MOVIE: Darkest Hour (2017)

Darkest Hour Year: 2017 Rating: PG-13 Length: 125 minutes / 2.08 hours There are plenty of films out there that claim to be “art” by pushing the boundaries of the medium. These movies often come off as just plain weird. Darkest Hour (2017) is an artfully crafted masterpiece, even if it seems to be a biopic about Winston Churchill at first glance. All the individual elements that go into a fantastic film are in top form here, as we see how lighting, cinematography, music, plot, and acting combine to create something greater than the sum of their parts. Darkest Hour doesn’t have one element that makes it stand out as an incredible movie; it uses all facets of its production to create a masterpiece of art. The look of this film is incredible. From the overhead shots of battlegrounds seamlessly transitioning into the carnage of war to the heavy contrast of light and shadow emphasizing the “darkness” of the “darkest hour,” the visual spectacle of Churchill’s unconventional rise to...
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MOVIE: Call Me by Your Name (2017)

Call Me by Your Name Year: 2017 Rating: R Length: 132 minutes / 2.20 hours Call Me by Your Name (2017) is the latest in a string of LGBTQ+ films nominated for Best Picture. Each year, we seem to see one of these LGBTQ+ films nominated for the highest award, but this year there’s a much more fundamental problem with it. Around the time the definition of marriage was changed by the U.S. Government, many opponents warned of a slippery slope that would lead to acceptance of lifestyles that are currently illegal. Call Me by Your Name is proof that we have proceeded down this slope. I understand that the themes of “first love” are what draw people to this film, and I’d be OK with that if the theme never entered sexual territory. As it is, this movie glamorizes sexual relations with a minor. This is statutory rape, which is illegal. Even if the parties involved were heterosexual, this would still be wrong. Unfortunately, I think it’s...
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MOVIE: Lady Bird (2017)

Lady Bird Year: 2017 Rating: R Length: 94 minutes / 1.56 hours It’s weird to think that 2003 was 15 years ago. As someone who graduated high school in 2004, Lady Bird (2017) hit me right in the nostalgia. While there have been plenty of coming-of-age films over the years, Lady Bird simplifies the experience to a quick-paced trot through the senior year of high school for the titular character (portrayed to great effect by Saoirse Ronan). All the trappings of the coming-of-age story are there, including experimentation with drugs, sex, and alcohol, but done in a way that is still innocent and child-like. In the end, Lady Bird is about independence and defining who we are as individuals. What really hits home in the narrative of this film is the things we do to make ourselves stand out. From declaring that our name is different from the one our parents gave us to choosing which friends we spend our time with, we inevitably realize that we’re seeking approval and acceptance...
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MOVIE: Phantom Thread (2017)

Phantom Thread Year: 2017 Rating: R Length: 130 minutes / 2.17 hours Much like The Post (2017), Phantom Thread (2017) has a director/actor combination that just begs for an Oscar nomination. It seems that a decade after the last Paul Thomas Anderson/Daniel Day-Lewis collaboration, There Will Be Blood (2007), the Academy might want to pull their “should have won” trick and give the Best Picture Oscar to Phantom Thread. After seeing this film, though, I have changed my initial assessment. Sure, it’s good and has certain artistic elements that make it culturally significant, but other parts of it are just kind of . . . weird. First, the good. Daniel Day-Lewis, in his last role as an actor, unquestionably shows how good he is at his craft. I wouldn’t doubt that he has a good shot at earning his historic fourth Best Actor Oscar. The costume design and cinematography are noteworthy, but the best part of this film is a little more subtle: the music. The score for this movie permeates the...
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MOVIE: Three Billboards Outside Ebbing, Missouri (2017)

Three Billboards Outside Ebbing, Missouri Year: 2017 Rating: R Length: 115 minutes / 1.92 hours The first film by Martin McDonagh I saw was Seven Psychopaths (2012). I enjoyed how he was able to take the audience through many entertaining twists and turns. For his follow-up film, Three Billboards Outside Ebbing, Missouri (2017), McDonagh has improved on the twists, as well as the darkness of the comedy contained therein. In fact, the comedy is so dark that at times it was almost uncomfortable to laugh. All this being said, the two areas that make this a standout film are the characters and its complexity. Let’s start with the characters. Almost every single character is introduced in a way that the audience wants to dislike them. And yet, over the course of the film, the significant amount of character development makes the audience root for people who threw individuals out of second-story windows or chucked Molotov cocktails at a police station. Part of what helps in these character developments...
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MOVIE: The Post (2017)

