, I must applaud the ingenious and artful direction of Marc Webb, this being his directorial debut after years of working on music videos. His previous experience certainly comes through in the music chosen for...
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MOVIE: Pacific Rim – Uprising (2018)

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Pacific Rim: Uprising Year: 2018 Rating: PG-13 Length: 111 minutes / 1.85 hours I think the trouble with some sequels, no matter how much I loved the original films, is that there's almost an unspoken meshing of elements that made the first movie enjoyable but can be hard to reproduce a second time. That being said, Pacific Rim: Uprising (2018) does a pretty good job of continuing the story that came to a mostly definitive end in Pacific Rim (2013). Unfortunately, it looks like they also took a play out of Independence Day: Resurgence (2016) and have teased at a further sequel past Uprising. I will admit that some sequels like Pacific Rim: Uprising have an easier time advancing the plot of the story since most of the exposition has been covered in the previous movie. There was certainly a creative and natural twist that helped bring back the Kaiju so that audiences could see giant robots fight them again. It was also fun to watch these...
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MOVIE: Avengers – Infinity War (2018)

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Avengers: Infinity War Year: 2018 Rating: PG-13 Length: 149 minutes / 2.48 hours It’s difficult to codify something like Avengers: Infinity War (2018) without including everything that led up to it. In reality, it’s probably more along the lines of the 19th episode of a television series that’s taken ten years to realize fully. Because of the interconnected nature of these previous movies, it’s difficult to view it alone without the backstory tied to it. However, there are enough brief moments of exposition to help most people fill in the gaps as to what is happening. Still, as is the case with many finales for television shows, the epic nature of Infinity War is at a level all its own. The scale of such an endeavor is daunting, but with as little backstory as possible holding it back, Infinity War moves at a pretty good pace, jumping between a couple of groups of Avengers. Of course, we can’t just directly jump to fighting the main villain, so the “lesser” bad guys stand...
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MOVIE: Black Panther (2018)

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Black Panther Year: 2018 Rating: PG-13 Length: 134 minutes / 2.23 hours Anymore, superhero films are a dime a dozen. I get that they’re adding up to a greater narrative for Avengers: Infinity War (2018), but a lot of them seem almost indistinguishable from each other. Enter Black Panther (2018). Not only is this superhero not white, but almost all the action takes place somewhere other than New York City. There are a lot of strengths in Black Panther that make it feel like a cut above the rest. From the set design and aesthetic of Wakanda to the well-developed characters (including women warriors and women scientists), Black Panther shows how a superhero movie should be made. Despite its strengths, there are still a few, minor weaknesses in this film. First, some of the CGI felt a little off in the sense that my mind rejected it when I saw it. These moments were usually pretty rare but were unquestionably obvious. Secondly, one of the tenets of the superhero genre is the action/fight sequences. While...
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MOVIE: The Greatest Showman (2017)

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The Greatest Showman Year: 2017 Rating: PG Length: 105 minutes / 1.75 hours I can honestly say there aren’t nearly enough musicals in Hollywood anymore. The Greatest Showman (2017) certainly helps to fill in the gaps between these occurrences, and with a subject that easily lends itself to the musical format. I really enjoyed the songs and choreography, as well as its message of inclusion and being unashamed of who we are. All that being said, there was still something a little off when infusing pop music and modern dance moves with the 1800’s. It kind of works, but it also doesn’t immerse the audience in the historical aesthetic. While the story of P.T. Barnum’s (Hugh Jackman) rise to wealth and fame (or infamy, depending on the viewpoint) was entertaining enough, so much of its presentation seemed to have the “Hollywood coincidence” to it. Events lined up in such a way that I wondered if they really happened or if it was artistic license. This is also...
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MOVIE: Logan Lucky (2017)

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Logan Lucky Year: 2017 Rating: PG-13 Length: 118 minutes / 1.97 hours I enjoy a good heist film. No heist is ever a straightforward “grab and dash” situation. When overcoming the barriers for the heist one-by-one, I can appreciate the interlocking elements of the robbery. Since one of my favorite heist films, Ocean’s Eleven (2001), was directed by Steven Soderbergh, I looked forward to his latest heist, Logan Lucky (2017). The trailers made it look like a fun film, and it was, but at the expense of all the best parts being conveyed in the trailer. About the only thing you don’t see in the trailer is the twist at the end, which is to be expected. When it comes to the setting, I’m not entirely sure if Logan Lucky is embracing or parodying the hillbilly stereotype. From beauty pageants for children to NASCAR races, this film has all the trappings of a West Virginia based on cultural perception instead of actual reality. At any...
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MOVIE: Pokémon the Movie – I Choose You! (2017)

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Pokémon the Movie: I Choose You! Year: 2017 Rating: PG Length: 98 minutes / 1.63 hours Over 20 years after its debut, it seems that Pokémon is not a fad and will be here to stay for the long haul. Of course, considering the mania surrounding the first games in the series back in the mid-1990’s, by now enough time has passed for nostalgia to be a contributing factor to the franchise’s continued success. The children who grew up with Pokémon are now adults in their late-20’s and early-30’s (i.e., “millennials”). In an attempt to cash in on this nostalgia, Pokémon’s latest movie, I Choose You! recounts some of the memorable first moments of the anime, but with a slightly different storyline. Initially, I was worried that this plot would be a pared-down selection of key moments from the anime, much like what has been done with other anime movies like One Piece’s The Desert Princess and the Pirates (2007) and Episode of Chopper Plus(2008). Fortunately, this film managed to...
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MOVIE: Darkest Hour (2017)

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Darkest Hour Year: 2017 Rating: PG-13 Length: 125 minutes / 2.08 hours There are plenty of films out there that claim to be “art” by pushing the boundaries of the medium. These movies often come off as just plain weird. Darkest Hour (2017) is an artfully crafted masterpiece, even if it seems to be a biopic about Winston Churchill at first glance. All the individual elements that go into a fantastic film are in top form here, as we see how lighting, cinematography, music, plot, and acting combine to create something greater than the sum of their parts. Darkest Hour doesn’t have one element that makes it stand out as an incredible movie; it uses all facets of its production to create a masterpiece of art. The look of this film is incredible. From the overhead shots of battlegrounds seamlessly transitioning into the carnage of war to the heavy contrast of light and shadow emphasizing the “darkness” of the “darkest hour,” the visual spectacle of Churchill’s unconventional rise to...
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MOVIE: Call Me by Your Name (2017)

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Call Me by Your Name Year: 2017 Rating: R Length: 132 minutes / 2.20 hours Call Me by Your Name (2017) is the latest in a string of LGBTQ+ films nominated for Best Picture. Each year, we seem to see one of these LGBTQ+ films nominated for the highest award, but this year there’s a much more fundamental problem with it. Around the time the definition of marriage was changed by the U.S. Government, many opponents warned of a slippery slope that would lead to acceptance of lifestyles that are currently illegal. Call Me by Your Name is proof that we have proceeded down this slope. I understand that the themes of “first love” are what draw people to this film, and I’d be OK with that if the theme never entered sexual territory. As it is, this movie glamorizes sexual relations with a minor. This is statutory rape, which is illegal. Even if the parties involved were heterosexual, this would still be wrong. Unfortunately, I think it’s...
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MOVIE: Lady Bird (2017)

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Lady Bird Year: 2017 Rating: R Length: 94 minutes / 1.56 hours It’s weird to think that 2003 was 15 years ago. As someone who graduated high school in 2004, Lady Bird (2017) hit me right in the nostalgia. While there have been plenty of coming-of-age films over the years, Lady Bird simplifies the experience to a quick-paced trot through the senior year of high school for the titular character (portrayed to great effect by Saoirse Ronan). All the trappings of the coming-of-age story are there, including experimentation with drugs, sex, and alcohol, but done in a way that is still innocent and child-like. In the end, Lady Bird is about independence and defining who we are as individuals. What really hits home in the narrative of this film is the things we do to make ourselves stand out. From declaring that our name is different from the one our parents gave us to choosing which friends we spend our time with, we inevitably realize that we’re seeking approval and acceptance...
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MOVIE: Coco (2017)

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Coco Year: 2017 Rating: PG Length: 105 minutes / 1.75 hours In the never-ending string of incredible visuals brought to life by Pixar, Coco (2017) continues this trend into the afterlife. At this point, I’m convinced Pixar could just go ahead and shoot live video and put their animated characters in the scene and I’d still think the whole thing was animated. The interplay of color, light, and shadow really come out in this celebration of Mexican culture. All spectacular visuals aside, Pixar again delivers on an emotional impact that left me crying, as always. When it comes to new ideas, Pixar certainly still knows how to create a visually-compelling story. While Coco has a lot going for it, there are a few weaknesses, some of which are my own opinion based on my likes and dislikes. I know the film mostly targets children (and older children at that), but the plot was just a smidge too predictable. Sure, it was enjoyable to see my...
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MOVIE: Justice League (2017)

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Justice League Year: 2017 Rating: PG-13 Length: 120 minutes / 2.00 hours While it can be difficult to separate comparisons of DC’s Justice League (2017) with Marvel’s The Avengers (2010), there are plenty of parallels and similarities between the two. That’s not to say this is a bad thing, as fans of comic book heroes will always love to see their favorite characters team up to take on evil forces almost as much as they want to see these bastions of justice duke it out. Justice League certainly delivers on this, but in a way that felt uninteresting and lacking the serious consequences to the world at large. Concerning the characters themselves, Justice League succeeds in creating a unique team with some interesting heroes. Wonder Woman’s (Gal Gadot) success in her standalone film could be seen in one of the first (and possibly best) sequences of the film. Additionally, The Flash (Ezra Miller) was a constant source of entertainment as the comic relief. Most importantly, Justice League succeeded in making Aquaman (Jason Momoa) an absolute...
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MOVIE: Thor – Ragnarok (2017)

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Thor: Ragnarok Year: 2017 Rating: PG-13 Length: 130 minutes / 2.17 hours At this point in the Marvel Cinematic Universe (MCU), I feel these movies are practically on autopilot. Because Thor (Chris Hemsworth) and the Hulk (Mark Ruffalo) were absent from Captain America: Civil War (2016), there had to be a movie to explain what they were doing during that timeframe. Consequently, while Civil War had great conflict and an epic battle sequence, Thor: Ragnarok (2017) feels . . . less necessary. This being said, I do think that Ragnarok explores the Thor universe better than Thor: The Dark World (2013) did, thus making me wonder if Dark World was truly the unnecessary film. Sure, there are little snippets here and there in these films that set up other parts of the franchise (mainly, the Infinity Stones that will lead to Avengers: The Infinity War (2018)), as well as minor cameos that are fun, if not wholly filler (Doctor Strange (Benedict Cumberbatch) in the case of Ragnarok). All Ragnarok seems to do is set the stage for the next big film in...
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MOVIE: Phantom Thread (2017)

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Phantom Thread Year: 2017 Rating: R Length: 130 minutes / 2.17 hours Much like The Post (2017), Phantom Thread (2017) has a director/actor combination that just begs for an Oscar nomination. It seems that a decade after the last Paul Thomas Anderson/Daniel Day-Lewis collaboration, There Will Be Blood (2007), the Academy might want to pull their “should have won” trick and give the Best Picture Oscar to Phantom Thread. After seeing this film, though, I have changed my initial assessment. Sure, it’s good and has certain artistic elements that make it culturally significant, but other parts of it are just kind of . . . weird. First, the good. Daniel Day-Lewis, in his last role as an actor, unquestionably shows how good he is at his craft. I wouldn’t doubt that he has a good shot at earning his historic fourth Best Actor Oscar. The costume design and cinematography are noteworthy, but the best part of this film is a little more subtle: the music. The score for this movie permeates the...
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MOVIE: Three Billboards Outside Ebbing, Missouri (2017)

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Three Billboards Outside Ebbing, Missouri Year: 2017 Rating: R Length: 115 minutes / 1.92 hours The first film by Martin McDonagh I saw was Seven Psychopaths (2012). I enjoyed how he was able to take the audience through many entertaining twists and turns. For his follow-up film, Three Billboards Outside Ebbing, Missouri (2017), McDonagh has improved on the twists, as well as the darkness of the comedy contained therein. In fact, the comedy is so dark that at times it was almost uncomfortable to laugh. All this being said, the two areas that make this a standout film are the characters and its complexity. Let’s start with the characters. Almost every single character is introduced in a way that the audience wants to dislike them. And yet, over the course of the film, the significant amount of character development makes the audience root for people who threw individuals out of second-story windows or chucked Molotov cocktails at a police station. Part of what helps in these character developments...
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MOVIE: In Bruges (2008)

