MOVIE: How to Train Your Dragon – The Hidden World (2019)

How to Train Your Dragon: The Hidden World Year: 2019 Rating: PG Length: 104 minutes / 1.73 hours I haven’t always been a fan of DreamWorks movies, but the How to Train Your Dragon series is, in my opinion, perhaps the best they’ve ever created. Of course, I’m probably a little biased because each entry in the series came at a time in my life where I was reaching a milestone. How to Train Your Dragon (2010) came out as I was settling into my life as an independent adult. How to Train Your Dragon 2 (2014) followed me from dating into marriage. Now, the final chapter in the series, How to Train Your Dragon: The Hidden World (2019) is on the cusp of my transition into parenthood. Consequently, I had high expectations for the end of this trilogy. I wanted it to go out with a grand finale like Toy Story 3 (2010) did (before they even decided to make Toy Story 4 (2019), that is). Unfortunately, I did not find this to be the case....
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MOVIE: Avengers – Endgame (2019)

Avengers: Endgame Year: 2019 Rating: PG-13 Length: 181 minutes / 3.02 hours With last year’s semi-cliffhanger, Avengers: Infinity War (2018), Avengers: Endgame (2019) had a lot of ground to cover to reach a satisfying conclusion of over ten years of filmmaking. It’s no wonder that it’s just a smidge over three hours since there’s a lot of ground to cover here. I’ll admit that the only instantiations of these superheroes that I’m familiar with is via the Marvel Cinematic Universe. Still, it was probably better to go into the finale this way, having no preconceived notions of how the characters should act or the lore they’re connected to in the comic books. For a three-hour movie, Endgame moves at a steady pace that accelerates toward the inevitable conclusion. Following a standard three-act structure, Endgame benefited from bringing all the heroes together in Infinity War and establishing a baseline to work from and a goal to work toward. It was nice to see how each of these characters handled such a dramatic universal event. This is...
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BOOK: 1001 Movies You Must See Before You Die (2008)

1001 Movies You Must See Before You Die: 5th Edition Year: 2008 Author: Steven Jay Schneider Length: 960 pages As a movie aficionado, it was only a matter of time before I picked up this book. At the time, the 5th edition covered most of the films that were out at the time, but I do realize there are more recent versions of this book that include some of the latest hits of the last decade. Not one to use this book as a simple desk reference, I took the time to sit down and read through the reviews of these 1,000+ movies. In the time since buying this book, I’ve managed to increase my percentage of films seen, but there’s still a long way to go. Even before I started reading this book, I had already seen a good portion of the movies mentioned, many of which won critical awards for their achievements. With a concerted effort, I’m now sitting at 42% of these 1001 movies...
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MOVIE: Isn’t it Romantic? (2019)

Isn’t It Romantic? Year: 2019 Rating: PG-13 Length: 89 minutes / 1.48 hours I generally enjoy “self-aware” movies. Those films that know which genre they’re in and make fun of it the entire time. While it’s entertaining to see all the various tropes of a particular genre exposed in this method, these films still have to abide by these rules as well. This has been done to varying levels of success for action movies (Shoot ‘em Up (2007)), Disney movies (Enchanted (2007)), and superhero movies (Deadpool (2016)). Filling the hole of the self-aware romantic comedy is none other than Isn’t It Romantic? (2019). Despite not being terribly into romantic comedies, this self-aware film piqued my interest. Isn’t It Romantic? doesn’t necessarily fully commit to the self-aware theme. Instead, it encapsulates the ridiculous romantic comedy bit in the framing of a coma. The main problem I had with doing it this way was that Natalie—the main character played by Rebel Wilson—realizes she’s in a romantic comedy fairly quickly. However, she still seems...
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MOVIE: Vice (2018)

Vice Year: 2018 Rating: R Length: 132 minutes / 2.20 hours It’s a little weird to me how a director like Adam McKay has gone from directing movies like Anchorman (2004) and Talladega Nights (2006) to entertaining exposés like The Big Short (2015) and Vice (2018). Sure, I can see how his comedy background could lead to the razor-sharp wit used to educate the movie-going public about the 2008 mortgage crisis and the former vice president, respectively. It’s evident the Academy likes his new style as well, as both The Big Short and Vice were nominated for Best Picture. While I liked The Big Short a lot, Vice certainly had its moments. I’ll give props to Christian Bale for his ability to mimic Dick Cheney’s mannerisms in this role. Sam Rockwell was also pretty great as George W. Bush, but I couldn’t get past Steve Carell as Donald Rumsfeld. I also appreciated the tongue-in-cheek “false ending” in Vice, as it was probably one of the funniest moments in the film. Just like how learning about the mortgage crisis was...
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MOVIE: The LEGO Movie 2 – The Second Part (2019)