The Post Year: 2017 Rating: PG-13 Length: 116 minutes / 1.93 hours At this point, I just wonder if every movie Steven Spielberg makes that has anything to do with war (Schindler’s List (1994), Saving Private Ryan (1999), War Horse (2012), Lincoln (2013), Bridge of Spies (2015)) is just automatically given a Best Picture nomination. Don’t get me wrong, Spielberg has made a lot of quality movies that should be recognized and awarded. The question is more about the state of Hollywood films. Is there nothing else out there by up-and-coming filmmakers that would supplant a Spielberg film in the nominee list? Don’t even get me started on Meryl Streep’s nominations, either. Of course, in part due to the all-star power of Spielberg, and the leading roles filled by Tom Hanks and Meryl Streep, The Post (2017) is a movie that builds its tension right until the very end. Despite a somewhat slow start, the stakes are never higher when the ambiguity of publishing classified documents is taken all the way to its logical conclusion. The...
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MOVIE: Spotlight (2015)

Spotlight Year: 2015 Rating: R Length: 128 minutes / 2.13 hours For many years, the running joke about the movies that have won the Best Picture Oscar is that they only won because another film should have won years prior. Spotlight (2015) is this generation's All the President's Men (1976) in that it is an excellent film about investigative journalism that broke open a huge cover-up, changing the world forever. Both films deserved to be Best Picture, but Spotlight manages to take an uncomfortable subject and be frank and open about the problems that we still see in today's society. Since most of the movie is comprised of uncovering the truth behind the sexual abuse scandals in the Catholic Church, it's surprising how gripping and well-paced the film ends up being. Part of the genius of this film is the high-energy dedication these four journalists have in uncovering the terrifying truths that had been lurking in the shadows for decades. While such a subject could easily create a...
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MOVIE: The Shape of Water (2017)

The Shape of Water Year: 2017 Rating: R Length: 123 minutes / 2.05 hours The modern master of the monster movie, Guillermo del Toro is at it again with The Shape of Water (2017). Much like the Universal Studios monster classics, del Toro has created a career around directing films about how humans interact with these monsters. From building giant robots to fight giant monsters in Pacific Rim (2013) to hiring monsters to kill other monsters in Hellboy (2004), del Toro has also occasionally shown the more human side of monsters. Or, more accurately, he has shown how monster-like humans can become. Previous films by Guillermo del Toro, like Cronos (1993) and Pan's Labyrinth (2006) have highlighted the negative qualities of man while infusing these films with a sense of fantasy that can often border on straight-up fairy tales. The Shape of Water certainly falls into the "man is the real monster" category of del Toro's movies, but it kind of beats you over the head...
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MOVIE: Get Out (2017)

Get Out Year: 2017 Rating: R Length: 104 minutes / 1.73 hours I'll admit that I'm not a fan of horror films. The fact that Get Out (2017) was released in that weird, "horror month" of February that merely exists so people trying to catch up on their Oscar nominations don't have to watch anything new meant that it mostly passed under my radar. When buzz about the movie continued for the rest of the year, I was still skeptical as horror has been known for its cheap tricks and gratuitous violence, both of which I don't particularly care for. The trick is, Get Out is certainly a horror film, but with the minimum required trappings to be considered one. With a few jump scares and a violent and bloody ending, Get Out works on a level that's best described as "blatantly subtle." It's not so much that it screams about the racial differences between black people and white people, but that it does so...
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MOVIE: Moonlight (2016)

Moonlight Year: 2016 Rating: R Length: 111 minutes / 1.85 hours Based on the surprise win of Best Picture at this year’s Oscars, I had high expectations for Moonlight (2016). There were some fantastic, motivational, and inspirational films in the running for this award, including the “follow your dreams” story of La La Land (2016), the “communication is key” story of Arrival (2016), and the “overcoming adversity” story of Hidden Figures (2016). So, what did Moonlight have to offer? In my opinion, not much; but maybe that was because I’m a straight white (you could argue, privileged) male and there was little to relate to in this film. Sure, the cinematography was impressive at times, but there wasn’t any story that I felt was impactful enough to warrant its award. I will give credit to Mahershala Ali, as his performance was certainly deserving of the Best Supporting Actor Oscar. So, what lessons does Moonlight give us? Do we need to find good mentors in life?...
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