MOVIE: A Bug’s Life (1998)

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A Bug's LifeYear: 1998Rating: GLength: 95 minutes / 1.58 hours It’s interesting how Pixar pulled ideas from some much more serious movies for their first few films. While Toy Story (1995) has a vibe straight from The Defiant Ones (1958), A Bug’s Life (1998) more directly aligned with Seven Samurai (1954). And while the visuals of A Bug’s Life haven’t held up nearly as well over the years, the plot truly rings truer today than it did at the end of the last millennium. After all, what if we’re all suffering because a select few people are taking all our hard-earned efforts for themselves? The decision to animate bugs with stiff exoskeletons was likely because of the technical limitations of the time (similar to why Pixar chose toys for Toy Story). But with the natural scenery for this setting, you could see the need to innovate here and there to produce something that looked good. And for 1998, it looked good. A...
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MOVIE: Moana 2 (2024)

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Moana 2Year: 2024Rating: PGLength: 100 minutes / 1.67 hours There’s a trend in quite a few sequels that follow “coming-of-age” stories where the main character must then step into a leadership position now that they’ve figured out who they are. How to Train Your Dragon 2 (2014) did this, and Moana 2 (2024) also followed this formula. While the first movie usually does a great job of having the main character overcome an obstacle to achieve their goal, leadership is often much more complicated to convey and requires more moving pieces. While rounding out the group dynamic for these kinds of movies is fine for providing a wider range of talents to pull from, with Moana 2, most of these characters felt one-dimensional because they had almost no presence in the previous film to establish their core abilities. The only one that had any previous background was the foe-to-friend Kakamora. And while Moana (Auli’I Cravalho) learned her lesson that she doesn’t have to...
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MOVIE: Finding Nemo (2003)

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Finding NemoYear: 2003Rating: GLength: 100 minutes / 1.67 hours It’s funny how your perspective on movies changes as you shift into new life stages. Growing up, Finding Nemo (2003) was entertaining because of the adventure Marlin (Albert Brooks) went on to save his son. Decades later, I can resonate with Marlin’s desire to save his child because I now have children of my own. Of course, this still doesn’t change the core lesson that Marlin learns, which is to not be quite the helicopter parent and let Nemo (Alexander Gould) explore the world on his own. As with most Pixar films from their early era, Finding Nemo looks great. It has a fine balance between being “cartoonish” and the realism that computers could produce. Taking a break from Randy Newman soundtracks did this movie a great service, as his cousin Thomas Newman’s score fits so well with the otherworldly ocean atmosphere. The variety of characters and voice actors fit their roles in...
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MOVIE: The Incredibles (2004)

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The IncrediblesYear: 2004Rating: PGLength: 115 minutes / 1.92 hours With so many superhero movies having been released in the last two decades, it’s amazing to consider that one of the best superhero films ever created came years before the start of the Marvel Cinematic Universe and had no connections to any comic books or other previous superhero media. Sure, other franchises touched on the core aspects of this film, but its execution was so flawless that I consider it the de facto singular superhero film. That movie is The Incredibles (2004). The closest that any franchise gets to what The Incredibles is about is probably X-Men (2000), since both deal with superheroes as a family unit as well as needing to hide their powers to fit into a society that is weaker than they are. That The Incredibles also includes aspects of the nuclear family—like being a supportive spouse or caring parent—adds to its legacy. Using common superpowers in a way to...
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MOVIE: Enchanted (2007)

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EnchantedYear: 2007Rating: PGLength: 107 minutes / 1.78 hours For 70 years, Disney released movies that built up this fantastical notion of what a “princess” was. From Snow White (1937) to Cinderella (1950) to Sleeping Beauty (1959), and all other princess movies since then, Disney built up an amount of lore around these characters that would look ridiculous if transposed into reality. And while the princesses scene in Ralph Breaks the Internet (2018) understands the tongue-in-cheek nature of these fantasy stories, nothing ever quite beats Enchanted (2007) as the best self-aware commentary of the princess genre. Starting off in the animated world of Andalusia, Enchanted introduces Giselle (Amy Adams) as a princess yearning for “true love’s kiss.” Luckily, she falls right into the lap of Prince Edward (James Marsden) who proclaims that they will be wed the following day. Of course, this does not sit well with Queen Narissa (Susan Sarandon), who banishes Giselle to the real world. Here, Giselle’s “princess powers” still...
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MOVIE: Snow White and the Seven Dwarfs (1937)

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Snow White and the Seven DwarfsYear: 1937Rating: ApprovedLength: 83 minutes / 1.38 hours The more classic Disney movies I watch with my kids, the more I pick up on the animation breakthroughs each film brought forth. They're mostly hidden to the untrained eye, but realizing things like how colorful Sleeping Beauty (1959) looks or noticing early CGI use in The Little Mermaid (1989) highlights how innovative Disney was in their Golden and Renaissance eras. And the movie that kicked everything off was none other than Snow White and the Seven Dwarfs (1937). Story-wise, Snow White is your basic Grimm fairy tale put through the Disney filter to make it not quite as terrifying to young kids (although it still has its moments). Nothing extraordinary, but it lends itself to a few interesting animation techniques—some of which I still scratch my head trying to figure out how they pulled it off. Mainly, the human characters look a little weird compared to the more...
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MOVIE: Beauty and the Beast (1991)

