MOVIE: Bumblebee (2018)

Bumblebee Year: 2018 Rating: PG-13 Length: 114 minutes / 1.90 hours While I’m nowhere close to being a fan of the Transformers series, I’d occasionally watch the latest installment when it came to the cheap theater in town. I stopped doing this after the third film and only saw the fourth one on Redbox. I never even bothered with the most recent one. Then comes along this spinoff to the main storyline, Bumblebee (2018). For once, I was legitimately interested. The trailers made it seem like a cute little prequel/backstory for the practically mute robot in disguise. In the end, I was not disappointed, as Bumblebee was a fun and charming romp that showed what this franchise could have been like if Michael Bay didn’t direct. I appreciated how this movie essentially went full-in with its nostalgia. After all, since the Transformers originated in the 1980s, why couldn’t a film take advantage of this timeline to also reference lots of other 80s pop culture? Fortunately,...
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MOVIE: Ralph Breaks the Internet (2018)

Ralph Breaks the Internet Year: 2018 Rating: PG Length: 111 minutes / 1.85 hours Back in 2012, I was impressed that a movie like Wreck-It Ralph could exist. The amount of licensing agreements needed to bring together so many recognizable characters from famous franchises was a daunting task the likes of which I hadn’t seen since Who Framed Roger Rabbit? (1988). Similarly, the sequel to Wreck-It Ralph, Ralph Breaks the Internet (2018) had the challenge of integrating so many brand names and websites into something that could work as a story without becoming too dated as time marches on. In both cases, I think the balance between brand-name recognition and original content helped to make for an entertaining film. In the lead-up to the release of Ralph Breaks the Internet, I was concerned that it was going to rely heavily on internet memes for its laughs—taking a somewhat similar tack from The Emoji Movie (2017). I also had concerns that this movie would also focus...
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BOOK: Arlo Finch in the Valley of Fire (2018)

Arlo Finch in the Valley of Fire Year: 2018 Author: John August Length: 411 minutes / 6.85 hours Having already read Arlo Finch in the Lake of the Moon, I decided to go back and read the book that kicked off this series. While I already knew what had happened in Arlo Finch in the Valley of Fire—as the sequel frequently referenced it—I still appreciated reading the details myself. I had a few questions and concerns that I hoped this book would address, and only about half of them were answered to my satisfaction. Still, I did enjoy this Harry Potter and Boy Scouts mashup, even if it is literally that. In the sequel, I definitely got the Harry Potter vibe, but I fully realized the almost 1-for-1 influence of the J.K. Rowling series on this series when I read this book. Unsuspectingly powerful main character with a unique physical trait? Check. Overachieving female friend? Check. Somewhat bumbling male friend? Check. Different groups categorized via...
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MOVIE: A Star is Born (2018)

A Star is Born Year: 2018 Rating: R Length: 136 minutes / 2.26 hours If this movie feels like the same old song and dance, it’s because it is. This film is the fourth iteration of the same plot that was nominated for Best Picture back in 1937. While it’s been over 20 years since its last incarnation in 1976, A Star is Born (2018) is surprisingly still relevant. While they’re somewhat touchy subjects, alcoholism and depression are still as alive and well today as they were just over 80 years ago. After all, you can’t be an entertainer without sex, drugs, and rock and roll. That being said, I do appreciate this movie’s overarching theme of “words have power.” I did find it hard to suspend my disbelief with the casting in this film, though. I mean, even if Lady Gaga is playing some nobody, it’s not like I have to stretch my imagination to think that her character would suddenly become a music...
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MOVIE: The Favourite (2018)

The Favourite Year: 2018 Rating: R Length: 119 minutes / 1.98 hours What. The. Favourite. For those of us watching all of this year’s Best Picture nominees, The Favourite (2018) is certainly the token “artsy” film of the set. It felt like it was following in the footsteps of last year’s Phantom Thread (2017) in that the set decoration and costume design were exquisite, despite the—let’s face it—weird characters. Regarding the plot, though, I did find The Favourite to parallel the events in the 1950 Best Picture winner, All About Eve. While its art is on full display for all to see, The Favourite is a bit more than how it looks. Aside from the aforementioned set decoration and costume design, I have to applaud this movie’s cinematography. I’d wager that it’ll win in these three categories, but the cinematography stands out because it’s so different from most films. Heavily utilizing wide-angle fisheye lenses, as well as copious amounts of natural light (perhaps as an aesthetic homage to Kubrick’s Barry Lyndon (1975), which also shares a somewhat...
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MOVIE: Creed II (2018)

