BOOK: The Bridge (2018)

The Bridge Year: 2018 Author: Jim Frishkey Length: 240 pages ***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY*** I’ll be honest when I say that I entered the giveaway for this book based on the attractive cover and the premise. Unfortunately, the book delivered on neither (it says it’s a “mystery,” but it had none of that either). There are too many amateur mistakes in this book for me to take any of it seriously. Some of these mistakes are so frustrating that I can’t honestly recommend this book to anyone. It’s a bit sad because a story featuring the spawn of Hitler would probably be pretty interesting. Maybe these interesting stories were in the previous four books, but judging on the errors in this one, I don’t want to read them. Let’s start with the formatting: it’s a mess. Right-aligned text, odd gaps in the paragraphs, and even some text that’s gray for some reason. Moving on to the proofreading errors, they are sprinkled enough...
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MOVIE: Ant-Man and the Wasp (2018)

Ant-Man and the Wasp Year: 2018 Rating: PG-13 Length: 118 minutes / 1.97 hours I'll be the first to defend Ant-Man (2015) from its detractors. Once I realized it was supposed to be a comedy (mostly due to Edgar Wright's early involvement), I knew the superhero aspect would take a back seat to the laughs. That being said, I cannot defend the honor of its sequel. Sure, a lot of the elements that made Ant-Man entertaining are still present in Ant-Man and the Wasp (2018), but it's really more of a standard superhero film that's meant to answer questions brought up in previous films. While this film picks up well after the events of this first film and Captain America: Civil War (2016), not a lot has changed. The main characters are all there, but now Hope Van Dyne (Evangeline Lilly) also has a shrinking suit. This is no surprise, considering the after-credits scene from the first movie, so it was nice to see her get into...
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MOVIE: Jurassic World – Fallen Kingdom (2018)

Jurassic World: Fallen Kingdom Year: 2018 Rating: PG-13 Length: 128 minutes / 2.13 hours While I have loved the original Jurassic Park (1993) for its ingenious special effects, taut and thrilling plot, and entertaining characters, none of the sequels have been able to live up to its high standard. Sure, all the same elements of the first film are usually present in each subsequent movie, but the magic seems to have been all used up in the first go. Each version is only a slight variation to a story that never ends well. Now in the fifth installment of this franchise, I'm a little surprised that this storyline hadn't appeared yet. Sure, we had dinosaurs making their way to the mainland in The Lost World (1997), which was probably why Jeff Goldblum had an extremely minor (and entirely unnecessary) cameo in Jurassic World: Fallen Kingdom (2018) to act as a framing bookend to the film. Sadly, many of the mostly hidden weaknesses in Jurassic World (2015) came...
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MOVIE: Alpha (2018)

Alpha Year: 2018 Rating: PG-13 Length: 96 minutes / 1.60 hours I’m not sure what surprises me more about this movie: that nobody had made a film about the domestication of the wolf or that anyone needed to make that film at all. Consequently, Alpha (2018) seems a little unnecessary and highly predictable as the “hero’s journey” plays out. The trailer doesn’t leave much for the imagination, as a lot of the events in this film don’t have any significant twists that the astute viewer wouldn’t see coming. And maybe I’m biased because I’d be more of a cat person than a dog person—despite being allergic to both. Visually, though, Alpha does provide some fantastic shots of wilderness that one can only find in places like Canada and Iceland. Plenty of the flat silhouette shots of characters traversing huge distances and the stylized slow-motion events made this movie feel a bit like 300 (2006), which isn’t necessarily a bad thing. The real trouble is that it takes these characters so long...
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MOVIE: Ocean’s Eight (2018)

Ocean’s Eight Year: 2018 Rating: PG-13 Length: 110 minutes / 1.83 hours As the gender-swapped spin-off of a remake, Ocean’s Eight (2018) feels convoluted merely based on its heritage. While I love the Ocean’s Eleven (2001) remake, I was curious to see what would make Ocean’s Eight something that would distinctly empower women (which I’m assuming was the point). In the end, it seems like Ocean’s Eight merely highlights the 72% wage disparity when compared to Ocean’s Eleven since most of the tropes and clichés almost felt like they were pandering to the very audience they were trying to lift up. While I will praise Ocean’s Eight for its ability to be a passable heist film, both with main and “twist” heists, that’s mostly where my adoration ends. Sure, I get the need to move the setting to New York to better align with fashion and other women’s interests, and part of Sandra Bullock’s character introduction after being released from prison was fun, but there were so many problems with the plot and characters that I’m still...
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MOVIE: Solo – A Star Wars Story (2018)