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Beauty and the BeastYear: 1991Rating: GLength: 84 minutes / 1.40 hours If one movie were to cement the Disney Renaissance in the 1990s, it would have to be Beauty and the Beast (1991). While The Little Mermaid (1989) kicked this era of Disney off, Beauty and the Beast had a deeper and more meaningful moral based in contrasting reactions to masculinity that was powerful enough to earn it a nomination for Best Picture that year (the first time an animated movie had done so). Disney had figured out their formula here and used it to great effect for the next few years. As with all these modern classics, Alan Menken's songs make this movie quite memorable. The visual style that accompanied everything was bold and distinct, using even more CGI than The Little Mermaid did to even better effect. The variety of character designs and personalities also made the cast feel diverse and well-rounded. It may be a little dark for small...
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MOVIE: Aladdin (1992)

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AladdinYear: 1992Rating: GLength: 90 minutes / 1.50 hours Growing up, I never felt Disney movies were something that appealed to me as a young boy. Most were fairy tales of princesses, and I didn't connect with Snow White (1937), Sleeping Beauty (1959), or The Little Mermaid (1989). Then along came Aladdin (1992). Not only was the main character male, but the movie was full of action, adventure, and a funny performance by Robin Williams as the Genie. It quickly became my favorite Disney film and remains so to this day. Ultimately, Aladdin taught me a few things about life. Being content with our circumstances can keep us out of a lot of trouble; telling the truth is easier earlier on before the lies grow into more complex scenarios; and sometimes the quick magical fix isn't the right way to go about solving a problem. That I could relate much easier to Aladdin and his struggles as he tries to woo the princess...
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MOVIE: WALL-E (2008)

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WALL-EYear: 2008Rating: GLength: 98 minutes / 1.63 hours In the history of Pixar films, I feel the pinnacle of their filmography is none other than WALL-E (2008). By this point, their technical prowess had an impressive track record, and their stories were proven to be quite heartfelt. Still, some of the earlier films have not aged quite as well as this masterpiece. And the ones that come after have been fairly hit-or-miss. The planets aligned to make WALL-E an achievement of storytelling and visual splendor that has stood the test of time. While Pixar worked around the uncanny valley with the human characters being bloated versions of their former selves, everything else in this movie looks so beautiful and real. Perhaps it's even the techniques they used where it almost feels like the whole thing is actually shot on camera instead of entirely in a computer that gives it that sense of grounding. Because there's personality in a little robot that's rusting...
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MOVIE: Wreck-It Ralph (2012)

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Wreck-It RalphYear: 2012Rating: PGLength: 101 minutes / 1.68 hours One year after the release of the book Ready Player One, Disney also jumped onto the video game setting with Wreck-It Ralph (2012). Both have an astonishing number of licensed characters, even if they're relegated to cameo status most of the time. The larger difference between the two is that Wreck-It Ralph examines the virtual world from the villain's perspective. Redeemable villains have been all the rage for some time, so providing video games as a space to contextualize the concepts of destiny and cultural expectations was a perfect fit. Plot-wise, I enjoyed the video game universe Wreck-It Ralph created—even if there are undoubtedly some plot holes if you take it too seriously. I felt the Sugar Rush section of the film was a little long, but only because it had to deal with an entire other subplot with Vanellope (Sarah Silverman). Sure, feeling like you don't belong because you're a glitch parallels...
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MOVIE: Bolt (2008)

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BoltYear: 2008Rating: PGLength: 96 minutes / 1.60 hours Mid-2000s Disney was an interesting time for their CGI movies. Pixar had been dominating for at least a decade and created gorgeous films with heartwarming plots. Struggling to keep up with this new medium, Disney still hadn't fully committed to CGI, and it has not aged well. Just as an example, think about how incredible WALL-E (2008) looked and realize it came out the same year as Bolt (2008). Not to say that Bolt is a terrible movie, it just feels bland in comparison—both on looks and plot. Part of the problem of this era of CGI movies is how dated they can feel. Sure, Disney was using some CGI in their animated films even as far back as The Little Mermaid (1989). It's just that Pixar seemed to understand that humans needed to be more like caricatures to escape the uncanny valley. The people in Bolt look so weird and wrong that it's...
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MOVIE: Monsters, Inc. (2001)

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Monsters, Inc.Year: 2001Rating: GLength: 92 minutes / 1.53 hours Early Pixar films always had a way of being grounded in our reality. The toys in Toy Story (1995) had to make sense as toys. The insects in A Bug's Life (1998) were all known insects. It wasn't until Monsters, Inc. (2001) when an entire world had to be created to explain the "monster in the closet" fear most children grow up with. And while this film is definitely another tech demo to show how good Pixar had gotten at simulating cloth and fur, the plot itself is one of the most original pieces Pixar has ever created. Coming up with dozens of different monster designs was only the first step. That Pixar created a world designed for these monsters to live and work in was the basic follow-up, but creating a whole system of door portals that could access any room in the human world was genius. And having screams power the...
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MOVIE: Big Hero 6 (2014)

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Big Hero 6Year: 2014Rating: PGLength: 102 minutes / 1.70 hours Even though Disney has a reputation for being good at the "Princess" movies, I have found that the films geared toward the guys are often overlooked gems. This was probably most obvious during the early 2000s with movies like Atlantis: The Lost Empire (2001) and Treasure Planet (2002), both of which were sci-fi movies that flopped. Fortunately, Disney adapts and aligns with popular trends to create some better received films geared toward the boys. Fusing the sci-fi genre with an anime-like setting and superhero theming, Big Hero 6 (2014) has stood up well over time. I think the only weakness of Big Hero 6 is how closely it plays to the standard tropes. Superhero origin stories are seen as necessary for starting a franchise, but there are only so many ways that plot can be explored before it feels too similar to other movies (with Iron Man (2008) parallels being made here)....
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MOVIE: The Little Mermaid (1989)