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In Bruges Year: 2008 Rating: R Length: 107 minutes / 1.78 hours It’s interesting to see Martin McDonagh’s first film with the hindsight of his two other movies. While I missed In Bruges (2008) back when it came out, I have recently enjoyed Seven Psychopaths (2012) and Three Billboards Outside Ebbing, Missouri (2017). Having now seen all three of McDonagh’s films, I see the themes and motifs he uses throughout his directing. I already had hints of these common elements; it’s just that seeing In Bruges for the first time has cemented them. From using short people to drug use to some uncomfortable violence, McDonagh has a style all his own, and it clearly shows in his breakout film. I think what draws me to McDonagh’s films is his expert use of multiple “Chekov’s Guns” as well as tying all these various foreshadowings together in a satisfying way. Whether it’s a fat American, spare change, or the untimely death of a child, each part of In Bruges was included for a purpose that becomes evident...
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MOVIE: Downsizing (2017)

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Downsizing Year: 2017 Rating: R Length: 135 minutes / 2.25 hours In the last decade, I’ve come to appreciate Alexander Payne’s films. From The Descendants (2011) to Nebraska (2013), it was clear he was improving as a director. I had high hopes for his latest work, Downsizing (2017) since the premise seemed interesting and ripe for social satire like his previous films. For a movie about becoming small, Downsizing certainly had big ambitions. Unfortunately, it means that this film was kind of all over the place. Sure, there was a somewhat logical progression of events, but even the main character was flabbergasted at the coincidence of it all. While I would fault the movie for Hong Chau’s clipped English, as it almost seemed culturally insensitive at first, eventually the character grows on the viewer. This leads to a very touching ending. Instead, I will fault the science behind this science fiction. I was half-expecting a lot of sight gags on how ordinary objects are much bigger with shrunken humans (a la The Borrowers), which Downsizing delivered...
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MOVIE: Ant-Man (2015)

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Ant-Man Year: 2015 Rating: PG-13 Length: 117 minutes / 1.95 hours In the never-ending array of superheroes feeding into the Marvel Cinematic Universe (MCU) to support such franchises like Captain America and The Avengers, it can be difficult to make some of the B-tier and C-tier heroes seem interesting enough to devote a whole movie to them. To ensure each movie feels different from its predecessors, certain unique attributes must be applied. Whether it’s the sci-fi-themed Guardians of the Galaxy (2014) or the mind-bending visuals of Doctor Strange (2016), each film requires a gimmick to make it work. For Ant-Man (2015), it’s comedy. If you approach Ant-Man as a standard superhero film, you’re likely to be disappointed. There are almost too many off-hand references to much of the MCU to make anyone not familiar with the vast array of movies lost and confused. Plus, the hero’s “origin story” in Ant-Man is almost par for the course. However, if you watch this film with the understanding that it’s more similar to comedy/caper/heist films than a superhero film, you’re likely...
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MOVIE: The Post (2017)

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The Post Year: 2017 Rating: PG-13 Length: 116 minutes / 1.93 hours At this point, I just wonder if every movie Steven Spielberg makes that has anything to do with war (Schindler’s List (1994), Saving Private Ryan (1999), War Horse (2012), Lincoln (2013), Bridge of Spies (2015)) is just automatically given a Best Picture nomination. Don’t get me wrong, Spielberg has made a lot of quality movies that should be recognized and awarded. The question is more about the state of Hollywood films. Is there nothing else out there by up-and-coming filmmakers that would supplant a Spielberg film in the nominee list? Don’t even get me started on Meryl Streep’s nominations, either. Of course, in part due to the all-star power of Spielberg, and the leading roles filled by Tom Hanks and Meryl Streep, The Post (2017) is a movie that builds its tension right until the very end. Despite a somewhat slow start, the stakes are never higher when the ambiguity of publishing classified documents is taken all the way to its logical conclusion. The...
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MOVIE: Spotlight (2015)

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Spotlight Year: 2015 Rating: R Length: 128 minutes / 2.13 hours For many years, the running joke about the movies that have won the Best Picture Oscar is that they only won because another film should have won years prior. Spotlight (2015) is this generation's All the President's Men (1976) in that it is an excellent film about investigative journalism that broke open a huge cover-up, changing the world forever. Both films deserved to be Best Picture, but Spotlight manages to take an uncomfortable subject and be frank and open about the problems that we still see in today's society. Since most of the movie is comprised of uncovering the truth behind the sexual abuse scandals in the Catholic Church, it's surprising how gripping and well-paced the film ends up being. Part of the genius of this film is the high-energy dedication these four journalists have in uncovering the terrifying truths that had been lurking in the shadows for decades. While such a subject could easily create a...
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MOVIE: The Shape of Water (2017)

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The Shape of Water Year: 2017 Rating: R Length: 123 minutes / 2.05 hours The modern master of the monster movie, Guillermo del Toro is at it again with The Shape of Water (2017). Much like the Universal Studios monster classics, del Toro has created a career around directing films about how humans interact with these monsters. From building giant robots to fight giant monsters in Pacific Rim (2013) to hiring monsters to kill other monsters in Hellboy (2004), del Toro has also occasionally shown the more human side of monsters. Or, more accurately, he has shown how monster-like humans can become. Previous films by Guillermo del Toro, like Cronos (1993) and Pan's Labyrinth (2006) have highlighted the negative qualities of man while infusing these films with a sense of fantasy that can often border on straight-up fairy tales. The Shape of Water certainly falls into the "man is the real monster" category of del Toro's movies, but it kind of beats you over the head...
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MOVIE: Get Out (2017)

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Get Out Year: 2017 Rating: R Length: 104 minutes / 1.73 hours I'll admit that I'm not a fan of horror films. The fact that Get Out (2017) was released in that weird, "horror month" of February that merely exists so people trying to catch up on their Oscar nominations don't have to watch anything new meant that it mostly passed under my radar. When buzz about the movie continued for the rest of the year, I was still skeptical as horror has been known for its cheap tricks and gratuitous violence, both of which I don't particularly care for. The trick is, Get Out is certainly a horror film, but with the minimum required trappings to be considered one. With a few jump scares and a violent and bloody ending, Get Out works on a level that's best described as "blatantly subtle." It's not so much that it screams about the racial differences between black people and white people, but that it does so...
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MOVIE: The Shack (2017)

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The Shack Year: 2017 Rating: PG-13 Length: 132 minutes / 2.20 hours When I saw the trailers for this film, I had no idea what it was about. It seemed to be part magical and part depressing, never really covering what the movie’s content was. For anyone who is curious, it’s about a meeting with the Holy Trinity. Consequently, while most “Christian” films are almost cringe-worthy, this one wasn’t half bad. Of course, there are still elements of it that made me roll my eyes, but these scenes were mere bookends to a great theological discussion-starter. In fact, I would almost prefer this film without the framing, since most people would probably relate to the main character, regardless. The trouble with the framing device used for the conversation with God is that it doesn’t feel natural. There’s a forced quality that pushes the main character into the situation where he encounters God, merely contrived so that he is near rock bottom when God appears. I will...
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MOVIE: Blade Runner – 2049 (2017)

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Blade Runner: 2049 Year: 2017 Rating: R Length: 164 minutes / 2.73 hours Back when I first heard about a Blade Runner (1982) sequel, I was skeptical about its quality. Sure, the ending was a little open-ended, but it stood by itself quite well. A Blade Runner sequel coming out mere years away from the original’s futuristic timeline of 2019 seemed just as ridiculous. The one redeeming factor that eventually led me to think this sequel would be any good was that Denis Villeneuve was tapped to direct it. While I’ve liked Villeneuve’s films as far back as Prisoners (2013), I’ve really become a fan since his Best Picture-nominated Arrival (2016) revealed how well he can do science fiction. Of course, Blade Runner isn’t really science fiction. Sure, it has the trappings of a futuristic society, but at its core, the movie is a noir. The plot and aesthetic of noir is considerably different than that of sci-fi, but Villeneuve manages to merge the two...
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MOVIE: Blade Runner (1982)

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Blade Runner Year: 1982 Rating: R Length: 117 minutes / 1.95 hours When I first saw Blade Runner (1982) many years ago, I understood that it was the quintessential, if not the defining, cyberpunk film. Since I was used to the more modern cyberpunk at the time (a la The Matrix (1999)), I felt the slow unfolding of exposition wasn't nearly as action-driven as I had hoped it would be. Of course, at the time, I might not have been watching the "Director's Cut" version of Blade Runner, which was what I watched this time around. Needless to say, it's a much better movie than I initially remembered. I think part of my improved assessment of this film came from a realization that it wasn't intrinsically a science fiction film. Sure, it is based on a story by Philip K. Dick, it is set in a fast-approaching and somewhat inaccurate representation of the future, and it has the trappings of a sci-fi film (i.e., androids,...
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MOVIE: The Princess Bride (1987)

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The Princess Bride Year: 1987 Rating: PG Length: 98 minutes / 1.63 hours The Princess Bride (1987) is a movie that defies genres. It’s an adventure film with swashbuckling pirates. It’s a fantasy film with giants and six-fingered men. It’s a comedy with numerous quotable lines. It’s a family film about storytelling. It’s all these things, and more, which is part of its appeal (even if it makes the whole movie difficult to classify or market). The real trick with The Princess Bride is that it is subtle with its self-awareness. While other films may go so far self-aware that they’d break the fourth wall (a la Deadpool (2016)), The Princess Bride manages to poke fun at these classic genres with a knowing wink to the audience. Of course, this is part of its appeal. Many self-aware films make overt references to other big-hitters in their genre, thus relying on the audience who has done their homework to understand the joke. In The Princess Bride, there are no references to The Lord of the...
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MOVIE: Star Wars: Episode VIII – The Last Jedi (2017)

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Star Wars: Episode VIII – The Last Jedi Year: 2017 Rating: PG-13 Length: 152 minutes / 2.53 hours After the success of Star Wars: Episode VII – The Force Awakens (2015), director Rian Johnson had to strike a fine balance in the following sequel, Star Wars: Episode VIII – The Last Jedi (2017). Since The Force Awakens was essentially a flashy, rehash of Star Wars: Episode IV – A New Hope (1977), The Last Jedi needed to separate itself from the predictable path already laid out in Star Wars: Episode V – The Empire Strikes Back (1980). Unfortunately, the formula employed in Empire Strikes Back has become so integral to sequels that deviating from it could prove to be disastrous. While I’m curious where Episode IX will go from here, I hope it builds upon what Johnson has done here. The tensions of war helped drive the characters into interesting moments of growth, defiance, and desperation, but much of the story was well wrapped up by the time the credits rolled. The real balance of this film came from paying homage...
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MOVIE: Loving Vincent (2017)

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Loving Vincent Year: 2017 Rating: PG-13 Length: 94 minutes / 1.57 hours Animation has become somewhat easier since the days when every frame was drawn out by hand. This change has been mostly due to the use of computers to simplify the animation process. And yet, there are still those who want to embrace the painstaking process of manual animation, mostly for the artistic merit that it gives the film. Usually, this is done in short form, like the stop-motion film, Fresh Guacamole (2012) by PES, or the paint-on-glass animated short, The Old Man and the Sea (1999). Both of these short films were nominated for the Animated Short Oscar, with the latter winning the prize. With Loving Vincent (2017), we now have a feature-length (albeit at a short 94 minutes) animated feature that took the time to recreate the aesthetic of Van Gough’s paintings via a plentitude of hand-painted oil paintings that comprised the individual frames of the film. If awards are given for artistic merit alone, Loving Vincent deserves to win...
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MOVIE: Spider-Man – Homecoming (2017)

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Spider-Man: Homecoming Year: 2017 Rating: PG-13 Length: 133 minutes / 2.22 hours Of all the superheroes in their respective comic universes, the one I grew up with was Spider-Man. I watched the animated 1990’s television show, and I loved when this relatable superhero made his way to the big screen in Spider-Man (2002). I was even more pleased when Spider-Man 2 (2004) set the tone for future superhero franchises. The first film is the origin film so the second film can dispense with the best villain and not spend all its time in exposition. Unfortunately, I ended up being disappointed by the third entry in this original Spider-Man trilogy, which was a rare miss in my book. Fast forward to 2012, when Spider-Man was rebooted with Andrew Garfield in the title role. Having to sit through the origin story again, but with a different, green-colored villain as the antagonist seemed like it wasn’t exploring anything new. Around the same time, the Marvel Cinematic Universe was...
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MOVIE: Fantastic Beasts and Where to Find Them (2016)

