BOOK: The Body Snatchers (1955)

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The Body Snatchers Year: 1955 Author: Jack Finney Length: 400 minutes / 6.67 hours Most people know this book by its numerous film adaptations, including Invasion of the Body Snatchers (1956 and 1978), Body Snatchers (1993), and The Invasion (2007). In fact, I like to think that many facets of this story have become a part of popular culture, including the replication “pods” and Donald Sutherland’s scream in the 1978 film version. While the source material is inherently pulpy, a result of the genre and the era in which it was published, there is an entertaining quality to the story that has allowed it to survive for so long. Simple in its execution, but brilliant in its reveal, The Body Snatchers builds up an inherent distrust of the people surrounding the main characters as they investigate why everyone seems “off” in this small, California town. While the full explanation of the aliens’ presence and purpose is relegated to an enormous information dump more than half-way through the book, it nevertheless contains some interesting ideas...
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MOVIE: Blade Runner – 2049 (2017)

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Blade Runner: 2049 Year: 2017 Rating: R Length: 164 minutes / 2.73 hours Back when I first heard about a Blade Runner (1982) sequel, I was skeptical about its quality. Sure, the ending was a little open-ended, but it stood by itself quite well. A Blade Runner sequel coming out mere years away from the original’s futuristic timeline of 2019 seemed just as ridiculous. The one redeeming factor that eventually led me to think this sequel would be any good was that Denis Villeneuve was tapped to direct it. While I’ve liked Villeneuve’s films as far back as Prisoners (2013), I’ve really become a fan since his Best Picture-nominated Arrival (2016) revealed how well he can do science fiction. Of course, Blade Runner isn’t really science fiction. Sure, it has the trappings of a futuristic society, but at its core, the movie is a noir. The plot and aesthetic of noir is considerably different than that of sci-fi, but Villeneuve manages to merge the two...
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MOVIE: Blade Runner (1982)

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Blade Runner Year: 1982 Rating: R Length: 117 minutes / 1.95 hours When I first saw Blade Runner (1982) many years ago, I understood that it was the quintessential, if not the defining, cyberpunk film. Since I was used to the more modern cyberpunk at the time (a la The Matrix (1999)), I felt the slow unfolding of exposition wasn't nearly as action-driven as I had hoped it would be. Of course, at the time, I might not have been watching the "Director's Cut" version of Blade Runner, which was what I watched this time around. Needless to say, it's a much better movie than I initially remembered. I think part of my improved assessment of this film came from a realization that it wasn't intrinsically a science fiction film. Sure, it is based on a story by Philip K. Dick, it is set in a fast-approaching and somewhat inaccurate representation of the future, and it has the trappings of a sci-fi film (i.e., androids,...
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BOOK: The Dot on the Left (2017)

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The Dot on the Left Year: 2017 Author: Dave Swanson Length: 176 pages ***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY*** As someone who has usually found themselves naturally on the center of any variety of bell curves, I know that application of some hard work and dedication can move someone to the right side of said bell curves. It was with this in mind that I was curious what advice is contained in The Dot on the Left. Were the same tactics used for those who underperformed to get them to (and even past) the average of the curve? I was disappointed to find that this book is not so much a “self-help/advice” type book, but rather a memoir from someone who was on the left side of the curve. Sure, there is still some of the advice that I would expect to find in a self-help book in The Dot on the Left, but it’s sometimes hidden within the memoir stories of the author....
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BOOK: As You Wish (2014)

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As You Wish – Inconceivable Tales from the Making of The Princess Bride Year: 2014 Author: Cary Elwes Length: 421 minutes / 7.02 hours While I love audiobooks for their capacity to let me mindlessly absorb books while I’m driving to or from work, much of the story comes down to the narrator and their inflections. Sometimes these narrators can be annoying, or incomprehensible, or vary their volume too much. It is a rare treat to find an audiobook that fully capitalizes on the medium, either by adding music and sound effects or (in this case) using the voices of actual people to narrate the story. As You Wish is just such an audiobook, and I would even go so far to say it is the superior version of this book, even without “reading” it for myself. As one of the most frequent and common of quotable movies, The Princess Bride (1987) is an odd little film that just works. It’s fantasy, it’s comedy, it’s family-friendly. It’s all these things...
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MOVIE: The Princess Bride (1987)

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The Princess Bride Year: 1987 Rating: PG Length: 98 minutes / 1.63 hours The Princess Bride (1987) is a movie that defies genres. It’s an adventure film with swashbuckling pirates. It’s a fantasy film with giants and six-fingered men. It’s a comedy with numerous quotable lines. It’s a family film about storytelling. It’s all these things, and more, which is part of its appeal (even if it makes the whole movie difficult to classify or market). The real trick with The Princess Bride is that it is subtle with its self-awareness. While other films may go so far self-aware that they’d break the fourth wall (a la Deadpool (2016)), The Princess Bride manages to poke fun at these classic genres with a knowing wink to the audience. Of course, this is part of its appeal. Many self-aware films make overt references to other big-hitters in their genre, thus relying on the audience who has done their homework to understand the joke. In The Princess Bride, there are no references to The Lord of the...
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BOOK: Hearts in Atlantis (1999)

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Hearts in Atlantis Year: 1999 Author: Stephen King Length: 1,210 minutes / 20.17 hours When I started Hearts in Atlantis, all I knew about it was that it was written by Stephen King and there was a movie of the same name that was likely based on it. As I began to read, I found myself enthralled by the coming-of-age story that presented itself. I had no idea it connected to the Dark Tower series, but that detail was almost ancillary, a neat little connection into a bigger picture. Having made it half-way through the book, I wanted to follow the main character’s development into adulthood but, then the story suddenly stopped. Instead of following a story that had engaged me, the focus shifted to a completely different character, only loosely tied to the events in the first half of the book via one of the characters, who was now in college. Almost in a fractal fashion, this story was half as long as the first, with each...
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MOVIE: Star Wars: Episode VIII – The Last Jedi (2017)

