BOOK: Shakespeare’s Star Wars (2013)

William Shakespeare’s Star Wars: Verily, a New Hope Year: 2013 Author: Ian Doescher Length: 209 minutes / 3.48 hours Much like Pride and Prejudice and Zombies took a classic and fused it with something entirely opposite from its original intent, William Shakespeare’s Star Wars: Verily, a New Hope manages to take something modern and combine it with the classic styling of William Shakespeare. It’s no wonder these two kinds of books are both from Quirk Classics. While Pride and Prejudice and Zombies essentially forces the reader to read Pride and Prejudice, but with zombies added in, Shakespeare’s Star Wars is the re-telling of the original Star Wars (1977) screenplay, but in iambic pentameter. To be honest, if someone were to stage this version of Star Wars, I’d pay to see it in a heartbeat. Not only does the basic plot from the movie transfer over almost flawlessly, but the addition of the Shakespeare dialogue and verbiage made this way more entertaining than it had any...
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MOVIE: Spider-Man – Into the Spider-Verse (2018)

Spider-Man: Into the Spider-Verse Year: 2018 Rating: PG Length: 117 minutes / 1.95 hours There’s no hiding that Spider-Man is my favorite superhero. My reviews of Spider-Man: Homecoming (2017) and Venom (2018) say as much. I grew up watching the 1990s animated Spider-Man show, so when I saw early trailers for Spider-Man: Into the Spider-Verse (2018), I half-thought it would be some direct-to-video movie. After all, everything up until now had been live-action. I was encouraged to learn that it would receive a theatrical release, especially when I started to see more footage of its unique artistic style. Not only does Into the Spider-Verse embrace its comic book origins, but it also does so with a flair and panache that I’d almost like to see in other superhero franchises. Over the years, I’d only loosely been paying attention to what was happening in the Spider-Man comics. Sure, I knew about Spider-Gwen (Hailee Steinfeld) and Miles Morales (Shameik Moore) but more in the sense that they were departures from the white-male Peter Parker (Jake Johnson) that...
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MOVIE: Green Book (2018)

Green Book Year: 2018 Rating: PG-13 Length: 130 minutes / 2.17 hours Every once in a while, a movie comes along that has the right balance of themes and execution to make it into an instant classic. When I first saw trailers for Green Book (2018), I initially thought it was just going to be an inverse of Driving Miss Daisy (1989). Instead, what I got was so much more than that. Green Book tackles the difficult task of presenting a harsh mirror on our past, with a knowing wink that some of these challenges are still present today. It is more subtle than BlacKkKlansman (2018), but the message still gets across in a heartwarming and wholesome way. What makes Green Book so engaging is the simplicity that it approaches such a nuanced and complex approach to the topic of racism. The irony that rich white people in the south would hold Dr. Don Shirley (Mahershala Ali) in such high regard as a musician but treat him as less-than-human the second he is not performing...
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MOVIE: Mortal Engines (2018)

Mortal Engines Year: 2018 Rating: PG-13 Length: 128 minutes / 2.13 hours If I were to look at Mortal Engines (2018) critically, I’d notice a number of flaws. From fairly flat characters to a string of movies and directors that it tries to imitate, this film should be terrible. And yet, given that I’d already suspended my disbelief by entertaining the idea that an apocalypse would result in cities mounting up on enormous machines and scavenging smaller towns for fuel, I found this movie incredibly entertaining. Perhaps the base plot isn’t too original, but the execution felt fresh and new. Somehow, I was able to turn off my critical brain and just enjoy this movie for what it is: pure, unadulterated fun. As someone who appreciates film as an art form, there is plenty of it on display here. The look, feel, and aesthetic of Mortal Engines is so bold and consistent that the core concept of the plot naturally follows. The visuals and soundtrack merely accentuate the action...
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MOVIE: Interstellar (2014)