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The Little MermaidYear: 1989Rating: GLength: 83 minutes / 1.38 hours There's no doubt that The Little Mermaid (1989) was a turning point for Disney. It helped revive the studio into its Renaissance after struggling for decades. Some of their best films came in this era sparked by The Little Mermaid, in part due to its success. Its songs and animation were its strong points, both of which are remembered today. However, its lesson (if there even is one) seems to be either too lost in the details or perhaps a bit too old for the young girls who love watching this movie. Several of the songs in The Little Mermaid are Disney classics that most people can probably hum a few bars. Alan Menken established himself as the de facto songwriter for Disney movies with these hits. Watching this movie as an adult, I'm still blown away with Disney's animation techniques here. There were several moments that had me scratching my head,...
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MOVIE: Lilo & Stitch (2002)

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Lilo & StitchYear: 2002Rating: PGLength: 85 minutes / 1.42 hours The early 2000s were a weird time for Disney. After a solid run of their 1990s renaissance—full of classics beloved by all—they started exploring ideas outside their wheelhouse. With most of their best work in the fantasy genre, Disney hadn't quite figured out how to do science fiction. Despite all this, they created a few cult classics during this period. One of these was none other than Lilo & Stitch (2002). A common theme in children's movies seems to be outsider kids befriending creatures they probably shouldn't. This list includes (but is not limited to) E.T. - The Extra-Terrestrial (1982), The Iron Giant (1999), How to Train Your Dragon (2010), and even Bumblebee (2018). Where Lilo & Stitch takes this a step further is how it embraces the idea of the "found family." With so many orphans in Disney movies, it surprised me it took this long to hone in on this...
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MOVIE: Sleeping Beauty (1959)

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Sleeping BeautyYear: 1959Rating: GLength: 75 minutes / 1.25 hours Even though the whole Disney Princess franchise has a target demographic (that's more aligned with my daughter), I do have a favorite Princess movie. It's Sleeping Beauty (1959), but not for the reasons you might think. Sure, Sleeping Beauty is one of the few Princess films where the Prince plays a major role—even going so far as to have to fight a dragon to save the kingdom. However, the technical prowess on display here is perhaps forgotten by modern standards. And the fact they use Tchaikovsky for the soundtrack is a huge plus. As a Princess film, Sleeping Beauty has a few tropes it shares with its sister films. There's the bumbling father figures, the fantasy creatures added for comic relief, and the (by now) standard house style for all characters. It certainly spends a lot of time in its middle with almost meaningless filler, which doesn't even pad it out past 75...
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MOVIE: Toy Story 2 (1999)

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Toy Story 2Year: 1999Rating: PGLength: 92 minutes / 1.53 hours For all the flack that sequels get, there are the occasional few that surpass the original. Whether it's flipping the script by making the first movie's villain the hero (as in Terminator 2: Judgment Day (1991)) or merely having room to grow the characters past their introductory stories (like in Spider-Man 2 (2004)), a well-done sequel should advance the story of the franchise and not just repeating the success of the first film. Toy Story 2 (1999) is one of those rare movies that does an excellent job of advancing the groundwork laid in Toy Story (1995). Not only does Toy Story 2 now have its original semi-villain, Buzz Lightyear (Tim Allen), as the hero saving Woody (Tom Hanks), but there's also room to explore what in means to be a toy in the context of collectors items instead of just as a child's plaything. Considering how revolutionary the original Toy Story...
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MOVIE: Tangled (2010)

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TangledYear: 2010Rating: PGLength: 100 minutes / 1.67 hours Tangled (2010) is one of those movies that hit me at a vulnerable time in my life. Shortly after I bought it on Blu-Ray, I ended up watching it at least once for ten days straight. I had the soundtrack memorized and I still cry at the pivotal scenes. I danced to the lantern song at my wedding as the first dance with my wife. Clearly, I'm going to give this movie full marks here, but even over a decade later, I think it holds up. After college, I moved out of my home state and was finally living on my own. Even with a good job and a handful of new friends, I related to Rapunzel's (Mandy Moore) first song of the movie: When Does My Life Begin? There were societal expectations that I didn't feel like I met, so seeing Flynn Rider (Zachary Levi) grow to accept non-toxic masculine traits—thanks in part...
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MOVIE: Disenchanted (2022)

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Disenchanted Year: 2022 Rating: PG Length: 119 minutes / 1.98 hours It’s interesting how the “direct-to-video” sequel has changed now that streaming is the ubiquitous delivery method. Movies that studios still want to capitalize on but don’t want to spend money on putting in theaters. Disney has taken this route with many of its animated films in the 1990s, releasing multiple sequels to beloved classics. Even The Disney Channel used to be a place for them to put cheap movies. Now, with Disney+, we see movies like Disenchanted (2022) filling the space that used to be occupied by VHS releases. It’s unfortunate because these sequels could be much better than they are. I loved the self-aware nature of Enchanted (2007). That Disenchanted held most of the same cast was encouraging, but clearly not the magic needed to recreate the energy of the original. The parody (and adherence to) traditional Disney princess stories in Enchanted made it a fun tongue-in-cheek film to watch. This sequel felt...
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MOVIE: Cars 2 (2011)

