MOVIE: Godzilla Minus One (2023)

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Godzilla Minus One Year: 2023 Rating: PG-13 Length: 124 minutes / 2.07 hours While the original Godzilla franchise has been around for 70 years, I must admit that I’ve only ever seen the American versions of this Japanese monster. This includes the travesty that was Godzilla (1998), as well as the much better Monsterverse iterations like Godzilla (2012). Having never seen a Godzilla film in its original Japanese context, I was curious to try Godzilla Minus One (2023) for my first foray into the “official” Godzilla franchise. What I found here was better than I could have ever imagined—and for multiple reasons. Coming from decades-old movies that used people in rubber suits fighting among miniatures, Godzilla Minus One uses just enough special effects to make the scale of the monster believable. However, this version of Godzilla still looks a bit like the version that had a guy inside a rubber suit. Plot-wise, there are a few great sequences that make this an incredibly solid movie....
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MOVIE: Guillermo del Toro’s Pinocchio (2022)

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Guillermo del Toro’s Pinocchio Year: 2022 Rating: PG Length: 117 minutes / 1.95 hours Disney has dominated the fairy tale adaptation for so long that it’s refreshing to see something like Guillermo del Toro’s Pinocchio (2022) take a different approach to the story of Pinocchio instead of merely copying the 1940 version. Fittingly enough, using stop-motion for this movie was a great way to be creative as well as align with the whole “talking wooden puppet” motif. And while the time jump into World War II Italy obviously doesn’t make this a faithful adaptation of the original work, it’s at least grittier than the more colorful animated versions have come to represent. I appreciate all the work that goes into stop-motion animated movies. I enjoyed Aardman’s Wallace & Gromit: The Curse of the Were-Rabbit (2005) and Laika’s Kubo and the Two Strings (2016), so it’s nice to see other animation companies like ShadowMachine enter the feature-length movie realm with their work. That being said, the...
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MOVIE: Little Boy (2015)

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Little Boy Year: 2015 Rating: PG-13 Length: 106 minutes / 1.77 hours When it comes to movies with strong Christian messages, often the resulting movie is weak for a variety of other reasons. This might be because of poorly written characters, plot holes, or an overall lack of cinematic quality in the movie itself. This is why I absolutely adore Little Boy (2015). There are many great Christian values presented here, including faith and accepting others. However, the little twists put in the plot of this World War II story make it just that much better than a generic Christian film. If only more Christian movies were made like this, then maybe the (valid) stigma against Christian media might be reduced. Perhaps the one aspect of Little Boy that strikes me as the most unique is the xenophobia against Hashimoto (Cary-Hiroyuki Tagawa). There have been plenty of movies about World War II, but you don’t see many of them addressing the racism against the Japanese...
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MOVIE: Jojo Rabbit (2019)

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Jojo RabbitYear: 2019Rating: PG-13Length: 108 minutes / 1.80 hours When I first saw the trailers for Jojo Rabbit (2019), I thought this movie looked like a fun and satirical romp through Nazi Germany. With the director (Taika Waititi) portraying an imaginary Adolf Hitler, the comedy was in full display during the trailers. After all, Waititi directed Thor: Ragnarok (2017), which is arguably one of the funniest films in the Marvel Cinematic Universe. Plus, Jojo Rabbit seemed to focus on a 10-year-old boy (Roman Griffin Davis) in the Hitler Youth, which gave some strong Boy Scout vibes that I could potentially relate to. Unfortunately, I was somewhat disappointed to find that the trailers contained all the comedy in Jojo Rabbit. This wasn’t necessarily a bad thing, as the remainder of the film gave some amount of cynicism and reality to the fanatical enthusiasm of Jojo and the other members of the Hitler Youth. In fact, there’s a significant scene that really hits home...
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BOOK: Caging Skies (2004)

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Caging SkiesYear: 2004Author: Christine LeunensLength: 628 minutes / 10.47 hours When I saw Jojo Rabbit (2019) nominated for Best Adapted Screenplay, I decided to give Caging Skies a read to see how close the adaptation came. After finishing this book, I can see why Taika Waititi ended his movie at the half-way point of the plot. This is mostly because this book only has half a plot. I can forgive a bit of blind enthusiasm of Austrian children who thought the Nazis were great, but I can’t forgive a teenager that gaslights (and, let’s be honest, rapes) a captive girl and tries to come off as the victim. While taking a much more serious tone than the one presented in Jojo Rabbit, Caging Skies does a reasonably good job exploring themes of war, disability, and the sacrifices it takes to do what is right. Unfortunately, a lot of the lessons presented by the main character’s parents are entirely lost by the half-way...
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BOOK: All the Light We Cannot See (2014)

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All the Light We Cannot See Year: 2014 Author: Anthony Doerr Length: 962 minutes / 16.03 hours If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot. Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was...
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MOVIE: Dunkirk (2017)

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Dunkirk Year: 2017 Rating: PG-13 Length: 106 minutes / 1.76 hours Almost like clockwork, Christopher Nolan has directed a masterpiece of filmmaking every two-to-three years since the start of the millennium. While his prior work is certainly entertaining, most of it was set in a fictional environment that allowed him to play with the format of nonlinear storytelling. When I first heard that Nolan would be directing a film about the World War II retreat from Dunkirk, I was skeptical at first. I mean, while he's great at action movies like The Dark Knight (2010), mind-benders like Memento (2000), or even science fiction epics like Interstellar (2014), his only foray into the "historical" was via The Prestige (2006), and even that was mostly made up. What I did not realize going into Dunkirk (2017), was Nolan's ability to create art without the need for fancy camera tricks or mind-blowing plot twists. The simplicity of Dunkirk merely emphasizes the mastery of cinematography and directing that Christopher Nolan can...
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