BOOK: Cribsheet (2019)

Cribsheet Year: 2019 Author: Emily Oster Length: 642 minutes / 10.70 hours As a new parent and an engineer, I am skeptical when so much advice about raising a baby comes from hearsay or anecdotal evidence. So many controversial topics abound in the early years of a child’s life that I wanted to make sure I was basing my decisions off the scientific data instead of mere wives' tales. Fortunately, Cribsheet: A Data-Driven Guide to Better, More Relaxed Parenting, from Birth to Preschool exists. Unfortunately, it has merely proven to me that there haven’t been enough rigorous studies to show any causal relationships to make my parenting decisions any easier. Similar in the tactics of Zero to Five (whose author was a science journalist), Cribsheet takes the experience of an economist and pits it against the studies that have been performed to determine which of them are legitimate enough to be trusted. In most cases, it seems that plenty of research into the benefits and detriments for children (and parents) merely...
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MOVIE: Zombieland – Double Tap (2019)

Zombieland: Double Tap Year: 2019 Rating: R Length: 99 minutes / 1.65 hours It's a little weird to me that it's been a full decade since Zombieland (2009) came out. While I thought the original film was goofy and fun, it has since gained a bit of a cult following. What's weirder to me is how—in the years since the original—many of the cast of this franchise have gone on to be nominated for (and in some cases won) Oscars for their acting talent. It's no wonder the advertisements for Zombieland: Double Tap (2019) have picked up on this fact and used it to promote another ridiculous foray into the self-aware satire of zombie films. While I do admit that Zombieland: Double Tap does require having seen the first film to pick up on its numerous references, I also knew that its comedy would be as smart as its predecessor. I appreciated this wit, especially with a few literary references thrown in (like to Of...
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MOVIE: Yesterday (2019)

Yesterday Year: 2019 Rating: PG-13 Length: 116 minutes / 1.93 hours When I saw the first trailers for Yesterday (2019), I had some high hopes for this movie. The premise of only one person remembering The Beatles in a world where this famous band didn’t exist was intriguing enough by itself to warrant a watch. Plus, with Danny Boyle directing, I had perhaps anticipated more than what I actually got. It’s hard to hate a movie with such a great soundtrack full of Beatles songs, but the execution of the entire idea left me wanting a bit more and breaking my suspension of disbelief on more than one occasion. Back in high school, I had a history assignment to perform a thought experiment similar to Yesterday: what happens if The Beatles didn’t exist? Instead of just being a weird gap in the cultural zeitgeist, I think this movie would have done better to see the amount of influence the band had throughout the music industry. Sure, some moments...
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MOVIE: Joker (2019)

Joker Year: 2019 Rating: R Length: 122 minutes / 2.03 hours With the saturation of superhero movies between Marvel and DC at all-time highs, it was only a matter of time before a movie like Joker (2019) would come along. If anything, the current socio-political environment in the real world is ripe for this kind of story. While superhero films are appealing to show how individuals with exotic abilities can do battle in CGI-heavy fight sequences, there is a certain amount of horror involved with Joker in the sense that it could realistically happen. There aren’t any radioactive spiders. There isn’t any high-tech gadgetry. There’s only mental illness. I applaud the team behind Joker for not resorting to hackneyed comic book origin stories like chemical spills or “tit for tat” vendettas (even if we had to watch one of the same origin stories again near the end). The casting of Joaquin Phoenix was initially an odd choice, but he nails the role. His type of methodical acting almost humanizes one of...
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MOVIE: Ad Astra (2019)

Ad Astra Year: 2019 Rating: PG-13 Length: 123 minutes / 2.05 hours I wasn’t entirely sure what to expect with Ad Astra (2019). The trailers I had seen made it seem like it was an action-filled space adventure akin to Interstellar (2014) or Gravity (2013). While it did handle all the outer space issues in a somewhat scientifically accurate way, Ad Astra was a much slower movie than I thought it would be. In fact, I’d probably compare it more to films like 2001: A Space Odyssey (1968) for its almost plodding pacing. The real trick is that the plot of Ad Astra is basically an outer space version of Joseph Conrad’s Heart of Darkness, of which Apocalypse Now! (1979) is perhaps the most notable movie adaptation. Ad Astra does get credit for the beauty of its outer space environment. The settings felt massive in scale and intimate in their proximity. Each portion and waypoint of the journey seemed precisely how I would picture them eventually occurring in our not-to-distant future. Even if some aspects of the film...
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BOOK: Get Thee…Back to the Future! (2019)

