MOVIE: Glass Onion (2022)

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Glass Onion: A Knives Out MysteryYear: 2022Rating: PG-13Length: 139 minutes / 2.31 hours Hollywood has woefully underutilized the mystery genre for some time. It probably doesn’t help that there aren’t a lot of mysteries being written that have been adapted to the big screen. The two modern examples that come to mind are Gone Girl (2014) and The Girl on the Train (2016) but they’re darker than the classic mysteries by Agatha Christie. That Hollywood is still releasing movies based on Christie’s works (like Murder on the Orient Express (2017)) or Christie-adjacent works (like See How They Run (2022)) shows there’s a desire for ensemble-based mysteries. Glass Onion (2022) is the breath of fresh air in this somewhat stagnant genre. I’m glad that Knives Out (2019) did well enough to warrant a sequel with Daniel Craig’s fantastic character, Benoit Blanc. Glass Onion takes that same humor and applies it in a biting satire against the hyper-wealthy and “influencer” types that all need...
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MOVIE: Spectre (2015)

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Spectre Year: 2015 Rating: PG-13 Length: 148 minutes / 2.47 hours After the practically perfect Skyfall (2012), my expectations for what a Bond film should be were considerably heightened. And while Spectre (2015) still contained some elements that made me enjoy Skyfall, it missed that small little “aha!” moment that brought everything together for me. Sure, Spectre was directed by Sam Mendes, brought back franchise-famous villain Blofeld (Christoph Waltz), and had characters with emotional connections to Bond (Daniel Craig) that spanned across movies in Craig’s tenure, but it lacked the spark to make it fully work. Perhaps it was just abiding by the idiom that lightning can’t strike twice. That’s not to say that Spectre is a bad Bond movie, it just has a lot to compare against. The modern style and action that Craig’s Bond has are still better than some of the sillier entries in the long-running franchise. There’s a drag in the second act that probably could have been tightened up with...
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MOVIE: Skyfall (2012)

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SkyfallYear: 2012Rating: PG-13Length: 143 minutes / 2.38 hours To me, one weakness of the James Bond franchise has always been the detached nature of the timeless character of James Bond (Daniel Craig) to anything from his past. He'd go off on some globetrotting mission to save the world while never having the stakes come anywhere close to where he lived—whether currently or when he was growing up. As such, the character of James Bond always felt like a caricature. An invincible man who always packed his plot armor before jetting off to a tropical paradise to deal with some megalomaniacal genius. I feel Skyfall (2012) is the absolute pinnacle of Bond films because it makes the main character human. The brilliant way Sam Mendes used Javier Bardem as the antithesis to Craig's Bond to highlight how loyalty is a two-way street is such a chef's kiss that I can't even begin to explain how it broke the mold for Bond villains. Visually,...
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MOVIE: Quantum of Solace (2008)

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Quantum of Solace Year: 2008 Rating: PG-13 Length: 106 minutes / 1.76 hours Ever since the turn of the millennium, many film franchises have taken to starting over; reinventing themselves for this modern era. From superheroes like Batman and Superman to age-old classics such as Rocky and Rambo, these franchises have been going back to the drawing board in order to pull in ticket sales. The James Bond franchise is no different. In 2006, the ranks of Sean Connery, Roger Moore, and Pierce Brosnan gained Daniel Craig as the new James Bond. Quantum of Solace is a rather rare Bond film as it actually has a connection to its predecessor, Casino Royale (2006). It also has all the elements of the franchise. There are the spectacular opening credits, Bond girls, fancy car chases, and gunfights. Somewhat missing from the mix is the legendary set of gadgets, which was also missing from Casino Royale. Instead, an impressive graphical user interface on all the computers and cell...
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MOVIE: Casino Royale (2006)

