MOVIE: Get Out (2017)

Get Out Year: 2017 Rating: R Length: 104 minutes / 1.73 hours I'll admit that I'm not a fan of horror films. The fact that Get Out (2017) was released in that weird, "horror month" of February that merely exists so people trying to catch up on their Oscar nominations don't have to watch anything new meant that it mostly passed under my radar. When buzz about the movie continued for the rest of the year, I was still skeptical as horror has been known for its cheap tricks and gratuitous violence, both of which I don't particularly care for. The trick is, Get Out is certainly a horror film, but with the minimum required trappings to be considered one. With a few jump scares and a violent and bloody ending, Get Out works on a level that's best described as "blatantly subtle." It's not so much that it screams about the racial differences between black people and white people, but that it does so...
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MOVIE: The Shack (2017)

The Shack Year: 2017 Rating: PG-13 Length: 132 minutes / 2.20 hours When I saw the trailers for this film, I had no idea what it was about. It seemed to be part magical and part depressing, never really covering what the movie’s content was. For anyone who is curious, it’s about a meeting with the Holy Trinity. Consequently, while most “Christian” films are almost cringe-worthy, this one wasn’t half bad. Of course, there are still elements of it that made me roll my eyes, but these scenes were mere bookends to a great theological discussion-starter. In fact, I would almost prefer this film without the framing, since most people would probably relate to the main character, regardless. The trouble with the framing device used for the conversation with God is that it doesn’t feel natural. There’s a forced quality that pushes the main character into the situation where he encounters God, merely contrived so that he is near rock bottom when God appears. I will...
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MOVIE: Blade Runner – 2049 (2017)

Blade Runner: 2049 Year: 2017 Rating: R Length: 164 minutes / 2.73 hours Back when I first heard about a Blade Runner (1982) sequel, I was skeptical about its quality. Sure, the ending was a little open-ended, but it stood by itself quite well. A Blade Runner sequel coming out mere years away from the original’s futuristic timeline of 2019 seemed just as ridiculous. The one redeeming factor that eventually led me to think this sequel would be any good was that Denis Villeneuve was tapped to direct it. While I’ve liked Villeneuve’s films as far back as Prisoners (2013), I’ve really become a fan since his Best Picture-nominated Arrival (2016) revealed how well he can do science fiction. Of course, Blade Runner isn’t really science fiction. Sure, it has the trappings of a futuristic society, but at its core, the movie is a noir. The plot and aesthetic of noir is considerably different than that of sci-fi, but Villeneuve manages to merge the two...
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MOVIE: Blade Runner (1982)

Blade Runner Year: 1982 Rating: R Length: 117 minutes / 1.95 hours When I first saw Blade Runner (1982) many years ago, I understood that it was the quintessential, if not the defining, cyberpunk film. Since I was used to the more modern cyberpunk at the time (a la The Matrix (1999)), I felt the slow unfolding of exposition wasn't nearly as action-driven as I had hoped it would be. Of course, at the time, I might not have been watching the "Director's Cut" version of Blade Runner, which was what I watched this time around. Needless to say, it's a much better movie than I initially remembered. I think part of my improved assessment of this film came from a realization that it wasn't intrinsically a science fiction film. Sure, it is based on a story by Philip K. Dick, it is set in a fast-approaching and somewhat inaccurate representation of the future, and it has the trappings of a sci-fi film (i.e., androids,...
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MOVIE: The Princess Bride (1987)

The Princess Bride Year: 1987 Rating: PG Length: 98 minutes / 1.63 hours The Princess Bride (1987) is a movie that defies genres. It’s an adventure film with swashbuckling pirates. It’s a fantasy film with giants and six-fingered men. It’s a comedy with numerous quotable lines. It’s a family film about storytelling. It’s all these things, and more, which is part of its appeal (even if it makes the whole movie difficult to classify or market). The real trick with The Princess Bride is that it is subtle with its self-awareness. While other films may go so far self-aware that they’d break the fourth wall (a la Deadpool (2016)), The Princess Bride manages to poke fun at these classic genres with a knowing wink to the audience. Of course, this is part of its appeal. Many self-aware films make overt references to other big-hitters in their genre, thus relying on the audience who has done their homework to understand the joke. In The Princess Bride, there are no references to The Lord of the...
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MOVIE: Star Wars: Episode VIII – The Last Jedi

