MOVIE: The Player (1992)

The Player Year: 1992 Rating: R Length: 124 minutes / 2.07 hours Those who are aware of Robert Altman’s other films are sure to recognize the themes that permeated his oeuvre. He always seemed to find a way to satirize something in a way that underscored how broken the system is. From the military in M*A*S*H (1970) to the music industry in Nashville (1975), Altman had a keen eye to bring the ridiculous nature of these anthropological machines into the spotlight. Clearly, his time in the movie industry helped him adapt Michael Tolkin’s novel into The Player (1992). In a weird and meta way, nothing has changed since its early-90’s release. If you’re playing the “6 Degrees of Kevin Bacon” game at home, this film is literally a “who’s who” of actors and movie personalities (many of whom appear “as themselves”). Unfortunately, this film does suffer from its early-90’s aesthetic, often highlighting how far we’ve come in terms of fashion and technology in nearly three...
Read More

MOVIE: Synecdoche, New York (2008)

Synecdoche, New YorkYear: 2008Rating: RLength: 124 minutes / 2.07 hours I knew going into Synecdoche, New York (2008), that it was a Charlie Kaufman film. I knew his material could get weird (like Being John Malkovich (1999) and Adaptation. (2002)) but movies like Eternal Sunshine of the Spotless Mind (2004) had enough heart that I wasn’t entirely sure what to expect. Except nothing could have prepared me for the madness of Synecdoche, New York (2008). I mean, there are meta films like Adaptation. then there are meta films of a whole different level like Synecdoche, New York. In the end, I think the story suffers due to its insistence on the artistic. I’m all for “smart” films that make the audience think. However, I am not a fan of movies that are so intellectually up their own behind to obscure every piece of meaningful plot and character development behind metaphor and “art.” There is a point where the plot gets so convoluted...
Read More

MOVIE: The Gentlemen (2020)

The Gentlemen Year: 2020 Rating: R Length: 113 minutes / 1.88 hours I’ve enjoyed a good portion of Guy Ritchie’s filmmaking. While many of his more recent movies rely on franchise appeal (Sherlock Holmes (2009), The Man from U.N.C.L.E. (2015) and Aladdin (2019) are of note), I usually associate his style of filmmaking with the British heist film (like Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000)). Consequently, I was looking forward to seeing his recent film, The Gentlemen (2020), as it seemed to be a return to the kind of filmmaking that attracted me to Guy Ritchie films in the first place. Unfortunately, it seems Ritchie has been away from his core movies for so long that he’s almost forgotten how to make them. The meta framing with Hugh Grant and Charlie Hunnam was clunky enough that even Hunnam’s character was getting bored with the “telling” in the exposition provided by Grant’s character. Sure, there were a few neat twists here and...
Read More

MOVIE: Deadpool 2 (2018)

Deadpool 2 Year: 2018 Rating: R Length: 119 minutes / 1.98 hours At what point does the fourth wall stop? I only ask this because there’s a point where an audience member will have to know not only the plot of the film that started the franchise, but the subsequent reactions to the film, the complete history of comic books, and the entirety of the lyrics to Gilbert and Sullivan’s “The Major-General’s Song” to understand the references. While Deadpool (2016) maintained that sly balance between knowing winks to the superhero genre as a whole and being an actual superhero film, Deadpool 2 (2018) almost went toward both extreme ends in order to maintain its balance. There were plenty of references and little sight gags that will leave true fans of the franchise pausing their Blu-rays for years to come, and I certainly did appreciate some of the meta-humor, but only to a point. Strangely enough, Deadpool 2 felt more like a superhero film than its predecessor, which seems odd as it...
Read More