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Fantastic Beasts and Where to Find Them Year: 2016 Rating: PG-13 Length: 133 minutes / 2.22 hours As someone who never fully immersed themselves in the Harry Potter fandom, this spin-off wasn't high on my "to watch" list. Sure, I liked the movies well enough for the continual narrative they provided (still haven't gotten to the books yet), and I understand that this parallel universe full of magic is a unique idea that hasn't been explored in this fashion, but this just seems like a tag-along to capitalize on a successful franchise. That's not to say that Fantastic Beasts and Where to Find Them (2016) isn't good, it's just that it does require a bit of background knowledge in order to fully "get it." Partly because seeing wizardry and magic in the modern era might still seem odd, this throwback to the past is only made better by placing it in the United States. Both of these settings differ from the main Harry Potter franchise enough...
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MOVIE: Despicable Me 3 (2017)

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Despicable Me 3 Year: 2017 Rating: PG Length: 90 minutes / 1.50 hours Sometimes I wonder how this franchise became so popular. Perhaps this perception is due to the oversaturation of the annoying little “Minions” that seem to pervade every corner of social media. And yet, when I go to see a movie like this, I am soon reminded that there are relatable and underappreciated storylines and plot points contained within this silliness. I have rarely seen a better “adoption” storyline than the one presented in Despicable Me (2010). Of course, Despicable Me 2 (2013) took the natural next step and provided a “single dad looking for a wife” storyline that also is rarely seen in animation. With Despicable Me 3 (2017), the franchise transitions more into a series of vignettes better suited for a television show than a feature-length film. It was a little hard to tell which storyline was the main one for the film, even if they were all intertwined in some...
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MOVIE: The Dark Tower (2017)

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The Dark Tower Year: 2017 Rating: PG-13 Length: 93 minutes / 1.55 hours Like many “best-selling” books and book series made into movies, I don’t have the time to sit down and read them all before their film adaptations are released. The Dark Tower (2017) is no different. In fact, I was only made aware of the Dark Tower series shortly before the movie was announced. Therefore, unlike the diehard fans of the series, I had no expectations for the film other than the understanding that there would be some interesting fantasy/sci-fi elements presented on the big screen. Unfortunately, at a measly 93 minutes of runtime, The Dark Tower felt a little . . . light. Sure, all the essential elements of the story were there: the gunslinger protagonist (Idris Elba), the magical “Man in Black” antagonist (Matthew McConaughey), and the conflict of good vs. evil. And yet, so much of the plot seemed glossed over that the entire movie felt like a trailer for...
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MOVIE: War for the Planet of the Apes (2017)

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War for the Planet of the Apes Year: 2017 Rating: PG-13 Length: 140 minutes / 2.33 hours There’s something special about the final film in a “prequel trilogy” that almost defies explanation. It acts as a springboard to the original content while also tying up all the loose ends that presented themselves in the previous installments of the trilogy. Since the source material is well-known, a viewer can deduce how it will end, but not necessarily how it will get there. In this sense, movies like Star Wars: Episode III – Revenge of the Sith (2005) and War for the Planet of the Apes (2017) share a common theme as links between the new and the old. Similar in tone to Dawn of the Planet of the Apes (2014), War continues the escalating conflict between the titular apes and the now-endangered humans. Unfortunately, because it places Caesar (Andy Serkis) as the primary protagonist of the whole trilogy, the “savior” parallels are a little too heavy-handed here. Heck, they should have titled it Passion of...
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MOVIE: Baby Driver (2017)

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Baby Driver Year: 2017 Rating: R Length: 112 minutes / 1.87 hours There are so many “heist” films nowadays that it’s practically its own genre, with all the tropes and clichés that go with it. Consequently, when I learned that Edgar Wright had directed a heist film, my interest was piqued. Best known for his parody comedies, Shaun of the Dead(2004), Hot Fuzz (2007), and The World’s End (2013), the film of his I have enjoyed the most is Scott Pilgrim vs. the World (2010). His style is distinct throughout these films, which is what I was hoping for in Baby Driver (2017). While Wright’s visual style is present in Baby Driver, it is muted, almost in the background of the standard heist framework. With an almost 1980’s undertone, Baby Driver takes many cues from its predecessor, Drive (2011). Both feature an almost silent heist driver as the main character and plenty of entertaining driving sequences that are practically ballet on the boulevards. Fortunately, both films also focus on the characters, and not so much on the heist, giving...
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MOVIE: Noah (2014)

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Noah Year: 2014 Rating: PG-13 Length: 138 minutes / 2.30 hours If there’s any filmmaker more controversial than Darren Aronofsky, I’m not sure who it would be at this point. Interestingly enough, while most of his films are rated “R” (or higher, like the uncut Requiem for a Dream (2000)), I think Noah (2014) is the first time one of his films has been at the PG-13 rating. Since most of the controversy of his movies comes via the content that would make it R-rated, it’s interesting that the controversy with Noah is more along the lines of how Aronofsky filled in the gaps and created a dramatic narrative inside the Biblical story of Noah. As is always the case with an Aronofsky film, Noah is a beautiful spectacle of filmmaking. Even if the landscapes of Iceland helped create this stunning setting, certain dream-like sequences and moments speak to the art that Aronofsky can evoke on the screen. The setting of the pre-flood world is believable, and most of the costumes...
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MOVIE: Wonder Woman (2017)

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Wonder Woman Year: 2017 Rating: PG-13 Length: 141 minutes / 2.35 hours Wonder Woman (2017) is a triumphant movie that shows the comic book genre doesn’t have to be dominated by men. Unfortunately, because it took so long getting here, I can’t help but draw comparisons to other works that came before it, making Wonder Woman seem derivative. In fact, had this movie come out eight years ago, it would have made Captain America: The First Avenger (2011) and Thor (2011) look like they were copying it. As it stands, though, Wonder Woman feels formulaic, even if the superhero is a woman instead of a man. I will grant that some of the jokes come at the expense of the “fish out of water” character of Diana (Gal Gadot), playing on her naïveté of the “modern world” for laughs (a la Thor) but with a more sexualized context because she’s a woman. There were a few missed opportunities to add depth to the character via these circumstances, the interaction with Chief Napi (Eugene Brave Rock)...
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MOVIE: Dekalog (1989)

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Dekalog Year: 1989 Rating: TV-MA Length: 572 minutes / 9.53 hours Dekalog almost defies categorization. While you could say it’s a TV show, the only recurring “character” is the apartment complex where many of the characters of the different “episodes” happen to live. If it’s a movie, it’s a very long one comprised of ten one-hour short films. Therefore, Dekalog is probably best defined as a TV mini-series. But, don’t let that label fool you: each one of these ten short films packs a huge punch individually, but produce a well-rounded examination of humanity in their entirety. Perhaps we should consider Dekalog as an anthology of the human condition. Life and death. Love and hate. Gain and loss. It’s all there in Dekalog. What hits you first with Dekalog is the depth of the plots. Most of the episodes have some ethical dilemma that drives their characters. From a man questioning his faith in science to a woman who is pregnant with a bastard child while her husband is dying in a hospital,...
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MOVIE: Atomic Blonde (2017)

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Atomic Blonde Year: 2017 Rating: R Length: 115 minutes / 1.92 hours If there was one thing this movie excelled in, it was the advertising leading up to its release. I saw video ads on Facebook, trailers on television, and all sorts of viral marketing. Consequently, while the film looked neat, I didn't really know what it was about. Fast forward to months later when it arrived at the cheap theater in town and I decided to go see it. Within the first few minutes, I was somewhat surprised to learn that this movie was based on an obscure comic book series. Not that this really surprises me any longer. Sure, the superhero comics are bringing in big money at the box office, but the more "adult" comics (also sometimes known as "graphic novels") have been seeping in over the years as well, in part due to adaptations like V for Vendetta (2005) and Watchmen (2009). Even in this year alone, we've seen Valerian and Laureline adapted...
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MOVIE: Valerian and the City of a Thousand Planets (2017)

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Valerian and the City of a Thousand Planets Year: 2017 Rating: PG-13 Length: 137 minutes / 2.28 hours When it comes to the films of Luc Besson, it’s often hit or miss. Sure, he’s directed many successful films, like Nikita (1990) and Léon: The Professional (1994), but some of his recent fare like The Family (2013) have left me disappointed. One of his best films is the sci-fi space opera (literally, even), The Fifth Element (1997). When I learned that he would be returning to this genre with Valerian and the City of a Thousand Planets (2017), I certainly had high hopes for it. After viewing it for the first time, I can unquestionably say that my expectations were certainly met. Because Valerian has a French comic book series as its source, some of my qualms with this film might lie with the source material, and not the director. Some may recall the originality that came from another French comic book adaptation in the form of...
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MOVIE: Pirates of the Caribbean – Dead Men Tell No Tales (2017)

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Pirates of the Caribbean: Dead Men Tell No Tales Year: 2017 Rating: PG-13 Length: 129 minutes / 2.15 hours Part of me wishes that the title of this film were true. What I wouldn’t give to have these dead men not tell their tale of revenge. That being said, I had some hopes that this movie would help redeem the franchise after the lackluster On Stranger Tides (2011). After all, Javier Bardem has proven to be an effective villain in such films as No Country for Old Men (2007) and Skyfall (2012), so I thought he could help carry this movie as a solid antagonist. Unfortunately, even he could not save this sinking ship of a franchise. The main problem with Dead Men Tell No Tales is that it feels rote and uninspired. Depp’s Captain Jack Sparrow feels more lucky than actually talented at pirating. Granted, that was some of his charm in the previous films, but not all of it. Add to this a...
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MOVIE: Dunkirk (2017)

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Dunkirk Year: 2017 Rating: PG-13 Length: 106 minutes / 1.76 hours Almost like clockwork, Christopher Nolan has directed a masterpiece of filmmaking every two-to-three years since the start of the millennium. While his prior work is certainly entertaining, most of it was set in a fictional environment that allowed him to play with the format of nonlinear storytelling. When I first heard that Nolan would be directing a film about the World War II retreat from Dunkirk, I was skeptical at first. I mean, while he's great at action movies like The Dark Knight (2010), mind-benders like Memento (2000), or even science fiction epics like Interstellar (2014), his only foray into the "historical" was via The Prestige (2006), and even that was mostly made up. What I did not realize going into Dunkirk (2017), was Nolan's ability to create art without the need for fancy camera tricks or mind-blowing plot twists. The simplicity of Dunkirk merely emphasizes the mastery of cinematography and directing that Christopher Nolan can...
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MOVIE: Guardians of the Galaxy, Vol. 2 (2017)

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Guardians of the Galaxy, Vol. 2 Year: 2017 Rating: PG-13 Length: 136 minutes / 2.27 hours I sometimes wonder if the strength of the first film in a series dooms the following films to a condition I refer to as “the trilogy conundrum.” If a single film is original and has a strong story that stands by itself, it almost requires the following films to be weaker in comparison, each sequel needing another sequel to tell a complete story. Films like Back to the Future (1985), The Matrix (1999), and Pirates of the Caribbean (2003) are fantastic films that defined their generation, but their sequels were highly dependent on a follow-on sequel, thus making the trilogy complete, but lacking the strength of the initial film. I hate to say it, but Guardians of the Galaxy, Vol. 2 (2017) falls into this “trilogy conundrum.” The original Guardians of the Galaxy (2014) was a fun and meaningful departure from its Marvel comic book brethren. This sequel, however,...
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MOVIE: Guardians of the Galaxy (2014)

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Guardians of the Galaxy Year: 2014 Rating: PG-13 Length: 121 minutes / 2.02 hours It is comforting to know that the Marvel Cinematic Universe includes the universe. While most films in this ever-expanding movie multiverse take place on Earth, a few like Thor (2011) and Doctor Strange (2016) explore different realms but still tie back to Earth. Guardians of the Galaxy (2014) is different in that, almost immediately, Earth is left far behind in favor of alien worlds filled with fantastical creatures. Consequently, this film feels more like a sci-fi movie than a comic book flick. Considering how stagnant the superhero formula has become, this is a good thing. With almost no earthly constraints on it, Guardians of the Galaxy is practically indescribable, probably because it has everything. Comedy. Action. A talking raccoon. With a reasonably well-paced plot, this film excels in developing its diverse cast. These main characters each have their unique traits and little quirks that almost immediately made them amusing and endearing....
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MOVIE: Get Low (2009)

