MOVIE: Tár (2022)

Tár Year: 2022 Rating: R Length: 158 minutes / 2.63 hours I hate to say that Tár (2022) is what's wrong with Oscar nominees, but it's really what's wrong with Oscar nominees. I had only seen a trailer for this movie once and it was a vague two minutes of Cate Blanchett blowing smoke, followed by her briefly conducting an orchestra. There was nothing to indicate to me what this movie was about. Then it was released on the coasts, never making it to the Colorado Springs cinemas until it was nominated for Best Picture and I was given the chance to watch it. Tár is weird. It's psychological and unapologetic about never explaining itself. I get that it's intended as an almost "out of body" experience following the titular character around. The "artsy" aspects of Tár's clearly untreated mental illness left me scratching my head more often than not. Still, I enjoy classical music and attending the Philharmonic, so it was interesting to see...
Read More

MOVIE: Nightmare Alley (2021)

Nightmare AlleyYear: 2021Rating: RLength: 150 minutes / 2.50 hours I appreciate Guillermo del Toro for his sense of artistic style. His genius usually comes out in movies set in the 1940s and 1950s, with such hits as Pan's Labyrinth (2005) and The Shape of Water (2017). And while there are fun popcorn flicks of his that I enjoy (like Hellboy (2004) and Pacific Rim (2013)), I feel Nightmare Alley (2021) is my favorite work he has done to date. After all, his best work comes from showing the audience that humans are the actual monsters of the story. A story told in a solid three acts, Nightmare Alley is a beautiful uroboros of fame and hubris. The all-star casting of Bradley Cooper, Cate Blanchett, Toni Collette, and Willem Dafoe helped to sell the story of a grifter who gets too greedy for his own good. The twists and turns are exciting, if not wholly predictable, but that's part of the fun of...
Read More

MOVIE: Blue Jasmine (2013)

Blue Jasmine Year: 2013 Rating: PG-13 Length: 98 minutes / 1.63 hours After the critical success of Midnight in Paris (2011), it seems that Cate Blanchett followed in Owen Wilson’s footsteps by providing her best Woody Allen impression in Blue Jasmine (2013). Of course, this is no coincidence, considering that pretty much all of Allen’s films are distinctly in his neurotic New Yorker style. After all, he writes and directs his films, which allows him to be on the screen, even if it’s not him directly acting on it. Still, Blue Jasmine falls into that happy medium of being a commentary on society as well as an examination of the mental illness it creates. There’s plenty of dark humor present when Jasmine (Cate Blanchett) comes to stay with her poorer sister, Ginger (Sally Hawkins). The culture clash of the New York elite and struggling-to-get-by is exemplified in Jasmine’s inability to adapt to a life of poverty after having lived in a life of luxury for...
Read More