MOVIE: Annihilation (2018)

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Annihilation Year: 2018 Rating: R Length: 115 minutes / 1.92 hours While I’ve never quite been fully on board with the works of Alex Garland, I recognize there’s something about his movies that makes me want to see them, eventually. I appreciated his approach to Artificial Intelligence in Ex Machina (2014), but it took a while for me to get around to his next work, Annihilation (2018). His style of science fiction borders on horror, but more importantly, it emphasizes one philosophical question in particular. What makes us human? Instead of exploring the Turing Test as he did in Ex Machina, Annihilation focuses on the larger scale of the universe to answer this question. Even if it takes a while to establish all the exposition, Annihilation does its best work in unraveling the mystery surrounding the return of Kane (Oscar Isaac). Most of this is done once the main character, Lena (Natalie Portman) arrives in the anomaly and can explore the bizarre alien effects on...
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MOVIE: The Northman (2022)

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The NorthmanYear: 2022Rating: RLength: 137 minutes / 2.28 hours Robert Eggers doesn’t have many films under his belt, but he already has a bit of a cult following for his bizarre movies. Films like The Witch (2015) and The Lighthouse (2019) are distinct by themselves. However, these movies certainly have a psychological aspect that might leave certain viewers scratching their heads. Taking a more traditional storytelling approach, The Northman (2022) still has elements that make it distinctly a Robert Eggers film. It leans heavily on a plot that’s familiar to most high school English students, however. While it’s certainly less thought-provoking than his previous works, it’s perhaps what makes The Northman the most approachable of his filmography. Disguised behind the Norse setting, The Northman is basically Hamlet. Most of the story beats are similar to the Shakespearean play. That is, except that the duel between a man and his usurping and murdering uncle was much more epic in this movie. Considering the...
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MOVIE: Tár (2022)

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Tár Year: 2022 Rating: R Length: 158 minutes / 2.63 hours I hate to say that Tár (2022) is what's wrong with Oscar nominees, but it's really what's wrong with Oscar nominees. I had only seen a trailer for this movie once and it was a vague two minutes of Cate Blanchett blowing smoke, followed by her briefly conducting an orchestra. There was nothing to indicate to me what this movie was about. Then it was released on the coasts, never making it to the Colorado Springs cinemas until it was nominated for Best Picture and I was given the chance to watch it. Tár is weird. It's psychological and unapologetic about never explaining itself. I get that it's intended as an almost "out of body" experience following the titular character around. The "artsy" aspects of Tár's clearly untreated mental illness left me scratching my head more often than not. Still, I enjoy classical music and attending the Philharmonic, so it was interesting to see...
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MOVIE: Enemy (2013)

by benmweilertNo Comments
Enemy Year: 2013 Rating: R Length: 91 minutes / 1.52 hours My first introduction to Denis Villeneuve was Prisoners (2013). This was an intense film, but even after seeing Sicario (2015), I didn't get hooked on his directing until Arrival (2016). What's interesting is that another Villeneuve film from 2013 evaded my radar until now. My film-loving friends made me aware of Enemy (2013), but I didn't get around to watching it until now. I'm glad I did. Seeing Villeneuve in the early stages of defining his style is fascinating, and Enemy certainly is more stylistic than Prisoners ever was, even if it felt like a student film at times. Of course, being one of Villeneuve's earlier films, Enemy has some rough edges. It's difficult to tell whether the source material influenced some of this film's weird choices, but it's the one thing that really prevents me from giving it a perfect score. Maybe cutting out the spider bits would have made Enemy more cohesive,...
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MOVIE: Shutter Island (2010)

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Shutter Island Year: 2010 Rating: R Length: 138 minutes / 2.30 hours Over time, it becomes difficult to avoid spoilers for twist endings in movies. While it took me over a decade to watch Martin Scorsese's Shutter Island (2010), I had already heard about the twist a few times and had prepared myself for it. Of course, only the best films like Shutter Island can have this twist spoiled and still provide enough subterfuge to hide this revelation for most of its runtime. I knew it was coming, and it still blindsided me. Of course, knowing the twist of Shutter Island made me watch it with a modicum of awareness as I tried to spot the cracks in the narrative that would hint at this revelation. Part of how this film expertly hides this twist is by following Edward "Teddy" Daniels (Leonardo DiCaprio) and showing the audience what he thinks is happening. It's not until near the end of the film that we get a...
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VIDEO GAME: The Stanley Parable (2011)

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The Stanley Parable Year: 2011 Rating: NR Time Played: ~2 hours The Stanley Parable is one of those odd video games that defies definition. Is it a walking simulator? Is it a choose-your-own-adventure? Is it a meta examination of itself? In the end, it truly is a combination of all three, but it's also so much more than that. While most video games have an objective you're trying to accomplish, The Stanley Parable is content with giving you the illusion of free will, then smirking as everything unravels in hilarious fashion. On my first playthrough of The Stanley Parable, I let the narrator guide me all the way to the end of the story. It was an uplifting ending that the narrator's voice prescribed, seeing as he told me what to do the whole time. However, there were no end credits after reaching this ending. Teleported back to the start of my journey, I progressed through this liminal space again, except now I knew what...
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VIDEO GAME: Superliminal (2019)

by benmweilertNo Comments
SuperliminalYear: 2019Rating: ETime Played: ~2 hours I can appreciate it when a game tries to do something different. In Superliminal, the main gameplay mechanic revolves around the idea of forced perspective. Something small can appear large if you hold it up to your eyes, and vice versa. Superliminal fully explores this concept in the psychologically unending liminal spaces of an individual trapped in a dream. Unfortunately, it attempts to be witty about this setting in a way that (as with many indie first-person puzzle games) tries too hard to be Portal 2. What Superliminal does well is its puzzles. Not only is it satisfying to shrink and grow items using forced perspective, but having to align items in just the right way to match with the background uses the right amount of brainpower to be engaging. Most of the puzzles are fairly straightforward and I only struggled with a few of them that suffered from dim lighting (for ambiance/tone's sake). Each puzzle...
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MOVIE: Strangers on a Train (1951)

by benmweilertNo Comments
Strangers on a TrainYear: 1951Rating: PGLength: 101 minutes / 1.68 hours It’s a wonder after all these years that a Hitchcock film like Strangers on a Train (1951) escaped me until now. Sure, Hitchcock used trains in many of his films, but the premise here is so diabolically intriguing that it demands a viewing. After all, there’s an amount of logic involved with two strangers swapping the murders that they would like to happen to those tormenting them. And yet, Bruno Antony (Robert Walker) is so unsettling in his ability to follow through that the suspense of the rest of the movie practically films itself. Several camera tricks that Hitchcock uses adds his signature flair to this movie. From a punch to the face to a tension-filled series of shots at the bottom of a storm drain, the cinematography in Strangers on a Train is yet another reason why people need to watch this film. This being said, the ending (despite being...
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MOVIE: Get Out (2017)

by benmweilert1 Comment
Get Out Year: 2017 Rating: R Length: 104 minutes / 1.73 hours I'll admit that I'm not a fan of horror films. The fact that Get Out (2017) was released in that weird, "horror month" of February that merely exists so people trying to catch up on their Oscar nominations don't have to watch anything new meant that it mostly passed under my radar. When buzz about the movie continued for the rest of the year, I was still skeptical as horror has been known for its cheap tricks and gratuitous violence, both of which I don't particularly care for. The trick is, Get Out is certainly a horror film, but with the minimum required trappings to be considered one. With a few jump scares and a violent and bloody ending, Get Out works on a level that's best described as "blatantly subtle." It's not so much that it screams about the racial differences between black people and white people, but that it does so...
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