Star Wars: Episode VIII – The Last Jedi Year: 2017 Rating: PG-13 Length: 152 minutes / 2.53 hours After the success of Star Wars: Episode VII – The Force Awakens (2015), director Rian Johnson had to strike a fine balance in the following sequel, Star Wars: Episode VIII – The Last Jedi (2017). Since The Force Awakens was essentially a flashy, rehash of Star Wars: Episode IV – A New Hope (1977), The Last Jedi needed to separate itself from the predictable path already laid out in Star Wars: Episode V – The Empire Strikes Back (1980). Unfortunately, the formula employed in Empire Strikes Back has become so integral to sequels that deviating from it could prove to be disastrous. While I’m curious where Episode IX will go from here, I hope it builds upon what Johnson has done here. The tensions of war helped drive the characters into interesting moments of growth, defiance, and desperation, but much of the story was well wrapped up by the time the credits rolled. The real balance of this film came from paying homage...
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MOVIE: Loving Vincent (2017)

Loving Vincent Year: 2017 Rating: PG-13 Length: 94 minutes / 1.57 hours Animation has become somewhat easier since the days when every frame was drawn out by hand. This change has been mostly due to the use of computers to simplify the animation process. And yet, there are still those who want to embrace the painstaking process of manual animation, mostly for the artistic merit that it gives the film. Usually, this is done in short form, like the stop-motion film, Fresh Guacamole (2012) by PES, or the paint-on-glass animated short, The Old Man and the Sea (1999). Both of these short films were nominated for the Animated Short Oscar, with the latter winning the prize. With Loving Vincent (2017), we now have a feature-length (albeit at a short 94 minutes) animated feature that took the time to recreate the aesthetic of Van Gough’s paintings via a plentitude of hand-painted oil paintings that comprised the individual frames of the film. If awards are given for artistic merit alone, Loving Vincent deserves to win...
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MOVIE: Spider-Man – Homecoming (2017)

Spider-Man: Homecoming Year: 2017 Rating: PG-13 Length: 133 minutes / 2.22 hours Of all the superheroes in their respective comic universes, the one I grew up with was Spider-Man. I watched the animated 1990’s television show, and I loved when this relatable superhero made his way to the big screen in Spider-Man (2002). I was even more pleased when Spider-Man 2 (2004) set the tone for future superhero franchises. The first film is the origin film so the second film can dispense with the best villain and not spend all its time in exposition. Unfortunately, I ended up being disappointed by the third entry in this original Spider-Man trilogy, which was a rare miss in my book. Fast forward to 2012, when Spider-Man was rebooted with Andrew Garfield in the title role. Having to sit through the origin story again, but with a different, green-colored villain as the antagonist seemed like it wasn’t exploring anything new. Around the same time, the Marvel Cinematic Universe was...
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MOVIE: Fantastic Beasts and Where to Find Them (2016)

Fantastic Beasts and Where to Find Them Year: 2016 Rating: PG-13 Length: 133 minutes / 2.22 hours As someone who never fully immersed themselves in the Harry Potter fandom, this spin-off wasn't high on my "to watch" list. Sure, I liked the movies well enough for the continual narrative they provided (still haven't gotten to the books yet), and I understand that this parallel universe full of magic is a unique idea that hasn't been explored in this fashion, but this just seems like a tag-along to capitalize on a successful franchise. That's not to say that Fantastic Beasts and Where to Find Them (2016) isn't good, it's just that it does require a bit of background knowledge in order to fully "get it." Partly because seeing wizardry and magic in the modern era might still seem odd, this throwback to the past is only made better by placing it in the United States. Both of these settings differ from the main Harry Potter franchise enough...
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MOVIE: Despicable Me 3 (2017)

Despicable Me 3 Year: 2017 Rating: PG Length: 90 minutes / 1.50 hours Sometimes I wonder how this franchise became so popular. Perhaps this perception is due to the oversaturation of the annoying little “Minions” that seem to pervade every corner of social media. And yet, when I go to see a movie like this, I am soon reminded that there are relatable and underappreciated storylines and plot points contained within this silliness. I have rarely seen a better “adoption” storyline than the one presented in Despicable Me (2010). Of course, Despicable Me 2 (2013) took the natural next step and provided a “single dad looking for a wife” storyline that also is rarely seen in animation. With Despicable Me 3 (2017), the franchise transitions more into a series of vignettes better suited for a television show than a feature-length film. It was a little hard to tell which storyline was the main one for the film, even if they were all intertwined in some...
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