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Get Low Year: 2009 Rating: PG-13 Length: 103 minutes / 1.71 hours Despite its PG-13 rating, Get Low (2009) is about as wholesome a movie as there ever was. Loosely based on a true story of a man who wanted to have his funeral before he died so he could hear what people would say about him, the simplicity of this classic plot relies heavily on the characters within it. From the crotchety hermit to the struggling funeral parlor owner to a town full of rumors and gossip, the implication that Felix Bush (Robert Duvall) has done something terrible drives the narrative forward to its logical conclusion. The two standout performances in this movie come from Robert Duvall and Bill Murray. Duvall’s Felix Bush is as cantankerous and stubborn as they come, and he fully plays up the fact that nobody likes him. Of course, it makes sense that 40 years of carrying the burden Felix has carried would affect a man like that. On the other...
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MOVIE: Frozen (2013)

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Frozen Year: 2013 Rating: PG Length: 102 minutes / 1.7 hours It's hard to deny the worldwide phenomenon that is this movie. While I'm sure parents now twitch any time "Let it Go" comes on, the fact of the matter is many factors led to the success of this film. Starting in the mid-2000's, Disney saw they had a problem and set about trying to fix it. By rehauling how they told stories, and how they approached the characters in these stories, they soon were back on top of the animation industry (while Pixar continues to be content pumping out Cars sequels). Stunning visuals can only get you so far in a Disney movie, and Frozen (2013) certainly takes the cake when it comes to visualizing snow and ice through computers. What makes Frozen work as a story is its complexity. No one character is completely good or completely bad, each having their faults and limitations, as well as their good intentions and personal desires. This...
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MOVIE: T2 Trainspotting (2017)

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T2 Trainspotting Year: 2017 Rating: R Length: 117 minutes / 1.95 In the vein of successful and groundbreaking films receiving sequels two decades after the fact (I'm looking at you, Independence Day: Resurgence (2016)), director Danny Boyle is at it again with T2 Trainspotting (2017). While the original Trainspotting (1996) was a fun bit of cinema that used a unique visual style to emulate the sensations of the highs (and lows) of drug use, the ending was pretty definitive. Still, because drug use can have long-lasting effects, the Trainspotting sequel is an important part of the whole narrative. Unfortunately, as is the case with these types of sequels, the story didn't change at all. After all, if it worked once, what's to say it won't work again. T2 Trainspotting continues to glamorize the party lifestyle of sex, drugs, and rock and roll in a visual style that's fun to watch. Of course, what was a little interesting about this sequel is that it was almost self-aware of...
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MOVIE: Trainspotting (1996)

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Trainspotting Year: 1996 Rating: R Length: 94 minutes / 1.56 hours As someone who has never done drugs, I have no way to know what the experience of being high on heroin or cocaine is like. Fortunately, I don't have to do these drugs to get an understanding of the sensation. In the early years of film, most movies about drugs were usually cautionary tales (as was the case for Reefer Madness (1936)). By the "free-loving" decades of the 1960's and 1970's, drugs were more acceptable but often were seen in a comedic context (a la "Cheech & Chong"). The societal excess of the 1980's and 1990's beget an epedemic of harder drugs like heroin and cocaine. Consequently, we started to see more films that would glamorize drug use, but would still show the consequences of extended use of these harder drugs. Perhaps the most famous film that fits in this category is the hard-to-watch Requiem for a Dream (2000), which really played up the "consequences" part. A few...
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MOVIE: King Arthur – Legend of the Sword (2017)

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King Arthur: Legend of the Sword Year: 2017 Rating: PG-13 Length: 126 minutes / 2.1 hours Years ago, I watched Guy Ritchie's first film, Lock, Stock and Two Smoking Barrels (1998). I thoroughly enjoyed the comedic repartee, well-paced action, and simple heist scenario. Afterward, I decided to watch the rest of his films (omitting Swept Away (2002) for obvious reasons). Films like Snatch (2000) and RocknRolla (2008) held very similar premises, but even in his other films like Revolver (2005), you could see the distinctive style Ritchie has when he shoots his films. In hindsight, not all of these films are great, but they were certainly entertaining for me. Enter Sherlock Holmes (2009), and this big-budget film gave Guy Ritchie a bit more mainstream attention, as it also sported Robert Downey Jr. on a career hot streak. The striking visual style remained, which also helped in the sequel, Sherlock Holmes: A Game of Shadows (2011). Because I also enjoyed the 60's period piece, The Man...
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MOVIE: Hardcore Henry (2015)

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Hardcore Henry Year: 2015 Rating: R Length: 96 minutes / 1.60 hours When the trailer for this movie came out, I had high hopes for this “conceptual” idea. With the increased popularity and proliferation of Virtual Reality (VR) headsets, I could see a film like this doing well in an immersive environment like VR. After all, the whole film is from the first-person Point of View (POV), so anyone wearing the VR headset would feel almost as if they were experiencing the movie from the main character’s perspective. Granted, this film was not created for VR headsets, and after seeing it, I’m kind of glad that it wasn’t. Hopefully, future filmmakers can take the lessons from this film and create better movies that could use the format to its best advantage. Up until now, the only time you’d see something in a first-person POV is in a video game. In fact, most “first-person shooters” (FPS) are “filmed” in this fashion to immerse the player in the...
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MOVIE: Time Bandits (1981)

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Time Bandits Year: 1981 Rating: PG Length: 110 minutes / 1.83 hours If there’s one thing Terry Gilliam’s films are known for, it’s their imaginative visuals. In a time before CGI was prevalent, the practical and model effects certainly made his films distinctive, especially in the fantasy genre. That being said, one of his earliest films, Time Bandits (1981) was quickly outclassed, not only by Gilliam himself but by other films as well. While Time Bandits is a cute little story about traveling through time, it is precisely that: little story. Even with the spectacular visuals, the plot seemed to be quite lacking, almost as an afterthought to how many interesting set pieces could cram into one film. I will admit that Time Bandits was ahead of its time, but I wouldn’t consider it better than films that came after it. If you want plenty of imaginative fantasy effects, look no further than Labyrinth (1986). A series of time-travel vignettes? Then Bill and Ted’s Excellent...
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MOVIE: Beauty and the Beast (2017)

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Beauty and the Beast Year: 2017 Rating: PG Length: 129 minutes / 2.15 hours When it comes to the Disney live-action remakes, there are a few things to consider. While some plots are drastically different from their originals, like in Maleficent (2014), others gained plots that were light or non-existent, like in The Jungle Book (2016). When it comes to adapting Beauty and the Beast (1991), the fact that it received a nomination for the Best Picture Oscar speaks volumes of the story that already existed. Consequently, little has changed with the general thrust of the live-action remake, but it added many details that helped to round out the plot. Not only was Belle’s (Emma Watson) past explained a little better, but the turning point in her relationship with Beast (Dan Stevens) was much more natural than it was in its predecessor. I will also admit that the ending, while still the same outcome, carried a much larger emotional impact (something closer to that of...
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MOVIE: The Circle (2017)

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The Circle Year: 2017 Rating: PG-13 Length: 110 minutes / 1.83 hours In an ever-increasingly digital world, practically everyone online is concerned with privacy. Of course, we are willing to give up this privacy to make our lives more convenient. In The Circle (2017), the eponymous corporation is merely a stand-in for Google/Facebook/Amazon/Apple and is essentially a conglomeration of sorts of these tech companies. Of course, just like that antiquated operating system you’ve meant to update, The Circle contains a premise about five years too late. When the book this movie was based on came out, I’m sure it was thought-provoking; now it’s more a matter of “Yeah, yeah, we’ve heard this already.” Part of what strikes me about this film is that several segments of it probably worked better in the book. When I’m watching characters explain “mandatory fun” I can’t help but cringe and wonder if it reads better than the performance I saw. Granted, there are segments which are better on the...
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MOVIE: Kong – Skull Island (2017)

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Kong: Skull Island Year: 2017 Rating: PG-13 Length: 118 minutes / 1.97 hours Given how incredibly groundbreaking the special effects in the original King Kong (1933) were, I can understand why they keep re-using this character. Of course, while King Kong (1976) was mislabeled as “original” in its advertising, the advancements in CGI made King Kong (2005) at least as visually stunning as its 1933 predecessor. Still, the story has remained the same: humans visit Skull Island, humans find Kong, humans bring Kong to New York, Kong climbs the tallest building, and humans kill Kong. Consequently, I didn’t have much of an expectation of Kong: Skull Island (2017), since I thought I knew what the plot would be. I can honestly say that Kong: Skull Island is the best adaptation of this character since 1933. A few choices helped to create an original story that deviated from the norm. Sure, humans go to Skull Island to find Kong, but the other creatures they find there...
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MOVIE: Aliens (1986)

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Aliens Year: 1986 Rating: R Length: 137 minutes / 2.28 hours While I’m sure a Ridley Scott sequel to his smash-hit, Alien (1979), would be fantastic by any stretch of the imagination, the choice to go with similarly-successful James Cameron in the director’s seat helped to keep the franchise from becoming too stale. Of course, with a sequel appearing seven years after the original, Alien had plenty of time to rest on its laurels before the follow-on film came along. Watching Aliens (1986) with the knowledge of James Cameron’s other work, it soon becomes apparent that this movie is all his own. After all, if I told you there’s a James Cameron film about space marines invading an alien world to eliminate an alien threat, many of you would think I’m referring to Avatar (2009) and not Aliens (1986). In the original Alien, much of the focus of the film is on survival, let alone how to defeat such an unstoppable creature. For Aliens, the...
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MOVIE: Alien (1979)

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Alien Year: 1979 Rating: R Length: 117 minutes / 1.95 hours Science fiction in film has faced an uphill battle in terms of being taken seriously. Up until the late 1960’s, most sci-fi was low-budget, B-movie schlock more likely to be Mystery Science Theatre 3000 fodder than Oscar potential. This all changed in 1968 with Stanley Kubrick’s 2001: A Space Odyssey. Now that sci-fi could be considered art it took almost a decade for other films to capitalize on Kubrick’s groundbreaking work. Star Wars (1977) expanded on the special effects and made sci-fi a fun, action-filled ride. Regarding the horror aspect of sci-fi, Alien (1979) remains the founding film of these combined genres. Not only does Ridley Scott do a fantastic job directing this movie, in particular through the use of elaborate sets, puppetry, and just plain spectacular cinematography; but the fact that Alien has an incredibly strong female protagonist (Sigourney Weaver’s Ripley) puts it leagues ahead of its time in terms of character-driven plot....
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MOVIE: Power Rangers (2017)

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Power Rangers Year: 2017 Rating: PG-13 Length: 124 minutes / 2.06 hours In one of the many gritty reboots of a nostalgic 1990’s franchise, I didn’t have much expectation for Power Rangers (2017). The original show was pretty campy, with a tried-and-true plot structure that didn’t change much from episode to episode. In fact, I probably couldn’t tell you the specific plot of any of the episodes. They’d usually follow this format: the main villain would go about trying to obtain some goal via their minions/henchmen, the Power Rangers would morph and fight the minions/henchmen, the minions/henchmen would grow large and start destroying everything, the Power Rangers would call their Zords out to battle, and (finally) the Zords would combine into the Megazord and the foe would be vanquished. While Power Rangers did follow some of the structure of the television show format, it also managed to create characters with some depth and background to them. From a disgraced football star to an autistic teen...
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MOVIE: Ghost in the Shell (2017)

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Ghost in the Shell Year: 2017 Rating: PG-13 Length: 107 minutes / 1.78 hours Having only seen the original Ghost in the Shell (1995) film (and its 2008 remake), and not having read the manga on which it was based, most of my comparisons of the 2017 live-action adaptation are from the anime film adaptations that came before it. For its time, the original Ghost in the Shell movie was revolutionary. Along with similarly violent anime films like Akira (1988), Ghost in the Shell showed the world that animation wasn’t just for kids. The adult and more psychological aspects of these films are what helped set them apart as some of the groundbreaking films in the anime genre. Regarding the live-action remake, I think it honestly took too long to get here. The concepts of cybernetically enhanced humans are surprisingly close to realized technology today. Given that these ideas seemed quite futuristic in the early 1990’s, the fact that they are plausible within the next...
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MOVIE: Split (2016)

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Split Year: 2016 Rating: PG-13 Length: 117 minutes / 1.95 hours For many years, M. Night Shyamalan’s directing career has been in continual decline. Many people, myself included, felt his groundbreaking work with The Sixth Sense (1999) was the peak of what he had to offer. Sure, Unbreakable (2000) and Signs (2002) were good movies that had their moments, but from that point onward, the films he made just got worse and worse. Although I have not seen it, 2015’s The Visit seemed to be a return to form for Shyamalan, indicating that his directing was no longer washed up. In Split (2017), we see that Shyamalan has been able to recapture the magic that made his previous films so memorable. The first thing I noticed in Split was the cinematography. The camera lets the audience see just enough to let them know that something is amiss, often preparing the viewer for an occasional jump scare. Secondly, James McAvoy’s performance was impeccable. Taking on the...
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MOVIE: Logan (2017)

