MOVIE: Ocean’s Eight (2018)

Ocean’s Eight Year: 2018 Rating: PG-13 Length: 110 minutes / 1.83 hours As the gender-swapped spin-off of a remake, Ocean’s Eight (2018) feels convoluted merely based on its heritage. While I love the Ocean’s Eleven (2001) remake, I was curious to see what would make Ocean’s Eight something that would distinctly empower women (which I’m assuming was the point). In the end, it seems like Ocean’s Eight merely highlights the 72% wage disparity when compared to Ocean’s Eleven since most of the tropes and clichés almost felt like they were pandering to the very audience they were trying to lift up. While I will praise Ocean’s Eight for its ability to be a passable heist film, both with main and “twist” heists, that’s mostly where my adoration ends. Sure, I get the need to move the setting to New York to better align with fashion and other women’s interests, and part of Sandra Bullock’s character introduction after being released from prison was fun, but there were so many problems with the plot and characters that I’m still...
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MOVIE: Logan Lucky (2017)

Logan Lucky Year: 2017 Rating: PG-13 Length: 118 minutes / 1.97 hours I enjoy a good heist film. No heist is ever a straightforward “grab and dash” situation. When overcoming the barriers for the heist one-by-one, I can appreciate the interlocking elements of the robbery. Since one of my favorite heist films, Ocean’s Eleven (2001), was directed by Steven Soderbergh, I looked forward to his latest heist, Logan Lucky (2017). The trailers made it look like a fun film, and it was, but at the expense of all the best parts being conveyed in the trailer. About the only thing you don’t see in the trailer is the twist at the end, which is to be expected. When it comes to the setting, I’m not entirely sure if Logan Lucky is embracing or parodying the hillbilly stereotype. From beauty pageants for children to NASCAR races, this film has all the trappings of a West Virginia based on cultural perception instead of actual reality. At any...
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MOVIE: Ant-Man (2015)

Ant-Man Year: 2015 Rating: PG-13 Length: 117 minutes / 1.95 hours In the never-ending array of superheroes feeding into the Marvel Cinematic Universe (MCU) to support such franchises like Captain America and The Avengers, it can be difficult to make some of the B-tier and C-tier heroes seem interesting enough to devote a whole movie to them. To ensure each movie feels different from its predecessors, certain unique attributes must be applied. Whether it’s the sci-fi-themed Guardians of the Galaxy (2014) or the mind-bending visuals of Doctor Strange (2016), each film requires a gimmick to make it work. For Ant-Man (2015), it’s comedy. If you approach Ant-Man as a standard superhero film, you’re likely to be disappointed. There are almost too many off-hand references to much of the MCU to make anyone not familiar with the vast array of movies lost and confused. Plus, the hero’s “origin story” in Ant-Man is almost par for the course. However, if you watch this film with the understanding that it’s more similar to comedy/caper/heist films than a superhero film, you’re likely...
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MOVIE: Baby Driver (2017)

Baby Driver Year: 2017 Rating: R Length: 112 minutes / 1.87 hours There are so many “heist” films nowadays that it’s practically its own genre, with all the tropes and clichés that go with it. Consequently, when I learned that Edgar Wright had directed a heist film, my interest was piqued. Best known for his parody comedies, Shaun of the Dead(2004), Hot Fuzz (2007), and The World’s End (2013), the film of his I have enjoyed the most is Scott Pilgrim vs. the World (2010). His style is distinct throughout these films, which is what I was hoping for in Baby Driver (2017). While Wright’s visual style is present in Baby Driver, it is muted, almost in the background of the standard heist framework. With an almost 1980’s undertone, Baby Driver takes many cues from its predecessor, Drive (2011). Both feature an almost silent heist driver as the main character and plenty of entertaining driving sequences that are practically ballet on the boulevards. Fortunately, both films also focus on the characters, and not so much on the heist, giving...
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MOVIE: Matchstick Men (2003)

Matchstick Men Year: 2003 Rating: PG-13 Length: 116 minutes / 1.93 hours One of the lesser-known Ridley Scott films, Matchstick Men (2003) could have been just another heist film, and in some senses, it is. Upon watching the film again, one can easily pick up exactly when the "long con" starts up and which events lead toward the inevitable conclusion. So, perhaps it doesn't have the ability to demand repeat watchings (past about two) on its heist aspects. However, I believe the characters are what give this movie most of its charm. After all, characters make a story, and this one has some good ones. In one of his best "crazy person" roles, Nicholas Cage does an incredible job portraying Roy, a con-artist with severe Obsessive Compulsive Disorder. His performance is often difficult to watch and is cringe-worthy in the opening act. If this is what it's truly like living with OCD, I never want to joke about having it . . . ever. I'm almost...
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MOVIE: Now You See Me (2013)

Now You See Me Year: 2013 Rating: PG-13 Length: 115 minutes / 1.92 hours The key to a great heist film comes in three stages: the pledge, the turn, and the prestige. Wait, that’s the key to a great magician’s illusion. Actually, here’s the real trick: both are very similar in structure. Each requires a setup of events which lead to an amazing reveal, followed by an explanation of how the heist/illusion was performed. In Now You See Me (2013), both the heist and magician genres are found to be so closely related that it was nice to see them meld together so well. In a page ripped straight from Robin Hood, the main characters justify their thievery by stating that their actions are to right the wrongs done to the general public. Of course, when a movie uses CGI to enhance the magic of the actors, it’s just that much more fun to see how they are able to pull off each heist using...
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