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Star Wars: Episode VIII – The Last Jedi Year: 2017 Rating: PG-13 Length: 152 minutes / 2.53 hours After the success of Star Wars: Episode VII – The Force Awakens (2015), director Rian Johnson had to strike a fine balance in the following sequel, Star Wars: Episode VIII – The Last Jedi (2017). Since The Force Awakens was essentially a flashy, rehash of Star Wars: Episode IV – A New Hope (1977), The Last Jedi needed to separate itself from the predictable path already laid out in Star Wars: Episode V – The Empire Strikes Back (1980). Unfortunately, the formula employed in Empire Strikes Back has become so integral to sequels that deviating from it could prove to be disastrous. While I’m curious where Episode IX will go from here, I hope it builds upon what Johnson has done here. The tensions of war helped drive the characters into interesting moments of growth, defiance, and desperation, but much of the story was well wrapped up by the time the credits rolled. The real balance of this film came from paying homage...
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BOOK: Dawn of the Dreadfuls (2010)

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Dawn of the Dreadfuls Year: 2010 Author: Steve Hockensmith Length: 287 pages As I’ve mentioned before in my review of Pride and Prejudice and Zombies, I understand the concept of combining this classic piece of romantic literature with its complete obverse; it just felt like it was almost held back from its full potential by adhering to (most of) the original manuscript. With the prequel to this book, Dawn of the Dreadfuls manages to examine the ridiculous nature of this mashup in a way that’s so tongue-in-cheek that the tongue has practically ruptured the cheek entirely. That is, this prequel doesn’t take itself nearly as seriously as the original Jane Austen adaptation did. Even if the non-Pride and Prejudice and Zombies characters were mostly cartoonish in their representation of stereotypes and tropes, they were fun to read as they provided a delightful offset to the canonical characters of the Bennet family. Also, instead of trying to find some boring section of text wherein to insert...
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BOOK: The Amazing Maurice and His Educated Rodents (2001)

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The Amazing Maurice and His Educated Rodents Year: 2001 Author: Terry Pratchett Length: 395 minutes / 6.58 hours For many years, I have heard of Terry Pratchett, but have never read any of his work. This came to light in 2015, when Pratchett died, and many fans of his work came forward to express their condolences. At that point, I hadn’t considered reading any of his work, but the outpouring of love for the recently deceased author made me reconsider. Consequently, I added some Pratchett books to my “to read” list and eventually chose The Amazing Maurice and His Educated Rodents for my first foray into the written world of Terry Pratchett. I certainly picked well, as it won the Carnegie Medal in the year it was written. I was a little worried that I would be lost coming into the Discworld series at anywhere other than the beginning, but since this book was written for children, it made it simple to ease into the...
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MOVIE: Loving Vincent (2017)

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Loving Vincent Year: 2017 Rating: PG-13 Length: 94 minutes / 1.57 hours Animation has become somewhat easier since the days when every frame was drawn out by hand. This change has been mostly due to the use of computers to simplify the animation process. And yet, there are still those who want to embrace the painstaking process of manual animation, mostly for the artistic merit that it gives the film. Usually, this is done in short form, like the stop-motion film, Fresh Guacamole (2012) by PES, or the paint-on-glass animated short, The Old Man and the Sea (1999). Both of these short films were nominated for the Animated Short Oscar, with the latter winning the prize. With Loving Vincent (2017), we now have a feature-length (albeit at a short 94 minutes) animated feature that took the time to recreate the aesthetic of Van Gough’s paintings via a plentitude of hand-painted oil paintings that comprised the individual frames of the film. If awards are given for artistic merit alone, Loving Vincent deserves to win...
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BOOK: Artemis (2017)

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Artemis Year: 2017 Author: Andy Weir Length: 539 minutes / 8.98 hours After reading Weir’s breakout work, The Martian, I looked forward to his next novel, Artemis, with rapt anticipation. The scientist in me appreciated how Weir made a realistic setting with realistic science an approachable and entertaining endeavor. The writer in me liked how he kept the tension throughout the plot of The Martian at a consistent level. Consequently, I had high hopes for Artemis and wondered if he could outdo himself (or at least match his previous success) considering how highly regarded The Martian ended up being for him. Between the two books, Weir seems to have created a style that consists of three elements: accurate science, event-driven plot, and a racially diverse cast of characters. In Artemis, we now find ourselves on the moon, where a colony has been created and sustained for a few decades. Weir conveys the science involved with such a feat naturally and realistically. The exploration of this science...
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MOVIE: Spider-Man – Homecoming (2017)

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Spider-Man: Homecoming Year: 2017 Rating: PG-13 Length: 133 minutes / 2.22 hours Of all the superheroes in their respective comic universes, the one I grew up with was Spider-Man. I watched the animated 1990’s television show, and I loved when this relatable superhero made his way to the big screen in Spider-Man (2002). I was even more pleased when Spider-Man 2 (2004) set the tone for future superhero franchises. The first film is the origin film so the second film can dispense with the best villain and not spend all its time in exposition. Unfortunately, I ended up being disappointed by the third entry in this original Spider-Man trilogy, which was a rare miss in my book. Fast forward to 2012, when Spider-Man was rebooted with Andrew Garfield in the title role. Having to sit through the origin story again, but with a different, green-colored villain as the antagonist seemed like it wasn’t exploring anything new. Around the same time, the Marvel Cinematic Universe was...
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