MOVIE: Avengers – Endgame (2019)

Avengers: Endgame Year: 2019 Rating: PG-13 Length: 181 minutes / 3.02 hours With last year’s semi-cliffhanger, Avengers: Infinity War (2018), Avengers: Endgame (2019) had a lot of ground to cover to reach a satisfying conclusion of over ten years of filmmaking. It’s no wonder that it’s just a smidge over three hours since there’s a lot of ground to cover here. I’ll admit that the only instantiations of these superheroes that I’m familiar with is via the Marvel Cinematic Universe. Still, it was probably better to go into the finale this way, having no preconceived notions of how the characters should act or the lore they’re connected to in the comic books. For a three-hour movie, Endgame moves at a steady pace that accelerates toward the inevitable conclusion. Following a standard three-act structure, Endgame benefited from bringing all the heroes together in Infinity War and establishing a baseline to work from and a goal to work toward. It was nice to see how each of these characters handled such a dramatic universal event. This is...
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MOVIE: Spider-Man – Into the Spider-Verse (2018)

Spider-Man: Into the Spider-Verse Year: 2018 Rating: PG Length: 117 minutes / 1.95 hours There’s no hiding that Spider-Man is my favorite superhero. My reviews of Spider-Man: Homecoming (2017) and Venom (2018) say as much. I grew up watching the 1990s animated Spider-Man show, so when I saw early trailers for Spider-Man: Into the Spider-Verse (2018), I half-thought it would be some direct-to-video movie. After all, everything up until now had been live-action. I was encouraged to learn that it would receive a theatrical release, especially when I started to see more footage of its unique artistic style. Not only does Into the Spider-Verse embrace its comic book origins, but it also does so with a flair and panache that I’d almost like to see in other superhero franchises. Over the years, I’d only loosely been paying attention to what was happening in the Spider-Man comics. Sure, I knew about Spider-Gwen (Hailee Steinfeld) and Miles Morales (Shameik Moore) but more in the sense that they were departures from the white-male Peter Parker (Jake Johnson) that...
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MOVIE: Aquaman (2018)

Aquaman Year: 2018 Rating: PG-13 Length: 143 minutes / 2.38 hours Now that Marvel’s 10-year behemoth of its cinematic universe is starting to pay off, it’s becoming more and more obvious that DC is trying desperately to catch up. There’s no doubt that DC has interesting characters, considering how often Superman has been rebooted and how successful Christopher Nolan’s Batman trilogy was. Even Wonder Woman (2017) had its great moments, despite also feeling derivative influences from movies like Thor (2011) and Captain America: The First Avenger (2011). Aquaman (2018) seems to continue this trend, despite again having a strong leading character (both physically and in backstory/lore). I will give DC credit for their casting decisions here. For decades, Aquaman has been the butt of the joke amongst many superhero aficionados. The fact that Jason Momoa is a badass, snarky, and overall entertaining actor to watch in the role speaks to their awareness of “image management.” Perhaps featuring him in previous films like Justice League (2017) also helped to get audiences interested in seeing this superhero in a standalone movie....
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MOVIE: Venom (2018)

Venom Year: 2018 Rating: PG-13 Length: 112 minutes / 1.87 hours If I haven’t said it before in my review of Spider-man: Homecoming (2017), I’ll repeat it here: I grew up watching the 1990s animated Spider-man series, which makes the Spider-man franchise one of my favorite. Consequently, most of my knowledge of the franchise comes from the show. In my mind, the symbiote storyline that introduced Venom was one of the best in the series, and I was disappointed when Spider-man 3 (2007) woefully miscast Eddie Brock with Topher Grace. Flash forward a decade later, and the big screen is taking another crack at the Venom storyline in a standalone film…but without Spider-man. As a long-time fan, I appreciated the mostly faithful origin story in Venom (2018), with a few minor and vital details still retained to make it close to what actually happened. This time around, Tom Hardy was a much better choice for the titular role, even if his mumbling accent was a little distracting at times. While the physique was a match,...
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MOVIE: Ant-Man and the Wasp (2018)

Ant-Man and the Wasp Year: 2018 Rating: PG-13 Length: 118 minutes / 1.97 hours I'll be the first to defend Ant-Man (2015) from its detractors. Once I realized it was supposed to be a comedy (mostly due to Edgar Wright's early involvement), I knew the superhero aspect would take a back seat to the laughs. That being said, I cannot defend the honor of its sequel. Sure, a lot of the elements that made Ant-Man entertaining are still present in Ant-Man and the Wasp (2018), but it's really more of a standard superhero film that's meant to answer questions brought up in previous films. While this film picks up well after the events of this first film and Captain America: Civil War (2016), not a lot has changed. The main characters are all there, but now Hope Van Dyne (Evangeline Lilly) also has a shrinking suit. This is no surprise, considering the after-credits scene from the first movie, so it was nice to see her get into...
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MOVIE: Avengers – Infinity War (2018)

