MOVIE: Annihilation (2018)

Annihilation Year: 2018 Rating: R Length: 115 minutes / 1.92 hours While I’ve never quite been fully on board with the works of Alex Garland, I recognize there’s something about his movies that makes me want to see them, eventually. I appreciated his approach to Artificial Intelligence in Ex Machina (2014), but it took a while for me to get around to his next work, Annihilation (2018). His style of science fiction borders on horror, but more importantly, it emphasizes one philosophical question in particular. What makes us human? Instead of exploring the Turing Test as he did in Ex Machina, Annihilation focuses on the larger scale of the universe to answer this question. Even if it takes a while to establish all the exposition, Annihilation does its best work in unraveling the mystery surrounding the return of Kane (Oscar Isaac). Most of this is done once the main character, Lena (Natalie Portman) arrives in the anomaly and can explore the bizarre alien effects on...
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MOVIE: Léon – The Professional (1994)

Léon: The ProfessionalYear: 1994Rating: RLength: 110 minutes / 1.83 hours There’s something oddly satisfying about watching a professional do their job. The ease with which these people do the thing they’ve trained extensively to do is almost mesmerizing. While this usually applies to creative types, with Luc Besson’s Léon: The Professional (1994), a skilled assassin is equally fun to observe. What makes this movie endearing is the simple life that the titular Léon (Jean Reno) lives. Additionally, the performances by Natalie Portman and Gary Oldman shine through here in some uncomfortable ways that make this movie both timeless and of its time. While the action sequences in Léon: The Professional are top-notch, the characters make the movie so much better. Since most people never encounter a professional assassin, there’s just this assumption that they’re always out killing people. Instead, there’s understandable caution and an almost savant level of adherence to rules that keep these professional killers alive to cash in on the...
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MOVIE: V for Vendetta (2005)

V for Vendetta Year: 2005 Rating: R Length: 132 minutes / 2.20 hours It's a little weird watching a dystopian movie like V for Vendetta (2005) in 2020. I watched this film each year around the 5th of November, but life eventually got in the way and made it difficult to continue the tradition. At the time, I enjoyed the "underdog" of V (Hugo Weaving) protecting art and freedom of thought from the tyranny of an oppressive government. Having gone back and re-watched it in the current global climate, I'm honestly shocked at how prescient it was in predicting a lot of our future. Hopefully, things don't become worse to the point of completely fulfilling this prophecy. I think part of the reason this film remains timeless—other than the flawless performances of Natalie Portman and Hugo Weaving—is how it shows the amount of freedom people in society give up in the name of "safety." Fear-mongering is a common political tactic to get individuals to vote...
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MOVIE: Heat (1995)

Heat Year: 1995 Rating: R Length: 170 minutes / 2.83 hours It’s interesting to go back and watch something by Michael Mann after seeing his later work. I enjoyed Collateral (2004) and considered it to be a well-directed film. Of course, there’s deliberate pacing and acceleration of Collateral that drew me in. Unfortunately, this biased me somewhat when I sat down to watch Heat (1995). Stylistically, both are fairly similar and use similar locales. However, at almost three hours long, some of the pacing in Heat made me think that it could have used a bit of a trim in the first half. I understand the deliberate nature of the buildup of the first half, with each event introducing some core tenet of the main characters that come to fruition by the end of the film. It helps that there’s a good bit of action early on, but until the twist that happens about half-way through occurs, the comparison to the pacing of the second half makes the early part of this movie...
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