MOVIE: Interstellar (2014)

Interstellar Year: 2014 Rating: PG-13 Length: 169 minutes / 2.82 hours The first time I saw this film, I was speechless. I knew what to expect from Christopher Nolan, who had been steadily increasing his repertoire for almost two decades. Each of his films outdid the last and built on the already mind-blowing pieces that have gone before them. From The Following (1998) to Memento (2000) to The Prestige (2006) to Inception (2010), I wondered how he could outdo himself with his first foray into hard science fiction. Needless to say, I was impressed by Interstellar (2014) and Nolan’s ability to bring the theoretical and incredible ideas of interstellar travel into an entirely plausible setup. As was the case with his previous films, Nolan manages to bring together almost disjointed moments into a cyclical narrative. Much like Memento, I wanted to sit down and watch the whole thing again immediately after viewing it for the first time, so that I could catch all the little things that lead to the major reveal at the end. Even...
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MOVIE: Alpha (2018)

Alpha Year: 2018 Rating: PG-13 Length: 96 minutes / 1.60 hours I’m not sure what surprises me more about this movie: that nobody had made a film about the domestication of the wolf or that anyone needed to make that film at all. Consequently, Alpha (2018) seems a little unnecessary and highly predictable as the “hero’s journey” plays out. The trailer doesn’t leave much for the imagination, as a lot of the events in this film don’t have any significant twists that the astute viewer wouldn’t see coming. And maybe I’m biased because I’d be more of a cat person than a dog person—despite being allergic to both. Visually, though, Alpha does provide some fantastic shots of wilderness that one can only find in places like Canada and Iceland. Plenty of the flat silhouette shots of characters traversing huge distances and the stylized slow-motion events made this movie feel a bit like 300 (2006), which isn’t necessarily a bad thing. The real trouble is that it takes these characters so long...
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MOVIE: Ocean’s Eight (2018)

Ocean’s Eight Year: 2018 Rating: PG-13 Length: 110 minutes / 1.83 hours As the gender-swapped spin-off of a remake, Ocean’s Eight (2018) feels convoluted merely based on its heritage. While I love the Ocean’s Eleven (2001) remake, I was curious to see what would make Ocean’s Eight something that would distinctly empower women (which I’m assuming was the point). In the end, it seems like Ocean’s Eight merely highlights the 72% wage disparity when compared to Ocean’s Eleven since most of the tropes and clichés almost felt like they were pandering to the very audience they were trying to lift up. While I will praise Ocean’s Eight for its ability to be a passable heist film, both with main and “twist” heists, that’s mostly where my adoration ends. Sure, I get the need to move the setting to New York to better align with fashion and other women’s interests, and part of Sandra Bullock’s character introduction after being released from prison was fun, but there were so many problems with the plot and characters that I’m still...
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MOVIE: Solo – A Star Wars Story (2018)

Solo: A Star Wars Story Year: 2018 Rating: PG-13 Length: 135 minutes / 2.25 hours Most superhero franchises start with an origin story. Sure, sometimes the franchise gets to this foundational plot after its first set of films (a la X-Men Origins: Wolverine (2009)), but these movies are usually pretty rare. Unfortunately, they’re also hampered by the source material that preceded them. While not necessarily “prequels,” these films need to fit within the canon of the franchise while also telling a story that expands the canon as well. Star Wars is not a superhero franchise, but it has its fair share of prequels and origin stories. Solo: A Star Wars Story (2018) is the first to focus on a specific character, though. With Han Solo being such an iconic and fan-favorite character, there was plenty to pull from to expand out his backstory. Unfortunately, most people will only recognize Harrison Ford as the “true” Han Solo, and this film gives them some ammunition for that. Sure, Alden Ehrenreich does a...
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MOVIE: Isle of Dogs (2018)

Isle of Dogs Year: 2018 Rating: PG-13 Length: 101 minutes / 1.68 hours A few years ago, I got on a Wes Anderson kick. I practically watched his entire filmography to that point in one long binge-worthy day. After catching up, I felt I truly appreciated his quirky, orthogonal cinematography and deeply complex characters. I’ve essentially been a fan of his since Moonrise Kingdom (2012), so I was looking forward to his latest work, Isle of Dogs(2018). After all, he had proven his skill at stop-motion animation with The Fantastic Mr. Fox (2009) and had received nominations for Best Picture and Best Director for The Grand Budapest Hotel (2014) since then. Unfortunately, while Isle of Dogs carries Anderson’s distinct style and charm, it felt a little watered down. Sure, the shots were full of their beauty and symmetry, and the story had its cute moments, but it mostly felt like he was on autopilot. Maybe the PG-13 rating was holding him back? I don’t know. In most fiction, there is a suspension of disbelief,...
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MOVIE: Deadpool 2 (2018)

