BOOK: Mecha Samurai Empire (2018)

Mecha Samurai Empire Year: 2018 Author: Peter Tieryas Length: 447 pages ***THIS BOOK WAS RECEIVED FROM THE PUBLISHER*** For a genre that’s usually associated with Japanese anime and manga, I haven’t seen many “mecha” novels (or movies, for that matter, with Pacific Rim (2013) being the only notable example). Consequently, when I received an advance reader copy of Mecha Samurai Empire, I was looking forward to reading it. While there were still a few grammatical and proofreading errors in this book—of which I’m sure have been fixed in the final version—portions of the plot didn’t sit well with me. My main qualm is the main character who really isn’t good at anything but still gets to pilot a huge and complicated piece of machinery just because he wants to. A clear and obvious mix between The Man in the High Castle and Neon Genesis Evangelion, the few strong elements of this book were in the mecha battles themselves. The problem is that the references sprinkled throughout...
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BOOK: How to Tell Fate from Destiny (2018)

How to Tell Fate from Destiny: And Other Skillful Word Distinctions Year: 2018 Author: Charles Harrington Elster Length: 320 pages I’ve written blog posts and recorded vlogs about writers who seem to rely on spell check to make sure they’re using the right word. Most of the time, they probably didn’t have an adequate editor to review their manuscript and thus didn’t check whether or not they were using the right word (even if the wrong word is spelled correctly). With the state of the printed word slipping year after year, a book like How to Tell Fate from Destiny should be a standard reference on any writer’s desk. Although, many of the words covered in this book are slowly changing due to idiomatic circumstances. It is slightly encouraging to see examples provided in this book from reputable sources (like well-known newspapers and magazines) that still have these common errors in their writing. If anything, these examples prove how difficult it can be to distinguish the correct...
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BOOK: Ideas, Influence, and Income (2018)

Ideas, Influence, and Income: Write a Book, Build Your Brand, and Lead Your Industry Year: 2018 Author: Tanya Hall Length: 214 pages ***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY*** I’ll admit that I initially thought this book was for all kinds of writers, to include fiction authors. I was looking for a few good ideas to push my brand out of the mires of obscurity, and this book seemed like it would help. While Ideas, Influence, and Income is focused mainly on those people who might not even consider writing a non-fiction book, there’s still plenty of advice for authors of all stages. The insight the author brings to the table here is a little intimidating, though, and not for the weak of will. As far as I could understand it, this book caters towards individuals who are “trendsetters” or “influencers” who could turn their original idea into a brand that could support a book, speaking engagements, and other social media content pieces. Because of...
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MOVIE: Vice (2018)

Vice Year: 2018 Rating: R Length: 132 minutes / 2.20 hours It’s a little weird to me how a director like Adam McKay has gone from directing movies like Anchorman (2004) and Talladega Nights (2006) to entertaining exposés like The Big Short (2015) and Vice (2018). Sure, I can see how his comedy background could lead to the razor-sharp wit used to educate the movie-going public about the 2008 mortgage crisis and the former vice president, respectively. It’s evident the Academy likes his new style as well, as both The Big Short and Vice were nominated for Best Picture. While I liked The Big Short a lot, Vice certainly had its moments. I’ll give props to Christian Bale for his ability to mimic Dick Cheney’s mannerisms in this role. Sam Rockwell was also pretty great as George W. Bush, but I couldn’t get past Steve Carell as Donald Rumsfeld. I also appreciated the tongue-in-cheek “false ending” in Vice, as it was probably one of the funniest moments in the film. Just like how learning about the mortgage crisis was...
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BOOK: The Point (2018)

The Point Year: 2018 Author: John Dixon Length: 320 pages ***THIS BOOK WAS RECEIVED FROM THE PUBLISHER*** With the rise in popularity of the superhero genre, it was only a matter of time before it leaked into other genres. While some genres like steampunk (like in The Esper Files) make for an interesting twist, others like military YA sci-fi are so similar as to be just one other entry in the zeitgeist. The problem with this is that other, more famous handlings of supernatural superpowers bring much more to the table than books like The Point (which doesn’t necessarily add much to either genre on the whole). As far as I could gather, there are only three or four different “types” of mutants in The Point: telekinetic, pyrokinesis, super strength, and “other” (like dream manipulation and energy storage, the latter of which was reasonably original). I suppose franchises like X-Men and One Piece, which give each of their unique characters unique superpowers and rarely (if ever)...
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BOOK: Kaleidoscope (2018)

