MOVIE: The Irishman (2019)

The IrishmanYear: 2019Rating: RLength: 209 minutes / 3.48 hours At almost three-and-a-half hours long, The Irishman (2019) might seem like a daunting movie to sit through. However, much like Once Upon a Time…in Hollywood (2019) gave Quentin Tarantino the space to make the movie he wanted to, Netflix seems to have allowed Martin Scorsese to create the film he wanted with little-to-no interference. Consequently, the 3.5 hours of this movie could have probably stood a bit of a trim, but the pacing is so well done as to make the time fly by (similar to another movie of epic proportions, Lawrence of Arabia (1962)). One of the most significant strengths of this movie appears to be its de-aging technology. While it’s still a bit on the edge of the uncanny valley, the main actors did look significantly younger than their current ages during the flashback sequences. Instead of relying on look-alikes and teaching them the mannerisms of these incredibly talented actors, Scorsese...
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MOVIE: Heat (1995)

Heat Year: 1995 Rating: R Length: 170 minutes / 2.83 hours It’s interesting to go back and watch something by Michael Mann after seeing his later work. I enjoyed Collateral (2004) and considered it to be a well-directed film. Of course, there’s deliberate pacing and acceleration of Collateral that drew me in. Unfortunately, this biased me somewhat when I sat down to watch Heat (1995). Stylistically, both are fairly similar and use similar locales. However, at almost three hours long, some of the pacing in Heat made me think that it could have used a bit of a trim in the first half. I understand the deliberate nature of the buildup of the first half, with each event introducing some core tenet of the main characters that come to fruition by the end of the film. It helps that there’s a good bit of action early on, but until the twist that happens about half-way through occurs, the comparison to the pacing of the second half makes the early part of this movie...
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