Deadpool 2 Year: 2018 Rating: R Length: 119 minutes / 1.98 hours At what point does the fourth wall stop? I only ask this because there’s a point where an audience member will have to know not only the plot of the film that started the franchise, but the subsequent reactions to the film, the complete history of comic books, and the entirety of the lyrics to Gilbert and Sullivan’s “The Major-General’s Song” to understand the references. While Deadpool (2016) maintained that sly balance between knowing winks to the superhero genre as a whole and being an actual superhero film, Deadpool 2 (2018) almost went toward both extreme ends in order to maintain its balance. There were plenty of references and little sight gags that will leave true fans of the franchise pausing their Blu-rays for years to come, and I certainly did appreciate some of the meta-humor, but only to a point. Strangely enough, Deadpool 2 felt more like a superhero film than its predecessor, which seems odd as it...
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MOVIE: Rampage (2018)

Rampage Year: 2018 Rating: PG-13 Length: 107 minutes / 1.78 hours I didn’t go into this movie expecting much, and it still disappointed me. Seems like every time some Hollywood studio gets their hands on a video game franchise and decides to turn it into a movie, this is the kind of thing we get. I wouldn’t be so mad about it except that nothing in this film seems anywhere close to original at all. In fact, it seems to be cobbled together from summer movie blockbuster clichés and tropes, almost like a CGI-heavy Frankenstein. What’s probably worse is that it could have been somewhat passable if it held to the source material. There’s a weird kind of disconnect when a movie like Rampage (2018) has an actual arcade cabinet of the game it’s based on in the background of the corporate penthouse suite. Like, did they do this genetic-engineering research and name it “Rampage,” fully knowing that they’d create the exact creatures from the game? In any case,...
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MOVIE: The Disaster Artist (2017)

The Disaster Artist Year: 2017 Rating: R Length: 104 minutes / 1.73 hours Having seen a few snippets of The Room (2003) via reactionary and review videos, I have become somewhat familiar with how bad the film is without having to sit through all of it. In The Disaster Artist (2017), we get to see what led to this “worst movie ever made.” There’s a lot of lore and memes that have come out of The Room over the years, but the simple fact of the matter is that most serious Hollywood types probably couldn’t create a movie this bad if they had tried (and many certainly do so unwittingly every year). While James Franco is almost eerily on-point of his portrayal of director/writer/actor Johnny Wiseau, the recreation of specific scenes and setups from The Room isn’t nearly as impressive as I think the makers of The Disaster Artist realize. The side-to-side comparison during the credits was startling in the amount of accuracy, but it’s also not too challenging to recreate a film that seemed...
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MOVIE: Jack Reacher – Never Go Back (2016)

Jack Reacher: Never Go Back Year: 2016 Rating: PG-13 Length: 118 minutes / 1.97 hours The follow-up sequel to Jack Reacher (2012), Jack Reacher: Never Go Back (2016) is almost a warning to the audience in the title alone. I understand how a long-running book series like the Jack Reacher series by Lee Child is advantageous for the author by allowing the reader to pick up any book in the series and not need the background of the previous titles. However, with these self-encapsulated scenarios, Jack Reacher is probably better aligned with a television series than a series of movies. Not everyone can be the James Bond series, which has been able to get away with this for as long as it has. Don’t get me wrong, I liked the original Jack Reacher movie, as it seemed to channel the “man with no name” / high-plains drifter / Ronin style that was prevalent in Westerns and Samurai films. His skills and calm demeanor unquestionably imply military...
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MOVIE: Ghostbusters (2016)

Ghostbusters Year: 2016 Rating: PG-13 Length: 116 minutes / 1.93 hours Look, I'm all for giving women a shot in traditionally male-focused franchises, but when all it boils down to is an application of "Rule 63," then I don't think we're doing these women justice. In this remake/reboot, the visuals and weapons get an upgrade, and that's about it. If they truly wanted to make a "Ghostbusters with women," then the characters shouldn't have been so interchangeable with the originals. I understand the need to maintain the parallels to the original, but these characters come off more like men in women's bodies than women who have their own, unique challenges and approaches to solving problems. If anything, Ghostbusters (2016) shows how extraordinary the comedy and special effects of the original Ghostbusters (1984) were. While the original usually earned its laughs with a wink, this remake had jokes that mostly relied upon awkward and uncomfortable situations or faux pas. I get that sometimes the improvisational nature of comedy can work for...
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