MOVIE: The Wolverine (2013)

The WolverineYear: 2013Rating: PG-13Length: 126 minutes / 2.10 hours It's nice to know that of all the X-Men characters to get a spinoff trilogy, Wolverine (Hugh Jackman) was able to improve from one movie to the next. Of course, it's easy to surpass the peculiar X-Men Origins (2009) with a movie that explores what happens when Wolverine loses one of the core parts of his identity as a mutant. It also helped that this film (and its sequel, Logan (2017)) were directed by James Mangold—a solid director with a variety of different genres under his belt. I'm glad this little piece of Marvel recognizes there are other locations in the world other than New York City and San Francisco. Having the Japanese setting combined with a nuclear backstory (which also ties into the mutant nature of Wolverine) felt like a breath of fresh air for these superhero films. Because having Wolverine fight guys wielding katanas seems like a natural thing to happen...
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MOVIE: Bullet Train (2022)

Bullet Train Year: 2022 Rating: R Length: 127 minutes / 2.11 hours There's something inherently exciting about being trapped on a train with a murderer. It's why Agatha Christie's Murder on the Orient Express has done so well for almost 100 years. In this more modern take, Bullet Train (2022) fills this titular high-speed form of transportation with a half-dozen unique killers with ties to a mob boss known as "The White Death." Ridiculous at times, Bullet Train is fun and full of action while also being the repeated poster child for the literary concept of Chekhov's Gun. With Brad Pitt in the leading role as the "unlucky" assassin with the codename "Ladybug," a lot of the comedy comes from the coincidental alignment of particular circumstances that pull Ladybug further into the conflict. There are almost Mr. Bean levels of close calls for Pitt's character as he finds himself tangled up in the parallel plans of his fellow assassins. Of course, the number of mistaken identity...
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MOVIE: Isle of Dogs (2018)

Isle of Dogs Year: 2018 Rating: PG-13 Length: 101 minutes / 1.68 hours A few years ago, I got on a Wes Anderson kick. I practically watched his entire filmography to that point in one long binge-worthy day. After catching up, I felt I truly appreciated his quirky, orthogonal cinematography and deeply complex characters. I’ve essentially been a fan of his since Moonrise Kingdom (2012), so I was looking forward to his latest work, Isle of Dogs (2018). After all, he had proven his skill at stop-motion animation with The Fantastic Mr. Fox (2009) and had received nominations for Best Picture and Best Director for The Grand Budapest Hotel (2014) since then. Unfortunately, while Isle of Dogs carries Anderson’s distinct style and charm, it felt a little watered down. Sure, the shots were full of their beauty and symmetry, and the story had its cute moments, but it mostly felt like he was on autopilot. Maybe the PG-13 rating was holding him back? I don’t know. In most fiction, there is a suspension of...
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