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Casino Royale Year: 2006 Rating: PG-13 Length: 144 minutes / 2.40 hours For almost 40 years, the adaptation of the first book in Ian Flemming's James Bond franchise was a parody of the action movie the Bond films had become. Even with only four movies in the Bond franchise released at the time, Casino Royale (1967) made fun of all the goofy gadgets, girls, and guns that were staples of Flemming's works. Fortunately, when it was time to reboot the character with Daniel Craig, Casino Royale (2006) received the remake it truly deserved. Cut down to its base elements and filmed in a more modern style, Casino Royale is a much grittier take on the Bond franchise that lets the action set-pieces and skillful spy-craft take center stage. Sure, there are still Bond girls here, but this time there's a deeper connection with characters like Eva Green's Vesper Lynd (which you can take much more seriously than characters named "Pussy Galore"). It then comes as...
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MOVIE: No Time to Die (2021)

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No Time to DieYear: 2021Rating: PG-13Length: 163 minutes / 2.72 hours Daniel Craig is my James Bond. I was too young for the Pierce Brosnan version of the secret agent, so when a re-do of Casino Royale (2006) came out, I was impressed that this decades-old franchise could take some cues from recent successful action films like The Bourne Identity (2002). Having seen a smattering of other Bond films over the years, the five-movie quintet that ended with No Time to Die (2021) felt bittersweet. Even if there were constant rumors that Daniel Craig was done with the role after Spectre (2015), I'm glad he stuck the landing with this movie. Now, I'm fairly biased when it comes to Bond films. I think Skyfall (2012) is the peak of the franchise. Not only did it cover Bond's backstory, but it also pulled a huge twist right at the end to connect it to every previous Bond film, which had me exclaiming in...
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MOVIE: Layer Cake (2004)

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Layer CakeYear: 2004Rating: RLength: 107 minutes / 1.78 hours I always find it interesting to go back and watch breakout films by directors who would come into their own years later. In the case of Matthew Vaughn, I have enjoyed his work, which includes Stardust (2007), Kick-Ass (2010), X-Men: First Class (2011), and the Kingsman franchise. With Layer Cake (2004), I could see the kind of filmmaker he would become—with plenty of neat visual tricks—but there’s so much that’s lacking polish that I’m not even sure what happened in this movie. I kind of got the general sense of the plot, but I found myself lost by what was happening by the end of it all. Perhaps part of my problem is that the action is quite loud, but the dialogue is all quiet. I kept having to adjust the volume on my surround sound as a result. Maybe I should have put subtitles on because I had trouble understanding what most...
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MOVIE: Knives Out (2019)

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Knives OutYear: 2019Rating: PG-13Length: 130 minutes / 2.17 hours One of the most under-utilized genres to date, a good mystery movie is hard to find these days. This is partly why Knives Out (2019) is such a joy to watch. With plenty of twists and turns—and a murderer that subverts all the numerous tropes of the genre—this film is almost on the edge of self-aware satire of mysteries on the whole. This is partly why I found Knives Out to be delightfully amusing: the absurd nature of some of the genre’s most tightly-held motifs were playfully subverted for a couple of genuine laughs. Of course, part of the problem of Knives Out being so self-aware is that it is inevitably predictable at several key moments. Depending on how far ahead a viewer can deduce the solution to a critical piece of evidence might determine how predictable it is for them. I did appreciate that there was always one piece of the puzzle...
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MOVIE: Logan Lucky (2017)

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Logan Lucky Year: 2017 Rating: PG-13 Length: 118 minutes / 1.97 hours I enjoy a good heist film. No heist is ever a straightforward “grab and dash” situation. When overcoming the barriers for the heist one-by-one, I can appreciate the interlocking elements of the robbery. Since one of my favorite heist films, Ocean’s Eleven (2001), was directed by Steven Soderbergh, I looked forward to his latest heist, Logan Lucky (2017). The trailers made it look like a fun film, and it was, but at the expense of all the best parts being conveyed in the trailer. About the only thing you don’t see in the trailer is the twist at the end, which is to be expected. When it comes to the setting, I’m not entirely sure if Logan Lucky is embracing or parodying the hillbilly stereotype. From beauty pageants for children to NASCAR races, this film has all the trappings of a West Virginia based on cultural perception instead of actual reality. At any...
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