MOVIE: The Patriot (2000)

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The Patriot Year: 2000 Rating: R Length: 165 minutes / 2.75 hours Over the years, I’ve seen most of The Patriot (2000). Having now purposely sat through the entire thing (and the Extended Cut, no less), I can see parts of its appeal. Now, I’m not going to watch a Roland Emmerich movie for any kind of historical accuracy. That Emmerich set The Patriot during the Revolutionary War is merely a backdrop for over-the-top action sequences. Some of its political statements are cringeworthy now, but there’s an amount of entertainment here that is hard to ignore. And that’s what this movie is: entertainment. The star power in The Patriot is hard to ignore. Mel Gibson, Heath Ledger, Jason Isaacs, Chris Cooper, and Tom Wilkinson all deliver outstanding performances. In particular, the “win at all costs” Colonel William Tavington (Jason Isaacs) was a great motivator and foil for Benjamin Martin (Mel Gibson) to avenge the losses he endured during the film. This subplot comes off as...
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BOOK: Morning Star (2016)

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Morning Star Year: 2016 Author: Pierce Brown Length: 1,310 minutes / 21.83 hours After the disappointment of Golden Son, I was leery of starting on the last part of the Red Rising trilogy. Oddly enough, this book was actually somewhat interesting, but in a way that made the first two books seem unnecessary. There was definitely a lot of action in this book, which is part of what made it more exciting than the others. And as far as a book that’s supposed to wrap up a trilogy, Morning Star certainly doesn’t leave too many loose plotlines when it ends. I still think the world-building is forced with all the Roman imagery and sci-fi tech, but at least now it’s over. As with the previous books, I still had trouble with keeping track of all the different characters and their motivations. The main character was pretty straightforward (if not bluntly so) and his love interest just felt like she wanted to do whatever he was...
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MOVIE: White Noise (2022)

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White Noise Year: 2022 Rating: R Length: 136 minutes / 2.27 hours It's funny how I've always heard Noah Baumbach's name in discussions revolving around directors I appreciate. Usually, when the conversation of scripts comes up with directors like Wes Anderson or Greta Gerwig, Baumbach gets a mention. While I couldn't name a film of his that I had seen, his name was recognizable enough that I felt I had to give White Noise (2022) a try. After wishing I had those 2+ hours back, I realized I had seen one of his movies, Marriage Story (2019), which I also didn't particularly care for. Now I know. Granted, White Noise has some interesting bits. However, it never sticks with them long enough to fully conclude them. Instead, it flits from idea to idea, mostly making no sense at all (hence the title of the film, I suppose). There's a lot of talking in this movie, but most of it feels so random that I wonder...
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VIDEO GAME: Nintendo Labo – Vehicle Kit (2018)

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Nintendo Labo - Vehicle KitYear: 2018Rating: ETime Played: ~5+ hours Nintendo’s cardboard peripheral line, Labo, is a magnificent case study of the Switch’s ability to be customizable. For the “03” Vehicle Kit, the Switch joycons are used to control three different vehicles. From steering wheels to gas pedals, this kit provides a setup that emulates the feel of driving, flying, and diving. Even with the flexibility of these vehicles, there are limitations built into the game that make exploring less than ideal. It’s certainly fun to put the cardboard together, but it feels like a waste when I haven’t even spent the same time using the vehicles. As with the other Labo kits, the sturdy cardboard is easy to manipulate. Using the Switch as an instruction booklet is a great way to provide slow-motion steps that also allow for moving the camera to get a better view. These instructions also go over what sensors in the Switch are being used to provide...
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MOVIE: Disenchanted (2022)