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Logan Year: 2017 Rating: R Length: 137 minutes / 2.28 hours I'm not sure I know what to think about this movie. I mean, I wanted to like it inasmuch as I like a lot of the action-filled superhero movies that preceded it. However, the plot felt like it had less to do with these fantastic mutant abilities and more about just living life as normal people. Don't get me wrong: there are plenty of mutant abilities on display in this film, it's just that they weren't necessarily the focus of it. In fact, if you took away the fact that this was based on comic book characters, you'd still have a film about a father trying to care for a daughter he never knew he had. Almost sounds cliche to me. Regarding the Wolverine spinoff series, Logan (2017), is a strong finish after the abysmal Wolverine: Origins (2009) and slightly improved The Wolverine (2013). I did appreciate the finality of it, especially considering the whole X-Men...
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MOVIE: The LEGO Batman Movie (2017)

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The LEGO Batman Movie Year: 2017 Rating: PG Length: 104 minutes / 1.73 hours While The LEGO Movie (2014) did a good job of initially not making its universe seem like it was just in the imagination of a 10-year-old child, The LEGO Batman Movie (2017) dispenses with that illusion and goes full-bore into the child-like mind. From the dialogue to the wide variety of licensed characters to the regular “pew, pew pew” sounds made when guns and lasers are fired, The LEGO Batman Movie steps right into what you’d expect a movie about a children’s building toy would be. Of course, with Batman being one of the best characters from The LEGO Movie, it’s no wonder why he was first to get a spinoff film. Regarding plot, it was simplistic. Kids would certainly be able to “get” that family matters, even if they aren’t biologically related. But fear not adults, there’s plenty for you in this film as well. Perhaps the best mark of...
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MOVIE: John Wick – Chapter 2 (2017)

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John Wick: Chapter 2 Year: 2017 Rating: R Length: 122 minutes / 2.03 hours As far as sequels go, I was looking forward to the second installment of the John Wick franchise, mostly because I was interested to see how it would take the genre-defying changes it made in the first film and expound upon them. While you don't need to know much of the plot of the first movie, other than knowing John Wick (Keanu Reeves) was the best professional killer ever, and now he’s trying to live a peaceful life in retirement, one could almost wonder if the first film was even necessary. Plot-wise, John Wick: Chapter 2 (2017) provides a much more interesting storyline instead of just an accidental mistake made by a stupid kid of a mob boss. Unfortunately, while the plot is much improved, the action seems a little stale. Sure, Wick’s “dance of death” remains an impressive sight to behold, but now the camera is starting to trend back...
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MOVIE: John Wick (2014)

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John Wick Year: 2014 Rating: R Length: 101 minutes / 1.68 hours I’ll be honest and say that I initially thought this film was just another action movie. Of all the action movies that come out these days, there wasn’t much that intrigued me enough to spend the time with this particular one. However, after some of my friends were raving about it and I saw a few YouTube videos describing why it was so great, I decided to give John Wick (2014) a chance. To say I was pleasantly surprised would be an understatement. This film was not just another action movie. In fact, it was quite exemplary in its breaking of traditional action movie tropes. The most noticeable difference this movie has compared to other action films is its camerawork. Ever since The Bourne Identity (2001) changed the action movie genre, the cameras have been quite shaky, and the action is, therefore (increasingly) hard to follow. Not so with John Wick. The smooth and...
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MOVIE: Moonlight (2016)

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Moonlight Year: 2016 Rating: R Length: 111 minutes / 1.85 hours Based on the surprise win of Best Picture at this year’s Oscars, I had high expectations for Moonlight (2016). There were some fantastic, motivational, and inspirational films in the running for this award, including the “follow your dreams” story of La La Land (2016), the “communication is key” story of Arrival (2016), and the “overcoming adversity” story of Hidden Figures (2016). So, what did Moonlight have to offer? In my opinion, not much; but maybe that was because I’m a straight white (you could argue, privileged) male and there was little to relate to in this film. Sure, the cinematography was impressive at times, but there wasn’t any story that I felt was impactful enough to warrant its award. I will give credit to Mahershala Ali, as his performance was certainly deserving of the Best Supporting Actor Oscar. So, what lessons does Moonlight give us? Do we need to find good mentors in life?...
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MOVIE: Fences (2016)

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Fences Year: 2016 Rating: PG-13 Length: 139 minutes / 2.32 hours Before going into this film, I knew it was based on a play of the same name. Of course, even if I didn't know this, I could have told you it was based on a play. Perhaps that's what kept bugging me throughout this movie: it was clearly a play. I could see in my mind's eye how it would look on the stage, which wasn't helped by the actors' cadence and almost continual monologues. If I wanted to see this as a play, I'd see it as a play; I watch a movie to get a more well-rounded experience. So, aside from this film being an almost direct adaptation of the play it's based on, the next thing that caught my attention was how many tropes were contained in the plot. Honestly, with topics like mental health, marital infidelity, inter-generational conflict, and death, the plot didn't seem that original to me at all....
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MOVIE: Matchstick Men (2003)

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Matchstick Men Year: 2003 Rating: PG-13 Length: 116 minutes / 1.93 hours One of the lesser-known Ridley Scott films, Matchstick Men (2003) could have been just another heist film, and in some senses, it is. Upon watching the film again, one can easily pick up exactly when the "long con" starts up and which events lead toward the inevitable conclusion. So, perhaps it doesn't have the ability to demand repeat watchings (past about two) on its heist aspects. However, I believe the characters are what give this movie most of its charm. After all, characters make a story, and this one has some good ones. In one of his best "crazy person" roles, Nicholas Cage does an incredible job portraying Roy, a con-artist with severe Obsessive Compulsive Disorder. His performance is often difficult to watch and is cringe-worthy in the opening act. If this is what it's truly like living with OCD, I never want to joke about having it . . . ever. I'm almost...
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MOVIE: Passengers (2016)

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Passengers Year: 2016 Rating: PG-13 Length: 116 minutes / 1.93 hours I have to admit that the plot presented in the trailers of this movie intrigued me. However, in its execution, Passengers (2016) left much to be desired. Of course, this was mostly due to the film using just enough “physics speak” to be partially accurate, but incredibly wrong. Those parts stuck out to me in this movie and I kept scratching my head while watching it and saying, “Wait a minute . . .” That being said, not all of Passengers was bad, just a pretty big chunk of it. I did appreciate the moral conundrum that Jim (Chris Pratt) encountered in the movie’s first act. It did add a bit of predictable drama to the characters, but depicting his struggle highlighted his humanity. In this plot with a clear three-act structure, this first act was the highlight that eventually devolved into a ridiculous setup for the final reveal. With each new character introduced,...
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MOVIE: Moana (2016)

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Moana Year: 2016 Rating: PG Length: 107 minutes / 1.78 hours Let's get one thing straight: computers are incredible. Each successive year that passes, I find my eyes blown away at the amazing capabilities of computers to create the kind of imagery found in movies like this. From hair and water effects to some of the more supernatural aspects, the visuals of this film are quite commendable. Sure, Zootopia (2016) looked good too, but since its characters weren't human or in a "human" environment, it was difficult to see just how amazing the visuals could be. But this was likely due to Zootopia having more focus on an interesting plot instead of stunning effects. I am impressed that Disney has taken the leap to another non-white "princess" with Moana, but much of the cliche trappings of this type of film are out in full force. If I were to tell you Disney made a coming-of-age movie featuring the main character with an animal sidekick, a mute...
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MOVIE: Manchester by the Sea (2016)

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Manchester by the Sea Year: 2016 Rating: R Length: 137 minutes / 2.28 hours Part of the trouble with the reputation of a film preceding it is the film rarely lives up to the hype. At least, that has been my experience. If I go into a movie with my own idea of what it will be and the movie delivers, I feel it is a good movie. However, if my idea of the movie is skewed based on what I’ve heard about it, then I might be disappointed if it doesn’t match what I was expecting. This is why I’ll likely watch a trailer for a film, but I won’t read any reviews of it until I’ve already seen it. For Amazon’s successful foray into filmmaking, part of me expected a lot out of Manchester by the Sea (2016). After all, they don’t necessarily have to ascribe to the same processes and procedures that hold down other production companies. Add to this my impression...
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MOVIE: Hell or High Water (2016)

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Hell or High Water Year: 2016 Rating: R Length: 102 minutes / 1.7 hours It's interesting to me to see how the current social climate in this country can mold a film into a Best Picture Oscar nominee. I've probably seen this same scenario a number of different times, but the reasoning behind it is what brings Hell or High Water (2016) into a different category. There have been tons of heist films, and often the robbers have a tight connection, like that of brothers. Heck, The Blues Brothers (1980) essentially did the same basic plot but with "putting the band back together" as their way of "saving the ranch." Partly because this film seemed so quintessentially Texas, I couldn't help thinking it was a toned down version of another Best Picture Oscar winner No Country for Old Men (2007). With last year's Best Picture Oscar nominee, The Big Short (2015), showing how many honest Americans were swindled by the greed of banks, it's no wonder that...
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MOVIE: Lion (2016)

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Lion Year: 2016 Rating: PG-13 Length: 118 minutes / 1.97 hours Of this year's Best Picture Nominees, Lion (2016) is certainly one of the more . . . artistic ones. Heck, the title of the film wasn't clear until directly before the credits. In part due to the subject matter and the culture in which it takes place, this film can be hard to watch at times. The audience has to come to grips with the poverty and difficult living conditions present in India not only 25 years ago, but today as well. Perhaps it's my need to watch movies that help me to escape from these realities, but it was challenging to be shown such a stark view of another country's reality. While I understand that the larger, overarching message of the film is to bring to light the social issue of lost children in India, the more inspiring subplot had to do with adoption. Many couples have a lot of different reasons for...
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MOVIE: Arrival (2016)

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Arrival Year: 2016 Rating: PG-13 Length: 116 minutes / 1.93 hours Despite all the mindless action and sex that hits the big screen every year, every once in a while there comes a film that's a little more . . . cerebral. Arrival (2016) certainly fits this category. Not only do you really have to pay attention to what's happening in this film, it makes you question how we perceive our world as it is right now. Never before have I seen the topic of encountering alien life forms approached from such a realistic and logical way. It makes sense that we wouldn't be able to understand them, so the first step in establishing an understanding is to establish communication. Much like Christopher Nolan, who has done a number of great, "cerebral" films including Memento (2000), Inception (2010), and Interstellar (2014), I have recently come to appreciate the directorial talents of Denis Villeneuve. From his previous films like Prisoners (2013) and Sicario (2015), I've seen him deliver...
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MOVIE: Doctor Strange (2016)

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Doctor Strange Year: 2016 Rating: PG-13 Length: 115 minutes / 1.92 hours See if you can guess this movie: goatee'd egomaniac finds himself in a life-changing situation in a foreign land that makes him question everything he's ever stood for and become a superhero in the process. If you guessed Iron Man (2008), you'd certainly be close. No, this familiar plot is none other than the visually extreme Doctor Strange. I understand Marvel has a bigger plot in mind when they do these lesser-known heroes; but lately, it almost seems like they're just phoning it in. Doctor Strange merely feels like filler to get to Thor: Ragnarok (2017) and Avengers: Infinity War (2018). I will give Marvel this much: they do know how to cast a film. Benedict Cumberbatch does a superb job at portraying the eponymous Dr. Strange, fused with enough gravitas and humor to make watching him a joy. And while many will question Tilda Swinton's role as The Ancient One, especially considering...
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MOVIE: La La Land (2016)

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La La Land Year: 2016 Rating: PG-13 Length: 128 minutes / 2.13 hours In a world where people worship everything and value nothing, I have found that I value the many messages present within La La Land (2016). While simultaneously shining a harsh light on the hypocrisy of Hollywood and showing how our dreams and passions move us to make tough life decisions, I found myself deeply moved by the narrative presented within this film, not only as a lover of movies but as a creative artist myself. This film is for the dreamers. It's for the people who never give up in pursuing what they want out of life. It's for those who have a talent screaming to be noticed by others. Aside from literally being the best musical I've seen in nearly more than a decade (Chicago (2002) is the only recent one that comes to mind), what I found most impressive about this film is that it is only the second directed by Damien...
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MOVIE: The Young Girls of Rochefort (1967)