Interstellar Year: 2014 Rating: PG-13 Length: 169 minutes / 2.82 hours The first time I saw this film, I was speechless. I knew what to expect from Christopher Nolan, who had been steadily increasing his repertoire for almost two decades. Each of his films outdid the last and built on the already mind-blowing pieces that have gone before them. From The Following (1998) to Memento (2000) to The Prestige (2006) to Inception (2010), I wondered how he could outdo himself with his first foray into hard science fiction. Needless to say, I was impressed by Interstellar (2014) and Nolan’s ability to bring the theoretical and incredible ideas of interstellar travel into an entirely plausible setup. As was the case with his previous films, Nolan manages to bring together almost disjointed moments into a cyclical narrative. Much like Memento, I wanted to sit down and watch the whole thing again immediately after viewing it for the first time, so that I could catch all the little things that lead to the major reveal at the end. Even...
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BOOK: All the Light We Cannot See (2014)

All the Light We Cannot See Year: 2014 Author: Anthony Doerr Length: 962 minutes / 16.03 hours If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot. Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was...
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MOVIE: (500) Days of Summer (2009)

(500) Days of Summer Year: 2009 Rating: PG-13 Length: 95 minutes / 1.58 hours I’ll be the first to admit that I’m biased when it comes to this film. In 2009, I experienced my first ever relationship. I also experienced a breakup from said relationship in the same year. Consequently, I can relate to the main character, Tom (Joseph Gordon-Levitt), and his rise and fall brought about by Summer (Zooey Deschanel). Like Tom, I too held the romantic belief of “the one,” based mostly on the movies, books, TV shows, and music that touted this magical someone who would fill the hole in our souls. What (500) Days of Summer emphasizes is certainly closer to reality: not every story has a happy ending. As for the way the movie is presented, I must applaud the ingenious and artful direction of Marc Webb, this being his directorial debut after years of working on music videos. His previous experience certainly comes through in the music chosen for...
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BOOK: The Pearl (1947)

The Pearl Year: 1947 Author: John Steinbeck Length: 155 minutes / 2.58 hours Perhaps one of the lesser-known of Steinbeck’s works, The Pearl still exhibits his concise and emotionally-powerful storytelling. More along the length of Of Mice and Men than The Grapes of Wrath, Steinbeck doesn’t waste much time arriving at the central conflict of The Pearl, using realistic characters and settings to weave his story. Some might find the characters in this story to be mere stereotypes, but I would almost argue that they’re the archetypes that have aided good storytelling for centuries. The fact that people today could easily find themselves in similar situations merely speaks to the timeless nature of the story itself. Somewhat of a deviation from the depression-era settings of some of his previous works, Steinbeck uses the natural beauty of the island setting to contrast the ugliness present in the hearts of its inhabitants. Granted, the antagonists of the story are the inherently-greedy colonialists who are trying to take advantage of the indigenous population, but...
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BOOK: Alcatraz Versus the Evil Librarians (2007)

Alcatraz Versus the Evil Librarians Year: 2007 Author: Brandon Sanderson Length: 414 minutes / 6.90 hours Never before have I read a book that has been so self-aware . . . and I loved every minute of it. There’s breaking the fourth wall, and then there’s Brandon Sanderson’s Alcatraz Versus the Evil Librarians. A fun and hilarious read for teens and adults, this book’s premise is as ridiculous as it is original. Of course, while it tends to border on the random (for maximum comedic effect), this book also manages to tie all these random pieces together in the most satisfying way. The comedy in this book is effortless, and the plot is certainly the most interesting thing I’ve read recently. I think the ability of this book to successfully break norms and fully immerse the reader in the world is due to Sanderson’s talent as a fantasy writer. The details that seem odd, like receiving a bag of sand for your thirteenth birthday, manage to...
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MOVIE: Darkest Hour (2017)

Darkest Hour Year: 2017 Rating: PG-13 Length: 125 minutes / 2.08 hours There are plenty of films out there that claim to be “art” by pushing the boundaries of the medium. These movies often come off as just plain weird. Darkest Hour (2017) is an artfully crafted masterpiece, even if it seems to be a biopic about Winston Churchill at first glance. All the individual elements that go into a fantastic film are in top form here, as we see how lighting, cinematography, music, plot, and acting combine to create something greater than the sum of their parts. Darkest Hour doesn’t have one element that makes it stand out as an incredible movie; it uses all facets of its production to create a masterpiece of art. The look of this film is incredible. From the overhead shots of battlegrounds seamlessly transitioning into the carnage of war to the heavy contrast of light and shadow emphasizing the “darkness” of the “darkest hour,” the visual spectacle of Churchill’s unconventional rise to...
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