MOVIE: I Lost My Body (2019)

I Lost My Body Year: 2019 Rating: R Length: 81 minutes / 1.35 hours Some movies can only be done with animation. Whether it’s the fantastical or alien nature of the content or the visual aesthetic trying to be achieved, animation is pretty flexible with what it can do. Enter I Lost My Body (2019), which is a prime case study in the power of animation. Sure, this could have been done up in realistic CGI, but then it would probably be more in line with the horror genre than the “slice of life” (har har) we have on display here. Either way, I have never seen an entire movie centered on a severed hand trying to get back to the body that lost it…until now. With hints of Homeward Bound (1993) and The Addams Family (1991), I Lost My Body plays out in parallel with the strangely-relatable severed hand and the flashbacks of the whole body, Naoufel (Dev Patel). At times heartfelt (even in...
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BOOK: The Man Who Was Thursday (1908)

The Man Who Was ThursdayYear: 1908Author: G.K. ChestertonLength: 355 minutes / 5.92 hours On the surface, The Man Who Was Thursday has all the markings of a witty thriller satire. Unfortunately, as the subtitle of this work is “A Nightmare,” things don’t necessarily stay coherent to the end. It’s not that The Man Who Was Thursday is terrible, but rather that it loses focus and becomes absurd the longer it continues. And perhaps that’s the greatest tragedy of this book: that it could have been a solid story if it didn’t devolve into a nightmare at the end. I certainly liked plenty of aspects of the early parts of this book. Infiltrating an anarchist society with day-of-the-week codenames. The revelation that few members of said society were actually who they said they were. The conspiracy and twists as the protagonists and antagonists get flipped on their heads. Of course, this last bit is when things started going downhill. Perhaps it’s that odd...
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MOVIE: The Favourite (2018)

The Favourite Year: 2018 Rating: R Length: 119 minutes / 1.98 hours What. The. Favourite. For those of us watching all of this year’s Best Picture nominees, The Favourite (2018) is certainly the token “artsy” film of the set. It felt like it was following in the footsteps of last year’s Phantom Thread (2017) in that the set decoration and costume design were exquisite, despite the—let’s face it—weird characters. Regarding the plot, though, I did find The Favourite to parallel the events in the 1950 Best Picture winner, All About Eve. While its art is on full display for all to see, The Favourite is a bit more than how it looks. Aside from the aforementioned set decoration and costume design, I have to applaud this movie’s cinematography. I’d wager that it’ll win in these three categories, but the cinematography stands out because it’s so different from most films. Heavily utilizing wide-angle fisheye lenses, as well as copious amounts of natural light (perhaps as an aesthetic homage to Kubrick’s Barry Lyndon (1975), which also shares a somewhat...
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