MOVIE: Cars (2006)

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Cars Year: 2006 Rating: G Length: 117 minutes / 1.95 hours In terms of early Pixar films, I always felt Cars (2006) was a bit of a step backward for the animation company. I've never been much of a "car guy" and I find NASCAR racing a bit silly. Still, Pixar's focus on the story helped make this a solid sports movie. After all, the timeless "mentor teaching a cocky up-and-comer" narrative works for a reason. And while I'd love to see other Pixar franchises get as much love as this one, I can see why it's done so well for its target demographic. Cars is an excellent movie for freeze-frame analysis for the number of puns and visual gags alone. Granted, there are also a lot of disturbing extrapolations if you spend a significant amount of time thinking about this universe of sentient vehicles. Still, the growth of these characters helps make this movie into something more than just a vehicle (har har) for...
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MOVIE: The French Dispatch (2021)

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The French Dispatch Year: 2021 Rating: R Length: 107 minutes / 1.78 hours Wes Anderson's films are immediately recognizable for their aesthetic, pacing, and ensemble casts. The dark subject matter of these movies is often glossed over through the application of bright colors, symmetry, and ho-hum characters. The French Dispatch (2021) is basically a "greatest hits" of Wes Anderson's oeuvre, both in its stylistic visual choices and its vast cast of common collaborators. There's not enough content for a full movie here, so instead, we get a glimpse into four shorter films tied together via the eponymous "French Dispatch of the Liberty, Kansas Evening Sun." Over the last few decades, Wes Anderson has explored a variety of different film techniques through his movies. From stop-motion (like in Fantastic Mr. Fox (2009) and Isle of Dogs (2018)) to small-scale models (like in The Grand Budapest Hotel (2014)), Anderson builds upon his distinctive style with each successive project in his filmography. Perhaps this is what is a...
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MOVIE: Blue Jasmine (2013)

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Blue Jasmine Year: 2013 Rating: PG-13 Length: 98 minutes / 1.63 hours After the critical success of Midnight in Paris (2011), it seems that Cate Blanchett followed in Owen Wilson’s footsteps by providing her best Woody Allen impression in Blue Jasmine (2013). Of course, this is no coincidence, considering that pretty much all of Allen’s films are distinctly in his neurotic New Yorker style. After all, he writes and directs his films, which allows him to be on the screen, even if it’s not him directly acting on it. Still, Blue Jasmine falls into that happy medium of being a commentary on society as well as an examination of the mental illness it creates. There’s plenty of dark humor present when Jasmine (Cate Blanchett) comes to stay with her poorer sister, Ginger (Sally Hawkins). The culture clash of the New York elite and struggling-to-get-by is exemplified in Jasmine’s inability to adapt to a life of poverty after having lived in a life of luxury for...
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