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Cars 2Year: 2011Rating: GLength: 106 minutes / 1.35 hours If anyone asks me for my unpopular movie opinion, they're likely going to hear that I think Cars 2 (2011) is the best entry in the Cars trilogy. While it still doesn't hold a candle to the superior works that Pixar released before it, Cars 2 took a risk by adapting the spy genre to its kid-friendly films. I was never much of a fan of NASCAR-style racing, so pushing these characters into worldwide Grand Prix races felt much more exciting to me. Still, I can see why some didn't like this pivot. As with most of the Cars movies, I never cared much for Mater (Larry the Cable Guy). The forced comedic relief always felt like it was based on how cringe-worthy they could make the character. Unfortunately, Mater had a much larger role in this movie, which only marginally worked because of how it felt like The Man Who Knew Too...
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MOVIE: Lightyear (2022)

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Lightyear Year: 2022 Rating: PG Length: 100 minutes / 1.67 hours One of my favorite bits from the Toy Story saga was the opening sequence from Toy Story 2 (1999). Seeing Buzz Lightyear (Tim Allen) in his element, fighting to save the galaxy, was an exciting start to one of the best Pixar films to hit the big screen. I have some strong nostalgia for the characters from Toy Story, which is why I had high hopes for the Lightyear (2022) spinoff. After all, Pixar rarely does science fiction—with WALL-E (2008) being the most notable example of what they can do with the genre—so I can appreciate them adding more sci-fi to their filmography. As a sci-fi movie, Lightyear is fine. It hits a lot of good tropes that are common to the genre. Visually, the efforts of Pixar look stunning as always. The problem I have here is with the characters and the plotline surrounding Buzz Lightyear's (Chris Evans) stubbornness. It's exhausting to watch...
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MOVIE: Cars (2006)

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Cars Year: 2006 Rating: G Length: 117 minutes / 1.95 hours In terms of early Pixar films, I always felt Cars (2006) was a bit of a step backward for the animation company. I've never been much of a "car guy" and I find NASCAR racing a bit silly. Still, Pixar's focus on the story helped make this a solid sports movie. After all, the timeless "mentor teaching a cocky up-and-comer" narrative works for a reason. And while I'd love to see other Pixar franchises get as much love as this one, I can see why it's done so well for its target demographic. Cars is an excellent movie for freeze-frame analysis for the number of puns and visual gags alone. Granted, there are also a lot of disturbing extrapolations if you spend a significant amount of time thinking about this universe of sentient vehicles. Still, the growth of these characters helps make this movie into something more than just a vehicle (har har) for...
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MOVIE: Chip ‘n Dale – Rescue Rangers (2022)

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Chip 'n Dale: Rescue Rangers Year: 2022 Rating: PG Length: 97 minutes / 1.61 hours Nostalgia can be tricky to balance. There's nostalgia that feels pandering, even to the demographic it's aimed at. Then there's nostalgia that's so meta that only those deep scholars of the source material would get the inside jokes. As a Millennial, I found Chip 'n Dale: Rescue Rangers (2022) scratched an itch for balanced nostalgia I didn't even know I had. It's a shame that Disney tossed it onto Disney+ instead of getting a wider theatrical release because the comedy in this movie was top-notch. This movie was so smartly written that I laughed out loud more often than not. All the brief references it hid in plain view, but without drawing a cringey, eye-winking nod to it, was a welcome change to how most movies handle nostalgia reboots. Even modern references like Ugly Sonic were hilarious, mostly because they "went there." Of course, the movie still brought attention to...
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MOVIE: The Nutcracker and the Four Realms (2018)

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The Nutcracker and the Four RealmsYear: 2018Rating: PGLength: 99 minutes / 1.65 hours A staple of the Christmas season, The Nutcracker is recognizable in many formats. Whether it's the ballet, the music, or just the story itself, most people have probably encountered a portion of The Nutcracker at some point in their lives. While most of these recognizable bits are classic representations of this work, these are the bare minimum used in crafting the Disney adaptation, The Nutcracker and the Four Realms (2018). And I use "adaptation" fairly loosely here. Some things remain untouched, like a girl named Clara (Mackenzie Foy) being transported to a magical realm filled with toy soldiers, rats, and fairies. The trouble is that someone at Disney churned this familiar story through a "YA filter" that makes the whole thing feel like a generic adventure. Sure, there's some great visual storytelling in these four magical realms, but the narrative mostly follows the same "fight villain to learn about...
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MOVIE: Turning Red (2022)

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Turning Red Year: 2022 Rating: PG Length: 100 minutes / 1.67 hours I'll give Pixar credit for taking on a challenging subject like puberty. Of course, they also played it safe by making it modern enough that there are computers and cell phones, but not so modern that social media is a big issue. Oh, to long for that early 2000s nostalgia. While I couldn't relate to the gender issues presented in this movie, I definitely experienced late puberty around the film's timeframe. And perhaps that's why I found Turning Red (2021) so funny: they nailed a lot of the popular cultural elements. Also, as a guy, I actually found a lot of the "period humor" to be hilarious as well. Perhaps because it's somewhat embarrassing, but also a totally natural part of growing up, these jokes had me laughing out loud. Or, maybe my humor is just a bizarre combination of memes and puns. Probably the latter (gotta love all the multiple meanings of...
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MOVIE: Encanto (2021)

