MOVIE: The Boy and the Heron (2023)

The Boy and the HeronYear: 2023Rating: PG-13Length: 124 minutes / 2.07 hours Studio Ghibli films—specifically the ones directed by Hayao Miyazaki—are immensely beautiful and imaginative. The distinct visual style in movies like Castle in the Sky (1986), Princess Mononoke (1997), and Spirited Away (2001) is nothing but consistent. In the latest (and perhaps last) film by Miyazaki, The Boy and the Heron (2023) still maintains the beautiful 2D animation that everyone loves from this studio. The one trick with these films is that sometimes I feel the plot is a little lost in translation from Japanese to American audiences. This isn’t anyone’s fault, but it left me feeling a little lost. While I understood the major coming-of-age themes present in The Boy and the Heron, there were so many fantastical elements in it that I felt I may have missed something from one scene to the next. Perhaps I was too tired to give this movie the adequate attention it deserved, but...
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MOVIE: Luca (2021)

LucaYear: 2021Rating: PGLength: 95 minutes / 1.58 hours It's interesting how computers continue to become more powerful, just so they can make 3D CGI look more like traditional 2-D animation. Granted, this usually applies to the characters, as textures and settings are becoming so realistic as to be nearly indistinguishable from the real thing. While I'm sure we could probably jump the uncanny valley by now, Pixar chooses to play to its more "cartoony" roots in perhaps the most charming way possible. Their latest film, Luca (2021), oozes charm in a way that a small story like this can only achieve. Set in what appears to be early to mid-1960s (at least by the movie posters hung on the town's walls), Luca is another coming-of-age tale like Onward (2020) but with less emphasis on family bonds and more emphasis on personal independence. And while I appreciated the "big brother" narrative of Onward, I think Luca's format worked a little better since not...
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MOVIE: Onward (2020)

Onward Year: 2020 Rating: PG Length: 102 minutes / 1.70 hours I always look forward to Pixar films, mostly to see how visually stunning a movie created entirely in a computer can look with each passing year of technological and programming advancements. The other reason I will always go to see a Pixar movie is their dedication to a good story. Sure, there have been some missed steps over the years (The Good Dinosaur (2015) being the latest example), but their track record has been good enough to warrant me seeing their films in the theater. While I was looking forward to this year’s offering of Onward (2020), the result felt a little lackluster overall. Choosing to explore a storyline with a deceased parent was odd in that it felt like something that had rarely been addressed in movies geared toward children while also having a strong “after school special” vibe to it. Either way, putting it in a pseudo-Monsters, Inc. (2001) fantasy world was a fun way to...
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MOVIE: An Education (2009)

An Education Year: 2009 Rating: PG-13 Length: 100 minutes / 1.67 hours I’m not sure how I missed this film when it first came out. I suspect it was because I hadn’t started making a point to see all the Oscar-nominated films of that year—and 2009 bumped that number up significantly from five to ten. At any rate, I’m glad I eventually came around to it as it was a delightful—if not mostly generic—coming-of-age story. The only modern and recent example I can think of that equates to An Education (2009) is Lady Bird (2017), and I loved that film for similar reasons. As someone who generally grew up feeling “older” than his peers, I could relate to Jenny (Carey Mulligan, in her best Audrey Hepburn impersonation). There’s a point when some teenagers like Jenny think they’ve figured out the “rules” of life and are therefore ready to jump into adulthood with both feet. This is definitely where the titular “education” comes in. It's both...
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MOVIE: Lady Bird (2017)

Lady Bird Year: 2017 Rating: R Length: 94 minutes / 1.56 hours It’s weird to think that 2003 was 15 years ago. As someone who graduated high school in 2004, Lady Bird (2017) hit me right in the nostalgia. While there have been plenty of coming-of-age films over the years, Lady Bird simplifies the experience to a quick-paced trot through the senior year of high school for the titular character (portrayed to great effect by Saoirse Ronan). All the trappings of the coming-of-age story are there, including experimentation with drugs, sex, and alcohol, but done in a way that is still innocent and child-like. In the end, Lady Bird is about independence and defining who we are as individuals. What really hits home in the narrative of this film is the things we do to make ourselves stand out. From declaring that our name is different from the one our parents gave us to choosing which friends we spend our time with, we inevitably realize that we’re seeking approval and acceptance...
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MOVIE: Moonlight (2016)

Moonlight Year: 2016 Rating: R Length: 111 minutes / 1.85 hours Based on the surprise win of Best Picture at this year’s Oscars, I had high expectations for Moonlight (2016). There were some fantastic, motivational, and inspirational films in the running for this award, including the “follow your dreams” story of La La Land (2016), the “communication is key” story of Arrival (2016), and the “overcoming adversity” story of Hidden Figures (2016). So, what did Moonlight have to offer? In my opinion, not much; but maybe that was because I’m a straight white (you could argue, privileged) male and there was little to relate to in this film. Sure, the cinematography was impressive at times, but there wasn’t any story that I felt was impactful enough to warrant its award. I will give credit to Mahershala Ali, as his performance was certainly deserving of the Best Supporting Actor Oscar. So, what lessons does Moonlight give us? Do we need to find good mentors in life?...
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