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The Young Girls of Rochefort Year: 1967 Rating: G Length: 125 minutes / 2.08 hours I've seen quite a few musicals over the years, but practically all of them have been in English. That was until I saw The Young Girls of Rochefort (1967) (AKA Les Demoiselles de Rochefort in its native French). It's interesting to watch something with subtitles and hear how the songs rhyme in their native tongue. Partly because of this, I have quickly come to the realization that this film is an instant favorite of mine. I mean, who could blame me with the catchy tunes and upbeat jazz stylings of this musical? Of course, in a musical like this, the colorful and fun festival atmosphere was merely accentuated by the continuous singing and dancing. It's almost ridiculous how much dancing there is in this film. Even the background characters are dancing when there's simple dialogue being spoken in the foreground. Perhaps the style of the late 1960's is partly to blame for the...
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MOVIE: Hacksaw Ridge (2016)

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Hacksaw Ridge Year: 2016 Rating: R Length: 139 minutes / 2.32 hours For many years, Mel Gibson has been at the center of controversies and other unwelcome attention-grabbing incidents. While this normally kills any actor's chances of reviving their careers, Gibson has instead managed to remain somewhat unscathed by retreating into his other skill: directing. As we've seen from some of his other directorial efforts, he is skilled behind the lens, even if many themes remain the same. From Braveheart (1995) to The Passion of the Christ (2004), Gibson has a tendency to be pretty brutal in the imagery he brings to the screen. Granted, this is partly due to the semi-factual source material. In his latest work after a long hiatus, Gibson brings us the brutality that is World War II. Hacksaw Ridge takes some time to get to its emotional center, but the unfortunate side effect of this is a series of characters that feel almost comical in their exaggerations. From Andrew Garfield's goofily...
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MOVIE: Avatar (2009)

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Avatar Year: 2009 Rating: PG-13 Length: 162 minutes / 2.7 hours For being 10 times the amount of money I would normally spend on a movie, I had hoped that this would be worth it. As per my previous stance on 3-D, I was hesitant on going to this film when it first came out. However, since I did some reading up on what forces went on behind this film, I decided to give the 3-D experience a try. What an experience it was! I can see why the film industry was really pushing for more movies to be in 3-D because it is spectacular. The glasses weren't uncomfortable, and if you took them off for a second, it wasn't a terrible color-shifted image, it was just slightly blurry. Although, one thing that 3-D cinema is going to have to fix is to have more things in focus. You can't rely on previous film-making techniques here. At any rate, if you can get over the blatantly...
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MOVIE: Daredevil (Director’s Cut) (2003)

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Daredevil (Director’s Cut) Year: 2003 Rating: R Length: 134 minutes / 2.23 hours Back in the early days of the rising popularity of the superhero movie, long before cinematic universes and multi-film crossovers, there were a handful of films that brought these comic book characters to the big screen. From Spider-Man (2002) to X-Men (2000) to The Punisher (2004), one of these films was none other than Daredevil (2003). For many years, I had seen these films, even going so far as having seen Hulk (2003). The one I had not seen was Daredevil, mostly because I had heard it was so bad. I had seen Hulk, so I knew how bad they could be. Now that a Director’s Cut of Daredevil was available, I heard it improved on the original and decided to just skip the original cut entirely. With no understanding of what the film used to be, I can say that the Director’s Cut isn’t completely terrible. Sure, some of the lines...
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MOVIE: Tucker and Dale vs. Evil (2010)

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Tucker and Dale vs. Evil Year: 2010 Rating: R Length: 89 minutes / 1.48 hours I'm not really a fan of the horror genre. Mostly, I feel the plots are contrived, the characters are downright idiotic, and the violence is over-the-top. Of course, when I heard about Tucker and Dale vs. Evil years ago, I said, "pass." The friend who suggested I see it assured me that it wasn't like all the other horror films. The fact is, it is exactly like all the other horror films, but it is self-aware of this fact. Because the film is self-aware, it recognizes every single horror genre trope and makes fun of it. As time went by, more people suggested I see this film, so I finally caved during a slow weekend at home. Being the self-aware film that it is, the plot is simple and the production values are limited, at best. What really makes the film enjoyable to watch is the fact that the whole...
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MOVIE: Hidden Figures (2016)

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Hidden Figures Year: 2016 Rating: PG Length: 127 minutes / 2.12 hours I often jokingly refer to my job as being a "rocket scientist." While it does involve rockets and space, it isn't nearly as "down in the numbers" as the jobs portrayed in this film were. I've worked with a lot of people over the years in this technical field, and my opinion has always been that, if somebody is competent enough to do the job, we should hire the most competent people to do said job. Even though this is a statement against nepotism and just knowing the right people in the right places, what this film has shown me is that it's not nearly that simple. In terms of competency, I will not judge you by your gender or your race, as long as you show you can do the work and not be a burden on the team. However, even though people are highly qualified, they have had the deck stacked against...
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MOVIE: Jaws (1975)

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Jaws Year: 1975 Rating: PG Length: 124 minutes / 2.07 hours Back when I first saw this film as a child, it scared me quite a bit. Later, when I watched it again for the first time in a while, it didn’t scare me as much, but it certainly was thrilling. Now, having read the book it was based on, I have a fuller and more in-depth understanding and appreciation of all sides of this classic story. With the knowledge of what was missing in the movie from the book, I thought it would detract from the viewing experience. Instead, I found that the book and the film covered two very different aspects of the story, each expertly done for the utilized medium. In the book (which was released a year before the film), we find that the shark hunt is not only a matter of public safety but also infused with the politics of the island of Amity and the personal drama of a cuckolded...
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MOVIE: Rogue One (2016)

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Rogue One Year: 2016 Rating: PG-13 Length: 133 minutes / 2.22 hours Years ago, when Disney acquired Lucasfilm, I had worried that they would ruin one of the most beloved sci-fi franchises ever to grace the big screen. That being said, Lucasfilm’s prequel trilogy showed us all how it could happen. Around the same time, I started to notice the quality of Disney’s animated fare was drastically improving, even outpacing Pixar. The proof to finally win me over was the way they have expertly handled the Marvel Cinematic Universe. With all this in mind, I was curious how this side-story to the main Star Wars saga would play out. First off, anyone worth their salt in nerd-cred knows that the original Star Wars is based off samurai films. Gareth Edwards (who directed the Godzilla (2014) reboot) certainly made this influence obvious in Rouge One, especially in the opening sequence and with the inclusion of a Zatoichi-like blind swordsman. At this point, all he needed was...
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MOVIE: Rise of the Guardians (2012)

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Rise of the Guardians Year: 2012 Rating: PG Length: 97 minutes / 1.62 hours While the idea of the holidays being connected isn't a new idea (see The Nightmare Before Chrismas (1993) for another take on it), there is something intrinsically interesting with making the respective figureheads of their representative mythos come together in an Avenger-esque fashion against a common enemy. Rise of the Guardians (2012) certainly does a good job of this, even if only two of its characters have anything to do with holidays at all. In its essence, the fanciful characters from our childhood banding together to fight evil personified is based on the belief that we all have something to believe in. What I particularly like about Rise of the Guardians is the surprising depth of the characters chosen to fight for the belief of all children around the world. From a Russian-themed Santa Claus to the Australian Easter Bunny (expertly voiced by Alec Baldwin and Hugh Jackman, respectively), these added details...
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MOVIE: Pacific Rim (2013)

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Pacific Rim Year: 2013 Rating: PG-13 Length: 131 minutes / 2.18 hours When I first saw the trailer for this film, I became really excited. One of the staples of anime is the "giant robot" subgenre, of which Neon Genesis Evangelion and Gurren Lagann are certainly the classics. And while Pacific Rim (2013) wasn't an adaptation of an anime, it got my hopes up that it could be done well enough that we could see live action versions of these aforementioned anime. After all, adaptations to live-action from anything animated tend to be very difficult, so this would be a step in the right direction. I do have to say that this movie delivered what it promised. Something like a mix between Godzilla (1999) and Real Steel (2011), the premise was a little bit closer to Independence Day (1996) than I initially thought it would be. The visuals were stunning and the fight sequences were both immense and intense, never letting up with the action as...
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MOVIE: Kubo and the Two Strings (2016)

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Kubo and the Two Strings Year: 2016 Rating: PG Length: 101 minutes / 1.68 hours We live in the future, and it is incredible. I’ve found stop-motion animation to be a fascinating medium, not only for its “dirtiness” when compared to CGI, but also because of the painstaking care it takes to produce a full-length feature with this process. Animation studios like Aardman and Laika are really starting to take advantage of all the tools at their disposal to create some awesome stop-motion movies. We’ve come a long way since the films of Henry Selick, the most famous one being The Nightmare Before Christmas (1993). Through Selick, we now have a handful of fantastic films through the Laika brand. While their previous work, The Boxtrolls (2014) had started the trend away from more morbid themes and plots, Kubo and the Two Strings (2016) shows just how capable the stop-motion medium is to tell a fantastic story. With an origami motif existing throughout, Kubo and the...
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MOVIE: Jason Bourne (2016)

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Jason Bourne Year: 2016 Rating: PG-13 Length: 123 minutes / 2.05 hours Back in 2002, The Bourne Identity redefined not only the action film aesthetic but the modern spy thriller as well. While some elements of the Bourne films have been good for action films, others are now trite and cliché. If you were to break down the “Bourne formula”, these four elements could be used to make any action film in the “Bourne-style”: Car chases with spectacular driving in “common” vehicles Brutal hand-to-hand combat using everyday items Shaky camera movement during action sequences “The chase” where eventually the protagonist gets away, achieves his objective and escapes into the shadows once again Because the Bourne films are so formulaic, I found Jason Bourne (2016) to be no different. That being said, the film was still a fun and intense ride to watch. Now nine years later from the last in the “true” Bourne storyline (we’ll just forget that The Bourne Legacy (2012) happened), technology has vastly improved, making this film seem...
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MOVIE: Suicide Squad (2016)

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Suicide Squad Year: 2016 Rating: PG-13 Length: 123 minutes / 2.05 hours Perhaps the most controversial film of this summer, Suicide Squad (2016) tells a story that is necessary to highlight the eventual superhero team of the Justice League (2017). While I am aware of the real-life drama surrounding the film, including Jared Leto's method acting, director David Ayer's uncouth comments, and the fandom's revulsion of its negative critical reception, I will try and give an unbiased review here. After all, sometimes the greatest art can stand apart from the artists who create it. Decades from now, most will have forgotten the controversy, resorting to Wikipedia for a reminder. In the realm of superhero films, the motif has always been a dichotomy of extremes. Good vs. evil. In reality, things aren't nearly as clear-cut as this. Sure, there are those who do wrong and those who do right, but each side will have their own motivations. What Suicide Squad does is break down the stereotype of the...
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MOVIE: 42 (2013)

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42 Year: 2013 Rating: PG-13 Length: 128 minutes / 2.13 hours In today's charged racial climate, it seems that we haven't come that far from the 1940's. All the barriers that have been broken to allow equal opportunities to everyone don't seem to matter if the heart of the people has not been changed. Needless to say, several films have been made in the last few years which have highlighted the racial struggles of the pioneers in their respective professions. Initially, I was skeptical that 42 (2013) would devolve into your standard "fight against racism" story, but the expert camerawork, peppy pacing, and superb casting really made this movie for me. Having played baseball myself up through my senior year in high school, the appeal of a story about the game is what initially piqued my interest. The fact that this is a story about one of the most recognizable names in baseball was merely icing on the cake. There have been a number of...
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MOVIE: Paint Your Wagon (1969)

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Paint Your Wagon Year: 1969 Rating: PG-13 Length: 166 minutes / 2.77 hours My first exposure to the musical western that is Paint Your Wagon (1969) was from the 9th season clip show of The Simpsons entitled "All Singing, All Dancing." In the episode, Bart and Homer are looking forward to a shoot-'em-up western with Clint Eastwood and Lee Marvin. Instead, they are shocked to find that the film is actually a musical. While the actual film itself did not contain any of the bits from The Simpsons, part of me wished it did . . . or at least an explanation as to why the title is Paint Your Wagon. Needless to say, I knew going into this film that it was going to be a musical, and I was prepared for that. One does wonder if the musical hides topics and themes that aren't really that appropriate in a non-musical setting. I'm not sure this film was comedic enough to have polygamy, greed,...
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MOVIE: Superman Returns (2006)

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Superman Returns Year: 2006 Rating: PG-13 Length: 154 minutes / 2.57 hours Technically the fifth in the Superman franchise that started in the late 1970's, Superman Returns feels a bit like the black sheep of the bunch. There's a sense that it's just tacked on to try and capitalize on some of the popularity of superhero films, in part because of the director's previous successes with other superheroes. Part of me thinks that Bryan Singer should have directed the third X-Men film instead of this movie; since he clearly knew what he was doing with that Marvel property. But what really gets me about this film is the way it "plays to the audience." If you ask diehard fans of two of the most iconic fandoms what their absolute least favorite film is in their canon, you'll get some telling answers. For Star Wars fans, it's Episode I: The Phantom Menace (1999) and for Star Trek fans, it's Into Darkness (2013). But why do they hate...
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MOVIE: Finding Dory (2016)