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Disenchanted Year: 2022 Rating: PG Length: 119 minutes / 1.98 hours It’s interesting how the “direct-to-video” sequel has changed now that streaming is the ubiquitous delivery method. Movies that studios still want to capitalize on but don’t want to spend money on putting in theaters. Disney has taken this route with many of its animated films in the 1990s, releasing multiple sequels to beloved classics. Even The Disney Channel used to be a place for them to put cheap movies. Now, with Disney+, we see movies like Disenchanted (2022) filling the space that used to be occupied by VHS releases. It’s unfortunate because these sequels could be much better than they are. I loved the self-aware nature of Enchanted (2007). That Disenchanted held most of the same cast was encouraging, but clearly not the magic needed to recreate the energy of the original. The parody (and adherence to) traditional Disney princess stories in Enchanted made it a fun tongue-in-cheek film to watch. This sequel felt...
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BOOK: Bone, Vol. 1 – Out from Boneville (2005)

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Bone, Vol. 1: Out from Boneville Year: 2005 Author: Jeff Smith Length: 138 pages Bone is one of those comics I’ve always been aware of but haven’t gotten around to reading until now. It’s interesting how the visual style of the titular characters evokes an older style of comics, while the other characters in the world feel more modern. The storytelling runs at a pretty fast pace that kept me turning the pages to see what happens next. There’s some pretty good humor here, as well as tense situations to keep it from becoming too silly. I can definitely see the appeal and why it’s been a notable comic since its origins in the early 1990s. My only qualm with this book has to do with the main characters. The three “Bones” feel out of place in the fantasy realm, let alone our world. It also took me a while to distinguish visually between Fone Bone and Phoney Bone, which was only aided because this...
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MOVIE: The Whale (2022)

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The Whale Year: 2022 Rating: R Length: 117 minutes / 1.95 hours Darren Aronofsky is the kind of director who makes movies that have moments that are hard to watch but you must see at least once. With his style established in such films as Pi (1998) and Requiem for a Dream (2000), he has continued with this over the decades with varying levels of intensity. The Whale (2022) is the latest film to conform to Aronofsky’s early directorial oeuvre. It’s a simple film—which happens when adapting a stage play—but with heart-wrenching depth. That it works so well in an on-screen format is a testament to Aronofsky’s talents. Brendan Fraser’s performance of Charlie carries this film. There’s not a lot of representation of morbidly obese people, but Fraser makes it seem realistic. Granted, Aronofsky also makes it gross quite a few times, but that’s to be expected. That Charlie seems to always be in the frame, as if Aronofsky gravitationally locked the camera to him...
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VIDEO GAME: Pokémon Violet (2022)

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Pokémon VioletYear: 2022Rating: ETime Played: 45+ hours I’m conflicted. Pokémon Violet is one of those games that would be so much better if they changed one thing. Even though it’s something that doesn’t directly affect the gameplay. Even if all the other mechanics in the game are fun. Sure, I got used to it, but that doesn’t mean I have to be happy about it. Perhaps they should have delayed the game instead of adhering to a strict release schedule. After all, other games have done well by delaying to add that extra layer of polish. Unfortunately, I don’t think anything’s going to change. Visually, Pokémon Violet is a tough pill to swallow. All the Pokémon models look fantastic, which just makes the look of the rest of the game a disappointment. I don’t think it would have mattered if I experienced more of the game in long shots, but the number of close-up focus moments that show jagged jpeg-artifact textures were...
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MOVIE: Barbie (2023)

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Barbie Year: 2023 Rating: PG-13 Length: 114 minutes / 1.90 hours I’ll admit that the only reason I watched Barbie (2023) was because Greta Gerwig directed it. I loved her style in Lady Bird (2017) and Little Women (2019). Going into Barbie, I was prepared for a full commentary on feminism, especially through the lens of the “perfect woman” that so many girls grew up with. And while the casting was flawless, there still felt like moments where Barbie could have gone deeper with the subject matter but declined due to pressure from Mattel. Its writing was smart and snappy, but it’s also a movie about a beloved childhood toy. Of course, a lot of Barbie wouldn’t work if the cast was different. Margot Robbie is the epitome of the classic Barbie look. Ryan Gosling gnaws on the scenery and almost steals the show (thus enforcing the patriarchy, ironically enough). Other standout performances go to Kate McKinnon, Michael Cera, and America Ferrera. That there are...
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