MOVIE: The Whale (2022)

The Whale Year: 2022 Rating: R Length: 117 minutes / 1.95 hours Darren Aronofsky is the kind of director who makes movies that have moments that are hard to watch but you must see at least once. With his style established in such films as Pi (1998) and Requiem for a Dream (2000), he has continued with this over the decades with varying levels of intensity. The Whale (2022) is the latest film to conform to Aronofsky’s early directorial oeuvre. It’s a simple film—which happens when adapting a stage play—but with heart-wrenching depth. That it works so well in an on-screen format is a testament to Aronofsky’s talents. Brendan Fraser’s performance of Charlie carries this film. There’s not a lot of representation of morbidly obese people, but Fraser makes it seem realistic. Granted, Aronofsky also makes it gross quite a few times, but that’s to be expected. That Charlie seems to always be in the frame, as if Aronofsky gravitationally locked the camera to him...
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MOVIE: Noah (2014)

Noah Year: 2014 Rating: PG-13 Length: 138 minutes / 2.30 hours If there’s any filmmaker more controversial than Darren Aronofsky, I’m not sure who it would be at this point. Interestingly enough, while most of his films are rated “R” (or higher, like the uncut Requiem for a Dream (2000)), I think Noah (2014) is the first time one of his films has been at the PG-13 rating. Since most of the controversy of his movies comes via the content that would make it R-rated, it’s interesting that the controversy with Noah is more along the lines of how Aronofsky filled in the gaps and created a dramatic narrative inside the Biblical story of Noah. As is always the case with an Aronofsky film, Noah is a beautiful spectacle of filmmaking. Even if the landscapes of Iceland helped create this stunning setting, certain dream-like sequences and moments speak to the art that Aronofsky can evoke on the screen. The setting of the pre-flood world is believable, and most of the costumes...
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