Avengers: Infinity War Year: 2018 Rating: PG-13 Length: 149 minutes / 2.48 hours It’s difficult to codify something like Avengers: Infinity War (2018) without including everything that led up to it. In reality, it’s probably more along the lines of the 19th episode of a television series that’s taken ten years to realize fully. Because of the interconnected nature of these previous movies, it’s difficult to view it alone without the backstory tied to it. However, there are enough brief moments of exposition to help most people fill in the gaps as to what is happening. Still, as is the case with many finales for television shows, the epic nature of Infinity War is at a level all its own. The scale of such an endeavor is daunting, but with as little backstory as possible holding it back, Infinity War moves at a pretty good pace, jumping between a couple of groups of Avengers. Of course, we can’t just directly jump to fighting the main villain, so the “lesser” bad guys stand...
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MOVIE: Black Panther (2018)

Black Panther Year: 2018 Rating: PG-13 Length: 134 minutes / 2.23 hours Anymore, superhero films are a dime a dozen. I get that they’re adding up to a greater narrative for Avengers: Infinity War (2018), but a lot of them seem almost indistinguishable from each other. Enter Black Panther (2018). Not only is this superhero not white, but almost all the action takes place somewhere other than New York City. There are a lot of strengths in Black Panther that make it feel like a cut above the rest. From the set design and aesthetic of Wakanda to the well-developed characters (including women warriors and women scientists), Black Panther shows how a superhero movie should be made. Despite its strengths, there are still a few, minor weaknesses in this film. First, some of the CGI felt a little off in the sense that my mind rejected it when I saw it. These moments were usually pretty rare but were unquestionably obvious. Secondly, one of the tenets of the superhero genre is the action/fight sequences. While...
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MOVIE: Ant-Man (2015)

Ant-Man Year: 2015 Rating: PG-13 Length: 117 minutes / 1.95 hours In the never-ending array of superheroes feeding into the Marvel Cinematic Universe (MCU) to support such franchises like Captain America and The Avengers, it can be difficult to make some of the B-tier and C-tier heroes seem interesting enough to devote a whole movie to them. To ensure each movie feels different from its predecessors, certain unique attributes must be applied. Whether it’s the sci-fi-themed Guardians of the Galaxy (2014) or the mind-bending visuals of Doctor Strange (2016), each film requires a gimmick to make it work. For Ant-Man (2015), it’s comedy. If you approach Ant-Man as a standard superhero film, you’re likely to be disappointed. There are almost too many off-hand references to much of the MCU to make anyone not familiar with the vast array of movies lost and confused. Plus, the hero’s “origin story” in Ant-Man is almost par for the course. However, if you watch this film with the understanding that it’s more similar to comedy/caper/heist films than a superhero film, you’re likely...
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MOVIE: Spider-Man – Homecoming (2017)

Spider-Man: Homecoming Year: 2017 Rating: PG-13 Length: 133 minutes / 2.22 hours Of all the superheroes in their respective comic universes, the one I grew up with was Spider-Man. I watched the animated 1990’s television show, and I loved when this relatable superhero made his way to the big screen in Spider-Man (2002). I was even more pleased when Spider-Man 2 (2004) set the tone for future superhero franchises. The first film is the origin film so the second film can dispense with the best villain and not spend all its time in exposition. Unfortunately, I ended up being disappointed by the third entry in this original Spider-Man trilogy, which was a rare miss in my book. Fast forward to 2012, when Spider-Man was rebooted with Andrew Garfield in the title role. Having to sit through the origin story again, but with a different, green-colored villain as the antagonist seemed like it wasn’t exploring anything new. Around the same time, the Marvel Cinematic Universe was...
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MOVIE: Wonder Woman (2017)

Wonder Woman Year: 2017 Rating: PG-13 Length: 141 minutes / 2.35 hours Wonder Woman (2017) is a triumphant movie that shows the comic book genre doesn’t have to be dominated by men. Unfortunately, because it took so long getting here, I can’t help but draw comparisons to other works that came before it, making Wonder Woman seem derivative. In fact, had this movie come out eight years ago, it would have made Captain America: The First Avenger (2011) and Thor (2011) look like they were copying it. As it stands, though, Wonder Woman feels formulaic, even if the superhero is a woman instead of a man. I will grant that some of the jokes come at the expense of the “fish out of water” character of Diana (Gal Gadot), playing on her naïveté of the “modern world” for laughs (a la Thor) but with a more sexualized context because she’s a woman. There were a few missed opportunities to add depth to the character via these circumstances, the interaction with Chief Napi (Eugene Brave Rock)...
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