MOVIE: Dune – Part Two (2024)

Dune: Part TwoYear: 2024Rating: PG-13Length: 166 minutes / 2.77 hours Years ago, when I first read Dune, I struggled to get through the first half of the book. There was so much exposition and world building I had to get through that when the action finally began, I devoured the rest of the story. While I understand the need to split this epic novel into two movies, it meant I was eagerly anticipating Dune: Part Two (2024) after the excellent job Denis Villeneueve did adapting the first half in 2021. I appreciate that movies have multiple chances to become the iconic versions that their source material deserves. The original Dune (1984) has its own cult status among its fans (many of which are merely David Lynch fans). But the wide audience appeal of an epic story that stands the test of time is the high standard most filmmakers strive for. Few have been able to pull it off, but I think time...
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MOVIE: Wonka (2023)

WonkaYear: 2023Rating: PGLength: 116 minutes / 1.93 hours Wonka (2023) was one of those movies that I had low expectations for. A prequel to a well-known IP, there's only so much that can be done that's not just straight call-outs to the source material—and this includes knowing how things will end to set up films like Willy Wonka and the Chocolate Factory (1971). Still, with these low expectations, I had quite a bit of fun watching Wonka. It's not extraordinary, but it delivers on most of its nostalgia factors in ways that are modern and entertaining. With the real world crumbling all around us, it was encouraging to see a movie like Wonka that embraced the grit needed to survive and thrive. The hope gained through forming a community and the endless optimism of Wonka (Timothee Chalamet) were contagious and uplifting. The creativity of the different candies and the funny running gags (like the bribed Chief of Police (Keegan-Michael Key)) helped with...
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MOVIE: The French Dispatch (2021)

The French Dispatch Year: 2021 Rating: R Length: 107 minutes / 1.78 hours Wes Anderson's films are immediately recognizable for their aesthetic, pacing, and ensemble casts. The dark subject matter of these movies is often glossed over through the application of bright colors, symmetry, and ho-hum characters. The French Dispatch (2021) is basically a "greatest hits" of Wes Anderson's oeuvre, both in its stylistic visual choices and its vast cast of common collaborators. There's not enough content for a full movie here, so instead, we get a glimpse into four shorter films tied together via the eponymous "French Dispatch of the Liberty, Kansas Evening Sun." Over the last few decades, Wes Anderson has explored a variety of different film techniques through his movies. From stop-motion (like in Fantastic Mr. Fox (2009) and Isle of Dogs (2018)) to small-scale models (like in The Grand Budapest Hotel (2014)), Anderson builds upon his distinctive style with each successive project in his filmography. Perhaps this is what is a...
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MOVIE: Dune – Part One (2021)

Dune: Part One Year: 2021 Rating: PG-13 Length: 155 minutes / 2.58 hours Adaptations of beloved books can be a challenging endeavor. It's not impossible, as we've seen with The Lord of the Rings (2001-2003), Harry Potter (2001-2011), or The Hunger Games (2011-2015) but there are certain traps that can doom a film version of a story to be hated by the community that loves the book. While Dune (1984) attempted to give this story life on the big screen, the special effects at the time and your opinion of David Lynch's filmmaking may have tainted an otherwise "impossible" adaptation. When a new adaptation of Dune came along with Denis Villeneuve as its director, I had hope that he would honor the source material. Villeneuve has proven himself to be a fantastic sci-fi director. From Arrival (2016) to Blade Runner: 2049 (2017), he has shown that he understands stories as much as aesthetics. The best way to honor Frank Herbert's legacy in this adaptation of...
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MOVIE: Little Women (2019)

Little WomenYear: 2019Rating: PGLength: 135 minutes / 2.25 hours After the success of Greta Gerwig’s debut film, Lady Bird (2017), I was pleased to find her directing again with a tried and true classic, Little Women (2019). This movie isn’t new or its content original by any means (this is the seventh film adaptation after all). However, Gerwig has managed to give it a poignancy and relevance to today’s issues while still maintaining an apparent loyalty to the period. It probably helped that Gerwig had tons of acting talent along for this film, including collaborators from her last film: Saoirse Ronan and Timothée Chalamet. In the end, I found this to be perhaps my most favorite adaptation of this classic piece of literature. Where Gerwig shines in this film is her ability to use flashbacks and dueling timelines to show the contrast and growth of the characters in stark moments of brilliance. My one qualm is that this technique was perhaps used...
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