The LEGO Movie 2: The Second Part Year: 2019 Rating: PG Length: 107 minutes / 1.78 hours Back in 2014, children at heart everywhere were able to experience the world’s most successful building toy brand on the big screen via The LEGO Movie. With a catchy, Oscar-winning song, this Matrix-like movie was fun and self-aware. Fast forward five years, and the sequel, The LEGO Movie 2: The Second Part (2019) released with hardly the amount of fanfare and advertising that accompanied the original. I think this may have been in part due to how the formula the first movie used to great success has been done to death now. With spinoffs like The LEGO Batman Movie (2017) and The LEGO Ninjago Movie(2017) saturating the market, it's hard to capture the magic of the original. The real problem with The Second Part comes via the twist at the end of the first movie. Now that we know these toys merely exist in the imagination of a young boy, it’s hard to put that reveal back...
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MOVIE: Spider-Man – Into the Spider-Verse (2018)

Spider-Man: Into the Spider-Verse Year: 2018 Rating: PG Length: 117 minutes / 1.95 hours There’s no hiding that Spider-Man is my favorite superhero. My reviews of Spider-Man: Homecoming (2017) and Venom (2018) say as much. I grew up watching the 1990s animated Spider-Man show, so when I saw early trailers for Spider-Man: Into the Spider-Verse (2018), I half-thought it would be some direct-to-video movie. After all, everything up until now had been live-action. I was encouraged to learn that it would receive a theatrical release, especially when I started to see more footage of its unique artistic style. Not only does Into the Spider-Verse embrace its comic book origins, but it also does so with a flair and panache that I’d almost like to see in other superhero franchises. Over the years, I’d only loosely been paying attention to what was happening in the Spider-Man comics. Sure, I knew about Spider-Gwen (Hailee Steinfeld) and Miles Morales (Shameik Moore) but more in the sense that they were departures from the white-male Peter Parker (Jake Johnson) that...
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MOVIE: Aquaman (2018)

Aquaman Year: 2018 Rating: PG-13 Length: 143 minutes / 2.38 hours Now that Marvel’s 10-year behemoth of its cinematic universe is starting to pay off, it’s becoming more and more obvious that DC is trying desperately to catch up. There’s no doubt that DC has interesting characters, considering how often Superman has been rebooted and how successful Christopher Nolan’s Batman trilogy was. Even Wonder Woman (2017) had its great moments, despite also feeling derivative influences from movies like Thor (2011) and Captain America: The First Avenger (2011). Aquaman (2018) seems to continue this trend, despite again having a strong leading character (both physically and in backstory/lore). I will give DC credit for their casting decisions here. For decades, Aquaman has been the butt of the joke amongst many superhero aficionados. The fact that Jason Momoa is a badass, snarky, and overall entertaining actor to watch in the role speaks to their awareness of “image management.” Perhaps featuring him in previous films like Justice League (2017) also helped to get audiences interested in seeing this superhero in a standalone movie....
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MOVIE: Glass (2019)

Glass Year: 2019 Rating: PG-13 Length: 129 minutes / 2.15 hours Much like Incredibles 2 (2018) felt like a movie that came out far too late, Glass (2019) caps a trilogy of films that technically started with Unbreakable (2000). Both the original Incredibles (2004) and Unbreakable were genre-defining movies for the practically non-existent superhero films that are all but ubiquitous today. The fact that they took more than a decade to capitalize on this phenomenon is part of the reason why both sequels feel somewhat dated. Sure, they recapture a bit of the charm of the originals, but that’s not enough to overcome what superhero films have evolved into since then. If anything, Glass owes a debt of gratitude to its predecessor, Split (2016). If it weren’t for James McAvoy’s expert transitions between a dozen different personalities, I wouldn’t have been particularly interested in this final chapter of the trilogy. While Split was a return to form for Shyamalan, Glass seems like a bit of a regression. Perhaps this is due to the heavy burden placed upon Glass to combine two tonally different movies...
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MOVIE: Roma (2018)

Roma Year: 2018 Rating: R Length: 135 minutes / 2.25 hours Don't get me wrong. I like Alfonso Cuarón's films. I liked his films before I even really knew who he was as a director. If anything, he's shown that he's the master of cinematography, especially in long takes that seem to pan through almost the entire film. He first showed this talent in Children of Men (2006) and continued to impress with this technique in Gravity (2013). While he's shown he has mastered the long take, his signature style is still on display in Roma (2018) through its numerous pans. That being said, I found the content of Children of Men and Gravity to be much more interesting than that of Roma. Cuarón pulls us into his Mexican roots in this film, choosing the early 1970s to set this "slice of life" tale. The problem is, while the film looks quite artistic, with the black-and-white aesthetic fusing nicely with the expert camera work (along...
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