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Encanto Year: 2021 Rating: PG Length: 102 minutes / 1.70 hours As Disney hits all the cultural checkboxes across the globe, Encanto (2021) follows in the footsteps of Moana (2016) and Coco (2017) to expose audiences to the culture of Columbia. With catchy songs by Lin Manuel-Miranda, Encanto is full of fun and color in a way that doesn't seem disrespectful to the culture it's representing. And while I know little about Columbian culture, I know enough about Latin America to realize that the foundational lesson in Encanto is important for everyone, regardless of their culture of origin. On its surface, Encanto is about a family with magic powers that live in a magic house. Everyone in the family except Mirabel (Stephanie Beatriz). Normally, the story about Mirabel trying to figure out why she didn't receive magic powers would be enough for this kind of movie. Encanto, however, digs deeper and addresses the significant pressure that can come from an individual's family to live up...
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MOVIE: Mulan (2020)

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Mulan Year: 2020 Rating: PG-13 Length: 115 minutes / 1.92 hours In Disney's ever-ouroboros-like handling of its back catalog, the continuation of live-action adaptations of its animated classics claims another victim. This time, Mulan (2020) seems to miss the point of what made the original so beloved. Of course, you can probably say that about other live-action adaptations as well (especially The Lion King (2019)). If anything, Mulan is a parody of its source material and Chinese culture overall. Everything about this adaptation felt flat and uninspired—like Disney is just running all their previous animated classics through the live-action machine to see if anything good comes out the other side. Don't get me wrong; I think Disney has had a few live-action successes. I think The Jungle Book (2016) improves on its source material. It's just when you adjust the way you tell a certain story too much, it no longer contains the elements that made the original fun and exciting. By making Mulan (Yifei Liu)...
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MOVIE: Cruella (2021)

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Cruella Year: 2021 Rating: PG-13 Length: 134 minutes / 2.23 hours It seems the latest trend in the last few years is to take well-known villains and make them relatable through tragic backstories. While Maleficent (2014) seems to have started this string of villain-centric movies, Cruella (2021) does an adequate job of showing this villain's transformation while also making you want to root for her. However, the problem with idolizing someone like Cruella De Vil (Emma Stone) is that her eventual crime against the 101 Dalmatians (1961) is the desire to kill every single one of them in the name of fashion. While the plot pulls elements from Oliver Twist and All About Eve (1950), there are enough twists at the end of this film that make it worth the watch. Even if one of these moments had me laughing at how ridiculous it was, it all paid off because of Emma Stone's excellent acting throughout. Of course, it also helped that the flamboyant fashion...
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MOVIE: Luca (2021)

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LucaYear: 2021Rating: PGLength: 95 minutes / 1.58 hours It's interesting how computers continue to become more powerful, just so they can make 3D CGI look more like traditional 2-D animation. Granted, this usually applies to the characters, as textures and settings are becoming so realistic as to be nearly indistinguishable from the real thing. While I'm sure we could probably jump the uncanny valley by now, Pixar chooses to play to its more "cartoony" roots in perhaps the most charming way possible. Their latest film, Luca (2021), oozes charm in a way that a small story like this can only achieve. Set in what appears to be early to mid-1960s (at least by the movie posters hung on the town's walls), Luca is another coming-of-age tale like Onward (2020) but with less emphasis on family bonds and more emphasis on personal independence. And while I appreciated the "big brother" narrative of Onward, I think Luca's format worked a little better since not...
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MOVIE: Raya and the Last Dragon (2021)

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Raya and the Last Dragon Year: 2021 Rating: PG Length: 107 minutes / 1.78 hours For a studio that built itself on Euro-centric fairy tales and stories, I can appreciate how Disney is (finally) trying to make movies that explore other cultures of the world. While not necessarily based in any lore from Asian countries, Raya and the Last Dragon (2021) pulls enough aesthetic influence from these cultures to be a nice homage. As always, I’m stunned at the visuals Disney can produce with CGI, and Raya and the Last Dragon is no exception to this rule. Add to this the incredibly well-choreographed fight sequences, and this film certainly had its moments. However, what’s weird about Raya and the Last Dragon is how parts of it felt done before. Kung Fu Panda (2008) might not have had realistic humans using martial arts techniques. Still, the choreography for this kind of animated movie was already there more than a decade before Raya came along. Similarly, the “collect...
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MOVIE: Cars 3 (2017)

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CarsYear: 2017Rating: GLength: 102 minutes / 1.70 hours I'm usually a huge fan of Pixar films. However, I'm not wild about the Cars franchise. Something about these anthropomorphized vehicles is a little too cartoonish for me. Granted, the first movie in the series was the only film to make me care about the outcome of a NASCAR-type race. While the visuals are definitely improved in the 11 years since the original film came out, this end cap of the trilogy feels like a rehash of what worked before. Distancing itself from the trilogy's black sheep, Cars 2 (2011), this third part of the trilogy felt all too similar to the plot of Cars (2006). Sure, some of the roles were swapped around to show the "full circle" narrative from student to mentor. Still, ultimately it was about a car finding its racing mojo and utilizing well-known driving techniques to defeat its opponents. Ultimately, though, I don't care for the main character. Lightning...
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MOVIE: Artemis Fowl (2020)

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Artemis Fowl Year: 2020 Rating: PG Length: 95 minutes / 1.58 hours When I first saw the trailers for Artemis Fowl (2020), I was intrigued enough to pick up the book and read it. With its continual delays, I was able to also read through the first five books in the series. This may have helped me understand what Disney was trying to do with this, but it doesn't excuse their butchering of the source material. I can only imagine how confused people who hadn't read a single word of the books would be, and I was right on the verge with them. What gets me is that, as a fairly short book, Disney could have made a perfect adaptation in a scant two hours. Instead, they decided to cram so much "sequel potential" into 95 minutes to lose focus on any of the stories they were trying to adapt simultaneously. I also understand how the movie version is inclusive of all races and genders,...
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MOVIE: Soul (2020)

