MOVIE: Boy Kills World (2024)

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Boy Kills WorldYear: 2024Rating: RLength: 111 minutes / 1.85 hours Video game movies are gaining some respect after the disastrous jump to the silver screen in the 1990s. It's interesting, then, that Boy Kills World (2024) takes all the cliches of the beat-'em-up and hack-and-slash video games from the arcades and makes a movie out of a game that doesn't exist. The problem is this movie also adheres to a lot of the tropes that made the video game movies of the 1990s sub-par to the ones that exist today. Don't get me wrong here. Boy Kills World is fun if you just turn off your brain and enjoy the ridiculous ride. Bill Skarsgard is great as the "silent protagonist"—made even better by H. Jon Benjamin's narration of the character's internal thoughts. The action is intense and there are a few set pieces that play to the strengths of the more interesting characters. And as a video game movie, its structure of...
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VIDEO GAME: Paper Mario: The Origami King (2020)

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Paper Mario: The Origami KingYear: 2020Rating: ETime Played: 1,590 minutes / 26.50 hours About ten years ago, I think Nintendo perfected a "craft" vibe with games like Kirby's Epic Yarn that they've been milking for a decade now. These games look hand-crafted in a way that's extremely charming and visually stunning for how homemade they appear. The Yoshi series has used this craft aesthetic multiple times, but the franchise ripe for such things is none other than Paper Mario. In The Origami King, the paper-craft feel of origami is merely accentuated by the plot and game-play. As a pseudo role-playing game, The Origami King has a peculiar way of executing its battle mechanics. Each battle is a ring puzzle that requires the player to line up enemies or find a path to the center to attack the boss. The boots and hammers Mario uses are breakable, but easy enough to acquire and equip that it wasn't frustrating to lose them in mid-battle....
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MOVIE: Chip ‘n Dale – Rescue Rangers (2022)

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Chip 'n Dale: Rescue Rangers Year: 2022 Rating: PG Length: 97 minutes / 1.61 hours Nostalgia can be tricky to balance. There's nostalgia that feels pandering, even to the demographic it's aimed at. Then there's nostalgia that's so meta that only those deep scholars of the source material would get the inside jokes. As a Millennial, I found Chip 'n Dale: Rescue Rangers (2022) scratched an itch for balanced nostalgia I didn't even know I had. It's a shame that Disney tossed it onto Disney+ instead of getting a wider theatrical release because the comedy in this movie was top-notch. This movie was so smartly written that I laughed out loud more often than not. All the brief references it hid in plain view, but without drawing a cringey, eye-winking nod to it, was a welcome change to how most movies handle nostalgia reboots. Even modern references like Ugly Sonic were hilarious, mostly because they "went there." Of course, the movie still brought attention to...
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MOVIE: Knives Out (2019)

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Knives OutYear: 2019Rating: PG-13Length: 130 minutes / 2.17 hours One of the most under-utilized genres to date, a good mystery movie is hard to find these days. This is partly why Knives Out (2019) is such a joy to watch. With plenty of twists and turns—and a murderer that subverts all the numerous tropes of the genre—this film is almost on the edge of self-aware satire of mysteries on the whole. This is partly why I found Knives Out to be delightfully amusing: the absurd nature of some of the genre’s most tightly-held motifs were playfully subverted for a couple of genuine laughs. Of course, part of the problem of Knives Out being so self-aware is that it is inevitably predictable at several key moments. Depending on how far ahead a viewer can deduce the solution to a critical piece of evidence might determine how predictable it is for them. I did appreciate that there was always one piece of the puzzle...
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MOVIE: Isn’t it Romantic? (2019)

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Isn’t It Romantic? Year: 2019 Rating: PG-13 Length: 89 minutes / 1.48 hours I generally enjoy “self-aware” movies. Those films that know which genre they’re in and make fun of it the entire time. While it’s entertaining to see all the various tropes of a particular genre exposed in this method, these films still have to abide by these rules as well. This has been done to varying levels of success for action movies (Shoot ‘em Up (2007)), Disney movies (Enchanted (2007)), and superhero movies (Deadpool (2016)). Filling the hole of the self-aware romantic comedy is none other than Isn’t It Romantic? (2019). Despite not being terribly into romantic comedies, this self-aware film piqued my interest. Isn’t It Romantic? doesn’t necessarily fully commit to the self-aware theme. Instead, it encapsulates the ridiculous romantic comedy bit in the framing of a coma. The main problem I had with doing it this way was that Natalie—the main character played by Rebel Wilson—realizes she’s in a romantic comedy fairly quickly. However, she still seems...
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MOVIE: The LEGO Movie 2 – The Second Part (2019)

