MOVIE: Pokémon the Movie – I Choose You! (2017)

Pokémon the Movie: I Choose You! Year: 2017 Rating: PG Length: 98 minutes / 1.63 hours Over 20 years after its debut, it seems that Pokémon is not a fad and will be here to stay for the long haul. Of course, considering the mania surrounding the first games in the series back in the mid-1990’s, by now enough time has passed for nostalgia to be a contributing factor to the franchise’s continued success. The children who grew up with Pokémon are now adults in their late-20’s and early-30’s (i.e., “millennials”). In an attempt to cash in on this nostalgia, Pokémon’s latest movie, I Choose You! recounts some of the memorable first moments of the anime, but with a slightly different storyline. Initially, I was worried that this plot would be a pared-down selection of key moments from the anime, much like what has been done with other anime movies like One Piece’s The Desert Princess and the Pirates (2007) and Episode of Chopper Plus(2008). Fortunately, this film managed to...
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MOVIE: Coco (2017)

Coco Year: 2017 Rating: PG Length: 105 minutes / 1.75 hours In the never-ending string of incredible visuals brought to life by Pixar, Coco (2017) continues this trend into the afterlife. At this point, I’m convinced Pixar could just go ahead and shoot live video and put their animated characters in the scene and I’d still think the whole thing was animated. The interplay of color, light, and shadow really come out in this celebration of Mexican culture. All spectacular visuals aside, Pixar again delivers on an emotional impact that left me crying, as always. When it comes to new ideas, Pixar certainly still knows how to create a visually-compelling story. While Coco has a lot going for it, there are a few weaknesses, some of which are my own opinion based on my likes and dislikes. I know the film mostly targets children (and older children at that), but the plot was just a smidge too predictable. Sure, it was enjoyable to see my...
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MOVIE: Loving Vincent (2017)

Loving Vincent Year: 2017 Rating: PG-13 Length: 94 minutes / 1.57 hours Animation has become somewhat easier since the days when every frame was drawn out by hand. This change has been mostly due to the use of computers to simplify the animation process. And yet, there are still those who want to embrace the painstaking process of manual animation, mostly for the artistic merit that it gives the film. Usually, this is done in short form, like the stop-motion film, Fresh Guacamole (2012) by PES, or the paint-on-glass animated short, The Old Man and the Sea (1999). Both of these short films were nominated for the Animated Short Oscar, with the latter winning the prize. With Loving Vincent (2017), we now have a feature-length (albeit at a short 94 minutes) animated feature that took the time to recreate the aesthetic of Van Gough’s paintings via a plentitude of hand-painted oil paintings that comprised the individual frames of the film. If awards are given for artistic merit alone, Loving Vincent deserves to win...
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MOVIE: Despicable Me 3 (2017)

Despicable Me 3 Year: 2017 Rating: PG Length: 90 minutes / 1.50 hours Sometimes I wonder how this franchise became so popular. Perhaps this perception is due to the oversaturation of the annoying little “Minions” that seem to pervade every corner of social media. And yet, when I go to see a movie like this, I am soon reminded that there are relatable and underappreciated storylines and plot points contained within this silliness. I have rarely seen a better “adoption” storyline than the one presented in Despicable Me (2010). Of course, Despicable Me 2 (2013) took the natural next step and provided a “single dad looking for a wife” storyline that also is rarely seen in animation. With Despicable Me 3 (2017), the franchise transitions more into a series of vignettes better suited for a television show than a feature-length film. It was a little hard to tell which storyline was the main one for the film, even if they were all intertwined in some...
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MOVIE: Frozen (2013)

Frozen Year: 2013 Rating: PG Length: 102 minutes / 1.7 hours It's hard to deny the worldwide phenomenon that is this movie. While I'm sure parents now twitch any time "Let it Go" comes on, the fact of the matter is many factors led to the success of this film. Starting in the mid-2000's, Disney saw they had a problem and set about trying to fix it. By rehauling how they told stories, and how they approached the characters in these stories, they soon were back on top of the animation industry (while Pixar continues to be content pumping out Cars sequels). Stunning visuals can only get you so far in a Disney movie, and Frozen (2013) certainly takes the cake when it comes to visualizing snow and ice through computers. What makes Frozen work as a story is its complexity. No one character is completely good or completely bad, each having their faults and limitations, as well as their good intentions and personal desires. This...
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MOVIE: The LEGO Batman Movie (2017)