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Soul Year: 2020 Rating: PG Length: 100 minutes / 1.67 hours I'll give Pixar credit: they know how to make trailers that give away almost nothing about what the plot is. Sure, I could roughly gauge what Soul (2020) was about, but I could never have guessed it would be this deep. Of course, when dealing with concepts as heady as the afterlife, Pixar had to really balance the line between adhering to any particular religious belief. Be prepared to tear up at least a few times because Soul can hit hard when it comes to life itself. As is the case with any Pixar film, I usually watch for CGI modeling/technology advancements. In Soul, they took the time to perfect the look of some of the most difficult hair to animate, and it shows. This isn't to say that we're getting closer to jumping the uncanny valley (of which they can probably do by now) because this would also ignore the mind-bending "architects" who...
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MOVIE: The Lion King (2019)

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The Lion KingYear: 2019Rating: PGLength: 118 minutes / 1.97 hours Many years ago, I learned that The Lion King (1994) was basically the plot of Hamlet reenacted with animals. And while many people consider the original 2D animated version of this story to be one of the greatest Disney movies ever created, I never really cared that much for it. Fast forward to 2019, and the new "live-action" version of The Lion King is released. Again, I wasn't really wowed by anything in it because I was ambivalent to the whole story anyway. I did find it odd that they marketed it as "live-action" when it was completely CGI. It was an animated remake of an animated movie. Perhaps my biggest issue with this new version of The Lion King was that they didn't really change anything. It felt like the 1998 version of Psycho (1960) that recreated the whole movie shot-for-shot in color. While it was technically as close to the...
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BOOK: Peter Pan (1911)

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Peter Pan Year: 1911 Author: J.M. Barrie Length: 302 minutes / 5.03 hours I didn't grow up with Peter Pan as a child. The fact that I'm reviewing this book when I'm 34 merely highlights this oversight. I didn't even get into this story through the animated Disney version. Again, another oversight. About the only reason I know anything about Peter Pan is through the 1991 movie Hook—which I remember quite fondly. At this point, finally getting around to reading the source material was refreshing even if I already picked up most of the pop culture references this book inspired. While I didn't grow up with Peter Pan, I can see its merit. I'll probably even read it to my daughter when she's old enough to understand it. What's perhaps the most notable quality of this book is how its randomness almost makes sense. Do you know how kids make stuff up but have a logical sense about their creations? Well, Peter Pan has plenty...
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MOVIE: Onward (2020)

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Onward Year: 2020 Rating: PG Length: 102 minutes / 1.70 hours I always look forward to Pixar films, mostly to see how visually stunning a movie created entirely in a computer can look with each passing year of technological and programming advancements. The other reason I will always go to see a Pixar movie is their dedication to a good story. Sure, there have been some missed steps over the years (The Good Dinosaur (2015) being the latest example), but their track record has been good enough to warrant me seeing their films in the theater. While I was looking forward to this year’s offering of Onward (2020), the result felt a little lackluster overall. Choosing to explore a storyline with a deceased parent was odd in that it felt like something that had rarely been addressed in movies geared toward children while also having a strong “after school special” vibe to it. Either way, putting it in a pseudo-Monsters, Inc. (2001) fantasy world was a fun way to...
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MOVIE: Frozen II (2019)

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Frozen IIYear: 2019Rating: PGLength: 103 minutes / 1.72 hours After the cultural phenomenon that was Frozen (2013) had cooled off a little, a sequel was an inevitable conclusion. The trouble with such sequels is multi-faceted: how do you recapture the magic of the first movie while also creating something new that advances the story? Unfortunately, Frozen II (2019) falls into the trap of focusing on what made the first so successful that it almost feels like it’s mimicking its origins. To top it off, the new elements introduced in this film are either predictable plot points or over-done tropes. But hey, it’s Disney, and it looks absolutely gorgeous, even if some of the main characters seemed slightly more exaggerated in their presentation (perhaps starting to edge closer to the uncanny valley). While the songs all hit similar beats to their predecessors, most of them seem to fall short or were emphasized in the wrong places. Case in point, I found “Show Yourself”...
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MOVIE: Star Wars – Episode IX – The Rise of Skywalker (2019)

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Star Wars: Episode IX – The Rise of Skywalker Year: 2019 Rating: PG-13 Length: 142 minutes / 2.37 hours Full disclosure: I’m not a die-hard Star Wars fan by any means. Sure, I like the original trilogy, but Return of the Jedi (1983) is my favorite of that set (take that how you will). In the end, I don’t look at this franchise through the lens of the expanded universe or all the lore tied to it. I just see them as movies. Are they entertaining? Sure, they have their moments. Are they groundbreaking? Not since A New Hope (1977), in my opinion. So, while The Force Awakens (2015) felt like a rehash/reboot, I did appreciate how The Last Jedi (2017) took some risks in terms of character development. So, how does The Rise of Skywalker (2019) fare? First of all, the plot moves at a hyperspace-clipped pace. There seemed to be so many loose ends to tie up and nostalgia to fit in that...
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MOVIE: Toy Story 4 (2019)

