MOVIE: Ocean’s Eight (2018)

Ocean’s Eight Year: 2018 Rating: PG-13 Length: 110 minutes / 1.83 hours As the gender-swapped spin-off of a remake, Ocean’s Eight (2018) feels convoluted merely based on its heritage. While I love the Ocean’s Eleven (2001) remake, I was curious to see what would make Ocean’s Eight something that would distinctly empower women (which I’m assuming was the point). In the end, it seems like Ocean’s Eight merely highlights the 72% wage disparity when compared to Ocean’s Eleven since most of the tropes and clichés almost felt like they were pandering to the very audience they were trying to lift up. While I will praise Ocean’s Eight for its ability to be a passable heist film, both with main and “twist” heists, that’s mostly where my adoration ends. Sure, I get the need to move the setting to New York to better align with fashion and other women’s interests, and part of Sandra Bullock’s character introduction after being released from prison was fun, but there were so many problems with the plot and characters that I’m still...
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MOVIE: Logan Lucky (2017)

Logan Lucky Year: 2017 Rating: PG-13 Length: 118 minutes / 1.97 hours I enjoy a good heist film. No heist is ever a straightforward “grab and dash” situation. When overcoming the barriers for the heist one-by-one, I can appreciate the interlocking elements of the robbery. Since one of my favorite heist films, Ocean’s Eleven (2001), was directed by Steven Soderbergh, I looked forward to his latest heist, Logan Lucky (2017). The trailers made it look like a fun film, and it was, but at the expense of all the best parts being conveyed in the trailer. About the only thing you don’t see in the trailer is the twist at the end, which is to be expected. When it comes to the setting, I’m not entirely sure if Logan Lucky is embracing or parodying the hillbilly stereotype. From beauty pageants for children to NASCAR races, this film has all the trappings of a West Virginia based on cultural perception instead of actual reality. At any...
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