BOOK: The Wind Through the Keyhole (2012)

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The Wind Through the Keyhole Year: 2012 Author: Stephen King Length: 627 minutes / 10.45 hours Backstory can often be a difficult element to work into a series. To keep the action in the present and moving forward, there’s rarely time to go into the background of the characters, let alone the main character of the series. This is why side stories like Fairest and The Wind Through the Keyhole exist. There’s a subtle need to explore the troubled past of a main character, but to get into the depth of their backstory requires a significant amount of words that won’t fit into already full books in the main series. In The Wind Through the Keyhole, Stephen King lets the reader see the origins of Roland the Gunslinger. What’s interesting here is that King does so in a series of nested stories, almost evoking something from Inception (2010) or Cloud Atlas. After all, a single story hardly affects real people but is instead a string...
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MOVIE: Tenet (2020)

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TenetYear: 2020Rating: PG-13Length: 150 minutes / 2.50 hours I'll admit: I probably have to watch this movie again. I'm usually pretty good at unraveling a Christopher Nolan movie when I watch it for the first time. Not since Memento (2000), have I had such a difficult time piecing together the intertwining timelines. At least with Memento, I was aided by the black-and-white sections. In Tenet (2020), time moves in both directions in the same scene. Sure, this is a visually-stunning feat, but it's often a slap in the face of the Grandfather Paradox, which Tenet simply waves away with a shrug and a "don't worry about it." What's interesting is how moments of foreshadowing in this film triggered my "lightbulb reflex" each time the corresponding portion of the plot came into focus and gave me the "aha moment." I'm sure I'll pick up more of these when I watch it a second time. As it stands after a single viewing, my mind...
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MOVIE: Interstellar (2014)

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Interstellar Year: 2014 Rating: PG-13 Length: 169 minutes / 2.82 hours The first time I saw this film, I was speechless. I knew what to expect from Christopher Nolan, who had been steadily increasing his repertoire for almost two decades. Each of his films outdid the last and built on the already mind-blowing pieces that have gone before them. From The Following (1998) to Memento (2000) to The Prestige (2006) to Inception (2010), I wondered how he could outdo himself with his first foray into hard science fiction. Needless to say, I was impressed by Interstellar (2014) and Nolan’s ability to bring the theoretical and incredible ideas of interstellar travel into an entirely plausible setup. As was the case with his previous films, Nolan manages to bring together almost disjointed moments into a cyclical narrative. Much like Memento, I wanted to sit down and watch the whole thing again immediately after viewing it for the first time, so that I could catch all the little things that lead to the major reveal at the end. Even...
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MOVIE: Dunkirk (2017)

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Dunkirk Year: 2017 Rating: PG-13 Length: 106 minutes / 1.76 hours Almost like clockwork, Christopher Nolan has directed a masterpiece of filmmaking every two-to-three years since the start of the millennium. While his prior work is certainly entertaining, most of it was set in a fictional environment that allowed him to play with the format of nonlinear storytelling. When I first heard that Nolan would be directing a film about the World War II retreat from Dunkirk, I was skeptical at first. I mean, while he's great at action movies like The Dark Knight (2010), mind-benders like Memento (2000), or even science fiction epics like Interstellar (2014), his only foray into the "historical" was via The Prestige (2006), and even that was mostly made up. What I did not realize going into Dunkirk (2017), was Nolan's ability to create art without the need for fancy camera tricks or mind-blowing plot twists. The simplicity of Dunkirk merely emphasizes the mastery of cinematography and directing that Christopher Nolan can...
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