MOVIE: Finding Dory (2016)

Finding Dory Year: 2016 Rating: PG Length: 97 minutes / 1.62 hours As is the case with the rest of Hollywood right now, Pixar is cashing in on the nostalgia factor of their previous films. Just like Monsters University (2013) before it, Finding Dory (2016) brings together the same team of voice actors who brought their respective originals to life more than a decade ago. And while this sequel was more akin to the likes of Toy Story 2 (1999), the amount of time between the two films really gives Pixar the chance to show off how much the power of computers has advanced in that time. Unfortunately, while the visual style has been drastically updated, the plot has not. In its purest essence, Finding Dory is just like Finding Nemo (2003): a fish separated from its parent tries to find their way back home while the parent does everything in their power to find their child. I would have liked a bit more originality from...
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MOVIE: The Secret Life of Walter Mitty (2013)

The Secret Life of Walter Mitty Year: 2013 Rating: PG Length: 114 minutes / 1.9 hours Let me start by saying that I was skeptical to go see this film, mainly because it starred Ben Stiller. Given his track record of “comedies,” I found myself avoiding his films just because I knew that they’d be crude and not the type of comedy I would enjoy. Much in the same way I was surprised by Will Ferrell in Stranger than Fiction (2006), The Secret Life of Walter Mitty (2013) was a pleasant surprise. I don’t know if it’s because he also directed this film, but I truly enjoyed it on many levels, both as a lover of movies and a lover of photography. The strength of this film lies in its imagery and presentation. The beauty of our world and the way it’s captured in the travels of a man coming out of his shell is truly inspiring. I can honestly say I haven’t seen a...
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MOVIE: Hail, Caesar! (2016)

Hail, Caesar! Year: 2016 Rating: PG-13 Length: 106 minutes / 1.77 hours I like movies as much as the next connoisseur of film, but clearly the Coen Brothers like them more than I do. Specifically, they like the films made during the “golden age” of Hollywood: the 1950’s. From action-packed westerns, to Biblical epics, to underwater choreography, to big-budget musicals, these films exemplified a Hollywood that was on top of its game. Unfortunately, as is the case with any great success, it can be hard to maintain over time. In what could be considered a “love letter” to a Hollywood of the past, the Coen Brothers bring all these films together in Hail, Caesar! (2016). While I could appreciate the references made throughout this film, many of them felt quite disjointed. Sure, there’s the tie-in to real-life Hollywood fixer, Eddie Mannix (Josh Brolin), but he merely acts as a link between scenes of grandeur meant to show how well the Coen Brothers can follow...
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MOVIE: Star Trek Beyond (2016)

Star Trek Beyond Year: 2016 Rating: PG-13 Length: 122 minutes / 2.03 hours First off, I want to admit that I am more of a Star Wars fan than a Star Trek fan. As a result, I have enjoyed the first two of the Star Trek reboot titles because they are structured more like a Star Wars film than a Star Trek one. Of course, this may also be due to my bias toward J.J. Abrams and everything that he directs. For this third installment in the reboot series, we no longer have Abrams, but rather Justin Lin (known for the Fast & Furious franchise). Maybe because of this, I didn't really think this film stood up to the previous two. Sure, there were segments that I thought were interesting and deep, but they were merely bookends in a confusing hodgepodge of action and "buddy up" subplots. I appreciated the beginning, with its humanizing narrative that made sense for the captain's current state of affairs....
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MOVIE: Limelight (1952)

Limelight Year: 1952 Rating: Approved Length: 137 minutes / 2.28 hours While it is rare to find a film by/starring Charlie Chaplin that isn't uproariously funny, the depth of the drama of this piece certainly shows the range everyone's favorite silent actor could perform. Chaplin will always have the little idiosyncracies in the way he moves, but when they're applied to a washed-up drunk, suddenly they take a much more serious turn. Films like The Dictator (1940) and Monsieur Verdoux (1947) certainly have their amusing moments, but work better as social commentaries, or at least are more direct about their message than the earlier films like The Gold Rush (1925), City Lights (1931), and Modern Times (1936). What's really interesting about Limelight is it feels almost as autobiographical as it does groundbreaking. I mean, if we were to name one famous actor who excelled at playing a "tramp", Chaplin is the only one who would come to mind (although Buster Keaton, who also appears in the...
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MOVIE: The Martian (2015)

