MOVIE: Killers of the Flower Moon (2023)

Killers of the Flower MoonYear: 2023Rating: RLength: 206 minutes / 3.43 hours As far as movie topics go, Killers of the Flower Moon (2023) felt like something that hadn't been addressed on film yet. I did not know about the Osage Nation's good (and bad) fortune until I saw this movie. So, on top of being educational about a historical subject that isn't talked about a lot, it also has the huge name of Martin Scorsese behind it as its director. And while it was an interesting film overall, I think Scorsese gets a bit too much leeway in this part of his career. Much like how I thought The Irishman (2019) was probably an hour too long, Killers of the Flower Moon could have easily had an hour trimmed from its almost 3.5-hour runtime. Of course, this seems to be an issue with well-known directors. Sure, their later works (like Tarantino's Once Upon a Time in Hollywood (2019)) have critical acclaim...
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MOVIE: Shutter Island (2010)

Shutter Island Year: 2010 Rating: R Length: 138 minutes / 2.30 hours Over time, it becomes difficult to avoid spoilers for twist endings in movies. While it took me over a decade to watch Martin Scorsese's Shutter Island (2010), I had already heard about the twist a few times and had prepared myself for it. Of course, only the best films like Shutter Island can have this twist spoiled and still provide enough subterfuge to hide this revelation for most of its runtime. I knew it was coming, and it still blindsided me. Of course, knowing the twist of Shutter Island made me watch it with a modicum of awareness as I tried to spot the cracks in the narrative that would hint at this revelation. Part of how this film expertly hides this twist is by following Edward "Teddy" Daniels (Leonardo DiCaprio) and showing the audience what he thinks is happening. It's not until near the end of the film that we get a...
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MOVIE: The Irishman (2019)

The IrishmanYear: 2019Rating: RLength: 209 minutes / 3.48 hours At almost three-and-a-half hours long, The Irishman (2019) might seem like a daunting movie to sit through. However, much like Once Upon a Time…in Hollywood (2019) gave Quentin Tarantino the space to make the movie he wanted to, Netflix seems to have allowed Martin Scorsese to create the film he wanted with little-to-no interference. Consequently, the 3.5 hours of this movie could have probably stood a bit of a trim, but the pacing is so well done as to make the time fly by (similar to another movie of epic proportions, Lawrence of Arabia (1962)). One of the most significant strengths of this movie appears to be its de-aging technology. While it’s still a bit on the edge of the uncanny valley, the main actors did look significantly younger than their current ages during the flashback sequences. Instead of relying on look-alikes and teaching them the mannerisms of these incredibly talented actors, Scorsese...
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MOVIE: Hugo (2011)

Hugo Year: 2011 Rating: PG Length: 126 minutes / 2.10 hours Enchanting. Charming. Magical. After re-watching this film again, I can still confirm Hugo (2011) legitimately earned all its technical Oscars, even if it didn’t end up winning Best Picture. Ironically enough, this American movie about the origins of French film lost out to a French movie about the origins of American talking pictures (i.e., The Artist (2011)). Of course, the more surprising aspect of this film was how Martin Scorsese was able to make such an entertaining (and family-friendly) film that didn’t involve the mafia at all. Personally, as an avid lover of classic films, I enjoyed the romanticism related to the earliest of film magicians. Scorsese’s love letter to the origins of cinema—and the masters of their craft like Georges Méliès (Ben Kingsley)—is a stark reminder of how much we've lost of cinema’s heritage due to external events that forced the artistic community to abandon their art. The amount of experimentation and inventive...
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