The LEGO Batman Movie Year: 2017 Rating: PG Length: 104 minutes / 1.73 hours While The LEGO Movie (2014) did a good job of initially not making its universe seem like it was just in the imagination of a 10-year-old child, The LEGO Batman Movie (2017) dispenses with that illusion and goes full-bore into the child-like mind. From the dialogue to the wide variety of licensed characters to the regular “pew, pew pew” sounds made when guns and lasers are fired, The LEGO Batman Movie steps right into what you’d expect a movie about a children’s building toy would be. Of course, with Batman being one of the best characters from The LEGO Movie, it’s no wonder why he was first to get a spinoff film. Regarding plot, it was simplistic. Kids would certainly be able to “get” that family matters, even if they aren’t biologically related. But fear not adults, there’s plenty for you in this film as well. Perhaps the best mark of...
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MOVIE: Moana (2016)

Moana Year: 2016 Rating: PG Length: 107 minutes / 1.78 hours Let's get one thing straight: computers are incredible. Each successive year that passes, I find my eyes blown away at the amazing capabilities of computers to create the kind of imagery found in movies like this. From hair and water effects to some of the more supernatural aspects, the visuals of this film are quite commendable. Sure, Zootopia (2016) looked good too, but since its characters weren't human or in a "human" environment, it was difficult to see just how amazing the visuals could be. But this was likely due to Zootopia having more focus on an interesting plot instead of stunning effects. I am impressed that Disney has taken the leap to another non-white "princess" with Moana, but much of the cliche trappings of this type of film are out in full force. If I were to tell you Disney made a coming-of-age movie featuring the main character with an animal sidekick, a mute...
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MOVIE: Kubo and the Two Strings (2016)

Kubo and the Two Strings Year: 2016 Rating: PG Length: 101 minutes / 1.68 hours We live in the future, and it is incredible. I’ve found stop-motion animation to be a fascinating medium, not only for its “dirtiness” when compared to CGI, but also because of the painstaking care it takes to produce a full-length feature with this process. Animation studios like Aardman and Laika are really starting to take advantage of all the tools at their disposal to create some awesome stop-motion movies. We’ve come a long way since the films of Henry Selick, the most famous one being The Nightmare Before Christmas (1993). Through Selick, we now have a handful of fantastic films through the Laika brand. While their previous work, The Boxtrolls (2014) had started the trend away from more morbid themes and plots, Kubo and the Two Strings (2016) shows just how capable the stop-motion medium is to tell a fantastic story. With an origami motif existing throughout, Kubo and the...
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MOVIE: Finding Dory (2016)

Finding Dory Year: 2016 Rating: PG Length: 97 minutes / 1.62 hours As is the case with the rest of Hollywood right now, Pixar is cashing in on the nostalgia factor of their previous films. Just like Monsters University (2013) before it, Finding Dory (2016) brings together the same team of voice actors who brought their respective originals to life more than a decade ago. And while this sequel was more akin to the likes of Toy Story 2 (1999), the amount of time between the two films really gives Pixar the chance to show off how much the power of computers has advanced in that time. Unfortunately, while the visual style has been drastically updated, the plot has not. In its purest essence, Finding Dory is just like Finding Nemo (2003): a fish separated from its parent tries to find their way back home while the parent does everything in their power to find their child. I would have liked a bit more originality from...
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MOVIE: Ernest & Celestine (2012)

Ernest & Celestine Year: 2012 Rating: PG Length: 80 minutes / 1.33 hours While the visuals of CGI-animated films can be quite realistic and stunning, there’s something to the simple, drawn lines of a classically animated piece. Often, the realism of CGI is actually a bit of a detriment as any human characters will start to fall into the “uncanny valley”, wherein our minds reject the characters because they’re close to being human, but there are still elements that can’t be captured and our minds pick up on these flaws. Granted, I will admit that the classical look can still be obtained with computers, but it’s nice to see every once in a while, especially with the proliferation of new animation studios. Part of the challenge of standing out amongst the large number of animated films comes in the visual style used in the animation. With Ernest & Celestine (2012), the visual style doesn’t try to imitate any successful studio (like Disney), but instead attempts to recapture...
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