VIDEO GAME: Gris (2018)

GrisYear: 2018Rating: ETime Played: 3+ hours Much like Journey, Gris is an incredible fusion of art and video game. Taking a watercolor aesthetic and hauntingly beautiful music in stride to tell a subtle story of loss and recovery, Gris ended up being a relaxing trot through its geometric world for me. Unfortunately, much like Journey, the amount of effort that goes into making this game look beautiful was also probably why it ended up being so short. Even if I broke up the platforming gameplay into a few hour-long sessions, I could easily complete it in a long evening. In the end, the platforming of the game is relatively simple. There’s a couple of puzzles that took me a moment to figure out, and I still haven’t found all the hidden items, so I might come back and do a second play-through to complete it fully. The fact that I wanted to play it again shortly after reaching the end credits is...
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MOVIE: Hero (2002)

Hero Year: 2002 Rating: PG-13 Length: 107 minutes / 1.78 hours After the success of Crouching Tiger, Hidden Dragon (2000) in most of the worldwide markets, it’s no wonder that a film like Hero (2002) would make an appearance. Capitalizing on the choreography and visuals that brought Crouching Tiger, Hidden Dragon success, Hero takes these acrobatic battles to the next level, even to the point of them becoming ridiculous and semi-cartoonish. Add to this the deliberate color theming for each of the film’s different sections, and Hero almost becomes a piece of art in its own right. It’s almost a shame that there haven’t been more movies like this in the years since. While some of the CGI hasn’t aged well since 2002, and the acting can sometimes be too flat or too over the top, the story is still entertaining. The language barrier did make it slightly confusing at times, but the twists were top-notch. It did help to have the “framing” of the throne room to not only show the...
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MOVIE: Mortal Engines (2018)

Mortal Engines Year: 2018 Rating: PG-13 Length: 128 minutes / 2.13 hours If I were to look at Mortal Engines (2018) critically, I’d notice a number of flaws. From fairly flat characters to a string of movies and directors that it tries to imitate, this film should be terrible. And yet, given that I’d already suspended my disbelief by entertaining the idea that an apocalypse would result in cities mounting up on enormous machines and scavenging smaller towns for fuel, I found this movie incredibly entertaining. Perhaps the base plot isn’t too original, but the execution felt fresh and new. Somehow, I was able to turn off my critical brain and just enjoy this movie for what it is: pure, unadulterated fun. As someone who appreciates film as an art form, there is plenty of it on display here. The look, feel, and aesthetic of Mortal Engines is so bold and consistent that the core concept of the plot naturally follows. The visuals and soundtrack merely accentuate the action...
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