MOVIE: Free Solo (2018)

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Free SoloYear: 2018Rating: PG-13Length: 100 minutes / 1.67 hours For those who view climbing as a serious hobby, most climbing documentaries are a way to live vicariously through those climbers who dare to do something impossible. And while the plot structure of these climbing documentaries all feel nearly identical, there was something special in Free Solo (2018) that made it better than the rest. Perhaps it was the recognizability of El Capitan. Maybe it was the danger involved. Either way, Free Solo was well deserving of its Best Documentary Feature Oscar. Part of why I didn't connect with Meru (2015)—the previous film by these directors—was that I had never heard of that mountain before I sat down to watch it. Having never climbed El Capitan, I was at least aware of its significance. Knowing how hard this climb is, the premise of climbing it with no kind of safety gear is intriguing, to say the least. Of course, most climbing movies seem...
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MOVIE: Barry Lyndon (1975)

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Barry Lyndon Year: 1975 Rating: PG Length: 185 minutes / 3.08 hours As someone who appreciates classic films, perhaps I had my hopes set a little too high for Barry Lyndon (1975). Going in, I already knew the technical challenges director Stanley Kubrick had to overcome to film indoors and by candlelight with no extra lighting. Of course, if that was the main thing I knew about this film before I actually sat down and watched it, that should have told me something about how boring the plot would be. Then again, even a master of cinema like Kubrick can only do so much with mediocre material. I will give some credit where it's due, though. Most of this movie did contribute to the tension of the climax. If certain events hadn't transpired in the way they did, Barry's (Ryan O'Neal) life would have been much different. Then again, the whole "rags to riches" storyline seemed overdone, even for the mid-1970s. And sure, duels can...
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MOVIE: East of Eden (1955)

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East of Eden Year: 1955 Rating: PG Length: 118 minutes / 1.97 hours East of Eden (1955) is one of those films that are famous only for who is in it and who originally wrote it. If this wasn’t one of the few roles James Dean had before his unfortunate death, I’m not sure I’d have watched it. Even if it’s based on a Steinbeck book, I think I’d prefer The Grapes of Wrath (1940) or Of Mice and Men (1939) to this. Still, there is some artistic merit to this film, even if it didn’t cover the entirety of the source material. It just goes to show how a movie can have staying power just from the people tied to it. Notably, I did enjoy pieces of the cinematography in East of Eden. In particular, when James Dean’s character is on the porch swing, that scene was shot in such a way that I haven’t seen done before or since. And while Dean’s performance...
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MOVIE: City of God (2002)

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City of God Year: 2002 Rating: R Length: 130 minutes / 2.17 hours About a decade ago, I saw a clip from City of God (2002) in my Film Studies course at college. One of my classmates brought it to show everyone how realistic the acting appeared during a scene where young children were initiated into a gang. I had to admit that the acting seemed authentic. However, I didn’t consider it as part of the whole movie until recently, when I had a chance to sit down and watch the entire thing. While I’ll agree that this short clip was a good example of what the film had to offer, I was more in awe of plenty of other aspects it brought to the table. First off, the beginning of this movie wowed me with its cinematography. The whole “chicken chase” sequence is perhaps one of the best I’ve ever seen. City of God still manages to maintain some exquisite subtlety in showing the audience what it wants...
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MOVIE: The Favourite (2018)

by benmweilert2 Comments
The Favourite Year: 2018 Rating: R Length: 119 minutes / 1.98 hours What. The. Favourite. For those of us watching all of this year’s Best Picture nominees, The Favourite (2018) is certainly the token “artsy” film of the set. It felt like it was following in the footsteps of last year’s Phantom Thread (2017) in that the set decoration and costume design were exquisite, despite the—let’s face it—weird characters. Regarding the plot, though, I did find The Favourite to parallel the events in the 1950 Best Picture winner, All About Eve. While its art is on full display for all to see, The Favourite is a bit more than how it looks. Aside from the aforementioned set decoration and costume design, I have to applaud this movie’s cinematography. I’d wager that it’ll win in these three categories, but the cinematography stands out because it’s so different from most films. Heavily utilizing wide-angle fisheye lenses, as well as copious amounts of natural light (perhaps as an aesthetic homage to Kubrick’s Barry Lyndon (1975), which also shares a somewhat...
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