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Toy Story 4 Year: 2019 Rating: G Length: 100 minutes / 1.67 hours After the Toy Story “trilogy” ended in 2010, I was honestly a little confused and irritated that Disney/Pixar would open up this franchise again for a fourth entry. That being said, I now see the entire “story” was not complete at that point. There was still some amount of finality that the franchise had not reached. Of course, now I’ll be mad if they decide to make a Toy Story 5 since Toy Story 4 (2019) wrapped everything up so nicely and conclusively. Then again, maybe the next entry in the series will finally explain the odd rules about toy sentience. By far, the most striking thing about Toy Story 4 is its visuals. I was ten years old when Toy Story (1995) came out. Even in the four years between it and Toy Story 2 (1999), I could see massive improvements in what computers could create in terms of CGI imagery. With Toy Story 3 (2010) having just over a decade to improve its visuals,...
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MOVIE: Aladdin (2019)

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Aladdin Year: 2019 Rating: PG Length: 128 minutes / 2.13 hours When the animated version of Aladdin came out in 1992, I was seven years old. As a young boy, I could finally relate to the titular character since the focus of this Disney film wasn’t as much on the “princess” as it was on “Prince Ali.” Consequently, this film has remained one of my favorite Disney films over the years and is one I have mostly memorized after repeated viewings in my childhood. As such, I was partly looking forward to this live-action adaptation due to my love of the original. The other part of my anticipation was because Guy Ritchie was directing it (and I’ve loved plenty of his earlier works). Having now seen this version of the rags-to-riches tale, I’m in this weird “uncanny valley” of storytelling. Because I have the original memorized, this version of the story was close enough to be predictable but not a word-for-word re-enactment, which is what I found...
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BOOK: The Hunchback of Notre Dame (1831)

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The Hunchback of Notre Dame Year: 1831 Author: Victor Hugo Length: 1,136 minutes / 18.93 hours Victor Hugo is one of those classic authors who I’ve hesitated reading because his stories tend to have a lot of details that don’t necessarily add to the plot. Sure, The Hunchback of Notre Dame is no Les Miserables, but Hugo’s style made this book perhaps a little longer than it should have been. Either way, now I know a lot more about the architecture of Notre Dame Cathedral. Despite all this, the story of The Hunchback of Notre Dame is timeless in many ways, not the least of which centers around its titular character. While modern stories are vying to be inclusive and diverse, Victor Hugo managed to write a story in the 1800s that not only included a disabled individual but racially diverse characters (at least for France) as well. The fact that both are sympathetic protagonists helps cement Quasimodo and Esmerelda in my mind. They’re both persecuted in their own ways;...
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MOVIE: Ralph Breaks the Internet (2018)

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Ralph Breaks the Internet Year: 2018 Rating: PG Length: 111 minutes / 1.85 hours Back in 2012, I was impressed that a movie like Wreck-It Ralph could exist. The amount of licensing agreements needed to bring together so many recognizable characters from famous franchises was a daunting task the likes of which I hadn’t seen since Who Framed Roger Rabbit? (1988). Similarly, the sequel to Wreck-It Ralph, Ralph Breaks the Internet (2018) had the challenge of integrating so many brand names and websites into something that could work as a story without becoming too dated as time marches on. In both cases, I think the balance between brand-name recognition and original content helped to make for an entertaining film. In the lead-up to the release of Ralph Breaks the Internet, I was concerned that it was going to rely heavily on internet memes for its laughs—taking a somewhat similar tack from The Emoji Movie (2017). I also had concerns that this movie would also focus...
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MOVIE: Christopher Robin (2018)

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Christopher Robin Year: 2018 Rating: PG Length: 104 minutes / 1.73 hours Tell me if you’ve heard this one before: a child from a famous story grows up into a businessman who doesn’t have time for his family but eventually comes to face his lack of work/life balance by revisiting the fantastical world of his childhood. If you thought this was the plot of Hook (1991), you’d be right. Unfortunately, it is also the almost-identical plot to the Winnie the Pooh sequel, Christopher Robin (2018). I’d forgive its unoriginality only if I knew who the audience for it was. Is it a morality tale for overworked parents? Is it a lesson for kids to never take work seriously? I honestly don’t know. I will say that Disney did a good job bringing the stuffed animals of the original story to life in this live-action adaptation, except that I was pretty shocked to find out that Rabbit (Peter Capaldi) and Owl (Toby Jones) were actual animals, and not of the stuffed variety....
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MOVIE: Incredibles 2 (2018)

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Incredibles 2 Year: 2018 Rating: PG Length: 118 minutes / 1.97 hours Before we start, I have to say that The Incredibles (2004) is perhaps my favorite Pixar film. Back when superhero films were starting to become successful (albeit, not nearly as lucratively successful as the Marvel Cinematic Universe), The Incredibles artfully blended a superhero film with a family/midlife crisis plot that worked on so many levels. It is then no surprise that I was truly looking forward to its sequel, Incredibles 2 (2018). In the back of my head, I knew that most of Pixar's talent had switched over to Disney about eight years ago, but I hoped enough of the original team would be around to make this sequel something special. Unfortunately, time seems to have worked against Incredibles 2. If this had come out ten years ago, it would have enjoyed some of the originality that comes with beating the Marvel behemoth out of the gate. As it is now, I'm not sure if Incredibles 2...
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MOVIE: A Wrinkle in Time (2018)