Kaleidoscope: Keeping the church from becoming a museum Year: 2018 Author: Kurt Trempert Length: 226 pages ***THIS BOOK WAS RECEIVED FROM THE AUTHOR*** In Kaleidoscope: Keeping the church from becoming a museum, Kurt Trempert uses the metaphor of the kaleidoscope to examine what an incarnational church looks like when compared to some of the stagnancies arising in the modern American church. This book addresses many issues and criticisms the church faces in the contemporary era. They're covered in a way that shows not only what’s perhaps behind these shortcomings, but what can potentially be done to fix them. Of course, this then begs the question, who is this book’s audience? Is it for those who run their local church, or the congregation of said churches? Content-wise, I didn’t have many issues with what was presented here. Most of my qualms had to do with the formatting, including right-align text, the font, and lack of indents. Since it was consistent throughout, I eventually got over it. I would...
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MOVIE: Aquaman (2018)

Aquaman Year: 2018 Rating: PG-13 Length: 143 minutes / 2.38 hours Now that Marvel’s 10-year behemoth of its cinematic universe is starting to pay off, it’s becoming more and more obvious that DC is trying desperately to catch up. There’s no doubt that DC has interesting characters, considering how often Superman has been rebooted and how successful Christopher Nolan’s Batman trilogy was. Even Wonder Woman (2017) had its great moments, despite also feeling derivative influences from movies like Thor (2011) and Captain America: The First Avenger (2011). Aquaman (2018) seems to continue this trend, despite again having a strong leading character (both physically and in backstory/lore). I will give DC credit for their casting decisions here. For decades, Aquaman has been the butt of the joke amongst many superhero aficionados. The fact that Jason Momoa is a badass, snarky, and overall entertaining actor to watch in the role speaks to their awareness of “image management.” Perhaps featuring him in previous films like Justice League (2017) also helped to get audiences interested in seeing this superhero in a standalone movie....
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MOVIE: Roma (2018)

Roma Year: 2018 Rating: R Length: 135 minutes / 2.25 hours Don't get me wrong. I like Alfonso Cuarón's films. I liked his films before I even really knew who he was as a director. If anything, he's shown that he's the master of cinematography, especially in long takes that seem to pan through almost the entire film. He first showed this talent in Children of Men (2006) and continued to impress with this technique in Gravity (2013). While he's shown he has mastered the long take, his signature style is still on display in Roma (2018) through its numerous pans. That being said, I found the content of Children of Men and Gravity to be much more interesting than that of Roma. Cuarón pulls us into his Mexican roots in this film, choosing the early 1970s to set this "slice of life" tale. The problem is, while the film looks quite artistic, with the black-and-white aesthetic fusing nicely with the expert camera work (along...
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MOVIE: Bumblebee (2018)

Bumblebee Year: 2018 Rating: PG-13 Length: 114 minutes / 1.90 hours While I’m nowhere close to being a fan of the Transformers series, I’d occasionally watch the latest installment when it came to the cheap theater in town. I stopped doing this after the third film and only saw the fourth one on Redbox. I never even bothered with the most recent one. Then comes along this spinoff to the main storyline, Bumblebee (2018). For once, I was legitimately interested. The trailers made it seem like a cute little prequel/backstory for the practically mute robot in disguise. In the end, I was not disappointed, as Bumblebee was a fun and charming romp that showed what this franchise could have been like if Michael Bay didn’t direct. I appreciated how this movie essentially went full-in with its nostalgia. After all, since the Transformers originated in the 1980s, why couldn’t a film take advantage of this timeline to also reference lots of other 80s pop culture? Fortunately,...
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MOVIE: Ralph Breaks the Internet (2018)

Ralph Breaks the Internet Year: 2018 Rating: PG Length: 111 minutes / 1.85 hours Back in 2012, I was impressed that a movie like Wreck-It Ralph could exist. The amount of licensing agreements needed to bring together so many recognizable characters from famous franchises was a daunting task the likes of which I hadn’t seen since Who Framed Roger Rabbit? (1988). Similarly, the sequel to Wreck-It Ralph, Ralph Breaks the Internet (2018) had the challenge of integrating so many brand names and websites into something that could work as a story without becoming too dated as time marches on. In both cases, I think the balance between brand-name recognition and original content helped to make for an entertaining film. In the lead-up to the release of Ralph Breaks the Internet, I was concerned that it was going to rely heavily on internet memes for its laughs—taking a somewhat similar tack from The Emoji Movie (2017). I also had concerns that this movie would also focus...
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