MOVIE: The Current War – Director’s Cut (2017)

The Current War: Director’s Cut Year: 2017 Rating: PG-13 Length: 102 minutes / 1.70 hours I’ve known for some time about the “war” between alternating and direct current. It was such an interesting battle of egos between some famous names that are still known today. Heck, I even included elements of it as a sub-plot in my second book. Of course, I always thought the conflict was between Nikola Tesla (Nicholas Hoult) and Thomas Edison (Benedict Cumberbatch) and not being mainly between Edison and George Westinghouse (Michael Shannon). At any rate, I found The Current War (2017) to be an entertaining examination of the events that led the world to finally accept one of these currents as the de-facto way to distribute electric power. Stepping back for a moment to the presentation of this movie, I appreciated the cinematography and the driving music that helped ratchet up the tension between these famous engineers and entrepreneurs. Additionally, the actors chosen to play their respective roles fit quite well....
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MOVIE: The Favourite (2018)

The Favourite Year: 2018 Rating: R Length: 119 minutes / 1.98 hours What. The. Favourite. For those of us watching all of this year’s Best Picture nominees, The Favourite (2018) is certainly the token “artsy” film of the set. It felt like it was following in the footsteps of last year’s Phantom Thread (2017) in that the set decoration and costume design were exquisite, despite the—let’s face it—weird characters. Regarding the plot, though, I did find The Favourite to parallel the events in the 1950 Best Picture winner, All About Eve. While its art is on full display for all to see, The Favourite is a bit more than how it looks. Aside from the aforementioned set decoration and costume design, I have to applaud this movie’s cinematography. I’d wager that it’ll win in these three categories, but the cinematography stands out because it’s so different from most films. Heavily utilizing wide-angle fisheye lenses, as well as copious amounts of natural light (perhaps as an aesthetic homage to Kubrick’s Barry Lyndon (1975), which also shares a somewhat...
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