MOVIE: A Grand Day Out (1989)

A Grand Day OutYear: 1989Rating: Not RatedLength: 23 minutes / 0.38 hours I grew up watching the Wallace & Gromit shorts on VHS. There's a certain nostalgia I have for these stop motion films that I wanted to share with my daughter. So I pulled out the DVDs I had of these shorts and watched them again. Not only do they hold up, but just thinking of the technical achievement to create a thing like this is mind-boggling. The first of these, A Grand Day Out, isn't the best of the original three, but it's a grand movie, nonetheless. Like watching a silent comedy of the early era of Hollywood, A Grand Day out has a simple (if not completely absurd) premise of going to the moon because Wallace (Peter Sallis) is out of cheese and he figures it's the best place to get some. The beauty of A Grand Day Out isn't entirely in its ability to appeal to children and...
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MOVIE: Wallace & Gromit – The Curse of the Were-Rabbit (2005)

Wallace & Gromit: The Curse of the Were-RabbitYear: 2005Rating: GLength: 85 minutes / 1.42 hours Having grown up with the Wallace & Gromit short films, I've always held the belief that this duo is the core to Aardman Animations' success. For their first outing in a feature-length context, there was bound to be some growing pains with the transition from short films. Granted, this wasn't Aardman's first foray into feature-length stop motion films, but there were a lot of expectations riding on this film based on how well the previous Wallace & Gromit shorts had done. With the leap into a feature-length movie, Wallace & Gromit: The Curse of the Were-Rabbit (2005) pulled out all the stops for its visuals. The whole thing looks great, even if it's clear in spots that there were computers being used instead of just the raw physical medium of Plasticine. As always, Gromit is the most expressive silent character of this century (and I'd even say...
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MOVIE: Guillermo del Toro’s Pinocchio (2022)

Guillermo del Toro’s Pinocchio Year: 2022 Rating: PG Length: 117 minutes / 1.95 hours Disney has dominated the fairy tale adaptation for so long that it’s refreshing to see something like Guillermo del Toro’s Pinocchio (2022) take a different approach to the story of Pinocchio instead of merely copying the 1940 version. Fittingly enough, using stop-motion for this movie was a great way to be creative as well as align with the whole “talking wooden puppet” motif. And while the time jump into World War II Italy obviously doesn’t make this a faithful adaptation of the original work, it’s at least grittier than the more colorful animated versions have come to represent. I appreciate all the work that goes into stop-motion animated movies. I enjoyed Aardman’s Wallace & Gromit: The Curse of the Were-Rabbit (2005) and Laika’s Kubo and the Two Strings (2016), so it’s nice to see other animation companies like ShadowMachine enter the feature-length movie realm with their work. That being said, the...
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MOVIE: Kubo and the Two Strings (2016)

Kubo and the Two Strings Year: 2016 Rating: PG Length: 101 minutes / 1.68 hours We live in the future, and it is incredible. I’ve found stop-motion animation to be a fascinating medium, not only for its “dirtiness” when compared to CGI, but also because of the painstaking care it takes to produce a full-length feature with this process. Animation studios like Aardman and Laika are really starting to take advantage of all the tools at their disposal to create some awesome stop-motion movies. We’ve come a long way since the films of Henry Selick, the most famous one being The Nightmare Before Christmas (1993). Through Selick, we now have a handful of fantastic films through the Laika brand. While their previous work, The Boxtrolls (2014) had started the trend away from more morbid themes and plots, Kubo and the Two Strings (2016) shows just how capable the stop-motion medium is to tell a fantastic story. With an origami motif existing throughout, Kubo and the...
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