Creed II Year: 2018 Rating: PG-13 Length: 130 minutes / 2.17 hours While I have only ever seen the original Rocky (1976) and the spinoff/reboot Creed (2015), I’m still aware of some of the details of the Rocky franchise as a whole. I know who some of Rocky Balboa’s (Sylvester Stallone) opponents were over the years, including James “Clubber” Lang (Mr. T) and Ivan Drago (Dolph Lundgren). Consequently, even though Creed felt like it took the franchise in a new direction by focusing on Apollo Creed’s (Carl Weathers) son, its sequel, Creed II (2018) felt too steeped in the franchise’s history and nostalgia to be anything more than a rehash of Rocky IV (1985). If anything, having Apollo Creed’s son, Adonis (Michael B. Jordan), face off against Ivan Drago’s son, Viktor (Florian Munteanu), as a revenge match that followed the same plot points as its predecessor smacks of lazy and clichéd writing. I would have been much more interested in this film if, even despite all the training each son endured, the outcome would have been different...
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MOVIE: Green Book (2018)

Green Book Year: 2018 Rating: PG-13 Length: 130 minutes / 2.17 hours Every once in a while, a movie comes along that has the right balance of themes and execution to make it into an instant classic. When I first saw trailers for Green Book (2018), I initially thought it was just going to be an inverse of Driving Miss Daisy (1989). Instead, what I got was so much more than that. Green Book tackles the difficult task of presenting a harsh mirror on our past, with a knowing wink that some of these challenges are still present today. It is more subtle than BlacKkKlansman (2018), but the message still gets across in a heartwarming and wholesome way. What makes Green Book so engaging is the simplicity that it approaches such a nuanced and complex approach to the topic of racism. The irony that rich white people in the south would hold Dr. Don Shirley (Mahershala Ali) in such high regard as a musician but treat him as less-than-human the second he is not performing...
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MOVIE: Mortal Engines (2018)

Mortal Engines Year: 2018 Rating: PG-13 Length: 128 minutes / 2.13 hours If I were to look at Mortal Engines (2018) critically, I’d notice a number of flaws. From fairly flat characters to a string of movies and directors that it tries to imitate, this film should be terrible. And yet, given that I’d already suspended my disbelief by entertaining the idea that an apocalypse would result in cities mounting up on enormous machines and scavenging smaller towns for fuel, I found this movie incredibly entertaining. Perhaps the base plot isn’t too original, but the execution felt fresh and new. Somehow, I was able to turn off my critical brain and just enjoy this movie for what it is: pure, unadulterated fun. As someone who appreciates film as an art form, there is plenty of it on display here. The look, feel, and aesthetic of Mortal Engines is so bold and consistent that the core concept of the plot naturally follows. The visuals and soundtrack merely accentuate the action...
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MOVIE: BlacKkKlansman (2018)

BlacKkKlansman Year: 2018 Rating: R Length: 135 minutes / 2.25 hours The idea that an African American could become a member of the Ku Klux Klan is silly enough that it became a joke on Dave Chapelle’s television show. Of course, this movie isn’t a comedy sketch, as it is based on true events. Obviously, there were plenty of elements in this film that were likely fictionalized to make the story more “Hollywood,” but it’s still an interesting story, nonetheless. Part of the trick of this movie, though, is that it treats itself almost like a half-modern documentary of the KKK as well, which makes it seem like there wasn’t enough source material to make an engaging plot. Another part of me was interested in this movie for its setting. Living in Colorado Springs, it was interesting to me that certain landmarks and places in town were referenced, which merely added realism to the story as it was presented. From NORAD and Fort Carson to...
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MOVIE: Bohemian Rhapsody (2018)

Bohemian Rhapsody Year: 2018 Rating: PG-13 Length: 134 minutes / 2.23 hours It's difficult to hate a film that's filled with so many great songs. Fortunately for Bohemian Rhapsody (2018), almost all of Queen's greatest hits are pulled out and strung together to cover a rather large timeframe of 15 years. Of course, like most musical biopics, it does tend to hit the same notes as predecessors before it. Perhaps this is merely due to the "rock and roll" lifestyle, but I couldn't help but see similar situations in films like De-Lovely (2004), Ray (2004), and Walk the Line (2005). While the cultural landscape has changed a lot from the 1970s and 1980s until now, some of the film's "reveals" that would have been a little more shocking (i.e. Freddie's homosexuality) were perhaps lessened due to the fairly famous end of this talented singer. That being said, some of the lyrics of these well-known songs take on a strikingly more poignant context during the recreated Live Aid concert in...
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