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Finding Dory Year: 2016 Rating: PG Length: 97 minutes / 1.62 hours As is the case with the rest of Hollywood right now, Pixar is cashing in on the nostalgia factor of their previous films. Just like Monsters University (2013) before it, Finding Dory (2016) brings together the same team of voice actors who brought their respective originals to life more than a decade ago. And while this sequel was more akin to the likes of Toy Story 2 (1999), the amount of time between the two films really gives Pixar the chance to show off how much the power of computers has advanced in that time. Unfortunately, while the visual style has been drastically updated, the plot has not. In its purest essence, Finding Dory is just like Finding Nemo (2003): a fish separated from its parent tries to find their way back home while the parent does everything in their power to find their child. I would have liked a bit more originality from...
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MOVIE: The Secret Life of Walter Mitty (2013)

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The Secret Life of Walter Mitty Year: 2013 Rating: PG Length: 114 minutes / 1.9 hours Let me start by saying that I was skeptical to go see this film, mainly because it starred Ben Stiller. Given his track record of “comedies,” I found myself avoiding his films just because I knew that they’d be crude and not the type of comedy I would enjoy. Much in the same way I was surprised by Will Ferrell in Stranger than Fiction (2006), The Secret Life of Walter Mitty (2013) was a pleasant surprise. I don’t know if it’s because he also directed this film, but I truly enjoyed it on many levels, both as a lover of movies and a lover of photography. The strength of this film lies in its imagery and presentation. The beauty of our world and the way it’s captured in the travels of a man coming out of his shell is truly inspiring. I can honestly say I haven’t seen a...
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MOVIE: Hail, Caesar! (2016)

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Hail, Caesar! Year: 2016 Rating: PG-13 Length: 106 minutes / 1.77 hours I like movies as much as the next connoisseur of film, but clearly the Coen Brothers like them more than I do. Specifically, they like the films made during the “golden age” of Hollywood: the 1950’s. From action-packed westerns, to Biblical epics, to underwater choreography, to big-budget musicals, these films exemplified a Hollywood that was on top of its game. Unfortunately, as is the case with any great success, it can be hard to maintain over time. In what could be considered a “love letter” to a Hollywood of the past, the Coen Brothers bring all these films together in Hail, Caesar! (2016). While I could appreciate the references made throughout this film, many of them felt quite disjointed. Sure, there’s the tie-in to real-life Hollywood fixer, Eddie Mannix (Josh Brolin), but he merely acts as a link between scenes of grandeur meant to show how well the Coen Brothers can follow...
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MOVIE: Star Trek Beyond (2016)

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Star Trek Beyond Year: 2016 Rating: PG-13 Length: 122 minutes / 2.03 hours First off, I want to admit that I am more of a Star Wars fan than a Star Trek fan. As a result, I have enjoyed the first two of the Star Trek reboot titles because they are structured more like a Star Wars film than a Star Trek one. Of course, this may also be due to my bias toward J.J. Abrams and everything that he directs. For this third installment in the reboot series, we no longer have Abrams, but rather Justin Lin (known for the Fast & Furious franchise). Maybe because of this, I didn't really think this film stood up to the previous two. Sure, there were segments that I thought were interesting and deep, but they were merely bookends in a confusing hodgepodge of action and "buddy up" subplots. I appreciated the beginning, with its humanizing narrative that made sense for the captain's current state of affairs....
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MOVIE: Limelight (1952)

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Limelight Year: 1952 Rating: Approved Length: 137 minutes / 2.28 hours While it is rare to find a film by/starring Charlie Chaplin that isn't uproariously funny, the depth of the drama of this piece certainly shows the range everyone's favorite silent actor could perform. Chaplin will always have the little idiosyncracies in the way he moves, but when they're applied to a washed-up drunk, suddenly they take a much more serious turn. Films like The Dictator (1940) and Monsieur Verdoux (1947) certainly have their amusing moments, but work better as social commentaries, or at least are more direct about their message than the earlier films like The Gold Rush (1925), City Lights (1931), and Modern Times (1936). What's really interesting about Limelight is it feels almost as autobiographical as it does groundbreaking. I mean, if we were to name one famous actor who excelled at playing a "tramp", Chaplin is the only one who would come to mind (although Buster Keaton, who also appears in the...
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MOVIE: The Martian (2015)

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The Martian Year: 2015 Rating: PG-13 Length: 144 minutes / 2.4 hours I, for one, am excited that space travel is now a topic regularly covered on the big screen. If the general public becomes even a little bit more interested in interplanetary travel, perhaps I can see man stand on the surface of Mars in my lifetime. The Martian (2015) is merely the latest in a string of space-themed sci-fi movies that brings the excitement of outer space to theaters. While not nearly as continually intense as Gravity (2013), or as epic as Interstellar (2014), what The Martian does right is give a sense of scale to the challenge of returning to Earth from being abandoned on Mars. Gripping and just humorous enough to keep it from being dour, director Ridely Scott uses many cinematic techniques, including several montages, to tell the story many have already read from Andy Weir's novel of the same name. While many sequences and scientific explanations were obviously cut for...
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MOVIE: Dirty Harry (1971)

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Dirty Harry Year: 1971 Rating: R Length: 103 minutes / 1.72 hours What makes an iconic film? Is it something that has memorable moments and catch phrases? Is it something that stands up against the test of time? Is it something that resonates with us on a deeper level? Whatever it is, I feel Dirty Harry (1971) is certainly an iconic film. Let's take a look at why this is the case. First off, there's the famous monologue about counting. "Do you feel lucky?" completes a tense moment that merely started with a detective's intuition that something was about to go down. But what make this early scene that much greater is the bookend it creates with the film's antagonist, Scorpio (Andy Robinson). This isn't even the only bookend this film has to offer, as the two deaths at either end of the movie end up being submerged in water. Secondly, while the 1970's seem quite different to our modern styles, something about the culture...
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MOVIE: Get Smart (2008)

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Get Smart Year: 2008 Rating: PG-13 Length: 110 minutes / 1.83 hours While film adaptations of television shows aren't new, Get Smart (2008) was certainly in the era when the idea to do so had become popular (even if we're still trying to forget Bewitched (2005)). What's nice about Get Smart is that it falls into that "self-aware" category, mainly because the source material (i.e. the 1960's TV show of the same name) was already self-aware when it came to the "spy" genre made popular by James Bond. Of course, it's no wonder that the king of parody, Mel Brooks was involved in both the TV show and this film adaptation. Of course, while the humor was more bathroom-oriented than witty, many of Carell's lines played off of the amusing nature of taking everything literally. Also, the bumbling nature of his new field agent character, Maxwell Smart, was certainly entertaining (as it is clearly Carell's forté), even if it was abandoned at times to advance the plot through...
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MOVIE: Now You See Me 2 (2016)

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Now You See Me 2 Year: 2016 Rating: PG-13 Length: 129 minutes / 2.15 hours Sometimes the enjoyment of a particular film almost guarantees I’ll go to see the sequel. Now You See Me 2 (2016) is no exception. I really liked Now You See Me (2013) because the genres of “magic” and “heist” merge so easily together. Now three years later, and I certainly looked forward to this sequel, despite not knowing how the plot could advance any further than it had at the end of the first film. While the sequel did not disappoint, with numerous illusions, plenty of action, and loads of comedy, it felt like it was the same old gimmick as the original. Sure, there was a little more exploration into “the Eye”, but most of the plot of the second film centered on the consequences of the robberies from the first film (almost weighing it down, in my opinion). The addition of Daniel Radcliffe as a winking nod to...
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MOVIE: Now You See Me (2013)

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Now You See Me Year: 2013 Rating: PG-13 Length: 115 minutes / 1.92 hours The key to a great heist film comes in three stages: the pledge, the turn, and the prestige. Wait, that’s the key to a great magician’s illusion. Actually, here’s the real trick: both are very similar in structure. Each requires a setup of events which lead to an amazing reveal, followed by an explanation of how the heist/illusion was performed. In Now You See Me (2013), both the heist and magician genres are found to be so closely related that it was nice to see them meld together so well. In a page ripped straight from Robin Hood, the main characters justify their thievery by stating that their actions are to right the wrongs done to the general public. Of course, when a movie uses CGI to enhance the magic of the actors, it’s just that much more fun to see how they are able to pull off each heist using...
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MOVIE: The Legend of Tarzan® (2016)

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The Legend of Tarzan® Year: 2016 Rating: PG-13 Length: 110 minutes / 1.83 hours After watching The Legend of Tarzan®, the one unanswered question I had was, “Why was this film even made?” If this was to cash in on the plethora of live-action reinterpretations of Disney animated films, it might have held closer to that story. If this was to make a point about racism, it was making the wrong point. If this was because it’s a recognizable name with a hunky-looking protagonist, then I think they probably hit the mark. While the scenery is certainly immersive in this adaptation of an Edgar Rice Burroughs character, much of this film pulled me out of the illusion of the African jungle. Right off the bat, the “registered trademark” that appears after in the title reminds you that there is already plenty of media about Tarzan, and another movie probably doesn’t add to it. Secondly, while a star-studded cast is a good way to get audiences...
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MOVIE: Road to Morocco (1942)

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Road to Morocco Year: 1942 Rating: Not Rated Length: 82 minutes / 1.37 hours It’s unfortunate that many people who might be familiar with this film only know it through the homage done on Family Guy. The unfortunate part of this is that most wouldn’t recognize the origin of the bit and go watch the reference material, which is much funnier than Family Guy could make it. Buddy films have been around for a long time, so it’s nice to see how one of the founding films of this comedy sub-genre succeeded at it. The success of a Buddy film comes from the talent of its two main characters. In this case, Orville "Turkey" Jackson (Bob Hope) is the lovably dim partner to Jeff Peters (Bing Crosby), the snarky singer and brains of the operation. Those who might be looking for a pure slapstick comedy are bound to be slightly disappointed, because the gold of this film is in its repartee. Verbal jabs, wordplay, and double entendre...
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MOVIE: Ernest & Celestine (2012)

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Ernest & Celestine Year: 2012 Rating: PG Length: 80 minutes / 1.33 hours While the visuals of CGI-animated films can be quite realistic and stunning, there’s something to the simple, drawn lines of a classically animated piece. Often, the realism of CGI is actually a bit of a detriment as any human characters will start to fall into the “uncanny valley”, wherein our minds reject the characters because they’re close to being human, but there are still elements that can’t be captured and our minds pick up on these flaws. Granted, I will admit that the classical look can still be obtained with computers, but it’s nice to see every once in a while, especially with the proliferation of new animation studios. Part of the challenge of standing out amongst the large number of animated films comes in the visual style used in the animation. With Ernest & Celestine (2012), the visual style doesn’t try to imitate any successful studio (like Disney), but instead attempts to recapture...
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MOVIE: The Jungle Book (2016)

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The Jungle Book Year: 2016 Rating: PG Length: 106 minutes / 1.77 hours If there’s any more proof there aren’t any new ideas in Hollywood, it’s the fact that beloved animated classics are being remade as live-action films. Sometimes this works, but more often than not, the ploy to attract those nostalgic feelings from the audience fails, thus leaving the viewer with the sense that their childhood is ruined. I’m generally pretty hesitant of these types of films, mainly because part of me doesn’t want to admit that the original films sometimes weren’t that great. That being said, the latest in these adaptations, The Jungle Book (2016) certainly surprised me. Unlike some films like Maleficent (2014), which takes a different point of view from the main story of Sleeping Beauty (1959), and more like Cinderella (2015), which covers the same material as its predecessor, Cinderella (1950), The Jungle Book takes the main ideas from Rudyard Kipling’s book, via the animated interpretation of The Jungle Book...
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MOVIE: Captain America – Civil War (2016)

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Captain America: Civil War Year: 2016 Rating: PG-13 Length: 147 minutes / 2.45 hours When it comes to sequels, I fell very few film franchises do their predecessors justice. In my opinion, a great sequel requires a simple formula: cause and effect. The "cause" should be in the form of the first (or in this case, previous) movie(s). Whatever happens before a sequel should drive the plot of the following movie. This is the "effect." While it wasn't nearly as good as this effort, Batman v Superman: Dawn of Justice (2016) followed the same formula. Cause: Superman destroying most of Metropolis in Man of Steel (2013). Effect: Batman and Lex Luthor wanting to hold Superman accountable. See? Simple as that. What perhaps makes Captain America: Civil War such a great film is the amount of "cause" that led to its "effect." The driving plot of this film was in direct response to the destruction and mayhem brought about by the Avengers trying to save the...
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MOVIE: Independence Day – Resurgence (2016)