William Shakespeare’s Get Thee…Back to the Future! Year: 2019 Author: Ian Doescher Length: 215 minutes / 3.58 hours Having already listened to the audiobooks for the Shakespearean versions of the original Star Wars trilogy, I was curious to see how another beloved pop culture film would fare with the treatment. Get Thee…Back to the Future! had a bit more of a challenge when compared to the Star Wars stories. First, as the plot is set in (relatively) modern times, much of our technology had to be “explained” in Shakespearean format (e.g., a car is “a horseless carriage born on fumes of gas and flame”). At least the Star Wars stories seemed to fit in the Shakespearean timeframe a little better. Despite this clash of modern and medieval, the transformation into Shakespearean form does end up working. I’d probably compare this to some of his comedies like Taming of the Shrew, 12th Night, and Much Ado About Nothing, if for no other reason than the comedy...
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MOVIE: Once Upon a Time…in Hollywood (2019)

Once Upon a Time…in Hollywood Year: 2019 Rating: R Length: 161 minutes / 2.68 hours Quentin Tarantino has changed. While I loved Inglorious Basterds (2009) for its alternate history, and Django Unchained (2012) was another strong showing, it seems like he’s just getting out of his western phase. For his latest film, Once Upon a Time…in Hollywood (2019), Tarantino seems to have continued his trend of making very long movies but chose to condense his trademark graphic violence down into an intense sequence that only lasts a few minutes at most  (like The Hateful Eight (2015)). Perhaps he has matured as a director, but that’s what makes this film so jarring compared to his previous work. Anyone familiar with the Tarantino aesthetic knows that he’s particularly fond of the pop culture of the ‘60s and ‘70s. Consequently, it’s interesting to see how real he’s made this era feel on the big screen. That being said, some of the “fake” movies appearing in this film are...
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MOVIE: Spider-man: Far from Home (2019)

Spider-man: Far from Home Year: 2019 Rating: PG-13 Length: 129 minutes / 2.15 hours After the events of Avengers: Endgame (2019), there were still plenty of questions that remained. While still part of Phase 3 of the Marvel Cinematic Universe (MCU), Spider-man: Far from Home (2019) attempts to grapple with the outcome of such a pivotal film in the superhero franchise. As was the case with its predecessor, Spider-man: Homecoming (2017), Far from Home shows the audience the impacts of the other films in the MCU in a way that’s personable and relatable. After all, it’s easier to connect with a “friendly neighborhood Spider-man” than with a multi-billion dollar playboy. I did appreciate the emotional depth of this movie, especially considering how Tom Holland handles the role of Peter Parker. From grieving over the losses of Endgame while also trying to move forward with his life, Peter has plenty of growth opportunities throughout this film. That being said, Far from Home seems to hit almost...
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MOVIE: Toy Story 4 (2019)

Toy Story 4 Year: 2019 Rating: G Length: 100 minutes / 1.67 hours After the Toy Story “trilogy” ended in 2010, I was honestly a little confused and irritated that Disney/Pixar would open up this franchise again for a fourth entry. That being said, I now see the entire “story” was not complete at that point. There was still some amount of finality that the franchise had not reached. Of course, now I’ll be mad if they decide to make a Toy Story 5 since Toy Story 4 (2019) wrapped everything up so nicely and conclusively. Then again, maybe the next entry in the series will finally explain the odd rules about toy sentience. By far, the most striking thing about Toy Story 4 is its visuals. I was ten years old when Toy Story (1995) came out. Even in the four years between it and Toy Story 2 (1999), I could see massive improvements in what computers could create in terms of CGI imagery. With Toy Story 3 (2010) having just over a decade to improve its visuals,...
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MOVIE: Aladdin (2019)

Aladdin Year: 2019 Rating: PG Length: 128 minutes / 2.13 hours When the animated version of Aladdin came out in 1992, I was seven years old. As a young boy, I could finally relate to the titular character since the focus of this Disney film wasn’t as much on the “princess” as it was on “Prince Ali.” Consequently, this film has remained one of my favorite Disney films over the years and is one I have mostly memorized after repeated viewings in my childhood. As such, I was partly looking forward to this live-action adaptation due to my love of the original. The other part of my anticipation was because Guy Ritchie was directing it (and I’ve loved plenty of his earlier works). Having now seen this version of the rags-to-riches tale, I’m in this weird “uncanny valley” of storytelling. Because I have the original memorized, this version of the story was close enough to be predictable but not a word-for-word re-enactment, which is what I found...
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