BOOK: Neverwhere (1996)

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Neverwhere Year: 1996 Author: Neil Gaiman Length: 828 minutes / 13.80 hours Neil Gaiman has written a lot of different books. His writing has been hit-or-miss for me, but nothing that's truly middle-of-the-road average. That was until I listened to Neverwhere. I appreciate how Gaiman narrates most of the audiobooks of his works that I've listened to so far, and Neverwhere was in line with the narration quality I expect from him. However, the content felt so mediocre that I honestly wouldn't have been surprised if it came from any other different British authors like Terry Pratchett or Douglas Adams (both of which are talented writers, mind you). There's a distinct flavor of British comedy that comes through in the absurdist naming of characters and places in Neverwhere. Perhaps it's why I felt this book was so generic. It's your classic "Institutionalized" story where a man has (what seems to him) a stable life, only to have this life upended by a fantastical parallel world...
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BOOK: Good Omens (1990)

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Good Omens Year: 1990 Author: Terry Pratchett and Neil Gaiman Length: 753 minutes / 12.55 hours Perhaps I’m in the minority here, but I only thought Good Omens was just OK. You’d think that the combination of two of the best British writers would create an incredible story, but I felt it was mostly disjointed, un-climatic, and full of that British humor that tends to be more random than based in actual jokes. Granted, most books by Terry Pratchett or Neil Gaiman that I’ve read have been hit or miss, depending on how peculiarly random the subject might be. Sure, there are elements of a great story here; it just felt distracted from its main purpose half of the time. The core of Good Omens is split into two parts: following the actual Antichrist who is unaware of his theological significance/role in the end of the world and the journey of an angel and a demon who happened to lose said Antichrist. This idea's strength is enough...
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BOOK: The Ocean at the End of the Lane (2013)

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The Ocean at the End of the Lane Year: 2013 Author: Neil Gaiman Length: 348 minutes / 5.80 hours It’s nice to know that Neil Gaiman can write engaging, modern fairy tales that are longer than the short story format. The Ocean at the End of the Lane was a delight to read, and I can see some parallels to other famous middle-grade fantasies (the Narnia series came to mind here and was mentioned in the book). Everything about this story made sense, and the character and the world-building were top notch—which I’ve just come to expect from Gaiman’s work. Truly, he continues to be the modern fairy tale maestro. One of the unique aspects of this story was how it seamlessly integrated the magical and the mundane. So often, these types of fairy tales transition to a world of magic and leave the boring, ordinary world behind. Not so in The Ocean at the End of the Lane. If anything, using the supernatural to...
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BOOK: The Truth is a Cave in the Black Mountains (2010)

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The Truth is a Cave in the Black Mountains Year: 2010 Author: Neil Gaiman Length: 83 minutes / 1.38 hours As I’d realized in previous works of Neil Gaiman’s that I’ve read, he excels at (at least) two things: short stories and fairy tales. One could argue that the latter is a subset of the former, but longer works like Stardust cause me to separate the distinction. Perhaps this book was made all the more magical by its audiobook production. Not only did the author himself read it, but it was accompanied with some great atmospheric music to enhance the mood produced by Gaiman’s words. I missed the illustrations this book sports, but I think the words can speak for themselves. In terms of a fairy tale, The Truth is a Cave in the Black Mountains manages to contain the usual flare of morality and truth against a backdrop of riches and mysterious wonder. I’m almost surprised there aren’t more authors writing modern fairy tales...
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BOOK: Hearts, Keys, and Puppetry (2010)

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Hearts, Keys, and Puppetry Year: 2010 Author: Neil Gaiman Length: 106 minutes / 1.77 hours I’m all for interesting ways to write books, but using a game of “Twitter telephone” is a new one for me. In fact, can we even call this book written by Gaiman at all? Sure, he’s great at these types of modern fairy tales (like Stardust, for instance), but he only got the ball rolling on this story and let the internet write the rest of it. Granted, he was the one who chose which segments to include next, to help guide it into some limited form of coherence, so maybe he “wrote” it after all? It’s not that Hearts, Keys, and Puppetry isn’t an utterly incoherent story; it’s that it lacks focus at times. Plenty of interesting subplots could have been explored but were quickly abandoned as the story switched over to a different writer. I’m almost glad this book was as short as it was because otherwise, I...
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BOOK: Smoke and Mirrors (2012)

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Smoke and Mirrors Year: 2012 Author: Neil Gaiman Length: 636 minutes / 10.6 hours As someone who has to read many short story submissions for the anthology my writing group puts together each year, I can appreciate a well-written short story. I have not read much of Neil Gaiman, but in his collection of anthology short stories, Smoke and Mirrors, I was able to see what kinds of stories a professional writer writes for an anthology. While quite a few stories were interesting, not all of them were necessarily in genres I typically read. Then again, I consider erotica and stories submitted to Hustler as pornography, which is why I do not read these kinds of short stories. Furthermore, it is a little more uncomfortable listening to erotica, as was the case with this audiobook. Fortunately, Gilbert Gottfried did not read it, but it still is uncomfortable to hear it nonetheless. Sure, the concepts in these short stories were somewhat interesting, but the sex ruined...
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