MOVIE: Aliens (1986)

Aliens Year: 1986 Rating: R Length: 137 minutes / 2.28 hours While I’m sure a Ridley Scott sequel to his smash-hit, Alien (1979), would be fantastic by any stretch of the imagination, the choice to go with similarly-successful James Cameron in the director’s seat helped to keep the franchise from becoming too stale. Of course, with a sequel appearing seven years after the original, Alien had plenty of time to rest on its laurels before the follow-on film came along. Watching Aliens (1986) with the knowledge of James Cameron’s other work, it soon becomes apparent that this movie is all his own. After all, if I told you there’s a James Cameron film about space marines invading an alien world to eliminate an alien threat, many of you would think I’m referring to Avatar (2009) and not Aliens (1986). In the original Alien, much of the focus of the film is on survival, let alone how to defeat such an unstoppable creature. For Aliens, the...
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MOVIE: Arrival (2016)

Arrival Year: 2016 Rating: PG-13 Length: 116 minutes / 1.93 hours Despite all the mindless action and sex that hits the big screen every year, every once in a while there comes a film that's a little more . . . cerebral. Arrival (2016) certainly fits this category. Not only do you really have to pay attention to what's happening in this film, it makes you question how we perceive our world as it is right now. Never before have I seen the topic of encountering alien life forms approached from such a realistic and logical way. It makes sense that we wouldn't be able to understand them, so the first step in establishing an understanding is to establish communication. Much like Christopher Nolan, who has done a number of great, "cerebral" films including Memento (2000), Inception (2010), and Interstellar (2014), I have recently come to appreciate the directorial talents of Denis Villeneuve. From his previous films like Prisoners (2013) and Sicario (2015), I've seen him deliver...
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MOVIE: Independence Day – Resurgence (2016)

Independence Day: Resurgence Year: 2016 Rating: PG-13 Length: 120 minutes / 2.0 hours Can we just be real for a second? Is the nostalgia factor so strong in Hollywood these days that anything coming upon its 20th anniversary is re-made, rebooted, and sequeled to death? Certainly, this is a pretty good marketing strategy, since last year's Jurassic World (2015) was such a huge financial success, even though it was essentially the exact same plot as the original Jurassic Park (1993). Clearly, the millennials who grew up with these films want to see them on the big screen again, 20+ years later with newer and flashier special effects. After all, Moore's Law implicates the visual style should be more than 1,000 times better than its predecessor. Here's the problem I have with this re-quel that seems to be going around: it doesn't give us anything new. Take Independence Day (1996) for example. This film was a great action film filled with plenty of interesting sci-fi, memorable characters,...
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MOVIE: Independence Day (1996)

Independence Day Year: 1996 Rating: PG-13 Length: 145 minutes / 2.41 hours While most people just roll their eyes at the mention of Roland Emmerich as a director, many forget that he essentially started the revival of the "destructive action" film. What used to be common in the seventies, with movies like The Poseidon Adventure (1972) and Towering Inferno (1974), films showing catastrophes had taken a bit of a back seat until Independence Day. This revival on a globally-catastrophic scale brought about such films as Armageddon (1998) and Deep Impact (1998). Granted, Emmerich continued to make world destruction a part of his directing career, which is why films like this almost seem hokey today. Godzilla (1998), The Day After Tomorrow (2004), 2012 (2009), and White House Down (2013) haven't been the most critically-acclaimed films of all time, but they certainly carry Emmerich's penchant for demolishing cultural landmarks. One does wonder why Independence Day stands out amongst his other films, almost as an anomaly. While later films by...
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