MOVIE: Ocean’s Eleven (2001)

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Ocean's ElevenYear: 2001Rating: PG-13Length: 116 minutes / 1.93 hours While I usually agree with people who say that remakes are worse than the originals, Ocean's Eleven (2001) is an exception. Not only did it bring the same amount of star power that made the original stand out, but it had a heist that was much more entertaining and compelling than its predecessor. Having re-watched it recently, I found it still stands up over 20 years later, even if it's starting to show its early-2000 edges. I still think it's a classic that works because of its complexity and scale. It's impressive how there are so many big names in this movie, yet they all have their room to shine. There's a reason many of them are still making great movies today, and their talent is on full display here. And perhaps the collective charisma of this all-star cast makes the heist they pull off so thrilling. Sure, I already knew how they...
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MOVIE: Air (2023)

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AirYear: 2023Rating: RLength: 111 minutes / 1.85 hours As a child of the 90s, I never gave much thought to Nike shoes. They were always this popular brand that—in my child-like brain—would make me run faster and jump higher. I had no idea that the singular reason they were so ubiquitous in my childhood came down to one incredibly risky decision to bet the entire company's future on a single athlete. That this athlete was Michael Jordan is what made this deal as historic as it was. Air (2023) does a great job of giving the audience a look behind that fateful curtain. It's fascinating to me how a third-tier company like Nike used to be below shoe producers like Adidas and Converse. I also had no idea these other companies had the foreign commitment to excellence (Adidas) or star power (Converse) to place them above a company mostly known for jogging activewear. Despite these obvious choices, Air really tells the story...
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MOVIE: Oppenheimer (2023)

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OppenheimerYear: 2023Rating: RLength: 180 minutes / 3.00 hours Christopher Nolan's filmography has been building to this movie. Over decades, Nolan has had gimmicks in his films that make them stand out. Oppenheimer (2023) uses many of them to create a compelling story that's half scientific discovery and half political drama. That a movie like this—about unleashing the Pandora's box of nuclear weapons—hadn't been made like this before is perhaps the more impressive feat. The way Nolan weaves the two halves of the story together is masterful. However, the actors definitely do a lot of heavy lifting here. It took me a second viewing to piece together that the black-and-white segments followed Lewis Strauss (Robert Downey Jr.) while the color segments focused on J. Robert Oppenheimer (Cillian Murphy). This visual stylization hearkened back to the way Nolan made Memento (2000) unique. The shifted timelines between the black-and-white/color segments evoked Dunkirk (2017)., I'm just glad that I could actually understand what everyone was saying,...
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MOVIE: Ford v Ferrari (2019)

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Ford v Ferrari Year: 2019 Rating: PG-13 Length: 152 minutes / 2.53 hours Full disclosure: I’m not a “car guy.” Sure, my education was in Mechanical Engineering, and I can appreciate well-crafted machines, but I see cars as mere tools to get from point A to point B. Consequently, I don’t have much interest in car racing and didn’t initially want to see Ford v Ferrari (2019). Luckily for me, this film was chosen as one of this year’s nominees for Best Picture. After watching it, I can clearly see why. For someone who isn’t into cars or racing, I was completely enthralled and entertained by Ford v Ferrari. This movie is a tour de force when it comes to several filmmaking aspects. It expertly used its sound design, music, and cinematography to give the raw tension of racing highly-engineered machines meant for one thing only: to go fast. In fact, I only had two qualms with this movie on the whole. First, the “marketing...
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MOVIE: The Martian (2015)

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The Martian Year: 2015 Rating: PG-13 Length: 144 minutes / 2.4 hours I, for one, am excited that space travel is now a topic regularly covered on the big screen. If the general public becomes even a little bit more interested in interplanetary travel, perhaps I can see man stand on the surface of Mars in my lifetime. The Martian (2015) is merely the latest in a string of space-themed sci-fi movies that brings the excitement of outer space to theaters. While not nearly as continually intense as Gravity (2013), or as epic as Interstellar (2014), what The Martian does right is give a sense of scale to the challenge of returning to Earth from being abandoned on Mars. Gripping and just humorous enough to keep it from being dour, director Ridely Scott uses many cinematic techniques, including several montages, to tell the story many have already read from Andy Weir's novel of the same name. While many sequences and scientific explanations were obviously cut for...
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