The Martian Year: 2015 Rating: PG-13 Length: 144 minutes / 2.4 hours I, for one, am excited that space travel is now a topic regularly covered on the big screen. If the general public becomes even a little bit more interested in interplanetary travel, perhaps I can see man stand on the surface of Mars in my lifetime. The Martian (2015) is merely the latest in a string of space-themed sci-fi movies that brings the excitement of outer space to theaters. While not nearly as continually intense as Gravity (2013), or as epic as Interstellar (2014), what The Martian does right is give a sense of scale to the challenge of returning to Earth from being abandoned on Mars. Gripping and just humorous enough to keep it from being dour, director Ridely Scott uses many cinematic techniques, including several montages, to tell the story many have already read from Andy Weir's novel of the same name. While many sequences and scientific explanations were obviously cut for...
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MOVIE: Dirty Harry (1971)

Dirty Harry Year: 1971 Rating: R Length: 103 minutes / 1.72 hours What makes an iconic film? Is it something that has memorable moments and catch phrases? Is it something that stands up against the test of time? Is it something that resonates with us on a deeper level? Whatever it is, I feel Dirty Harry (1971) is certainly an iconic film. Let's take a look at why this is the case. First off, there's the famous monologue about counting. "Do you feel lucky?" completes a tense moment that merely started with a detective's intuition that something was about to go down. But what make this early scene that much greater is the bookend it creates with the film's antagonist, Scorpio (Andy Robinson). This isn't even the only bookend this film has to offer, as the two deaths at either end of the movie end up being submerged in water. Secondly, while the 1970's seem quite different to our modern styles, something about the culture...
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MOVIE: Get Smart (2008)

Get Smart Year: 2008 Rating: PG-13 Length: 110 minutes / 1.83 hours While film adaptations of television shows aren't new, Get Smart (2008) was certainly in the era when the idea to do so had become popular (even if we're still trying to forget Bewitched (2005)). What's nice about Get Smart is that it falls into that "self-aware" category, mainly because the source material (i.e. the 1960's TV show of the same name) was already self-aware when it came to the "spy" genre made popular by James Bond. Of course, it's no wonder that the king of parody, Mel Brooks was involved in both the TV show and this film adaptation. Of course, while the humor was more bathroom-oriented than witty, many of Carell's lines played off of the amusing nature of taking everything literally. Also, the bumbling nature of his new field agent character, Maxwell Smart, was certainly entertaining (as it is clearly Carell's forté), even if it was abandoned at times to advance the plot through...
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MOVIE: Now You See Me 2 (2016)

Now You See Me 2 Year: 2016 Rating: PG-13 Length: 129 minutes / 2.15 hours Sometimes the enjoyment of a particular film almost guarantees I’ll go to see the sequel. Now You See Me 2 (2016) is no exception. I really liked Now You See Me (2013) because the genres of “magic” and “heist” merge so easily together. Now three years later, and I certainly looked forward to this sequel, despite not knowing how the plot could advance any further than it had at the end of the first film. While the sequel did not disappoint, with numerous illusions, plenty of action, and loads of comedy, it felt like it was the same old gimmick as the original. Sure, there was a little more exploration into “the Eye”, but most of the plot of the second film centered on the consequences of the robberies from the first film (almost weighing it down, in my opinion). The addition of Daniel Radcliffe as a winking nod to...
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MOVIE: Now You See Me (2013)

Now You See Me Year: 2013 Rating: PG-13 Length: 115 minutes / 1.92 hours The key to a great heist film comes in three stages: the pledge, the turn, and the prestige. Wait, that’s the key to a great magician’s illusion. Actually, here’s the real trick: both are very similar in structure. Each requires a setup of events which lead to an amazing reveal, followed by an explanation of how the heist/illusion was performed. In Now You See Me (2013), both the heist and magician genres are found to be so closely related that it was nice to see them meld together so well. In a page ripped straight from Robin Hood, the main characters justify their thievery by stating that their actions are to right the wrongs done to the general public. Of course, when a movie uses CGI to enhance the magic of the actors, it’s just that much more fun to see how they are able to pull off each heist using...
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