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The LEGO Movie 2: The Second Part Year: 2019 Rating: PG Length: 107 minutes / 1.78 hours Back in 2014, children at heart everywhere were able to experience the world’s most successful building toy brand on the big screen via The LEGO Movie. With a catchy, Oscar-winning song, this Matrix-like movie was fun and self-aware. Fast forward five years, and the sequel, The LEGO Movie 2: The Second Part (2019) released with hardly the amount of fanfare and advertising that accompanied the original. I think this may have been in part due to how the formula the first movie used to great success has been done to death now. With spinoffs like The LEGO Batman Movie (2017) and The LEGO Ninjago Movie(2017) saturating the market, it's hard to capture the magic of the original. The real problem with The Second Part comes via the twist at the end of the first movie. Now that we know these toys merely exist in the imagination of a young boy, it’s hard to put that reveal back...
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MOVIE: Ralph Breaks the Internet (2018)

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Ralph Breaks the Internet Year: 2018 Rating: PG Length: 111 minutes / 1.85 hours Back in 2012, I was impressed that a movie like Wreck-It Ralph could exist. The amount of licensing agreements needed to bring together so many recognizable characters from famous franchises was a daunting task the likes of which I hadn’t seen since Who Framed Roger Rabbit? (1988). Similarly, the sequel to Wreck-It Ralph, Ralph Breaks the Internet (2018) had the challenge of integrating so many brand names and websites into something that could work as a story without becoming too dated as time marches on. In both cases, I think the balance between brand-name recognition and original content helped to make for an entertaining film. In the lead-up to the release of Ralph Breaks the Internet, I was concerned that it was going to rely heavily on internet memes for its laughs—taking a somewhat similar tack from The Emoji Movie (2017). I also had concerns that this movie would also focus...
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BOOK: Alcatraz Versus the Scrivener’s Bones (2008)

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Alcatraz Versus the Scrivener’s Bones Year: 2008 Author: Brandon Sanderson Length: 425 minutes / 7.08 hours Earlier this year, I read Alcatraz Versus the Evil Librarians and absolutely loved it. Consequently, I had high hopes for the next book in this series, Alcatraz Versus the Scrivener’s Bones. While there was still the same amount of self-awareness and humor in this book, it felt a little…off. Perhaps I should have read these two books closer together, but I had some trouble coming up to speed in the beginning and wasn’t entirely sure why the “goal” of this book was to find Alcatraz’s father. In any case, Sanderson’s world-building is still in top form here. Of course, the “cute” way that this series was self-aware when I read the first book was a bit more annoying this time around. It almost felt like every chapter had to have a soliloquy, even if it didn’t link itself to where the plot was at the time—which often broke the...
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BOOK: Alcatraz Versus the Evil Librarians (2007)

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Alcatraz Versus the Evil Librarians Year: 2007 Author: Brandon Sanderson Length: 414 minutes / 6.90 hours Never before have I read a book that has been so self-aware . . . and I loved every minute of it. There’s breaking the fourth wall, and then there’s Brandon Sanderson’s Alcatraz Versus the Evil Librarians. A fun and hilarious read for teens and adults, this book’s premise is as ridiculous as it is original. Of course, while it tends to border on the random (for maximum comedic effect), this book also manages to tie all these random pieces together in the most satisfying way. The comedy in this book is effortless, and the plot is certainly the most interesting thing I’ve read recently. I think the ability of this book to successfully break norms and fully immerse the reader in the world is due to Sanderson’s talent as a fantasy writer. The details that seem odd, like receiving a bag of sand for your thirteenth birthday, manage to...
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MOVIE: The Princess Bride (1987)

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The Princess Bride Year: 1987 Rating: PG Length: 98 minutes / 1.63 hours The Princess Bride (1987) is a movie that defies genres. It’s an adventure film with swashbuckling pirates. It’s a fantasy film with giants and six-fingered men. It’s a comedy with numerous quotable lines. It’s a family film about storytelling. It’s all these things, and more, which is part of its appeal (even if it makes the whole movie difficult to classify or market). The real trick with The Princess Bride is that it is subtle with its self-awareness. While other films may go so far self-aware that they’d break the fourth wall (a la Deadpool (2016)), The Princess Bride manages to poke fun at these classic genres with a knowing wink to the audience. Of course, this is part of its appeal. Many self-aware films make overt references to other big-hitters in their genre, thus relying on the audience who has done their homework to understand the joke. In The Princess Bride, there are no references to The Lord of the...
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MOVIE: Tucker and Dale vs. Evil (2010)

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Tucker and Dale vs. Evil Year: 2010 Rating: R Length: 89 minutes / 1.48 hours I'm not really a fan of the horror genre. Mostly, I feel the plots are contrived, the characters are downright idiotic, and the violence is over-the-top. Of course, when I heard about Tucker and Dale vs. Evil years ago, I said, "pass." The friend who suggested I see it assured me that it wasn't like all the other horror films. The fact is, it is exactly like all the other horror films, but it is self-aware of this fact. Because the film is self-aware, it recognizes every single horror genre trope and makes fun of it. As time went by, more people suggested I see this film, so I finally caved during a slow weekend at home. Being the self-aware film that it is, the plot is simple and the production values are limited, at best. What really makes the film enjoyable to watch is the fact that the whole...
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