BOOK: Dreadfully Ever After (2011)

Dreadfully Ever After Year: 2011 Author: Steve Hockensmith Length: 287 pages While the original Pride and Prejudice and Zombies was a combination most people never knew they needed, apparently making it into a trilogy was the next logical conclusion. Combined with the prequel, Dawn of the Dreadfuls, Dreadfully Ever After puts the series to rest with a sequel that seems to re-hash a lot of similar ideas presented in Pride and Prejudice and Zombies, but with enough connection to the prequel and at least one or two original ideas that helped to round out the characters. These new ideas were logical extrapolations from the events that concluded Pride and Prejudice and Zombies, so they weren’t necessarily shocking, but still entertaining to pull the thread nonetheless. I think, overall, I prefer the prequel and sequel to the original Austen/monster mashup. It probably helped that both were written by the same author, who was essentially writing fan fiction based on the idea that this romantic classic could be combined with the undead. Dawn...
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BOOK: Dawn of the Dreadfuls (2010)

Dawn of the Dreadfuls Year: 2010 Author: Steve Hockensmith Length: 287 pages As I’ve mentioned before in my review of Pride and Prejudice and Zombies, I understand the concept of combining this classic piece of romantic literature with its complete obverse; it just felt like it was almost held back from its full potential by adhering to (most of) the original manuscript. With the prequel to this book, Dawn of the Dreadfuls manages to examine the ridiculous nature of this mashup in a way that’s so tongue-in-cheek that the tongue has practically ruptured the cheek entirely. That is, this prequel doesn’t take itself nearly as seriously as the original Jane Austen adaptation did. Even if the non-Pride and Prejudice and Zombies characters were mostly cartoonish in their representation of stereotypes and tropes, they were fun to read as they provided a delightful offset to the canonical characters of the Bennet family. Also, instead of trying to find some boring section of text wherein to insert...
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BOOK: Sense and Sensibility and Sea Monsters (2009)

Sense and Sensibility and Sea Monsters Year: 2009 Author: Ben H. Winters and Jane Austen Length: 340 pages After struggling my way through Pride and Prejudice and Zombies, I thought perhaps the next entry in the “Quirk Classics” line of books would be better. After all, it had a new co-author (alongside Jane Austen) and replaced the almost cliché zombie trope with the lesser-seen sea monster framing. Unfortunately, I once again found myself struggling through the archaic language of Austen’s time. Not only that, but I felt there was far too much talking and way too much nonsense, and that wasn’t even about the sea monsters. I’m starting to suspect that I just plain don’t like Jane Austen’s writing. Half of the book is practically filled with young women swooning over eligible bachelors, learning that these bachelors are engaged or married, and then becoming depressed because of this revelation. If they spent less time gossiping and more time communicating, perhaps they wouldn’t have these problems....
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BOOK: Pride and Prejudice and Zombies (2009)

Pride and Prejudice and Zombies Year: 2009 Author: Seth Grahame-Smith and Jane Austen Length: 320 pages Back in the zombie heyday of 2009, the idea of combining one of the most feminine pieces of literature with the oft masculine-marketed gory violence seemed like an interesting idea. I, for one, didn’t particularly care to read Jane Austen’s Pride and Prejudice, but this take on the romantic classic certainly piqued my interest. Because of the addition of zombies to this plot, I was impelled to read this story to see how these drastically different archetypes were combined. I certainly wonder if the book would have been more enjoyable if I had read Pride and Prejudice beforehand, or if I would have remained far abreast of it altogether. Partly due to the severe dichotomy of the original story and the zombie additions, there were certainly moments where I could tell what segments of Jane Austen’s plot were modified to fit the new, apocalyptic sensibilities. The two concepts worked together...
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