Solo: A Star Wars Story Year: 2018 Rating: PG-13 Length: 135 minutes / 2.25 hours Most superhero franchises start with an origin story. Sure, sometimes the franchise gets to this foundational plot after its first set of films (a la X-Men Origins: Wolverine (2009)), but these movies are usually pretty rare. Unfortunately, they’re also hampered by the source material that preceded them. While not necessarily “prequels,” these films need to fit within the canon of the franchise while also telling a story that expands the canon as well. Star Wars is not a superhero franchise, but it has its fair share of prequels and origin stories. Solo: A Star Wars Story (2018) is the first to focus on a specific character, though. With Han Solo being such an iconic and fan-favorite character, there was plenty to pull from to expand out his backstory. Unfortunately, most people will only recognize Harrison Ford as the “true” Han Solo, and this film gives them some ammunition for that. Sure, Alden Ehrenreich does a...
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BOOK: Bobbie Mendoza Saves the World (Again) (2018)

Bobbie Mendoza Saves the World (Again) Year: 2018 Author: Michael Fry & Bradley Jackson Length: 272 pages ***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY*** As can be implied from the title, Bobbie Mendoza Saves the World (Again) is the follow-up to an earlier appearance of the titular character in The Naughty List. One does not need to have read The Naughty List to understand what happened to Bobbie since this book does a pretty good—if not too thorough—re-telling of the events of the first book that would eventually lead her to save the world (again). While I’m sure the previous book was focused on Christmas-related shenanigans, this book opens up the potential for weird, random, and bizarre via the same inter-dimensional portals used previously. I will say that I was impressed with this book’s ability to seamlessly intertwine verbal narrative with accompanying pictures. It’s not quite a picture-book, but it’s also not a chapter book either. It’s a hybrid of the two. While I’m assuming the illustrations will be a...
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MOVIE: Isle of Dogs (2018)

Isle of Dogs Year: 2018 Rating: PG-13 Length: 101 minutes / 1.68 hours A few years ago, I got on a Wes Anderson kick. I practically watched his entire filmography to that point in one long binge-worthy day. After catching up, I felt I truly appreciated his quirky, orthogonal cinematography and deeply complex characters. I’ve essentially been a fan of his since Moonrise Kingdom (2012), so I was looking forward to his latest work, Isle of Dogs(2018). After all, he had proven his skill at stop-motion animation with The Fantastic Mr. Fox (2009) and had received nominations for Best Picture and Best Director for The Grand Budapest Hotel (2014) since then. Unfortunately, while Isle of Dogs carries Anderson’s distinct style and charm, it felt a little watered down. Sure, the shots were full of their beauty and symmetry, and the story had its cute moments, but it mostly felt like he was on autopilot. Maybe the PG-13 rating was holding him back? I don’t know. In most fiction, there is a suspension of disbelief,...
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BOOK: Spinning Silver (2018)

Spinning Silver Year: 2018 Author: Naomi Novik Length: 434 pages ***THIS BOOK WAS RECEIVED FROM THE PUBLISHER*** About seven years ago, there seemed to be a renaissance of fairy tale retellings and reimagining that swept through popular culture. From television shows like Once Upon a Time and Grimm to movies like Snow White and the Huntsman (2012) and Mirror Mirror (2012) to the books of Melanie Dickerson, it seemed that wherever you turned, you could find someone’s different take on classic fairy tales. While perhaps a little outside this bubble of pop culture, Spinning Silver has the benefit of standing out in a field of genre books that seems to have cooled in recent years. Based partially on the story of Rumpelstiltskin, author Naomi Novik has masterfully combined elements of Jewish and Russian folklore to reimagine this story from a somewhat more modern perspective while also maintaining its fairytale settings and tropes. If anything, her strong and independent female characters highlight how chauvinistic the original fairy tales seem when compared to the culture we’re living in...
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MOVIE: Deadpool 2 (2018)

Deadpool 2 Year: 2018 Rating: R Length: 119 minutes / 1.98 hours At what point does the fourth wall stop? I only ask this because there’s a point where an audience member will have to know not only the plot of the film that started the franchise, but the subsequent reactions to the film, the complete history of comic books, and the entirety of the lyrics to Gilbert and Sullivan’s “The Major-General’s Song” to understand the references. While Deadpool (2016) maintained that sly balance between knowing winks to the superhero genre as a whole and being an actual superhero film, Deadpool 2 (2018) almost went toward both extreme ends in order to maintain its balance. There were plenty of references and little sight gags that will leave true fans of the franchise pausing their Blu-rays for years to come, and I certainly did appreciate some of the meta-humor, but only to a point. Strangely enough, Deadpool 2 felt more like a superhero film than its predecessor, which seems odd as it...
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