MOVIE: Ad Astra (2019)

Ad Astra Year: 2019 Rating: PG-13 Length: 123 minutes / 2.05 hours I wasn’t entirely sure what to expect with Ad Astra (2019). The trailers I had seen made it seem like it was an action-filled space adventure akin to Interstellar (2014) or Gravity (2013). While it did handle all the outer space issues in a somewhat scientifically accurate way, Ad Astra was a much slower movie than I thought it would be. In fact, I’d probably compare it more to films like 2001: A Space Odyssey (1968) for its almost plodding pacing. The real trick is that the plot of Ad Astra is basically an outer space version of Joseph Conrad’s Heart of Darkness, of which Apocalypse Now! (1979) is perhaps the most notable movie adaptation. Ad Astra does get credit for the beauty of its outer space environment. The settings felt massive in scale and intimate in their proximity. Each portion and waypoint of the journey seemed precisely how I would picture them eventually occurring in our not-to-distant future. Even if some aspects of the film...
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MOVIE: Once Upon a Time…in Hollywood (2019)

Once Upon a Time…in Hollywood Year: 2019 Rating: R Length: 161 minutes / 2.68 hours Quentin Tarantino has changed. While I loved Inglorious Basterds (2009) for its alternate history, and Django Unchained (2012) was another strong showing, it seems like he’s just getting out of his western phase. For his latest film, Once Upon a Time…in Hollywood (2019), Tarantino seems to have continued his trend of making very long movies but chose to condense his trademark graphic violence down into an intense sequence that only lasts a few minutes at most  (like The Hateful Eight (2015)). Perhaps he has matured as a director, but that’s what makes this film so jarring compared to his previous work. Anyone familiar with the Tarantino aesthetic knows that he’s particularly fond of the pop culture of the ‘60s and ‘70s. Consequently, it’s interesting to see how real he’s made this era feel on the big screen. That being said, some of the “fake” movies appearing in this film are...
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