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A Wrinkle in Time Year: 2018 Rating: PG Length: 109 minutes / 1.82 hours While plenty of children's books are imaginative, no amount of CGI can cover up the fact that a faithful adaptation to the source material should be the highest priority. Unfortunately, due to the heavy Christian undertones in the original story, an anti-Christian Hollywood managed to churn out this loose adaptation of A Wrinkle in Time that doesn't do much more than waste a few hours of your time. Sure, there are hints to such important ideas as faith, but they're lost in lackluster character development that tries to "modernize" something that has been timeless for decades. Each of the sequences in this film merely seems like an excuse for gorgeous set design. If anything, the alien worlds and settings are neat to look at, but they don't do much to distract from the events that just happen without much explanation as to why, or what purpose they serve. For instance, the scene...
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MOVIE: Coco (2017)

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Coco Year: 2017 Rating: PG Length: 105 minutes / 1.75 hours In the never-ending string of incredible visuals brought to life by Pixar, Coco (2017) continues this trend into the afterlife. At this point, I’m convinced Pixar could just go ahead and shoot live video and put their animated characters in the scene and I’d still think the whole thing was animated. The interplay of color, light, and shadow really come out in this celebration of Mexican culture. All spectacular visuals aside, Pixar again delivers on an emotional impact that left me crying, as always. When it comes to new ideas, Pixar certainly still knows how to create a visually-compelling story. While Coco has a lot going for it, there are a few weaknesses, some of which are my own opinion based on my likes and dislikes. I know the film mostly targets children (and older children at that), but the plot was just a smidge too predictable. Sure, it was enjoyable to see my...
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MOVIE: Frozen (2013)

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Frozen Year: 2013 Rating: PG Length: 102 minutes / 1.7 hours It's hard to deny the worldwide phenomenon that is this movie. While I'm sure parents now twitch any time "Let it Go" comes on, the fact of the matter is many factors led to the success of this film. Starting in the mid-2000's, Disney saw they had a problem and set about trying to fix it. By rehauling how they told stories, and how they approached the characters in these stories, they soon were back on top of the animation industry (while Pixar continues to be content pumping out Cars sequels). Stunning visuals can only get you so far in a Disney movie, and Frozen (2013) certainly takes the cake when it comes to visualizing snow and ice through computers. What makes Frozen work as a story is its complexity. No one character is completely good or completely bad, each having their faults and limitations, as well as their good intentions and personal desires. This...
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MUSIC: Aladdin (2011)

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Aladdin New Amsterdam Theatre May 10, 2017 Anyone who knows me will know that Aladdin (1992) is easily one of my top three favorite Disney movies. Not only is the focus of the narrative more on the male lead than the "princess," but the songs were catchy, and the Genie was hilarious. You can then imagine my surprise to learn that this movie was now a Broadway musical (much in the same way Beauty and the Beast (1991) and The Lion King (1994) before it). Since I was in New York City on vacation, I had to take in a Broadway show and was glad that this was the one I saw. Knowing that a ~90 minute animated film would need to be padded out to a full, 2-act stage musical, the additions to the plot made sense. Many of the animal companions (if not all of them) were replaced with friends, handmaids, or lackeys in this production. The sub-plot of Aladdin wanting to...
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MOVIE: Moana (2016)

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Moana Year: 2016 Rating: PG Length: 107 minutes / 1.78 hours Let's get one thing straight: computers are incredible. Each successive year that passes, I find my eyes blown away at the amazing capabilities of computers to create the kind of imagery found in movies like this. From hair and water effects to some of the more supernatural aspects, the visuals of this film are quite commendable. Sure, Zootopia (2016) looked good too, but since its characters weren't human or in a "human" environment, it was difficult to see just how amazing the visuals could be. But this was likely due to Zootopia having more focus on an interesting plot instead of stunning effects. I am impressed that Disney has taken the leap to another non-white "princess" with Moana, but much of the cliche trappings of this type of film are out in full force. If I were to tell you Disney made a coming-of-age movie featuring the main character with an animal sidekick, a mute...
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MOVIE: The Jungle Book (2016)

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The Jungle Book Year: 2016 Rating: PG Length: 106 minutes / 1.77 hours If there’s any more proof there aren’t any new ideas in Hollywood, it’s the fact that beloved animated classics are being remade as live-action films. Sometimes this works, but more often than not, the ploy to attract those nostalgic feelings from the audience fails, thus leaving the viewer with the sense that their childhood is ruined. I’m generally pretty hesitant of these types of films, mainly because part of me doesn’t want to admit that the original films sometimes weren’t that great. That being said, the latest in these adaptations, The Jungle Book (2016) certainly surprised me. Unlike some films like Maleficent (2014), which takes a different point of view from the main story of Sleeping Beauty (1959), and more like Cinderella (2015), which covers the same material as its predecessor, Cinderella (1950), The Jungle Book takes the main ideas from Rudyard Kipling’s book, via the animated interpretation of The Jungle Book...
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MOVIE: Zootopia (2016)

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Zootopia Year: 2016 Rating: PG Length: 108 minutes / 1.8 hours Let me just start by saying that I've really become a fan of Disney's animation since about 2010. Before then, I was wild for Pixar, but around the time Tangled (2010) came out, Pixar hadn't been making the quality films I had become used to. Instead, Disney was now churning out great films like Tangled (2010), Wreck-It Ralph (2012), Frozen (2013), and Big Hero 6 (2014). Their latest film, Zootopia (2016), certainly upholds the level of quality expected of this animation studio. Not only were the visuals stunning (as always), but the plot and characters were all on-point. As is almost expected of a film meant for children, but made with adults in mind, there were a number of popular culture references that I found myself laughing uproariously for while the rest of the audience missed the joke. From slight alterations to animal-themed products (i.e. "Cub Soda"), to jokes pertaining to certain animal characteristics...
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