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Independence Day: Resurgence Year: 2016 Rating: PG-13 Length: 120 minutes / 2.0 hours Can we just be real for a second? Is the nostalgia factor so strong in Hollywood these days that anything coming upon its 20th anniversary is re-made, rebooted, and sequeled to death? Certainly, this is a pretty good marketing strategy, since last year's Jurassic World (2015) was such a huge financial success, even though it was essentially the exact same plot as the original Jurassic Park (1993). Clearly, the millennials who grew up with these films want to see them on the big screen again, 20+ years later with newer and flashier special effects. After all, Moore's Law implicates the visual style should be more than 1,000 times better than its predecessor. Here's the problem I have with this re-quel that seems to be going around: it doesn't give us anything new. Take Independence Day (1996) for example. This film was a great action film filled with plenty of interesting sci-fi, memorable characters,...
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MOVIE: Independence Day (1996)

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Independence Day Year: 1996 Rating: PG-13 Length: 145 minutes / 2.41 hours While most people just roll their eyes at the mention of Roland Emmerich as a director, many forget that he essentially started the revival of the "destructive action" film. What used to be common in the seventies, with movies like The Poseidon Adventure (1972) and Towering Inferno (1974), films showing catastrophes had taken a bit of a back seat until Independence Day. This revival on a globally-catastrophic scale brought about such films as Armageddon (1998) and Deep Impact (1998). Granted, Emmerich continued to make world destruction a part of his directing career, which is why films like this almost seem hokey today. Godzilla (1998), The Day After Tomorrow (2004), 2012 (2009), and White House Down (2013) haven't been the most critically-acclaimed films of all time, but they certainly carry Emmerich's penchant for demolishing cultural landmarks. One does wonder why Independence Day stands out amongst his other films, almost as an anomaly. While later films by...
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MOVIE: X-Men – Apocalypse (2016)

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X-Men: Apocalypse Year: 2016 Rating: PG-13 Length: 144 minutes / 2.4 hours I’ll admit that I was excited for this film, mostly because I was somewhat familiar with its premise. I grew up on the X-Men: Evolution TV show, so I knew that the defining arc of that series was none other than the Apocalypse arc. This may have actually spoiled the movie for me, because it wasn’t quite in line with the plot I knew. Sure, Bryan Singer returned to direct this penultimate piece of the X-Men franchise, but there were just a few things that bugged me about this movie. First off, one of the elements of the previous prequel films I liked and appreciated was the inclusion of historical events and people into the storyline. This way it felt like an alternate reality not so far removed from our own. While there were loose elements of this present, it wasn’t nearly as integrated as it had been done in the past. Add...
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MOVIE: X-Men – Days of Future Past (2014)

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X-Men: Days of Future Past Year: 2014 Rating: PG-13 Length: 132 minutes / 2.2 hours One of the more difficult plots to pull off in a film is that of the simultaneous prequel/sequel. Perhaps the most famous of this plotline is The Godfather: Part II (1974). However, I would argue that X-Men: Days of Future Past perfected it. Just like X-Men: First Class (2011) before it, Days of Future Past takes the retro stylings of its decade (this time the 1970’s) and places a plot intertwined with the well-known figures and events of the time. It also simultaneously puts the X-Men in a dire and hopeless situation in a distant future, thus driving the need to go into the past to fix the initial conditions that got them into this quandary. Plus, most of the film is driven by Wolverine (Hugh Jackman), which just shows how vital he is to the series. In a return to form that was sorely missing in the previous two...
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MOVIE: X-Men – First Class (2011)

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X-Men: First Class Year: 2011 Rating: PG-13 Length: 132 minutes / 2.2 hours While prequels always hold the distinction of being the one type of movie that you know how it will end, seeing how they get there is certainly entertaining. Much like the Star Wars prequels gave us a point before the original trilogy to learn more about the background of the characters, the X-Men prequels manage to do this, but with a much better result. My only major qualm with prequel trilogies is that, while the mainstays of the franchise were there in terms of characters, the only ones who maintained their actor from the first set of movies were relegated to cameo appearances. This is only heightened by my opinion that the original X-Men trilogy’s cast was perfect in almost every way. That being said, with the prequel trilogy now complete, the younger cast has definitely grown on me as well, James McAvoy’s Xavier being my favorite of the prequel group. Because X-Men: First...
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MOVIE: X-Men – The Last Stand (2006)

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X-Men: The Last Stand Year: 2006 Rating: PG-13 Length: 104 minutes / 1.73 hours What a difference a director makes. While the previous two films in this franchise used Bryan Singer, the choice to go with Brett Ratner in this final film of the trilogy was a mistake. There was a tone and style to the previous X-Men movies that was just never quite captured in this one. The comedy seemed unnatural, the plot wasn’t taken quite seriously enough, and the new characters were never given enough time to really fully develop. Perhaps some of the weakness of this film can be blamed on the previous two films being strong, independent storylines, thus not giving much to tie into a conclusive chapter of a trilogy. Despite X2 (2003) not holding to the traditional form of “the trilogy conundrum”, the fact that X-Men III has to start with some very main characters missing is a plot point that requires viewers to have seen the previous film. The...
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MOVIE: X2 (2003)

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X2 Year: 2003 Rating: PG-13 Length: 134 minutes / 2.23 hours I’ve often held that the sequel of a superhero film is better than the original. Most superhero film franchises start out with an origin story, so by the time the second film comes around, all the “exposition” is out of the way and the heroes can really take on some powerful villains. However, since X-Men (2000) didn’t have much of an origin story, its sequel, X2 is almost relegated to the fate of a “flashback” sequel. Still, the darker tone does help set it apart from its predecessor, which is nice. Granted, the choice of exploring Wolverine’s (Hugh Jackman) past was a good one, considering the strength of the character. Heck, he got two more movies outside the main X-Men saga, so clearly he’s a fan favorite. What’s nice about the superhero sequel is that most comic book story arcs are short enough that they can be incorporated into a single film. In this...
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MOVIE: X-Men (2000)

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X-Men Year: 2000 Rating: PG-13 Length: 104 minutes / 1.73 hours Up until the 21st Century, DC had dominated the comic book adaptations on the big screen. Film franchises like Superman and Batman were essentially the only acts in town. Of course, by the time the year 2000 rolled around, Superman hadn’t been in theaters for more than a decade, and Batman had become almost as campy and goofy as its 1960’s counterpart. This was now Marvel’s time to shine. Partly due to a large cast of recognizable characters, X-Men was the right choice to reboot the comic book adaptation film franchise. Even though X-Men set the standard pretty high for comic book adaptations, very few have followed in its stead. Where most first films in a hero franchise focus on the origins of the main character, the X-Men spans such an enormous timeframe, with characters coming in and out of relevance, that it would be difficult to give all of their origins at once. Instead,...
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MOVIE: Allegiant (2016)

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Allegiant Year: 2016 Rating: PG-13 Length: 120 minutes / 2.0 hours For those following along at home, Allegiant is the third film based on the third book in the Divergent series. As I have made comparisons to The Hunger Games in each installment of these reviews, I will continue to not disappoint. Seems to me that the trend of splitting the last book of a literary series into two movies is annoyingly out of hand. Sure, having written the end of my own trilogies, I know there's a lot of plot and sub-plots to bring to a conclusion. I also know that much of the Divergent series didn't feel like it really did or said anything. Sure, there's the nod to some political statement or worldview that's relevant today, but honestly I want something that only the survivors of a post-apocalyptic future should have to solve. Where the previous two films in this series really excelled in their portrayal of "simulations", this film had absolutely none of...
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MOVIE: Insurgent (2015)

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Insurgent Year: 2015 Rating: PG-13 Length: 119 minutes / 1.98 hours If The Hunger Games has given us anything from this uprising of Young Adult film adaptations, it's that each successive film is released in each successive year. There's no waiting for years for the next part of the trilogy to come out, only to have characters cast differently. The Divergent series is no different, but still stands in the shadow of its Hunger Games predecessor. This time around, we get the pleasure of Robert Schwentke directing the post-apocalyptic action. With his previous films like RED (2010) and The Time Traveler's Wife (2009), it's clear he can handle action as much as he can romance. While the action is excellent, the romance seemed to be a little lacking. Having read this book after watching the film, the plots start to diverge a bit (ha ha, get it?) almost in part due to the removal of the more sexually-charged relationship between Tris (Shailene Woodley) and Four (Theo James). Since the...
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MOVIE: Divergent (2014)

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Divergent Year: 2014 Rating: PG-13 Length: 139 minutes / 2.31 hours While The Hunger Games really cornered the market in the "young adult dystopian future" category, many authors jumped on the bandwagon to cash in on this phenomenon. I'll admit that many of these series that got movie adaptations I had never heard of before and likely will not see/read. The Divergent series, though did stand out as the top of "the rest". It can be difficult to create a dystopian world, especially one that's at least somewhat set in our current one. The CGI-modified Chicago looks pretty good for a city that's been through what it has, but where the computer imagery really comes to shine is in the dream sequences. I would have liked them to be a little more obvious so the audience isn't always guessing if it's a dream or not, but that's part of the charm, I suppose. Having since read the book this was based on, I do have to say that the director...
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MOVIE: The Nice Guys (2016)

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The Nice Guys Year: 2016 Rating: R Length: 116 minutes / 1.93 hours I'll be honest that the trailer for this film is the main reason I went to go see it. The few bits revealed in it definitely painted a picture of a smart and funny film. The pairing of Ryan Gosling with Russell Crowe was an interesting one, but definitely works on the "buddy cop" adventure level. While Gosling had almost every funny line, the action brought to the film via Crowe's slightly heavier form really helped to balance things out. The full film definitely delivered on what the trailer had to offer. With dialogue that comes fast and full of quips, I was laughing throughout most of this film. It almost has a "self-aware" feel to it, as each failed piece of the investigation would have normally led to the next logical step. As it is rated R, it unfortunately has an incredible amount of questionable material, including plenty of nudity (as...
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MOVIE: Collateral (2004)

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Collateral Year: 2004 Rating: R Length: 120 minutes / 2 hours Having seen this film many years ago when it came out, a recent re-watching of the Blu-ray at home with my wife has cemented itself as a tight and well-done film. While most action films like to confuse the audience with shaky cameras and quick cuts, this one starts calm and builds to an exciting conclusion. Of course, it's not just a steady and methodical thriller, it loops back on itself, tying up all loose ends and bookending the whole plot in a neat little package. Each of the segments where they drive to the next destination gives a chance for excellent character building as well as giving the audience a break from the brief moments of action (which steadily get longer and more intense as the film progresses). Along with the overhead tracking shots and expert use of depth of field, this film almost borders on art. These are what good action films should be. What's...
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MOVIE: Miracles from Heaven (2016)

by benmweilertNo Comments
Miracles from Heaven Year: 2016 Rating: PG Length: 109 minutes / 1.81 hours Normally, I'm pretty hesitant to watch any movie that's overtly marketed as "Christian." The truth of the matter is, while I'm a Christian myself, these types of movies normally make me cringe at how cliche they are. When their message is continually shoved down our throats, it's hard to focus on anything else. I am all for inspiring stories of faith, but when the main thrust of your plot feels like a poorly written after-school special, it's hard to take seriously. Case in point: I really didn't like War Room (2015) not only because of the aforementioned qualms with the genre as a whole, but also because the characters and their actions felt completely unbelievable (and for a film about belief, this was a big no-no). Now, as you're aware of my stance on these types of movies, please note that I prefaced this with "normally". There are some films in this...
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MOVIE: Zootopia (2016)

by benmweilert3 Comments
Zootopia Year: 2016 Rating: PG Length: 108 minutes / 1.8 hours Let me just start by saying that I've really become a fan of Disney's animation since about 2010. Before then, I was wild for Pixar, but around the time Tangled (2010) came out, Pixar hadn't been making the quality films I had become used to. Instead, Disney was now churning out great films like Tangled (2010), Wreck-It Ralph (2012), Frozen (2013), and Big Hero 6 (2014). Their latest film, Zootopia (2016), certainly upholds the level of quality expected of this animation studio. Not only were the visuals stunning (as always), but the plot and characters were all on-point. As is almost expected of a film meant for children, but made with adults in mind, there were a number of popular culture references that I found myself laughing uproariously for while the rest of the audience missed the joke. From slight alterations to animal-themed products (i.e. "Cub Soda"), to jokes pertaining to certain animal characteristics...
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