MOVIE: L.A. Confidential (1997)

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L.A. Confidential Year: 1997 Rating: R Length: 138 minutes / 2.30 hours There are police dramas, and then there are police dramas set in Los Angeles. Something about this town makes the crimes that much more interesting. Maybe it’s the intersection of fame and criminal activity. Perhaps it’s that the crimes are so much more grandiose due to the wealth of the area. Whatever the reason, L.A. Confidential (1997) is a fantastic film that manages to show different perspectives of the seedy underbelly of the glamor and glitz that makes the town so successful. If it weren’t up against Titanic (1997), it probably would have won a lot more awards than it did. It’s almost surprising how many famous actors are in this film. Sure, some of them were unknowns at the time. Even within three years, we’d see Guy Pearce in Memento (2000) and Russell Crowe in Gladiator (2000), both rising into their stardom. This is not to mention the fantastic performances by Kevin Spacey, James Cromwell, Danny DeVito, and Ron Rifkin....
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MOVIE: Baby Driver (2017)

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Baby Driver Year: 2017 Rating: R Length: 112 minutes / 1.87 hours There are so many “heist” films nowadays that it’s practically its own genre, with all the tropes and clichés that go with it. Consequently, when I learned that Edgar Wright had directed a heist film, my interest was piqued. Best known for his parody comedies, Shaun of the Dead(2004), Hot Fuzz (2007), and The World’s End (2013), the film of his I have enjoyed the most is Scott Pilgrim vs. the World (2010). His style is distinct throughout these films, which is what I was hoping for in Baby Driver (2017). While Wright’s visual style is present in Baby Driver, it is muted, almost in the background of the standard heist framework. With an almost 1980’s undertone, Baby Driver takes many cues from its predecessor, Drive (2011). Both feature an almost silent heist driver as the main character and plenty of entertaining driving sequences that are practically ballet on the boulevards. Fortunately, both films also focus on the characters, and not so much on the heist, giving...
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MOVIE: Superman Returns (2006)

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Superman Returns Year: 2006 Rating: PG-13 Length: 154 minutes / 2.57 hours Technically the fifth in the Superman franchise that started in the late 1970's, Superman Returns feels a bit like the black sheep of the bunch. There's a sense that it's just tacked on to try and capitalize on some of the popularity of superhero films, in part because of the director's previous successes with other superheroes. Part of me thinks that Bryan Singer should have directed the third X-Men film instead of this movie; since he clearly knew what he was doing with that Marvel property. But what really gets me about this film is the way it "plays to the audience." If you ask diehard fans of two of the most iconic fandoms what their absolute least favorite film is in their canon, you'll get some telling answers. For Star Wars fans, it's Episode I: The Phantom Menace (1999) and for Star Trek fans, it's Into Darkness (2013). But why do they hate...
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